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This review examines the topic of dissertation development by integrating the work of practitioners, educators, policy-makers, and information scientists as they relate to completion of doctoral reseach in social sciences. The review discusses the dissertation itself: its nature and purpose, and then presents diverse frameworks for development of the dissertation topic through the literature review process. The behaviors of expert and student researchers with literature review development are presented, followed by the instructional preparation of doctoral students for these tasks by faculty and librarians. The review concludes by examining the need to integrate educational effort across institutional boundaries.  相似文献   

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This paper contextualizes the Stanley Kubrick exhibition, a worldwide exhibition tour program dedicated to showcasing the complete oeuvre of the filmmaker Stanley Kubrick, within ‘post‐cinematic’ conditions. Since the mid‐1990s, the formal and experiential components of the cinema in the 20th century have increasingly become displaced from the traditional apparatus and site and ‘relocated’ within new technological and institutional platforms, and museums have become one of those new sites for content consumption. The paper discusses both the limitations and possibilities of the exhibition as it is considered to represent the migration of cinema into the art museum context as one salient phenomenon of post‐cinematic conditions. The Kubrick exhibition is explored to uncover the underlying tensions of the ‘exhibition of cinema’ as a key trend of major international museums, between the movie theater as black box and the art museum's exhibition space as white cube. It considers the difference between these two institutional platforms and their conceptions of objecthood, artifact and the temporal economy of the viewing experience. The author argues that this event succeeds in realizing the possibilities for revivifying three constants of cinema: film auteur, cinematic apparatus, and intermediality. The ambivalence demonstrates that while the museum's exhibition of cinema inevitably removes some of its ontological essences, it also preserves and revivifies others.  相似文献   

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This article examines the phenomenon of resistance to popular culture criticism in U.S. discourse by analyzing the controversy surrounding two popular culture artifacts: a series of Taco Bell advertisements featuring a Spanish- speaking Chihuahua, and a Minneapolis-St. Paul metropolitan area radio program that mocked a young Hmong rape victim who committed infanticide. Dismissal of popular culture criticism in reaction to these controversies reflects the genre of therapeutic rhetoric, or discourse that surrounds the U.S. propensity to understand and discuss social problems through the terministic screen of individualism.  相似文献   

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During a 1937 appearance on NBC's top-rated Chase & Sanborn Hour, Hollywood icon Mae West starred in a comedy skit based on the Garden of Eden that drew complaints of indecency from offended listeners. Much of the reaction came from Catholic reformers seeking to expand the Legion of Decency's influence to radio. The sponsor and network apologized, and the Federal Communications Commission (FCC) issued a letter of reprimand to NBC and its affiliates. This action spurred a backlash among critics, who charged the FCC with censorship. The incident was an important landmark in the prewar debate over government's role in regulating radio.  相似文献   

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Abstract Stopping in on the National Archeological Museum of Naples, over several visits, an art historian experiences the ups and downs and the incomparable treasure hunt that delighted him in touring Italy for its art.  相似文献   

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This paper outlines the story of the country's second-oldest natural history museum from its founding in 1825 to the present. Its history includes seven name changes reflecting the young society's struggle to survive, the changing cultural environment, and the extension of its audiences from the immediate Worcester neighborhood to the New England regional area. The article also reviews its scope from several cabinets of specimens to displays of wildlife, exhibitions about ecology, astronomy, and technology, along with comprehensive education programming.  相似文献   

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Abstract As curators endeavour to offer new opportunities to look again at museum collections and heritage sites, technological interventions such as Peter Greenaway’s Peopling the Palaces (2007–2010) demonstrate a powerful way of giving voice and emotional realism to historic spaces. Peopling the Palaces is a video installation of 500 characters created for the seventeenth‐century Italian Palace, La Venaria Reale. Characters are projected onto the walls, ceilings, and royal bed, bringing back “life” to the historic interiors. In this article I examine the different types of characters created by Greenaway, looking specifically at how their words could help visitors engage with the lived human past of the palace and acquire factual information about day‐to‐day processes. Drawing on such fundamentals of human nature as love, jealousy, and gossip, these character‐led performances suggest ways that dramatic techniques can help to engender imagined and empathetic connections with the past.  相似文献   

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The purpose of this article is to identify the process in which each nation appropriates a new technological force challenging regulatory regimes. Departing from regime theory, this paper critically assesses the interaction between Asian Pacific Economic Cooperation and the East-Asia ‘Four Tigers’ in formulating Internet security policy. A particular concern is about the formation of global information policy regime that arbitrates the tension between citizens' right to privacy and free information flow. This paper argues that the potential of the greater protection of information privacy are curtailed as market incentives of information flow dominate over the region's policy effort. A 2003 Bangkok meeting epitomizes such policy formulation in the interaction between international and national regimes that are particular to the region's regulatory legacies. Implications are discussed in terms of the function of industrial legacies in new information policy.  相似文献   

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Large-scale outsourcing of information technology in the U.K. public sector – the NHS, the Inland Revenue, and the Department of Social Security over the years – raises a number of critical issues not just for how outsourcing can be conducted in public sector contexts but also about the efficacy of such arrangements in terms of enforcement of democratic values. We argue that marketization's target may well be bureaucracy, but the organizational form is a repository for democratic, civic, and public service values that can be eroded through how outsourcing has been conducted. The call for a reevaluation and the case for a distinctive public services management ethos are made if such values as equality, impartiality, communal good and public service are to be pursued and delivered. Selective outsourcing is revealed as effective – together with much needed rebuilding of internal capabilities – in keeping control of IT destiny, delivering on public service requirements, and managing external supply. The U.K. experience, we suggest, provides salutary learning for public services in other developed economies.  相似文献   

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The contemporary U.S. debate over abortion has been waged as a battle between <life> and <choice>. The author traces the development of these ideographs, arguing that through their verbal and visual strategies, advocates on both sides of the issue have rendered ideographic meaning concrete. Whereas the fixed definitions have served the cause of <life> well, they have been detrimental for <choice>, leading advocates to seek out ways to revitalize the debate. The 2004 March for Women's Lives was a key event in this larger effort; through it, participants revitalized the abortion debate, bringing renewed flexibility to the ideograph <choice> at the same time it challenged the fixed status, and the veracity, of the ideograph <life>.  相似文献   

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