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The author examines radio programs produced by women in the U.S. that feature music by women. Women's music programming offers a variety of music genres and presentation styles. Criteria of music selection also vary, with some programs concentrating solely on women's contributions and musical works, and others that play music by mixed-sex groups and even featuring a male vocal. However, the commonality of all these programs lies in their dedication to highlighting women artists and giving voice to those who would otherwise not be heard. As media artifacts, women's music radio programs offer multiple layers of feminist inquiry.  相似文献   

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This article is about the conceptual framework of the original cataloging process that is used to catalog the audiovisual a materials at the New York Chiropractic College Media Resources Library. The cataloging norms serve as the conceptual underpinnings to the Cataloging Policy Manual of the New York Chiropractic College Media Resources Library. The paper describes the use of the various cataloging standards and policies that are used as well as the use and assignment of the National Library of Medicine classification to ensure access to the audiovisual collection.  相似文献   

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薛龙 《新闻界》2008,(2):135-136
本文历时检讨了媒体与社会变迁下不同的消费者分析方法,意图从作为传播的广告视角出发,主张一种历史过程意义的新媒体观念,并在批判原有方法的基础上伸张在新媒体环境下空间意识的重要性,指出消费者分析方法将走向以空间想象为主导的结合多种方法的阐述的理路。  相似文献   

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In this study I conducted qualitative content analysis of alternative media in order to uncover the different categories about corporate power presented to activist audiences in social justice movements. I found that there were two dominant categories about corporate power disseminated through alternative media: (1) “traditional” corporate power and (2) hegemonic corporate power. “Traditional” corporate power is based on the idea that corporations dominate resources in society. Hegemonic corporate power is based on the idea that corporations dominate the ideological assumptions in contemporary society. Both of these categories hold significant implications for comprehension and classification of alternative media.  相似文献   

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东华大学图书馆自动化及网络化建设   总被引:2,自引:0,他引:2  
欧石燕 《图书馆杂志》2000,19(12):17-20
介绍了东华大学图书馆自动化及网络化现状,并提出了具体的改进方案.主要包括三方面的内容改善图书馆网络化环境;更新图书馆计算机集成管理系统;建立先进的光盘检索系统,利用网络共享电子化资源.  相似文献   

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适应信息时代需要大力推进我国图书馆自动化网络化建设——第二届全国图书馆自动化网络化建设研讨会综述邱均平(武汉大学图书情报学院,武汉,430072)由武汉大学图书馆学情报学研究所和《图书情报知识》编辑部联合主办的“第二届全国图书馆自动化网络化建设研讨会...  相似文献   

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�廪��ѧͼ��ݵĵ��ӻ������绯��չ   总被引:38,自引:1,他引:37  
扼要介绍清华大学图书馆最近几年在建设电子化,网络化基础设施、多途径增加电子文献资源、配套完善相应服务等方面所做的较为系统的努力。主要包括:配合CERNET的建立,改善图书馆网络化环境;更新图书馆计算机集成管理系统;利用网络共享电子化资源;在网络环境下增加新形式的服务;自建或今后合作开发若干数字化信息数据库等。  相似文献   

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Past research concerning the theoretical framework of Resistance Performance (RP) has been based on observations of liberal organizations and activists. In the following essay, we engage in a qualitative content analysis of alternative media utilized by conservative “Tea Party” activists to build on the concept of RP. Overall, we discovered that the dominant theme found in much of the content focuses on “purity,” which is considerably different from past RP research that found broad themes of “human rights,” “democracy,” “be the media,” and “principles of unity” embedded within liberal alternative media content. We conclude that the theme of “purity” gives rise to narrowmobilization, which constructs very focused protest communities within right-leaning politics.  相似文献   

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高建国 《新闻界》2009,(2):193-194
在高校新闻教育过程中,教师应利用网络进行教学、与学生沟通、指导学生的学习与实践活动。而学生也应在网络实践中,努力学习新闻采编,创办个人网媒,扩大社交范围,展示个人形象,努力将自己打造成合格的新闻人才。  相似文献   

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ABSTRACT

This memoir is my personal story about how I created and came to curate on the International Counterculture Archive collection, which is held in the Global Resources Center of the George Washington University’s (GWU) Gelman library. The first person narrative relates my first encounters with Soviet rock culture and describes how I turned my initial interest into a Ph.D. dissertation on the subculture of Soviet hippies and traditions of Soviet rock music, which subsequently led to my later work as a librarian and curator. I tell the story of my initial encounters with the members of Soviet/Russian rock music subculture and other countercultural personalities and activists during my first trip to Moscow in 1993 to collect samples of Soviet rock music recordings and rock music zines for the European Division of the Library of Congress. During this formative trip I met with a number of counterculture producers and collectors who were instrumental in helping me build the International Counterculture Archive. Upon leaving the Library of Congress, I continued collecting Soviet/Russian countercultural materials on behalf of the Global Resources Center of GWU’s Gelman Library. I talk about the process of creating the Archive at Gelman library, about bureaucratic and financial aspects of this work, and about my many acquisition trips to Moscow, former Soviet republics, and East Central Europe. Much of the narrative centers on my work with Russian collectors and content producers and describes the type of materials that are included in the collection. I also describe how I built the collection of historical Soviet/Russian rock music recordings, focusing on the phenomenon of Soviet/Russian rock music zines and the history of the unique zine collection within the International Counterculture Archive.  相似文献   

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本文以新媒介接纳与使用活跃的知识青年代表之一的大学生为例,采用定性研究为主,结合定量研究,走进大学生日常生活,集中探讨了新媒介对于大学生的社会意义。研究发现,新媒介具有赋权现象;新媒介具有场景生产现象;新媒介对于大学生而言已成了一块移动的自留地。大学生在新媒介的场景中潜移默化地被娱乐,但又表现出较强的抵抗性与自主性。  相似文献   

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大学生媒介素养与高校图书馆服务功能拓展   总被引:1,自引:0,他引:1  
针对大学生媒介素养缺乏的现状,在对高校图书馆开展媒介素养教育可行性分析的基础上,提出高校图书馆应与时俱进,建立书、刊、报、视听、网络、讲座等多种媒介并存的媒介素养阅览室的新构想,并从三个方面提出具体的实施策略,旨在不断拓展图书馆的服务功能,为提高大学生媒介素养发挥积极的作用。  相似文献   

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传播政治经济学与另类媒介——以韩国与委内瑞拉为例   总被引:1,自引:0,他引:1  
另类媒介的兴起、运作条件与脉络,以及其成就与局限的评估,具有重要的理论与实践意义,传播政治经济学重视人的动能、强调历史变迁与学术介入,本文因此引述与讨论韩国及委内瑞拉的另类传播现象,舍弃互联网而专注于研讨传统媒介的另类空间。  相似文献   

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No abstract available for this article.  相似文献   

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