无尽奇珍供世眼 一轮明月耀天心——读弘一法师致李圆净手札

要了解弘一法师,《护生画集》是绕不过的。弘一法师中年以后和学生丰子恺共同创作《护生画集》,这部画集凝结着大师的佛学思想和人生观、世界观。成为研究弘一法师的重要书籍。在我国,护生惜物的思想源远流长,反映了古人积善行仁的好生之德。然而世人食肉,恣意杀生,亦自古有之,且习以为常,大小事     

最是沧桑起风情 近现代名家手札：无尽奇珍供世眼 一轮明月耀天心——读弘一法师致李圆净手札

要了解弘一法师,《护生画集》是绕不过的。弘一法师中年以后和学生丰子恺共同创作《护生画集》,这部画集凝结着大师的佛学思想和人生观、世界观。成为研究弘一法师的重要书籍。     

李叔同题签清拓《宋璟碑》

传世李叔同(弘一)书法以其出家后所作为大宗,有关其早年书法轨迹的史料十分缺乏。而西安所见清拓《宋璟碑》"李成蹊"题签已然成为我们可以依据的重要史料。作为迄今所见清末民初碑派书法健将李叔同唯一题署的碑帖,弥足珍贵。     

无尽奇珍供世眼 同胞多胎俱为真——弘一法师“发心求正觉,忘己济群生”对联辨析

在近代文化艺术发展史中,弘一法师无疑是一个传奇。 启功先生有诗赞曰：＂吾敬李息翁,独行行最苦。秃笔作真书,淡静前无古…… ＂弘一法师（1880-1942年）,俗名李叔同,又名李息霜、李岸、李良,字息霜,别号漱筒。祖籍浙江平湖,生于天津。     

Broadening Readings of Sport Monuments: The Arthur Baynes Memorial Obelisk

Monuments to past and present sports performers are increasingly commonplace. Despite the potential for analyses of sports monuments to provide new and valuable insights into past and present sociocultural practices, studies of monuments and other forms of material culture have, until recently, received limited attention in sports historiography. In addition, new scholarship has tended to focus on sporting statues over other, non-figurative, monumental genres. This article will attempt to redress this relative neglect and contribute to a broadening discourse of sport, memory and materiality by analysing one particular sporting monument, a memorial obelisk erected in 1933 on the banks of the Brisbane River in Queensland, Australia to prominent 1920s sculler Arthur Alexander Baynes (1899–1932). The article examines Baynes' sporting career, considers his memorial within the context of obelisks and other commemorative monumental forms, and reads the memorial in its various discursive international, national, regional and local contexts. By providing a detailed analysis of this one ‘local’ sporting monument, the intention of this article is to add to the expanding literature on sporting material culture and, in particular, broaden our readings of sport monuments.