简论高校学报主编的文化素养

学报主编的文化素养应包括前沿意识、创新意识、精品意识、现代编辑意识和学者化意识等。     

试论创新学报编辑的创新意识

创新学报编辑，必须具有竞争意识，前瞻意识和特色意识，只有具备这些意识，才能担当得起编辑创新学报的重任。     

高校学报主编意识论

主编意识,亦即学报主编对期刊编辑过程和发展趋向的主导意识,……     

略论学报的精品意识与编辑素质

学报主编,编辑必须强化学报的质量意识,努力提高学报质量。突出学报的特点和个性,既强调“现实价值量”,更要注意“后期使用率”,在“新”字上下功夫,主编,编辑要从政治,道德,业务,专业,知识面等方面有意识地提高编辑素质。     

略论学报的精品意识与编辑素质

学报主编、编辑必须强化学报的质量意识,努力提高学报质量。突出学报的特点和个性,既强调“现实价值量”,更要注重“后期使用率”;在“新”字上下功夫。主编、编辑要从政治、道德。业务、专业、知识面等方面有意识地提高编辑素质。     

省高校学报综合质量评估专家组来我校实地考察学报工作

6月18日下午,在河南省教育厅的统一组织下,由信阳师范学院学报主编韩伟教授、河南财经政法大学学报主编焦军普教授、河南教育学院学报主编闵虹教授、河南科技大学学报主编苏娟华教授     

新形势下学报编辑应树立六种意识

学报编辑部是集教学、科研、情报于一体的特殊部门。学报编辑所从事的编辑活动以学报形式,对内直接为高校的教学科研服务,反映学校的最新学术成果,代表学校的最高学术水平;对外传递科研信息和学术动态,直接服务于读者。因此,新形势下要提高学报的质量,发挥学报的"窗口"和"桥梁"作用,学报编辑应树立六种意识:信息意识、责任意识、版权意识、创新意识、公关意识和继续教育意识。     

提高军队技术院校学报质量的思考

对12种军队技术院校学报与12种地方同类高校学报的主要评价指标、国际著名检索系统网络数据库收录情况进行比较,可以看出,同类高校学报的整体国际化水平和学术影响力远高于军校学报。产生差距的主要原因有：军校学报管理部门和编辑对期刊主要评价指标研究不够,指导不力;论文评价的不合理导向,致使优秀论文外流;军校学报编辑竞争意识、创新意识、开放意识不强。有鉴于此,必须从机制创新和编辑思维创新着手,积极应对,以促进军校学报快速发展。     

河南省教育厅高校学报综合质量评估专家组莅临我院评估指导学报工作

2011年6月15日下午,省高校学报综合质量评估专家组河南大学学报主编、博士生导师程民生教授,河南理工大学学报主编、出版中心主任谢定均教授,河南农业大学学报副主编、编辑部主任梁保松教授,许昌学院学报主编、编辑部主任孟聚教授等一     

试论知识经济条件下学报编辑应具备的意识

高校学报在知识经济时代将处于重要位置,面对知识经济的挑战,高校学报编辑必须具备创新意识、开放意识、信息意识、学习意识和竞争意识。     

教师创造力内隐理论述评

创造力内隐理论(implicit theories of creativity)是指一般公众(专家和外行人)在日常生活和工作背景下所形成的,且以某种形式存在于个体头脑中的关于创造力概念、结构及其发展的看法(也称为"内隐观"或"公众观")。研究教师的创造力内隐理论有助于研究者了解教师对于创造力的观念以及他们对待创造性儿童的态度,从而把握教师实施创造性教学的状况,有针对性地对教师进行培训,改进教师的教学,从而有利于在教育教学中对学生创造力的培养。通过教师对创造力的理解,对创造性学生的态度及人格特征的认识,对创造力的培养等论述,以期有助于我国教师创造力内隐理论的研究。     

The Social Construction and Psychological Assessment of Creativity

The paper underlines the conceptual disunity present in the field of creativity research and introduces a relational concept of creativity of products that stresses the socially defined character of this aspect of creativity. The proposed definition implies that creativity cannot be conceived as an ability of persons, as a characteristic of thinking processes, or as a neuronal function. Referring to the well‐known investment theory of creativity and to the so‐called creativity tests, the paper explicates additional consequences of a socially construed creativity concept and considers the status of empirical research on creativity within a social constructionist framework.     

