Thumbing Their Noses at "The Man": An Analysis of Resistance Narratives About Multinational Corporations

This research project examines the narratives that emerged in alterations of corporate billboards and advertisements. The altered billboards were found in Adbusters magazine and the magazine's Web site-particularly the "Creative Resistance" campaign developed by the publishers of Adbusters. Through the use of narrative criticism I construct a resistance narrative that glides throughout all of the altered billboards and is paramount to the anti-corporate movement and culture. This resistance narrative is based upon the identity of the culture and corporations that they resist, the cultural values of both the anti-globalists and corporations, and the political community that is constructed from the resistance artists' calls to action. The resistance narrative that emerges provides empowerment that is necessary for community building in the anti-corporate movement and culture.     

The Omnibus and the Shaping of the Urban Quotidian

ABSTRACT

This article explores the cultural and social impact of the world's first mass public transit system by highlighting its impact on time instead of space. Time allows us to see how public transit imbricated small-scale and large-scale practices, channelling vast numbers of private goals and generating new kinds of collective and subjective experience. The reliability and ubiquity of the system transformed movement into a calculation between time, energy and money. This redefined the organization, perception and rhythms of activity within the daily cycle and transformed the geographical distribution of services. It thus created new forms of discrimination related to access.     

Diaspora as method: Inter-Asia Cultural Studies and the Asian Australian Studies Research Network

ABSTRACT

What is the place of the diasporas within the Inter-Asia Cultural Studies movement, and how can Asian diasporas in the West contribute to Inter-Asia's intellectual project of “problematising Asia”? Developing a notion of diaspora as method, this essay highlights the complementary relationship between the Asian Australian Studies Research Network and the Inter-Asia Cultural Studies network. It argues that the Inter-Asia network has much to gain from embracing the Asian Australian diaspora as an interlocutor with shared priorities and concerns, and that Asian Australian studies can also productively learn from Inter-Asia's alternative model of institutionalisation, thereby expanding its theoretical and methodological frames of reference.     

The Cold War and post-Cold War dynamics of Taiwan and East Asia in people's security perspective

This paper was originally written as a keynote speech for a specific occasion, an international forum that was held by the Presbyterian Church in Taiwan (PCT) in Taipei in February 2001, to discuss Taiwan's international status in the post-Cold War era. The PCT is known as a strong advocate of Taiwan independence and democratization, and I had this specific audience in mind in organizing this paper. My concern was that the independence advocacy that had aptly expressed people's aspirations in the democratization movement under the iron-fist rule of KMT was being subsumed, as Taiwan polity was Taiwanized and democratized, into a banal statist discourse. This discourse, I am afraid, has distanced itself from its original popular source and become the elite politicians' discourse, indifferent to the everyday life and security of the people in Taiwan. I approached this problematic from the perspective of 'people's security', which I discussed in my previous essay on the topic in Inter-Asia Cultural Studies , vol. 2, no. 1. As the mutual relationships between East Asian countries had to be shaped overwhelming by the US Cold War rhetoric and material influences, discussing Taiwan with regard to the transition to the post-Cold War era required me to go, albeit in outline, into the basics of these relationships as well as the modes of US hegemony in this region both in the Cold War and post-Cold War settings. I felt that characterization of these diverse elements, if sketchy, was indispensable to discussing the topic, Taiwan today. At my friends' suggestion, I tried to revise the original paper to fit into the concerns of the general readership, with the different aspects mentioned more fully explained. However, I have found this difficult as it would require me to write a completely new article, or maybe a whole book. So I present this paper almost as it was written for the original PCT audience.     

English-Spanish Cognates and the Pura Belpré Children's Award Books: Reading the Word and the World

English-Spanish cognates are an important subset of words in both the English and Spanish languages. Cognates are words that possess identical or nearly identical spellings and meanings in both languages as a result of being derived from Latin and Greek. Of major importance is the fact that many of the more than 20,000 cognates in English are academic vocabulary words, terms essential for comprehending school texts.

?The Pura Belpré Children's Book Award has been given since 1996 to outstanding children's and young adult literature that represents, affirms, and celebrates the Latino cultural experience. The books are judged for their literary and artistic quality.

?There are many English-Spanish cognates in each of the Pura Belpré picture books. The purpose of this article is to introduce the Pura Belpré Cognate Database, which lists all of the English-Spanish cognates for each of the children's picture books that have won the award or have been designated as honor books. Ideas for vocabulary, spelling, and morphology lessons or mini-lessons are also presented.     

