Beauty,binaries, and the big screen in China: character gender in feature films

This study examines gender constructions of the main characters in Chinese top-grossing feature films, 2002–2011, and the sex of content creators in relation to film content. Content analysis of 332 characters reveals that women are more likely than men to be young, sexualized, and conform to an ideal image. Male characters are older and reflect traditional Chinese norms of masculinity. Women are rarely present among content creators and are most likely to be writers or producers. Findings indicate that Chinese film content reflects the growing Chinese beauty economy.     

Constructing Gender Stereotypes Through Social Roles in Prime-Time Television

Using a sample of 124 prime-time television programs airing on the 6 broadcast networks during the 2005–06 season, this study examined the social roles enacted by female and male characters. The findings confirm that female characters continue to inhabit interpersonal roles involved with romance, family, and friends. In contrast, male characters are more likely to enact work-related roles. Moreover, programs employing one or more women writers or creators are more likely to feature both female and male characters in interpersonal roles whereas programs employing all-male writers and creators are more likely to feature both female and male characters in work roles.     

Equal Time in Prime Time? Scheduling Favoritism and Gender on the Broadcast Networks

This study examines the relationship between broadcast network scheduling practices and representation of women on screen and behind the scenes in the 7999-2000 prime-time season. Drawing on previous re- search of scheduling practices and organizational theory, the researchers posited and found that programs airing on the weblets (WB, UPN) employ greater percentages of women on screen and behind the scenes than the big three networks (ABC, CBS, NBC) or Fox. In addition, women working behind the scenes on the weblets correlated with higher representation of female characters when compared to the big three networks and Fox. Moreover, weblet programs featuring women on screen and behind the scenes enjoyed more favorable scheduling practices than those on the big three networks and Fox. The authors concluded that the weblets provide a more hospitable environment for women than the more established networks.     

The Whitening of Grey’s Anatomy

Through the strategic absence of discourse about race within the portrayed interracial relationships, the writers, creators, and producers of the modern TV medical drama Grey’s Anatomy strategically portray a racially progressive, postracial, and color-blind society. By utilizing Scott’s (1993) absence as presence, the creators, writers, and producers situate the characters as race neutral or White and enable the dismissal and forgetting of racism’s long history and its impact on the current structures that produce and reproduce racial inequality. By doing so, they obviate contemporary racism’s presence and its influence at both the societal and individual levels, thus contributing to postracism (Ono, 2011).     

Portrayals of Women in Transnational Arab Television Drama Series

This content analysis of 15 Arabic and 3 Turkish drama serials on transnational Arab television examined the gender portrayals of characters. The analysis of 743 characters found that women were underrepresented, less likely to have recognizable jobs, and more likely than men to be portrayed in sex-typed occupations, activities, and settings. The analysis also revealed that programs with female writers were significantly less gender stereotypical. Moreover, differences were found among the producing Arab countries in terms of the portrayals of women; conservative countries had more sex-typed portrayals than the more liberal Arab countries, whereas Turkish programs had similar portrayals to Arabic programs produced in the liberal Arab states. The general findings are discussed in comparison to U.S. programming, and in relation to selective exposure, identification with characters, and potential effects on Arab viewers' gender role beliefs.     

Who You Know in Hollywood: A Network Analysis of Television Writers

“It’s who you know, not what you know,” is a familiar phrase—often repeated by professionals in Hollywood. The present study focuses on “who knows who” among Hollywood television writers. Using network analysis, this exploratory study identifies the degree of centralization and types of connections found in this elite writers’ network. Results show a great deal of collaboration in the network, and while male writers are more connected overall in Hollywood, women are more likely to be brokers—a structurally advantageous position. The authors provide explanations for collaboration patterns, especially with regard to gender differences in network roles, and propose avenues for further research.     

From Women-Staffed to Women-Led: Gender and Leadership in Academic Libraries, 1974-2018

This article reviews post-1974 scholarly literature on women’s leadership in academic libraries, with the emphasis on the United States. The purpose of this synthesis is to highlight research areas and themes that have significantly expanded the profession’s knowledge about gender and its impact at the top administrative level. The article starts with a brief overview of theories of gender and leadership before tracing scholarship on the gendered career patterns singled out in Schiller’s work (1974). The article then focuses on additional issues related to gender and library administration, including leadership styles, perceptions of differences between male and female leaders, and the lack of diversity among academic library women directors.     

Travel Journalists and Professional Identity

Online resources are increasingly facilitating research for those traveling for business or leisure. Professionally produced articles and guides are now consulted alongside TripAdvisor, blogs, wikis, and other non-professional sources. This research seeks to understand the role of travel journalists, to explore their occupational ideology and how they distinguish themselves from other content creators. Through content analysis and interviews with English-speaking journalist and bloggers who focus on Paris as a destination, researchers were able to identify an ideology specific to professional travel journalists. Ultimately they do not do anything that amateur writers cannot, and often rely on their branded publication to give them credibility. Travel journalists do, however, adopt some practices inherent to bloggers interviewed, including moving towards more personal writing and lowering reporting standards, while resisting social media. While in a moment of identity crises, travel journalists still differentiate themselves from bloggers, further research will reveal if this phenomenon is unique to a highly mediatized destination like Paris.     

