Images of Animated Others: The Orientalization of Disney's Cartoon Heroines From The Little Mermaid to The Hunchback of Notre Dame

Because of the success of the first six animated feature films produced in the "new era" of Disney animation (The Little Mermaid, 1989; Beauty and the Beast, 1991; Aladdin, 1993; The Lion King, 1994; Pocahontas, 1995; The Hunchback of Notre Dame, 1996) and their mass merchandising, Disney animated characters became ubiquitous for children of the 1990s. Although Bell, Haas, and Sells (1995) suggested that Disney films present a "sanitization of violence, sexuality, and political struggle concomitant with an erasure or repression of difference" (p. 7), an increasing emphasis on sexuality and the exotic is evident in the construction of the female heroines in these films, particularly in the female characters of color. This article analyzes what may be referred to in Said's (1978) terminology as the orientalization of women of color in five of these six Disney animated films and posits how these representations of gender and cultural difference operate within Disney's consumerist framework, which provides "dreams and products through forms of popular culture in which kids are willing to materially and emotionally invest" (Giroux, 1999, p. 89). Using a critical lens, I interrogate the unity of images regarding gender and race that these Disney texts offer and the ways in which these meanings operate within the larger socio-historical framework regarding women of color and the notion of Whiteness.     

Counterpublic but obedient: a case of Taiwan’s BL fandom

BL (Boys’ Love) fandom has been regarded as a counterpublic by some academics since 2005. In this article, I investigate the dispute over “real-person” texts (texts based not on fictional characters but on real people, both public and non-public figures) on the BL board of PTT BBS in Taiwan as a case-study. The dispute is significant in the sense that, ostensibly, there were a few young female BL fans who actively defined what the BL scene consists of, as only these young women were involved in the dispute. Nevertheless, a closer look at the dispute reveals that the mainstream values actually played a significant role in framing the fandom in question. I then argue that the objection to the real-person texts should be regarded as a refusal by the BL fandom to be part of a counterpublic. The dispute started with a clarification of the genre, equating real-person with real gay people, BL with fantasy, and gay with reality. It is on this basis that real-person texts were not regarded as part of BL practices. Moral issues, such as respect and politeness, were also raised to question real-person texts. The conflict intensified, leading finally to the total exclusion of real-person texts from the BL board. To sum up, the dispute over real-person texts demonstrates how BL fans actively (re)formed the shape of the BL board; at the same time, it represents a refusal and exclusions, which place this counterpublic into question.     

The lyrics of laborious life: popular music and the reassertion of migrant manhood in Northeastern Thailand

Abstract

The focal subject under investigation in this paper is the gendered identities of overseas male migrant workers as presented in the contemporary popular song lyrics from Northeastern Thailand. My reading of such lyrics is informed by my ethnographic fieldwork of Thai migrant workers in Singapore. I intend to uncover some complex, cultural junctures of transnational labor migration, in which men, mobility, and music have come across and formed a social force to reshape cultural imagination of migrant manhood. I argue that popular music celebrates male heroism of overseas migrant workers. Instead of challenging existing structures of hegemonic masculinity in the region, popular song texts poetically reaffirm and reassert the traditional dominant gender ideology and cultural practice. Overseas workmen are usually depicted as hard‐working, self‐sacrificial heroes in their attempts to rescue their families as well as romantic, caring lovers and morally responsible fathers.     

“Doing” cultural studies: Chua Beng Huat on popular culture

Focusing on the relationship between Chua Beng Huat’s sociological thinking before the Inter-Asia Cultural Studies project and his more recent famous works on consumption and popular culture, this essay seeks to understand how he has produced a methodology and a mode of authority that is effective for the context he inhabits in Singapore as well as resonant for scholars working elsewhere. After discussing his interest in large rather than ‘cult’ popular cultures, his emphasis on the detail of government processes as well as popular practices, his economically-grounded concept of consumption and his materialist approach to texts, I read his work on ‘nostalgia for the kampung’ as modelling an Inter-Asian way of doing Cultural Studies that helps us ask questions and develop concepts for our own local contexts.     

