Identity Management and the Fostering of Network Ignorance: Accounts of Queer Iranian Women in the United States

This qualitative study explores the narratives of 12, first-generation, queer, Iranian-American women in an attempt to better understand the experiences of being both Iranian and queer, and to explore the various ways participants manage their sexual identities within their ethnic communities. Online interviews were analyzed using grounded theory analysis, which revealed that shame anxiety motivates the fostering of network ignorance. Feelings of fear and guilt, which together cultivate shame anxiety, motivate the identity management strategies of queer Iranian women as they attempt to foster ignorance of their sexual orientation within the Iranian community. Strategies include (co)-covering, deceiving and passing, and avoiding.     

Consuming Popular Music: Individualism,Politics and Progressive Rock

Historians have maintained that popular music had an influence upon individuals and in turn society. Yet the historiography of popular music has focused far more on bands and wider social reactions to the music than on understanding how and why fans consumed music. This article demonstrates how a more fan-centric approach can allow for more subtle understandings of the influence and role of popular music in the twentieth century. During the 1970s, progressive rock was an important part of life for many young music fans. It provided them with escape, entertainment and a sense of individualism, community and intellectual reward, much of which centred upon the idea that the genre was different, uncommercial and difficult to access and understand. Progressive rock also encouraged some debate around issues of class amongst the young and helped cement the importance of individualism in middle-class and educated circles. However, many of the values articulated in progressive rock, not least the discontent with contemporary society and the emphasis on intellectual values, were also shared by many within the broader social framework that fans wanted to rebel against. Moreover, other musical subgenres liked to imagine themselves as similarly ‘different’ and thus progressive rock shows that the real significance of popular music for historians is not the music itself but rather how it was consumed and thought about by the fans themselves.     

Daejanggeum as ‘affective mobilization’: lessons for (transnational) popular culture and civil society

Abstract

(Transnationalized) popular culture and (global) social movement are often seen as unrelated, if not mutually exclusive. Popular culture is entertaining, consensual but trivial; social movement is serious, idealized and oppositional. Yet the WTO Ministerial Conference, held in Hong Kong in December 2005, saw the Korean protesters' adoption of the theme‐song of a popular Korean television drama, Daejanggeum, as their protest strategy. The Korean protesters had been framed by mainstream Hong Kong media as ‘violent rioters’, but the inclusion of the drama elements helped the protesters advance their cause by gaining instant rapport with the local Hong Kong news media and public/fans (of Korean wave). The impact of celebrity involvement in the WTO was also about an immediate transferal of fan affect, from celebrities to the movement, and to the Korean protesters. This ‘affect mobilization’, becomes important as movement capital, as the effective manipulation of emotions is a key to ‘getting the message across’ as movement strategies. The case of WTO Hong Kong reveals the possibility of a symbiotic relationship between transnational popular culture and globalized social movements. The ‘use’ of (Korean) popular cultural products enriches and complicates the affect subjectivities within the social movement, and arranges fan affect into multiple layers of emotion hierarchies/spheres. It remains to be seen, however, if this would set a precedence to protesters in future WTO rounds as they are keen to mobilize their causes in different locales. More research is needed, too, to demonstrate if the success of the Korean wave fosters the emergence of a transnational Asian ‘public’ or civil society. Yet, for now, the success of Korean protesters in the mobilization of Hong Kong public's affect epitomizes the hegemonic flow, or soft power, of Korean TV dramas in the Asian popular.     

Examining the World Around Us: Critical Media Literacy in Teacher Education

This article presents findings from action research conducted in a graduate level course with practicing K–12 educators. In this article, I consider the usefulness of critical media literacy in the graduate classroom as I engaged students in discussions about multicultural issues including race, class, gender, sexuality, and ability. Through an examination of student presentations and field notes collected over the course of the semester, I found the graduate student participants were typically quite savvy at evaluating the messages they receive from media. Further, I found the incorporation of popular media into the classroom helped students grapple with typically foreign and often theoretically dense concepts like unconscious racism and heteronormativity, as well as theories like critical race theory, intersectionality, and queer theory. The graduate student participants were able to see deep connections between text/theory and media and often used various media to illustrate theory in quite complex ways. Lastly, engaging with texts of everyday life and using visual representations helped students interrogate the concepts explored in the course and provided students access to theory otherwise regarded as inaccessible.     