Fielding the Study of Reception: Notes on "Negotiation" for Global Media Studies

As an emerging area of inquiry, "global media reception studies" has quietly amassed into a minor industry of scholarship. Of this body of work, ethnographic studies stand out in terms of their rigor and depth and their potential to engage theoretically our understanding of audiences' negotiation of meaning-a construct rooted in Hall's (1996) encoding/decoding model-which is important because the negotiation of meaning occupied a central place in the reception literature of the 1980s and 1990s, where it was articulated in terms of agency, intentionality, and subject-formation. Through this emphasis, however, the authority of media discourses often moved out of focus whereas media consumers' tactics, resistance, and pleasure emerged as primary points of analysis. In a call to rethink the notion of negotiation ethnographically, this article offers a critical assessment of the gaps and links between past reception studies and current media ethnographies and suggests ways that fieldwork could lead to a deeper and more complex understanding of audience meaning making.     

Race. .. and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity

Rap superstar Eminem has become the new poster child for everything that's dangerous about contemporary popular culture. He's crude, juvenile, and foul-mouthed. His lyrics are violent, misogynistic, and homophobic. He's corrupting our youth, poisoning our culture, and laughing about it all the way to the bank. Or so the story goes. This essay argues that much of what underpins the moral panic surrounding Eminem is a set of largely unspoken questions about race, identity, authenticity, and performance. In particular, this paper examines the ways that Eminem's status as a White man who has achieved both critical and commercial success within a predominantly Black cultural idiom serves to challenge dominant social constructions of race in the United States by de- and reconstructing popular understandings of both Whiteness and Blackness.     

Legacy evaluation and London, 2012 and the Cultural Olympiad

The Summer Olympic Games were held in London from 27th July to 12th August 2012 with the Paralympic Games following two weeks later. In the immediate aftermath, the event was heralded as an outstanding success with praise for efficient organisation, welcoming volunteers and sporting prowess. But how do we evaluate the longer term legacy of an event like the Olympic Games? This article explores developments within the last decade to establish a paradigm for evaluating the legacy of the Olympic Games. The development of the International Olympic Committee's focus on “legacy” planning introduces this article and is followed by a brief synopsis of the contribution that the UK has made to legacy evaluation. The final section suggests that one of London 2012s major contributions to the Olympic movement as a whole may be what an interrogation of the issues surrounding legacy evaluation tell us about legacy as a whole.     

My Wild Lily: a self‐criticism from a participant in the March 1990 student movement 1

Abstract

The ‘Wild Lily’ student sit‐in in March 1990 was often praised in the later political transformation process as a crucial moment when the ‘pure and innocent’ students facilitated democratization in Taiwan. From the perspective of a participant in the protest, the author argues that the sit‐in was actually a failure of the ‘popular democratic’ wing of Taiwan's student movement in the 1980s, which championed a more radical vision of democracy. The idea of ‘popular democracy’ was an anti‐elitist ideology arising from critiques on the elite‐led political reform movement. However, due to its historical constraint, practices along this line were unable to alter the bourgeois democratic character of 1980s' democratization process in Taiwan.     

Solving the "Accursed Riddle" of the Diplomatic Relations between Catalonia and Egypt around 1430

The last Arabic diplomatic document in Barcelona's Crown of Aragon Archive (ACA) that is still to be edited and studied is ACA Arabic doc. 164. The document is a preliminary draft of the commercial and peace treaty drawn up in 1430 by Alfons the Magnanimous, King of Aragon, Naples and Sicily (1396-1458), and the Mamluk Sultan al-Ashraf Sayf al-Din Barsbāy (825-841/1422-1437), signed in Rhodes (Ramadān 7 833/30 May 1430, ACA Arabic doc. 145), and published in 1939 by Ruíz Orsatti. Document 164 contained 111 folios, which were not in order, and for this reason specialists called it the "accursed riddle". The document was probably prepared for discussion during the summer of 1429, a few months before the definitive version was signed. It is longer than the final agreement, and contains an additional Chapter (33) which has not been published to date. Little documentary evidence of diplomatic negotiation between Muslim and Christian powers in Medieval times has survived, and this chapter provides us with a highly unusual example. In the first part of this study the document is described and its contents outlined. In sections 2 and 3 we edit and analyse the contents of the additional Chapter 33 and the Explicit that goes with it, which is absent from Ruíz Orsatti's version. We then present some historical data regarding the Catalan embassy to Rhodes, which will shed light on the diplomatic negotiations that concern us and the historical reasons for the censoring of Chapter 33.     