Examining the World Around Us: Critical Media Literacy in Teacher Education

This article presents findings from action research conducted in a graduate level course with practicing K–12 educators. In this article, I consider the usefulness of critical media literacy in the graduate classroom as I engaged students in discussions about multicultural issues including race, class, gender, sexuality, and ability. Through an examination of student presentations and field notes collected over the course of the semester, I found the graduate student participants were typically quite savvy at evaluating the messages they receive from media. Further, I found the incorporation of popular media into the classroom helped students grapple with typically foreign and often theoretically dense concepts like unconscious racism and heteronormativity, as well as theories like critical race theory, intersectionality, and queer theory. The graduate student participants were able to see deep connections between text/theory and media and often used various media to illustrate theory in quite complex ways. Lastly, engaging with texts of everyday life and using visual representations helped students interrogate the concepts explored in the course and provided students access to theory otherwise regarded as inaccessible.     

Resistance Re-Examined: Gender,Fan Practices,and Science Fiction Television

Studies of gender, science fiction television, and fan culture have often asserted that female fans resist patriarchy by negotiating cultural texts through such practices as fan fiction and interactive deliberation. This analysis holds that specific motivation and context must be considered to advance such a claim, especially in light of undercurrents of misogyny contributing to such phenomena as "slash" fan fiction authored by women and dealing with romances between male heroes. This study assesses the practices of fans, relevant text, and production factors in the context of particular, gender-related issues surrounding the series Farscape and Stargate SG-1, and finds that activities often thought to be emancipatory can, in fact, reproduce hegemony, and that fans sometimes appropriate resistive rhetoric in defense of hegemonic proclivities.     

Shifting spaces,frozen frames: trajectories of queer politics in contemporary India

Abstract

This paper is a comparative reading of two Malayalam films The Journey (Sancharram, 2004) and The Wandering Bird Does Not Cry (Deshadana Kili Karayarilla, 1986) as representative of differing trajectories of queer politics in the Kerala public sphere. It uses an analysis of the representative strategies of these two films, to interrogate the limits of a universal language of sexual identity politics. The paper places the two films in the different historical contexts in which they are produced, and deploys a film from an earlier time period to problematize some of the assumptions of contemporary queer politics. For this purpose it undertakes a close reading of the cinematic codes of both these films, especially the spatial arrangements in the films. I argue that the location of Sancharram in the LGBT discourse in India and abroad makes it so enmeshed in setting up an established meaning for the term ‘queer’ that the process of queering becomes one of stabilizing a chosen form of desire as the ideal one. In this process of setting up a stable trajectory for queer desire, it also freezes the spatial and social terrains of Kerala. The process of queering that Deshadana Kili Karayarilla undertakes is not one that attempts to set up a particular subject position as the queer subject position. It sets out to trouble the naturalized construction of the heterosexual couple and injects a sense of instability into the social sphere itself. The paper examines how some of the taken‐for‐granted assumptions of transnational queer politics, like the celebration of visible bodies, gets radically questioned when we turn to non‐metropolitan sites of analysis. It aims to look at how cultural texts can embody different modes of sexual politics, as activists struggle to coin strategies to articulate the political possibilities of non‐normative sexual practices in Kerala today.     

Towards the westernized body: a popular narrative reinforced by men's lifestyle magazines in Indonesia

This paper will spotlight changing views with regard to Indonesian men's body aesthetics. It will explore how, in response to discourse contained in lifestyle magazines, the physical bodies of Indonesian men have become the primary mechanism through which to exercise agency. However, many local Indonesian customs consider men's agency to be dependent upon their ability to control bodily desire. The paper aims to give an overview of how modernization and westernization as contemporary conditions in postcolonial Indonesia serve as the background to the narratives provided by men's lifestyle magazines. In order to provide an insight into how modern white narratives are valued in Indonesia, I will begin by examining the history of Dutch colonialism as a basis for racial classification. Proceeding, I will discuss how that history relates to contemporary practices of social stratification: the belief that being married to a westerner will bring perfection to one's descendants’ genes; the trend of consuming special vitamins and formulas that will change particular parts of the body; and the assumption that having western genes will bring both success and wealth. Moreover, I will also discuss the ways in which the magazines define the “ideal” body, and how that “ideal” body thus becomes the hegemonic body – one that functions as the gateway for men to achieve a good life.     

