艺术设计类实验教学改革的思考与探索

通过分析艺术设计教育中实验教学对象的特殊性,结合多次考察国外的艺术设计实验教学经验,总结长期从事艺术设计类实验教学的实践和体会,尝试提出新颖的艺术设计类实验教学理念和建设思路,建立起行之有效的艺术设计类实验教学课程体系,谋求对艺术设计类实验教学进行创新改革。同时,对艺术设计类实验教学手段进行研究和探索,以推动艺术设计类实验教学的健康有序的发展。     

Interrupted experiences: reflection, listening and negativity in the practice of teaching

This inquiry explores the educative meaning of interruptions or breaks in teacher’s experiences by looking at their role in reflection and listening. Reflection and listening are not only two vital and distinct aspects of teaching, but are also interrelated and as such can serve to productively inform one another. In this context, I develop the notion of negativity of experience to describe the space that opens up when our experience has been in some way interrupted, the space where we dwell between old and new experiences and where new thoughts and ideas emerge. I demonstrate throughout my discussion that it is in this space that listening and reflection take place. To begin, I analyze the works of John Dewey and Donald Schön to take up a few particular aspects of reflective thinking and its relation to the practice of teaching. In this context, I point out similarities and important learning-theoretical differences between the notion of ‘negativity of experience’ and Schön’s notion of ‘messy situations’. The second section examines the role of negativity of experience in listening. Here, I seek to explore ways to include listening in the contemporary discussion on reflective teaching and practice. The inquiry concludes by considering the meaning of reflection, listening and negativity for the education of professional teachers.     

艺术类高职高专英语ESP教学模式探讨

随着中外文化交流的日益频繁,艺术类高职高专英语教学肩负着培养具有英语文化交流能力特别是能运用英语进行艺术专业信息收集、传递、分析的人才。目前的英语教学模式重在帮助学生打好语言基础。ESP教学模式有效运用交际教学理念和实践,同时对现有的师资、教材教法也提出了更多的思考空间。文章通过对艺术类高职高专英语教学的关注,试图对ESP教学模式的实施进行探讨。     

Practical Beauty and the Legacy of Pragmatism: Generating Theory for Community-Engaged Scholarship

In this paper I consider how Hans-Georg Gadamer’s philosophical hermeneutics can complement the pragmatic theory that has informed the field of service-learning, and with its emphasis on community and respect for others, can offer an orientation to further the work of service-learning and community engagement in a mutually satisfying way for scholars, practitioners, and community partners. In keeping with Gadamer’s contention that mythological thinking has its rightful place alongside analytical thinking, I provide an interpretation of the myth of Hermes for emancipatory education practice, and then invite readers to consider some implications of philosophical hermeneutics through traditional philosophical exposition. I posit there is much to be gained by framing community engagement as a civic art or practical beauty with a distinct epistemological foundation that values conversation, participation, and openended, collective processes to work for the common good. This orientation would require us to reconsider the purposes and reorient the values of this field of educational practice.     

局部与整体诠释循环--科学阅读教学观刍议

回顾中西阅读与教学的历史经验，以及反复的实践验证，局部与整体的诠释循环是科学阅读教学观；追溯这一理论的历史线索，并对诠释循环的理论要点与具体实践作了解说。     

Reconceptualizing Validity for Classroom Assessment

This article explores the shortcomings of conventional validity theory for guiding classroom assessment practice and suggests additional theoretical resources from sociocultural theory and hermeneutics to complement and challenge conventional theory. To illuminate these concerns and possibilities in a concrete context, the author uses her own classroom experience in teaching a qualitative research methods course. The importance of examining cases of assessment practice in context for developing, teaching, and evaluating validity theory is discussed.     