Forty years on

The election of the New Labour Government in 1997 led to the end of a strand of museum policy that had begun with the publication of the Survey of Provincial Museums and Galleries (the Rosse Report) in 1963. Comparison of the substantial data relating to the usage, governance, management and resources of museums in Rosse with the position at the end of the twentieth century shows how the museums landscape has (or has not) changed during the intervening period. Both National and non-National museums have seen their financial resources grow in a way that has outpaced Gross Domestic Product (GDP). This is both a reflection of, and stimulus for, increasing public interest in the heritage. However, the museum sector has not been the stable entity of popular perception, and museums have closed or amalgamated as well as opened and developed new projects. For most of the 40 years government policy for museums has been ad hoc, and it is only since 1997 that museums have been the subject of strategic direction, exemplified for non-National museums by the Renaissance in the Regions initiative. The £147 million to be spent on this scheme by 2007/08 represents an unmatched level of investment. However, it has focused resources on the large regional museums rather than the previous more equal distribution, increasing the risk that the museum sector will atomize rather than continue the process of coming together that had been taking place previously. Rosse's main recommendation, the creation of area museum councils, endured for 40 years. Renaissance's larger budget makes current levels of support vulnerable without some formal (perhaps legislative) framework to anchor it within government. While this approach is increasingly popular in other European nations, it still represents a challenge for cultural policy in the nations of the UK.     

State Practice,Nationalist Politics and the Hunger Strikes of the Lahore Conspiracy Case Prisoners, 1929–39

ABSTRACT

This article examines the hunger strikes of the Hindustan Socialist Republican Association, a small group of revolutionary prisoners in India's jails in the midst of the nationalist movement. It examines the everyday practices of the state and demonstrates that the legal powers and medical duties designed to guide prison administrators in fact provided room for individual officers to improvise non-standard means of causing prisoners physical distress in order to end the strike. In these daily encounters, the prisoners adapted novel forms of resistance to meet each new technique. The second purpose of this article is to explore the reasons why their hunger strikes brought these men to the forefront of India's nationalist movement. It is argued, that although many members of the Indian National Congress were ambivalent about these revolutionaries, Congressmen nonetheless used the patriotic sacrifices of these prisoners to mobilize ordinary Indians for the nationalist cause.     

Living Utopia

ABSTRACT

This article examines experiments in communal living in Britain and Denmark in the early 1970s, using life-story interviews from seventeen members of two British and two Danish communes. It examines communal living as a fusion of radical political principles with the practice of experimental collective living. It concludes that the movement's egalitarian principles of resource-sharing, gender equality and the avoidance of hierarchies were broadly achieved, even if the movement obviously did not realize its more ambitious objective of undermining the bourgeois family. Though none of the interviewees lives communally now, most remain faithful to the principles behind the movement.     

Producing the German Civic Nation: Immigrant Patriotism in Berlin's World Cup Flag Fight

In order to untangle the tension between the exclusionary prerogative of sovereignty and the universalizing philosophy of the nation-state under civic nationalism, this study examines the press coverage of a flag fight in an immigrant neighborhood of Berlin during the 2010 FIFA World Cup. In the heavily mediatized struggle, German anti-fascists repeatedly damaged and stole a 22-meter-tall German flag belonging to a family of Lebanese extraction. The flag fight and the media's coverage of it demonstrated competing and overlapping definitions of citizenship, with the media and the flag owners promoting a civic form of nationalism. The case illuminates a national project to redefine German national identity and expand it beyond the boundaries of ethnic nationalism. At the same time, it reveals persistent anxieties about migrant spaces and their place in the nation.     

Historicizing Singapore cinema: questions of colonial influence and spatiality

Films produced since the 1990s revival of Singapore cinema have been interpreted through a historical backdrop consisting of the nation's rapid development, participation in the global economy and authoritarian one-party governance. Film historians have described these texts by relying on discourses associated with globalization and postmodernism. This paper finds the perspective of Singaporean films to have overlooked colonialism as a significant part of Singapore's cultural identity and argues that greater consideration of that history can not only illuminate contemporary films, but also expand film scholarship to include understudied films from Singapore's ‘golden age’ of filmmaking from the 1950s to early 1970s. The history of Singapore cinema should thus be re-periodized. By analyzing the heuristic function of colonial urbanity in films from both eras, this paper explores how spatiality provides a common thread that runs through local experience, identity, culture and cinema.     