国际视野下我国大学创新力存在的问题及对策研究

大学创新力在一定程度上决定着一个国家的创新力,决定着一个国家的竞争力。与世界名校相比,我国大学无论是在整体创新力还是在人才培养创新力、科研创新力和社会服务创新力方面都存在着一定的差距。为了提高大学创新力,我国应该加大高等教育投入,完善现代大学制度,加强教师队伍建设,保障学术自由,加强基础研究和科研成果的转化,加快教学模式与方法改革。     

Creativity in education

Currently considerable interest is being shown in creativity by the government and bodies such as QCA and Ofsted. A ‘creativity agenda’ has emerged with important implications for teaching and learning in schools. Drawing on research literature, as well as work completed by Secondary PGCE English and Drama trainees, this paper aims to provoke discussion about how creativity in education is defined and the impact of more explicit understandings of creativity in classrooms.     

Mapping creativity in the Hungarian National Core Curriculum: a content analysis of the overall statements of intent,curricular areas and education levels

In the past 20 years, creativity has increasingly been recognised as an important aspect of young people's education around the world. The global interest in creativity is fuelled by various economic and social considerations. One concern of the approach to creativity in education is the curriculum. The research reported in this paper aimed at identifying the curriculum-level enablers and barriers to nurturing creativity in Hungarian public education by investigating the place of creativity, as well as that of creative pedagogy, in the Hungarian National Core Curriculum (HNCC) using content analysis. Findings revealed that creativity and the components of creative pedagogy were recurring elements of the HNCC. In Arts and Mathematics, the high importance of creativity was also supported by the strong presence of the elements of creative pedagogy. The barriers identified include the lack of clear and consistent definitions of creativity, the varied incidences of creativity and components of creative pedagogy, with extremely low attention to nurturing creativity in Foreign languages, Man and nature (science), and The Earth – our environment (geography). It has been concluded, therefore, that a more coherent and consistent approach to creativity across the HNCC is required.     

Relationship of children's conceptual tempo to problem solving and creativity

The present study examines the role of conceptual tempo in creativity and problem solving. It was hypothesized that reflective children would do well on tasks involving an evaluation component, while impulsive children would do well on typical creativity tasks. Measures of creativity, assessing fluency, flexibility, and originality, as well as measures of problem solving, stressing an evaluation component, were administered to 101 white suburban fifth-grade children. Using MFF scores, four groups were identified: reflectives, impulsives, fast-accurates, and slow-inaccurates. Results indicated no significant differences among the conceptual tempo groups on any of the creativity or problem-solving tasks. It is suggested that conceptual tempo may be less effective in predicting differences in some aspects of cognitive functioning at this age. Examination of this hypothesis with younger children is recommended.     

The cognitive profile of creativity in design

The objective of the study was to explore the cognitive profile of creativity in design by applying a new approach to the assessment of creativity based on the theory of meaning (Kreitler & Kreitler). The assessment of meaning enables to identify cognitive processes that characterize an individual as well as those necessary for good performance of some cognitive act, such as creativity. It was hypothesized that creativity in design will include partly cognitive components identified in previous studies of creativity and partly new ones. The participants were 52 students in a school of design, who were administered a designing task and the Meaning Test, assessing a broad range of cognitive processes. The design products were assessed for creativity by three experienced architects. The cognitive processes, differentiating significantly between the students who produced highly creative designs and those who produced less creative ones, were interpreted as constituting the cognitive profile of creativity in design. The obtained profile supported the hypothesis and provided information about the cognitive processes of creativity in design, which may also be used for promoting creativity in design students.     

The Uses and Misuses of Evaluation

Current research indicates that creativity in teaching can and should be enhanced in order to promote student learning. This article begins by stressing the importance of creativity in education and the ways in which creative teaching benefits students. Next, it addresses key points for better understanding classroom creativity by identifying common barriers that counteract or hinder teacher creativity. After identifying the characteristics of teachers who are considered creative educators, this article concludes with general recommendations, as well as specific strategies, for increasing the level of creative teaching in today's classrooms.     

自考创新与思维

高等教育自学考试制度是我国教育制度改革的产物。它在制度创新、考试和社会化教育创新、学制创新、自主学习制度创新、机制创新、整合和优化教育资源创新等方面的表现比较突出。探析自考创新与思维的关系, 以及思维在创新中的作用和应用, 启示我们应当认真学习思维科学, 努力提高创新思维能力, 不断推动自考的创新与发展。     

培养幼儿创新精神之环境创设

面对＂创造＂日益成为时代主题的社会,为幼儿创设良好的环境,培养其创新精神和实践能力理应成为广大幼儿教师义不容辞的责任。培养幼儿的创新精神,物质环境创设路径为：设置＂小问号＂信箱,引导幼儿善思、好问;设立＂巧手角＂,开展创新性实践活动;让＂自然角＂成为幼儿主动探究的阵地;丰富活动区材料,发展幼儿创造思维。精神环境的创设路...