Beautiful minds and unruly bodies: embodiment and academic identity in Still Alice and The Theory of Everything

ABSTRACT

This article explores the representation of disability and academic identity in two award-winning films: Still Alice and The Theory of Everything. Drawing on scholarship about embodiment and the ‘normal professor body’, I demonstrate how the complex images of disabled academics in these films take up and replicate (to differing extents) dominant discourses of disembodied intellectualism that shape conceptions of the professoriate. As examples of public pedagogy, these representations have significant ramifications for popular understandings of disability and higher education.     

Missionary girl power: saving the ‘Third World’ one girl at a time

Deborah Ellis’s The Breadwinner is a popular young adult novel about Muslim girls. In this paper, we offer an analysis of the representation of Muslim girls and women in the book as well as responses from undergraduate students enrolled in a children’s literature course to these constructions. Building on the work of postcolonial feminism (specifically the concept of paternalistic care) and critical pedagogy (the role of popular cultural texts as education), we argue that The Breadwinner, and similar historical fictions aimed at youth, wittingly or unwittingly focus on the real and/or imagined plight of ‘other’ girls/women. These representations build upon a care ethic central to the project and history of schooling in the West that in turn results in the stabilisation of colonial relations of domination between white women/girls and colonised women/girls.     

Mean girls,homosociality and football: an education on social and power dynamics between girls and women

Relationships between girls and women have typically been explored through the lexicon of ‘friendship’ or, where there is a presence of sexual desire, ‘lesbian’. This article suggests the complexity and impact of female (same-sex) sociality, and its relationship to heteronormativity and power dynamics between girls and women runs deeper than the terms ‘friendship’ or ‘lesbian’ give rise to. Exploring social and power dynamics amongst girls and women, this article explores how gender is policed and negotiated within a framework of homosociality. Drawing on empirical research within a women's Australian Rules football team, I explore the complexity of female same-sex bonds, the negotiation of gender embodiment and performance within female homosocial spaces, and the emergence of women's own lexicons in making sense of their relationships with other women in this particular social sphere, further considering how this might be applied to other female homosocial spaces, including same-sex educational and sporting sites.     

Reading the Local and Global: Teaching Literature in Secondary Schools in Australia

Recently Australia has witnessed a revival of concern about the place of Australian literature within the school curriculum. This has occurred within a policy environment where there is increasing emphasis on Australia’s place in a world economy, and on the need to encourage young people to think of themselves in a global context. These dimensions are reflected in the recently published Australian Curriculum: English, which requires students to read texts of ‘enduring artistic and cultural value’ that are drawn from ‘world and Australian literature’. No indication, however, is given as to how the reading and literary interpretation that students do might meaningfully be framed by such categories. This essay asks: what saliences do the categories of the ‘local’, the ‘national’ and the ‘global’ have when young people engage with literary texts? How does this impact on teachers’ and students’ interpretative approaches to literature? What place does a ‘literary’ education, whether conceived in ‘local’, ‘national’ or ‘global’ terms, have in the twenty-first century?     

The same old hocus-pocus: pedagogies of gender and sexuality in Shrek 2

The Shrek films are a popular worldwide and economic success. Drawing on an analysis of the film as well as responses from undergraduate students enrolled in a children's literature course, we analyze Shrek 2 as a teaching machine in which normative discourses of gender and sexuality circulate under the guise of ‘girl power’. We argue that while Shrek 2 purports to offer viewers a more progressive curriculum about girlhood in relationship to other media texts such as Disney, it ultimately reifies heterosexual white femininity as the norm.     

Digi-teens: Media Literacies and Digital Technologies in the Secondary Classroom

This article explores the impact on learning of digital technologies and media practices across the secondary curriculum, with a particular emphasis on non-linear video editing in a specialist media technology school. It observes the making of a trailer for Psycho by a group of Year 11 girls, asking how the advent of this very new technology enables new kinds of reading of visual texts, as well as new kinds of textual production dependent upon new IT-based literacies. It suggests that we need to find an adequate language of the visual, and to understand how this relates to other ‘grammars’ and semiotic systems; to understand how these competencies are rooted in wide-ranging cultural allegiances and pleasures, embracing popular as well as ‘classic’ texts; and to understand the classroom as a site both of encounter with popular culture, and of increasingly professional audiovisual production.     

Writing film: making inferences when viewing and reading

This article discusses the ways in which short films on video might be integrated into the English curriculum. I argue that shorts can be used to scaffold writing, and further than this, that students can learn a great deal about narrative form by shuttling between the two media of print and film. The article focuses on a ‘worked example’, being an account of an INSET session using a short film called Father and Daughter.     