怎样提高艺术指导课程的教学效应

艺术指导课作为一门特殊的课程,应用于声乐、器乐、舞蹈、影视表演等多种专业中,是一门学生自身专业技能辅导课程,是提升学生专业技巧与实践能力的实用性的学科课程。该课程教学应从高职院校艺术指导课的教学实际出发,思考怎样在艺术指导课上通过良好的教学效应使学生得到有效的技能提升。在此基础上,高职院校艺术指导课程要进行有效教学环节设计,明确教学培养目标,重视学生参与,注重教学反思。     

Backing the right horse: Teacher education,sociocultural analysis and literacy in rural education

This paper is a reflection on the way that a background in sociocultural theory and research actually saved my teaching career by allowing me to shift from being a dispenser of knowledge to a cultural neophyte attempting to understand where he is. Teaching then is understood as a reading exercise which is undertaken in a particular place which itself needs to be read by the effective teacher. This is a narrative inquiry into practice which represents an attempt to understand my own teaching career in the light of Frank Smith's (1984) provocative essay “How education backed the wrong horse” in which he argues that anthropology would have made a better choice for a foundational discipline for education than psychology. I conclude with some thoughts on what this perspective implies for literacy instruction.     

落实合作学习提高美术课堂有效性刍探

合作学习是美术教学中一种有效的教学模式,是学生理解和掌握美术知识的重要途径。在合作学习过程中,教师可倡导学生将自己在学习过程中的美术观点与其他同学的美术观点进行比较,从而提高美术教学效率和教学质量,提升学生学科素养。文章结合教学实践,对落实合作学习提高美术课堂有效性进行探究。     

“They taught me”: The benefits of early community-based field experiences in teacher education

Research in teacher education suggests that field experiences in community settings can offer pre-service teachers a context for understanding the link between theory and practice. This paper documents the experiences of pre-service educators participating in a service-learning experience at a Children's Defense Fund Freedom School in the south-eastern United States. Pre-service teachers engaged in critical reflection, online journals, and daily debriefing sessions and praised the benefits of a service experience in an urban context and explained how interactions within the programme gave them the insight into the teaching profession. The author argues that this project successfully bridged the gap between teacher education theory and practice.     

Coach Education and Continuing Professional Development: Experience and Learning to Coach

Research over the last decade has demonstrated that it is experience and the observation of other coaches that remain the primary sources of knowledge for coaches. Despite this, coach education and continuing professional development fail to draw effectively on this experience. Using the work of Pierre Bourdieu, this paper attempts to understand how the “art of coaching” can be characterized as structured improvisation and how experience is crucial to structuring coaching practice. An examination of current coach education and assessment demonstrates that coaching practice viewed as a composite of knowledge has not specifically addressed the pervasive influence of experience on coaching practice. Drawing on experiences from the educational field, we examine how coach education and continuing professional development can utilize mentoring and critical reflection to situate learning in the practical experience of coaching.     

Reflections from a tarnished mirror: an application of Alvesson and Sköldberg's ‘reflexive interpretation’ to a study of curriculum design in higher education

It is now widely understood that reflexivity constitutes a vital element of good qualitative research. However, reflexive accounts often draw on a single theoretical framework, thus privileging and legitimizing a particular interpretation of empirical data. This paper focuses on Alvesson and Sköldberg's ‘reflexive interpretation’, which arises from the interplay between the perspectives of grounded theory, hermeneutics, critical theory and postmodernism. The positioning of the researcher in such a multi-paradigmatic relationship to the empirical data offers the potential for deeper meaning. By applying Alvesson and Sköldberg's approach to a case study of curriculum design, I explore issues of teaching reflection to postgraduate students. Problematizing the case study data at the level of hermeneutics provides insights into the temporality, complexity and symbolic meaning disclosed through the interpretive act. Whilst critical theory locates the findings within the political-ideological context, the postmodern perspective questions my power and authority as a teacher-researcher of reflection.     