Black History,Inc! Investigating the Production of Black History Through Walmart's Corporate Web Site

Social and public sites are becoming a popular medium for intellectual consumption of Black history. Given the educational climate in which many students’ exposure to Black history may come from outside of schools, the authors examine how Walmart's Black History Month Web site produced simplistic and safe narratives about African American history.     

Complicating cosmopolitanism: Ethno-cultural and sexual connections among gay migrants

ABSTRACT

Contemporary migrants are described as “connected migrants,” as they maintain multiple connections using digital and social media. This article explores how this leads to processes of cosmopolitanism and/or encapsulation in a particular group, voluntary gay migrants in Belgium, focusing on the intersection between ethno-cultural and sexual identifications and connections. Drawing on in-depth interviews, the cosmopolitan outlook of the participants becomes clear, as their national and ethno-cultural connections are relatively weak while they identify more strongly with cosmopolitan LGBTQ (lesbian, gay, bisexual, transgender, and queer) culture. However, while more salient, sexuality is not all-defining either, bespeaking their rather privileged position as a group of migrants who are self dependent and not strongly encapsulated in ethno-cultural nor sexual communities, with neither minority identity causing excessive stigmatization. As a consequence, they use digital and social media to simultaneously connect to different social spheres, although most do manage their self-presentation to avoid the clash or “collapse” of different social contexts online.     

Make my life easier

Included in this section are a number of self‐narratives uttered by a new generation of Taiwanese transgenders who have been forming/negotiating their transgender identity and trajectories of trans life amidst the rigidity of the gender binary as well as the complexities of emerging gender/sexuality movements and identity politics in Taiwan. These self‐narratives, spoken not as conciliatory attempts to win medical approval but as honest efforts to communicate with kindred spirits on friendly occasions, provide us with a rare opportunity to glimpse not only the inner struggles of varied transgender lives, but also the unspoken fluidity and multiplicities of identity and desire that gender/sexuality theories as well as movements have yet to grasp.     

State power,prostitution and sexual order in Taiwan: towards a genealogical critique of ‘virtuous custom’1

This paper considers, by way of conjunctural analysis and genealogical investigation, the policed culture of sex under the regulatory regime of ‘virtuous custom’ as sustained by the now defunct Police Offence Law (abrogated and replaced by the Social Order Maintenance Law in 1991) between the 1950s and 1990s. It attempts to trace the historical process whereby the social/sexual order came to be established in postwar Taiwan, thus articulating the cultural specificity of gendered/sexual subjectivities as formed within that particular geo‐political terrain. Examining the police technology as well as the official/journalistic discourse of sex, this paper demonstrates that ‘virtuous custom’, a nationalist ideological construct predicated upon the Confucian sage‐king paradigm, operated as a norm of sex whose boundary was secured through the policing of non‐familial/non‐marital sexualities, arguing further that both female sexuality and male homosexuality have been historically regulated by the state through its banning of prostitution. As the normative regime of ‘virtuous custom’ has become even more hegemonic due to the rise in recent years of anti‐prostitution state feminism, contesting the new social/sexual order on the grounds of its ideological operations and practices represents the most challenging task for progressive sexual and gender politics in Taiwan today.     

internet@academia.com: Internet Studies,Popular Communication,and Academic Work

This article examines the development of Internet studies in the context of media studies and popular communication research. It describes and discusses parallel trends in popular communication and Internet studies, the formation of disciplinary structures and canons, and the costs and benefits of interdisciplinarity. It argues that the institutionalization of Internet studies can provide a means by which Internet researchers in an academic setting can engage in public debate about the social and cultural consequences of Internet technologies and in debate with institutional colleagues about resource, as well as intellectual, issues.     

Women's Work on the World Wide Web: How a New Medium Represents an Old Problem

This article examines how iVillage.com, one of the most popular World Wide Web portals for women, advises them on how to integrate the demands of wage and domestic labor. Specifically, the article focuses on the implications such advice has for gender relations within the family and for feminist politics in U.S. society. Discursive strategies in advice generated by iVillage.com support the ideology of postfeminism, which promotes individual consumer-based solutions for a primarily middle-class audience over politics addressing the gendered division of labor, both within individual families and in social structures. Such commercial Web-site discourses are consistent with those constructed by other mainstream media.     

Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong

The paper attempts to work out the link between the structuring of the public domain and hegemonic masculinities in contemporary Kerala, South India. Using the debates around an incident of sexual harassment that happened in 1999, it argues for a conjunctural understanding of the contemporary where various events and moments in history are replayed through narrativization and popular memory. The paper goes on to analyse the debates around the incident that produce a ‘narrative public domain’, to foreground the various notions of masculinity that construct and structure it in relation to notions of female sexuality and changing structures of family. These notions of masculinity could be, the paper argues, a starting point for a historical inquiry into Kerala's modernity – an inquiry that would throw light on the past and the ways in which the contemporary is produced through its historical legacies.     

From Silent Screen to Multi-screen: A History of Cinema Exhibition in Britain since 1896. By Stuart Hanson/The British Musical Film. By John Mundy.

ABSTRACT

This article explores the political, economic, media and social reactions to the Sex Pistols' Anarchy Tour of December 1976. A critical reading of the sociological concept of ‘moral panic’ is used to examine the ways in which responses to the Sex Pistols were related to the notion of post-war decline, immorality, delinquent youth and the changing nature of the British working class. The responses to the Anarchy Tour constitute a further episode in the cycle of ‘moral panics' that emerged in British society in connection with the development of youth culture, juvenile delinquency and popular music. The exploration that follows posits the view that although ‘moral panic’ is useful for understanding particular aspects of popular music, it also conceals the complexity of the differing responses of political/social groups to the appearance of such phenomena. The article also forms a critique of recent revisionist characterizations of Britain in the 1970s. The ‘moral panic’ surrounding the Sex Pistols was in part ‘socially constructed’ by the media, yet reactions by trade unionists, students, feminists and socialists show that concerns about British society in 1976 were not confined to religious pressure groups, conservative media commentators and political elites.     

Idealization,Inspiration, Irony: Popular Communication Tastes and Practices in the Individual Political Development of Generation X'ers

Using a theoretical frame of cultural studies and social constructivism, I analyze data collected from 15 Americans born between 1965 and 1978-"Generation X'ers"-about how they remember and understand the significance of their popular communication tastes and practices for their political socialization, or what I choose to call individual political development. This study finds that these tastes and practices have had quasi-intentional, functional importance for individual political development in this generation, importance best described as media "uses and effects." While also theorizing about the implications of the postmodern era in which "Generation X'ers" and others have lived, this work speaks to the importance of incorporating individual developmental processes and meaning-making into work on the political implications of mass media and popular communication.     

An Empire Gone Bad: Agatha Christie,Anglocentrism and Decolonization

Recent scholarly accounts of early post-war society have emphasised the importance of positive and self-congratulatory narratives of decolonisation – whereby the end of empire was the inevitable result of a pro-active British beneficence – or have suggested that society was shielded from a sense of imperial decline. Such accounts are complicated by Agatha Christie’s immensely popular crime novels, which constructed a narrative of British decline rooted in a sense of departure from pre-war ideals of imperial masculinity, but whose Anglocentrism nevertheless offered up the potential for imperial renewal pending a ‘rediscovery’ of such characteristics.     

Prostration Before the Law: Representations of Illness,Interaction, and Intimacy in the NYPD Blue Prostate Cancer Narrative

Building on extant literature on media, illness narratives, and "message television," we analyze the prostate cancer narrative presented in ABC's police drama, NYPD Blue. Given the potential for entertainment television as a source of health information, we justify the need to examine the prostate cancer experiences portrayed by the show's central character, Detective Andy Sipowicz, and his wife Sylvia. In addition to using narrative analysis, we compare the televised story with knowledge derived from extant research on prostate cancer and prostate cancer support groups. After providing background information about the television series and the disease, we investigate the accuracy and scope of the prostate cancer information presented in the story. In doing so, we consider (a) depictions of the wife as a selfless support source, (b) dialectical tensions that emerge within the marital relationship because of the illness experience, and (c) the narrative probability of this fictitious illness narrative.     

Strategic Narratives in US Public Diplomacy: A Critical Geopolitics

The United States has historically held a unique, complex, and dynamic relationship to international geopolitical space. From the Monroe Doctrine to Cold War demarcations such as containment and détente, the United States has sought to define its geopolitical position in relation to other nations through narratives which have served as popular reference points for interpreting shifts in international power relations. Why, then, is it unable to produce a compelling story of geopolitical space for the 21st century? This article examines historical examples of geopolitical discourse used by the United States in promoting its foreign policies in order to explore the question of why post-9/11 narratives have failed to successfully build upon narratives of popular struggle against the Soviet Union. There are, however, historical examples which suggest possible directions for rejuvenation.     