On communication among “unequals”

This analysis was stimulated by the problem in international development of communication between development personnel and members of the populations with whom they work. Building on the work of Bateson and the Ardeners, I propose a theoretical framework that incorporates the “inarticulateness of women” (as discussed by Ardener) and a similar phenomenon I have observed in situations of contact between people of unequal status, in general. Three ethnographic examples of the dynamics of communication between “unequals”¹ and the resulting “inarticulateness” are then provided: one between rural and urban dwellers in Iran: one between women and men from two subcultures in rural America; and one among male and female scientists from different countries and different scientific paradigms. I conclude with a set of policy recommendations, that follow from the proposed theory.     

Beyond the ‘feminization of masculinity’: transforming patriarchy with the ‘feminine’ in contemporary Japanese youth culture

Contemporary Japanese society has seen the emergence of aesthetically conscious young men who employ ‘feminine’ aesthetics and strategies as ways of exploring and practising new masculine identities. In this paper, I explore the significance of this emerging trend of male beauty by observing and analysing the expressions, strategies and intentions of those young men who have taken to aesthetically representing themselves in these ways. This cultural trend is often described as the ‘feminization of masculinity,’ echoing the gendered articulation of rising mass culture in terms of the ‘feminization of culture,’ which acknowledges aspects of the commercialization of masculine bodies in Japan of the 1990s onward. While this view successfully links important issues, such as femininity, beauty, and the gendered representation of the self in a broader context of capitalist culture, it does not sufficiently convey a sense of agency in the young men's lively practices of exploring and expressing new masculine values and ideals. Rather than viewing ‘feminization’ simply as a sign of commodification, I argue that these young men strategically distance themselves from conventional masculinity by artificially standing in the position of the ‘feminine’, where they can more freely engage in the creation of alternative gender identities. From this point of view, the use of the phrase ‘feminization of masculinity’ often implies a fear and anxiety on the part of patriarchy over the boundary‐crossing practice that seriously challenges the stability of gendered cultural hegemony. Moreover, such anxiety driven reactions easily merge with nationalist inclination, as those threatened tend to seek the consolidation of patriarchal/hegemonic order by eliminating ambiguities and indeterminacy in cultural/national discourse. I conclude that the cultural hegemony of contemporary Japan could better sustain itself by incorporating non‐hegemonic gender identities, which would allow it maintain an open space for critical imagination and effectively diffuse an obsessive and ultimately self‐destructive desire for transparency/identity.     

The Cultural Politics of Horror Film Criticism

This article examines film criticism as a social practice. Specifically, it explores the institutional politics of horror film criticism and the various ways critics of the genre justify their own readings and interpretive discourse. It does so by way of positing a horror film “reading formation,” which serves a critical-institutional function within the film academy, namely, securing academic legitimacy for the genre while shoring up cultural and political distinctions specific to elite modes of analysis. Accordingly, the article argues that three intertextual mechanisms (canonical recycling, political auteurism, and symptomatic interpretation) both condition the appropriation of horror film texts as legitimate objects-to-be-read and work to sustain discursive power relations between scholastically credentialed and “nonexpert” reading subjects.     

Personal Grooming and Outward Appearance in Early Muslim Societies

Past Muslim Societies have placed much importance on the outward appearance and personal grooming of both men and women based on the assumption that both physical attributes and clothing and adornment are benevolence God showers upon the believers. This is reflected in Medieval Muslim legal texts which provide much information regarding clothing, adornment and grooming. Along with shaping legal norms, those sources also contain discussion and response to a changing reality. This is a demonstration of the desirable and the existing alike and a reflection of a relationship of dependency and influence between reality and the written legal texts. The discussion of these sources shows that past Muslim societies, like many others, used the importance of the outward appearance as a means to determining social relationship in general and hierarchical gender-based relations specifically. For themselves men have decided that fostering their outward appearance and keeping the rules of hygiene are fulfilment of God's wishes, but women are ordered to do so for two different reasons integrating belief in God and a patriarchal world view: becoming attractive to men and fulfilling their sexual destiny as this is the patriarch wish. At the same time it is important to mention that both men and women attend to their outward appearance for additional reasons, such as the wish to show their socio-economic status and power.     