基于微视频的师范生学科教学技能培养平台建设--以南京师范大学计算机师范专业为例

如何寻找有效策略加强教学实践是师范生教学技能培养中要解决的核心问题。文章针对南京师范大学计算机师范生教学技能培养中存在的问题,借鉴国内外相关研究,利用网络技术突破教室的时空限制创建了学生自己控制节奏的教学技能训练新模式。搭建基于微视频的教学技能训练平台为加强师范生的教学实践提供了经济有效的渠道,既实现了理论学习的可持续性,也为获得多元客观的评价及进行有效反思提供了环境支持。     

教学艺术研究批判

教育艺术研究目前似乎陷入困境,难以突破,而造成困境的原因应在研究自身。从对教育艺术的意义和教学艺术论定位问题的反思与批判过程中可以看出,教育艺术是指教学的艺术的境界、符合艺术活动标准的教学;教学艺术论不是已有教学论的补充或一门独立的学科,而是一种独特的教学论流派。     

Discourse and Practice in the Art Curriculum and the Production of the Pupil as a Subject

The development of enquiry into language this century has implications for pedagogy. This development concerns the transition from viewing language as a transparent medium, identifying an external objective reality, to a view in which language constitutes reality as we understand it. The paper begins by outlining some contemporary theoretical developments concerning the ‘productive’ or material nature of discourse. The paper shows how particular curriculum practices in art can be viewed as discursive sites which perpetuate particular discourses in which the pupil as art practitioner is produced. By focusing upon drawing practices the paper shows that the notion of ‘ability’ does not refer to some absolute skill possessed by pupils, but to particular ideological interpretations through which ability is conferred. However, such interpretations do provide us with stable forms which allow us to act as if they were absolute. Such interpretational states reveal the circular structure of interpretational practices such as evaluation and assessment. The paper shows how the reflexive nature of hermeneutic analysis can be helpful in providing a suitable space for reflection when such interpretational states break down during the practice of teaching art. By analysing a series of pupil's drawings the paper discusses how our interpretational discourses identify the pupil's ability and constitute the pupil as a subject in the ait curriculum. The paper forms part of a larger body of work in which the author is exploring how different practices in the art curriculum constitute discursive fields within which pupils as subjects are produced.     

装饰人物课程的教学探索

装饰人物课程是艺术设计院校中的一门必修课,是探索一切造型艺术的基础课。如何培养新型艺术设计人才,研究探讨新形势下的设计教学实践,是现代装饰绘画艺术必须研究的重要课题。根据教学中遇到的各种问题及积累的相关经验,进行理论分析,以期在教学中提高对装饰艺术审美素质的认识,并通过装饰造型语言来抒发情感,传递信息。     

中学历史教学反思的三个阶段

历史教学反思分为教学前、教学中、教学后三个阶段。教学前反思是在每一学期开学时进行的反思,是对本学期的历史教学活动进行一次"定位",这种反思能使历史教学成为一种自觉的实践;教学中反思,是在每一学期的历史教学活动中及时、自动地对每一节历史课的具体教学行为过程进行反思,又分为"课前反思、课后反思和课余反思"三个方面,这种反思能使历史教学确保高质量高效率地进行,是反思的重要部分;教学后反思是在每一学期的历史教学活动结束后对本期历史教学行为进行"扬弃"总结,做到既"扬"其长处,又"弃"之糟粕。如此反思才能使教学经验择优化、理论化,才能提高历史教师自身的专业素质。     

恐怖电影与审美:一种解释学的阐述

根据伽达默尔解释学理论,审美价值的高低,艺术品价值的高低,诗意境界的高低,就在于言说空间之大小,超越有限空间之大小,给人留下的想像空间之大小。这一理论也被国内学界广泛接受。恐怖艺术作为一种特殊的艺术形态,具有极大的现实意义和审美价值,但由于人的传统观念根深蒂固,一般人还不愿意接受。     

浅谈油画的色彩教学

色彩可以说是油画最重要的艺术因素之一。在历史发展的各个阶段,人们在对于色彩的认识上还存有理论上和实践上的不足和差异,因此,在某些学校油画色彩的教学上也难免出现一些这样那样的问题。开展如何做好油画色彩教学问题的讨论,必将提高油画色彩课程的教学质量。本文试图立足于油画的色彩教学,谈谈在油画色彩教学中的几点体会。