Populist cosmopolitanism: the predicament of subjectivity and the Japanese fascination with overseas

Abstract

This article examines the way in which seemingly contradictory positions of populism and cosmopolitanism are articulated in the development of the Japanese post‐Second World War fascination with overseas. Specifically, I analyze the writings of Ohashi Kyosen, a popular television entertainer, and investigate how a particular mode of subjectivity is expressed through his ideas of overseas leisure and retirement in his best‐selling book Kyosen: Choose Your Own Life (Kyosen: Jinsei no Sentaku) and related essays published around 2000. While the issue of subjectivity has been the central concern throughout modern Japanese history, earlier analyses have been focused on the critical writings of intellectuals. I argue that in order to understand the larger social impacts of the translation of subjectivity, we also need to examine how the issue is articulated in popular discourses. Ohashi’s popular writings suggest that the issue of subjectivity still haunts the contemporary everyday lives of many Japanese, and continues to be the key predicament for articulating a culturally meaningful model of ‘citizen’ in Japan. Ohashi’s writings raise questions about what it means to be an active agent of one’s life, and how to situate the self in the larger society. Through an analysis of Ohashi’s narratives, I first illustrate how subjectivity is negotiated through people’s demands for leisure and their concerns about retirement, both of which are entangled with their fascination with overseas. Second, I examine Ohashi’s narratives as an expression of the paradoxical position of the Japanese citizenry conditioned by the US–Japan political, economic, and military coalition. I discuss how the predicament of articulating Japanese subjectivity reflects this paradoxical position under the legacy of Cold War geopolitics in Asia.     

Nobility,women and historical narratives of the crusades and the latin east

Historical narratives of the crusades and Latin settlement in the Levant, like other medieval literature, provide slim details about women. In medieval society Latin literary education was dominated by a predominantly male and ecclesiastical hierarchy, which reflected the views of a patriarchal social system and marginalised the public role of women. Crusade narratives in particular have been criticised for their negative attitude towards women, mirroring a lack of ecclesiastical enthusiasm at their involvement in the crusade movement. Histories about crusading and events in the Latin East were often written for, and in some cases by, the lay nobility who took part in crusades and settled in the holy land. These texts were sometimes used as propaganda to encourage nobles to take the cross, and much of the imagery within them had didactic elements. In the case of women, they provided models for behaviour according to social and marital status. A consistently negative portrayal of women was doubtless impossible due to the number of important noblewomen who took the cross, and their value in cementing political alliances between western Europe and the Latin East through marriage. This article contends that it is the complex links between crusade narratives and the nobility, in terms of participation and patronage, audience, subject matter and values – crusade as a “noble” pursuit – which helps to explain the discrepancy between established ecclesiastical views and the portrayal of women in historical narratives about crusading and settlement in the East. In order to establish this idea effectively, several main themes must be addressed, including the role of crusade texts within the context of contemporary noble culture, and crusade narratives as source material for noble values concerning women. To begin, however, it is necessary to provide some background on attitudes towards women and crusade, as well as the concept of nobility and the noblewoman's place in medieval society.     

Images of Animated Others: The Orientalization of Disney's Cartoon Heroines From The Little Mermaid to The Hunchback of Notre Dame

Because of the success of the first six animated feature films produced in the "new era" of Disney animation (The Little Mermaid, 1989; Beauty and the Beast, 1991; Aladdin, 1993; The Lion King, 1994; Pocahontas, 1995; The Hunchback of Notre Dame, 1996) and their mass merchandising, Disney animated characters became ubiquitous for children of the 1990s. Although Bell, Haas, and Sells (1995) suggested that Disney films present a "sanitization of violence, sexuality, and political struggle concomitant with an erasure or repression of difference" (p. 7), an increasing emphasis on sexuality and the exotic is evident in the construction of the female heroines in these films, particularly in the female characters of color. This article analyzes what may be referred to in Said's (1978) terminology as the orientalization of women of color in five of these six Disney animated films and posits how these representations of gender and cultural difference operate within Disney's consumerist framework, which provides "dreams and products through forms of popular culture in which kids are willing to materially and emotionally invest" (Giroux, 1999, p. 89). Using a critical lens, I interrogate the unity of images regarding gender and race that these Disney texts offer and the ways in which these meanings operate within the larger socio-historical framework regarding women of color and the notion of Whiteness.