Locating Transgender Within the Language of Queer in Teacher Education

Queer is difficult to pin down conceptually; it is willfully disruptive, intentionally destabilizing everything from identity to knowledge to politics to power. The intent of this article is to illuminate some of the ways teacher educators are conceptually connecting queer to transgender identities and experiences in their classroom curriculum and pedagogical strategies. The data discussed in this article refers to three courses designed for pre-service teachers and include transgender content. A syllabus analysis and interviews illuminated the various ways queer is being conceptualized in different ways by each teacher educator. Trans identities and experiences were affirmed to various degrees through the participants’ conceptualizations of queer as an identity, queer as an embodiment/expression, queer as an analytical approach, and queer as a political project. Fundamental to the instructors’ understanding of queer was an intentional subversiveness, an affinity for non-conformity and disruption, and a commitment to anti-assimilationist practices. Furthermore, the participants saw trans and queer connecting through a common gender socialization experience and social positioning outside gender norms, and through a mutual vulnerability to heteronormativity as a system of oppression—particularly those who are both trans and queer.     

Reading by Said's Lantern: Orientalism and Chaucer's Treatise on the Astrolabe

This paper takes Edward Said's foundational critique of Western discourses of knowledge about the "Orient" as a way of intervening in the tradition of reading Chaucer's only scientific text, The Treatise on the Astrolabe. I argue for recognizing the "colour" of Chaucer's originary text of "Messahala, an Arabic astronomer, by religion a Jew", and against naturalising the Treatise as an "unmarked white" text. My argument is that there are cultural and political values at stake in Chaucer's pedagogical text.     

Can cultural values eliminate ostracism distress?

Ostracism has negative psychological and behavioral outcomes, thus making it crucial to better understand how these effects can be mitigated. Two experiments tested whether cultural values can moderate immediate as well as delayed reactions to ostracism in two populations with very different values concerning interactions with the opposite sex. The Ultra-Orthodox population in Israel constitutes a specific subculture whose values differ considerably from those of secular Jews in Israel. In particular, Ultra-Orthodox Jews adhere to strict separation between genders, which is enforced by Ultra-Orthodox men. It was hypothesized that being ostracized by the opposite gender on a computer game would be less distressing in particular for Ultra-Orthodox men than for secular men and women who cultural values have no such prohibition. In both experiments, Jewish secular and Ultra-Orthodox men and women played Cyberball, a virtual ball-toss game against two ostensible players (half same gender, half opposite, but all with their in-groups). The findings showed that whereas secular men and women were more distressed when ostracized by a member of the opposite sex, Ultra-Orthodox males reported lower distress on both the needs satisfaction and mood measures after they were ostracized by ostensible Ultra-Orthodox female players than when receiving fewer ball tosses from ostensible Ultra-Orthodox male players. It is argued that when cultural values provide a rationale for ostracism, this can eliminate ostracism distress. The discussion centers on ways cultural and other embedded values can mitigate the negative outcomes of ostracism.     

Coping strategies used by international students who recovered from homesickness and depression in Malaysia