Love is all you need: A content analysis of romantic scenes in Chinese entertainment television

A large sample of entertainment television programs that were aired on 28 channels in China in 2004 was analyzed for romantic and sexual content. Romantic scenes, typically portraying men and women already in committed relationships, appeared in 80% of the 196 programs analyzed. The analysis suggested that, according to Chinese television in the early part of the twenty-first century, emotional love was more important than physical sexual interaction in romantic relationships. More than half of the 1112 romantic scenes analyzed depicted love between the partners without any discussion or display of physical sexual behavior. Only 8% of scenes included discussion or depiction of sexual behavior (e.g., touching, kissing, and intercourse) without some sense that the partners were in a loving, committed relationship. Sexual intercourse was implied or depicted in fewer than 2% of the romantic scenes. Findings are discussed in light of the Chinese government's periodic regulation of sexually suggestive media content and attempts to filter Internet content. The extent to which such content may affect young viewers' perceptions of romantic relationships and sexual behavior is also discussed.     

Engaging the Female Audience: An Evolutionary Psychology Perspective on Gendered Responses to News Valence Frames

This experimental study presents an evolutionary psychology explanation for gender differences in responding to television news. It tests the idea that women are drawn to stimuli that are moderately arousing when they are framed positively and avoid negative ones, while men approach negatively framed stimuli more than positive ones. Men and women's affective and cognitive judgments of news messages in different valence frames (positive, negative, and ambiguous) were measured. The 2 groups exhibited different patterns in their reaction to the news message conditions in line with this hypothesis.     

Gender stereotypes and normative heterosexuality in matrimonial ads from globalizing India

Matrimonial ads serve as unobtrusive sites to observe the construction and perpetuation of normative heterosexuality through socio-cultural discourses. The current study focuses on gendered spousal expectations and sex role preferences in 1065 matrimonial ads from two popular newspapers in India. Gender differences in ad type, financial stability, physical attractiveness, fairness, slimness, personality traits, and occupational preferences were examined. Results found support for social exchange of men's financial stability for women's physical attractiveness, gender polarization in ideal spousal occupations, and the relative fluidity in gender identities of women as compared to men. A strong preference for fair and slim women was observed. Implications for sexual objectification of women and changing gender roles in globalizing India are discussed.     

Explaining Gender Differences in the Perception of Support Availability: The Mediating Effects of Construct Availability and Accessibility

Perceived support availability (PSA), a general belief about the likelihood that social support will be available when needed, is associated with numerous processes and outcomes of supportive communication. Currently, however, there is little understanding of the factors that contribute to this belief. Numerous studies have reported gender differences in PSA, with women generally indicating that they see support as more available than do men; in turn, gender differences in PSA have been cited to explain gender differences in the production and interpretation of supportive messages. In an effort to explain gender differences in PSA and, more broadly, understand the social-cognitive factors that contribute to individual differences in PSA, this article proposes and reports a test of a theoretical model that treats PSA as the outcome of the availability and accessibility of cognitive schemata for construing social situations. Participants (150 men and 271 women) completed instruments providing assessments of PSA, construct availability (cognitive complexity), and construct accessibility (expressive and instrumental orientations). Bootstrap procedures for the simultaneous assessment of multiple mediators found that construct accessibility generally was a stronger mediator of gender differences in PSA than construct availability. However, a cooperative suppression effect was found for 1 index of construct accessibility, complicating the interpretation of mediation effects.     

“Ice Cream is Worse,and Joblessness is Not an Option”

A rise in informal labor, characterized by contracted and non-salaried positions, has been observed in many industry sectors including journalism. While opportunities for freelance journalists have increased, the journalism industry has simultaneously experienced mass layoffs. Using a survey (N?=?411), with quantitative and qualitative measures, this study assesses freelancers’ experiences in the US context with a particular attention to gender. The study finds that women perceive freelancing, but not full-time journalism, as compatible with raising children. Although there were no differences in perceptions about layoffs and job stability, the women in the sample were more likely to rely on freelancing as the only job and subsequently express concerns over pay. Open-ended responses provide further insight into the state of the journalism industry, full-time employment, and gender dynamics.     