Framing inclusion: The media treatment of irregular immigrants' right to health care in Spain

With the passing of Royal Decree-Law 16/2012, Spain's national health system switched from a model defined by universal and free health care principles, to a private insurance system that excluded large population groups. Based on a qualitative research design, this paper examines the media treatment of undocumented immigrants’ prerogatives to public health care in Spain (2012–2018). The analysis of 234 articles, drawn from three major Spanish newspapers, reveals three frames that underscore the media's "rhetorics of inclusion," which argue for the extension of free medical services to irregular immigrantsa topic traditionally underestimated by the literature. The moralist frame, supported by social justice arguments, is found in tandem with the cost-benefit frame that advocates for immigrants’ health care access as a means for containing medical expenses. The overall predominance of the legalist frame largely relies on arguments that reflect a Spanish political culture rooted in the universality of health rights.     

Revisiting the Kuen Cheng High School dispute: contestation between gender equality and ethnic nationalism discourses

Abstract

By contextualizing the birth of modern Chinese women’s education as well as Kuen Cheng Girls’ High School (KCGHS) in the ethno nationalistic movement in pre‐independence years, and revisiting the dispute over changing KCGHS into a co‐education establishment in the Chinese education movement background in the post‐independence era, this paper illustrates the paradox of Chinese ethno nationalism, that took expression in modernization since its inception. The dispute over converting Kuen Cheng also shows how women’s education, a product of Chinese ethno nationalism as expressed in modernization and an appeal for equal treatment, has unexpectedly become a drive for democratization, equal treatment and pluralization from within the Chinese education movement in the post‐independence era, and thus makes the idea of gender equality not incompatible with ethno nationalism and Chinese education.     

Daejanggeum as ‘affective mobilization’: lessons for (transnational) popular culture and civil society

Abstract

(Transnationalized) popular culture and (global) social movement are often seen as unrelated, if not mutually exclusive. Popular culture is entertaining, consensual but trivial; social movement is serious, idealized and oppositional. Yet the WTO Ministerial Conference, held in Hong Kong in December 2005, saw the Korean protesters' adoption of the theme‐song of a popular Korean television drama, Daejanggeum, as their protest strategy. The Korean protesters had been framed by mainstream Hong Kong media as ‘violent rioters’, but the inclusion of the drama elements helped the protesters advance their cause by gaining instant rapport with the local Hong Kong news media and public/fans (of Korean wave). The impact of celebrity involvement in the WTO was also about an immediate transferal of fan affect, from celebrities to the movement, and to the Korean protesters. This ‘affect mobilization’, becomes important as movement capital, as the effective manipulation of emotions is a key to ‘getting the message across’ as movement strategies. The case of WTO Hong Kong reveals the possibility of a symbiotic relationship between transnational popular culture and globalized social movements. The ‘use’ of (Korean) popular cultural products enriches and complicates the affect subjectivities within the social movement, and arranges fan affect into multiple layers of emotion hierarchies/spheres. It remains to be seen, however, if this would set a precedence to protesters in future WTO rounds as they are keen to mobilize their causes in different locales. More research is needed, too, to demonstrate if the success of the Korean wave fosters the emergence of a transnational Asian ‘public’ or civil society. Yet, for now, the success of Korean protesters in the mobilization of Hong Kong public's affect epitomizes the hegemonic flow, or soft power, of Korean TV dramas in the Asian popular.     

Steven Soderbergh's The Limey: Implications for the Auteur Theory and Industry Structure

In this article, I present an analysis of Steven Soderbergh's The Limey that is informed by auteurism and an effort to unpack the film's antinomies. Although it was not as high profile as subsequent Soderbergh films, The Limey presents an interesting entry in the director's corpus for its stylistic signature and its "liberal" politics; a political posture that, nonetheless, only extends so far in entertaining a critical discourse about the society that produced it. I begin the investigation by filling in the background. First, I unpack the newer formulations of auteur theory and emphasize themes, stylistic signature, and social determinations in constituting auteurs. Second, I characterize the independent sector of U.S. film production and its relation to the major studios while positioning Soderbergh as a chimerical case between an independent and a studio director. Thereafter, I orient to the film and its place within Soderbergh's corpus. I analyze Soderbergh's striking and acclaimed stylistic signature (notably with respect to editing). Proceeding to the themes embedded in the film, I examine some of the antinomies in The Limey and their political valence. In particular, I discuss The Limey's class antinomies, its presentation of the United Kingdom in contrast with that of its former colony, the US, and the tropes of femininity that circulate within the film. On the view developed here, Soderbergh's The Limey entertains some fundamental criticisms of the United States, class striation, masculinity and femininity, before making a partial and uneven retreat.