International students use various self-help coping strategies to manage depression and homesickness, but previous studies have not concluded on how international students have recovered from depression and homesickness after using their self-help coping strategies. The aim of this study is to use the semi structured interview to identify the self-help coping strategies used by international students who were unwilling to get treatment and had recovered from their symptoms of depression and homesickness in Malaysia. The second aim is to quantitatively identify the major psychosocial problems attributing to depression and homesickness among students who have not recovered from the symptoms. Thirty-one international students out of 520 diagnosed with depression and homesickness yet were unwilling to get treatment, were invited for the reassessment of their homesickness and depression after three-and-a-half months. Psychological assessment shows 9 students had recovered but 20 students had not. These nine students were interviewed to explore how they recovered from depression and homesickness. Meanwhile, the 20 students were asked to complete a questionnaire which measured their reason for not being able to recover from depression and homesickness. Results of the semi structured interview shows that some of the self-help coping strategies used by participants including sharing their problems with others who were not experiencing homesickness and depression, keeping themselves busy with some useful activities, indulging in physical exercise, facing the situation courageously, thinking positively, and reading and following some advice from religious texts. The 20 students who did not recover faced more problems involving language, social connection, academic, loneliness, stress and family problems. Overall, self-help coping strategies used by this study’s participants are useful in managing depression and homesickness.     

Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival 1

Abstract

This study is an attempt to examine the ways in which popular culture can restructure the relationship between sexuality and power, through the case of Seoul Queer Films and Videos Festival, a cultural arena of newly emerged queer discourses in Korean society. In the past 10 years, queer discourses in Korea have undergone a rapid change. With heterosexual normativity being challenged and ‘queer’ being consumed as a cultural code, Korean spectators come to engage with a queer film festival in multilateral and sometimes contradictory contexts. This study will try to pose a controversial question to the heterosexual society by reading the complex interactions between film festivals, films and spectators while paying attention to the experiences of the participants in the Seoul Queer Films and Videos Festival and pointing at the political implications of queer films now in 2006. Through this, I try to look for possibilities of a queer cultural movement which rejects being co‐opted by the heterosexual society, constructs new ideas of social powers in relation with sexuality, and seeks alternative visions for such change in relations.     

Know your place? Evaluating the therapeutic benefits of engagement with historic landscapes

This paper emphasises the restorative power of engagement with natural/cultural environments by exploring a body of work that identifies the positive impact of the historic environment on the health and well-being of community archaeology participants. Increasing importance has been ascribed to the role of landscape in public health research and to the environmental factors, which contribute to enhanced quality of life. In reviewing the ways that community archaeology projects are evaluated, and in summarising current practice, we observe that the evidence produced is often anecdotal. However, it is possible to increase robust therapeutic evaluation in ways that might be expected from other disciplinary perspectives and to draw on recent work in the role of the arts in health. This paper highlights that many of those currently engaged in community archaeology are self-selecting, and represent only a small subset of society. The narrow scope of engagement is borne out by Heritage Lottery Fund-commissioned research which found that, whilst volunteering has a significant positive impact on participants, they tend to be white, well-educated and live in the most affluent areas. If historic environment practitioners are to claim therapeutic benefits from their work, then the issue of inequity of access to health benefits is a significant concern for the profession. It is not just a matter of social justice but a concern for the arts and humanities sector, which is currently required to justify its public value [Bate, J. (2011). Public value of the humanities. London: Bloomsbury Academic].     

Cultural capital and the literary field

The literary field has been conceptualized in social scientific work as patterned in particular ways. Historically, popular reading has been linked with contested processes of social change. Tastes for reading have, following Bourdieu, been seen as embedded in continuing processes of distinction and the making of hierarchies. Research has demonstrated the ways in which these hierarchies might be reflective of gender as well as of class relationships. This article examines the findings of the Cultural Capital and Social Exclusion study in the light of these debates. The survey gathered data about the types of reading material used by a representative sample of the United Kingdom (UK) population, including their preferences for newspapers, magazines and books. The article reports on a number of possible relationships identified in the study about the location of reading as a social practice, drawing on the survey data and explanatory accounts of respondents' reading preferences drawn from focus groups and interviews. The regularity of participation in reading and ownership of books are outlined in relation to occupational class. Evidence relating to the reading of magazines and newspapers is then examined in the light of contemporary policy concerns. Patterns of taste in books are explored, examining preferences for ‘literary’ genres, gender, education and ethnicity. The article concludes by addressing the position of taste for, and knowledge of, specific works representing a range of positions within the literary field to complete the picture of cultural capital and the literary field in the contemporary UK.