Gender Stereotypes in Spanish- and English-Language Television Advertisements in the United States

This study analyzed 394 U.S. Spanish- and English-language television advertisements from 2013 for differences in gender representation. The findings indicate a high prevalence of gender stereotypes in both samples. For example, more women than men were depicted as young and were usually shown at home. Men actors were generally fully dressed, whereas women were often suggestively dressed. Voice-overs were clearly dominated by men, and product categories were stereotypically associated with gender. Despite allegedly more traditional Latina/o gender role attitudes in society, this study found little variation between Spanish- and English-language television advertisements in terms of gender stereotypes. The potential effects of such representations on audiences are discussed based on social cognitive theory and cultivation theory.     

Further divided gender gaps in research productivity and collaboration during the COVID-19 pandemic: Evidence from coronavirus-related literature

Based on publication data on coronavirus-related fields, this study applies a difference in differences approach to explore the evolution of gender inequalities before and during the COVID-19 pandemic by comparing the differences in the numbers and shares of authorships, leadership in publications, gender composition of collaboration, and scientific impacts. We find that, during the pandemic: (1) females’ leadership in publications as the first author was negatively affected; (2) although both females and males published more papers relative to the pre-pandemic period, the gender gaps in the share of authorships have been strengthened due to the larger increase in males’ authorships; (3) the share of publications by mixed-gender collaboration declined; (4) papers by teams in which females play a key role were less cited in the pre-pandemic period, and this citation disadvantage was exacerbated during the pandemic; and (5) gender inequalities regarding authorships and collaboration were enhanced in the initial stage of COVID-19, widened with the increasing severity of COVID-19, and returned to the pre-pandemic level in September 2020. This study shows that females’ lower participation in teams as major contributors and less collaboration with their male colleagues also reflect their underrepresentation in science in the pandemic period. This investigation significantly deepens our understanding of how the pandemic influenced academia, based on which science policies and gender policy changes are proposed to mitigate the gender gaps.     

Women Broadcasters of World War II

By the time World War I1 began, women regularly participated in radio broadcasting, either as entertainers or in the behind the scenes creation of radio programming. Few women owned stations or participated in network management. Newscasts featured dulcet toned, deep, male voices. In short, the serious business of radio was for men: Women were "okay" as long as they stuck to their own domain- cooking shows, homemaker tips, those sorts of things. Through an exhaustive literature review coupled with critical analysis of primary source documentation, this paper examines women who had a profound impact on broadcasting during World War I1 and beyond. Collectively, they created a programming concept that would turn out to be one of the most well liked types of programs during the war.     

An Empirical Analysis of the Gender Gap in News Consumption

Survey results reveal that women consume less news than men. This article empirically analyzes this gender gap and explores several explanations. In the United States, the gender gap cannot be explained by differences in education, income, and other socio-demographics or by differences in preferences and job benefits of news consumption. However, the dual burden of paid and household work appears to be one of the drivers of the gender gap. In a cross-country comparison, the gender gap is linked to measures of gender equality in the economy and in politics.     

The Scullery of the Broadcasting House: Female Writers and the Literary Features of the Dutch Broadcasting Organization KRO (1928–1940)

Departing from the claim that media actively co-construct gender relations in a society, this article focuses on the interwar literary features of the Dutch Catholic radio broadcaster KRO. Similar to all broadcasting organizations in the Dutch Interbellum, the KRO aired these literary features in order to contribute to the cultural elevation of its listeners. Remarkable about the KRO, however, is that it created a division between an official literary feature, which was aired on Sunday afternoons, and a series composed of literary contributions aimed specifically at women, which was broadcast on Tuesday afternoons. Specifically focusing on their repertoires, this article primarily aimed to analyze the differences between these two features. It appears that the books of female writers were underrepresented in the official feature and overrepresented in the women’s feature, which indicates that Dutch radio reflected the hegemonic gender relations in the interwar literary field.     

Men's behavior toward women after viewing sexually-explicit films: degradation makes a difference

Past research indicates that short-term exposure to nonviolent sexual media stimuli can produce cognitive changes in men which, in turn, can affect their behavior toward women. This study explored differences among these behavioral effects based upon sexual degradation in film content and male viewers' gender schematicity, as an extension of the study of cognitive effects reported in Jansma, Linz, Mulac, and Imrich (1997). Seventy-one men viewed one of three films: (a) sexually-explicit and degrading to women, (b) sexually-explicit but non-degrading, or (c) non-sexual. The men then interacted with women in problem-solving dyads that were recorded on videotape. Men who viewed either sexually-explicit film displayed more dominance and anxiety than did the men who viewed the non-sexual film. This was true, however, for only the two-thirds who were non sex-typed (BSRI, Bem, 1974). Sex-typed men's behavior was consistent across sexual versus non-sexual film conditions. In addition, men who viewed the degrading sexual film displayed less anxiety, but more dominance, than men who watched the non-degrading sexual film. Women's behavior failed to distinguish which of the three films their partners had viewed, but was positively correlated with most of their partner's discriminating behavior. Results of men's viewing sexual or degrading sexual material are discussed in terms of negative social implications for women in the context of everyday male-female interactions.