‘What Do You Think?’ Let Me Tell You: Discourse about Texts and the Literature Classroom

This article examines the practice of studying texts in secondary school English lessons as a particular type of reading experience. Through a critical stylistic analysis of a popular edition of John Steinbeck’s Of Mice and Men, the article explores how reading the text is framed by educational editions, and how this might present the purpose of studying fiction to students. The article draws on two cognitive linguistic concepts – figure/ground configuration and narrative schemas – in order to explore how ‘discourse about a text’ can potentially influence how students read and engage with a text. Building on a previous article, the notion of pre-figuring is developed to offer an account of how a reader’s attention can be directed to particular elements of a text, thus privileging some interpretations and downplaying others. The article then reflects more widely on the perceived purposes of studying fiction with young people, exploring in particular the recent rise of support within the profession in England for Hirsch’s ‘cultural literacy’ model, which sees knowledge about texts as more valuable than authentic reading and personal response.     

Britney,Beyoncé, and me – primary school girls’ role models and constructions of the ‘popular’ girl

This paper looks at the ways in which the gendered social construction of the ‘popular girl’ infuses girls’ ideas as to their role models: those representing who they would like to be when they ‘grow up’. It will look at the ways in which the gendered characteristics that are seen to be of most value to girls (often embodied by ‘celebrities’ such as Britney and Beyoncé) often reflect socially dominant constructions of femininity. These characteristics can in some ways be seen to emphasise passivity rather than agency and power – for an example in an emphasis on attractiveness and appearance rather than activity and accomplishments. However, such desired characteristics are also those considered to characterise the ‘popular’ girl at school – a position of power and influence amongst girls’ peers. Therefore such desires are complexly located within both the constraints of hegemonic femininities and the dynamics of power relations between girls themselves.     

‘The power to squash people’: understanding girls’ relational aggression

While researchers and concerned adults alike draw attention to relational aggression among girls, how this aggression is associated with girls’ agency remains a matter of debate. In this paper we explore relational aggression among girls designated by their peers as ‘popular’ in order to understand how social power constructs girls’ agency as aggression. We locate this power, hence girls’ agency, in contradictory messages about girlhood that, although ever‐present ‘in girls heads,’ are typically absent in adult panic about girls’ aggression. Within peer culture, power comes from the ability to invoke the unspoken ‘rules’ that police the boundaries of acceptable femininity. We thus challenge the notion advanced by Pipher and others that girls’ empowerment entails (re)gaining an ‘authentic voice.’ In contrast, we suggest that such projects must be informed by an interrogation of how girls are positioned as speaking subjects.     

Understanding Gender through Disney’s Marriages: A Study of Young Korean Immigrant Girls

Much American popular culture has often been criticized for its negative portrayals of females and its potentially harmful influence on young children. However, there are insufficient studies about American young girls’ actual understanding of these female representations. Specifically, the perspectives of young immigrant girls have hardly been addressed in the existing research, even though their perspectives can be derived from what they learn about the social values associated with gender through their exposure to popular culture. This paper thus focuses on young Korean immigrant girls as a significant American immigrant group, and examines their ideas about gender in American popular culture—particularly, Disney films. Since their perceptions of gender were often derived from their discussions of marriage in the films, it closely investigates their understanding of gender roles, as considered through the marriages of Disney protagonists. It then discusses their perceptions of Disney by tracing these ideas to their beliefs about how these same themes become manifested in realistic situations. Finally, this paper provides implications and suggestions for researchers and early childhood educators.

Moral spaces,the struggle for an intergenerational environmental ethics and the social ecology of families: an ‘other’ form of environmental education

‘Green families’ in Australia were studied so as to shed light on how a more durable, everyday environmental ethic and ecopolitic might slowly be enacted in the intimacy of the home ‘place’ over an extended period of time in rapidly changing socio‐cultural‐ecological conditions. Of particular interest to this study of the green household, or postmodern oikos, was how its proximal ‘moral spaces’ have been nurtured intergenerationally by family members from within the broader global climate of what Zygmunt Bauman refers to as the ‘moral lag’ of postmodernity. Three layers of interpretive findings about the social ecology and family dynamics of this oikos are presented in an effort to provide detailed understandings about families’ eco being, dwelling and becoming. Implications for education for the environment can be gleaned from the ‘best’ ecopedagogical practices found in the home that are ‘other’ than those occurring in the formal education sector. This study adds to the theorizations of ‘social ecology’, ‘experiential education’, ‘ecopedagogy’ and, more generally, the notion of an everyday ‘ecocentrism’, while providing some clues for how environmental education in schools might mirror pedagogical aspects of the postmodern oikos.     

‘Move over and make room for Meeka’: the representation of race,otherness and indigeneity on the Australian children's television programme Play school

Play school is an icon of Australian children's television and an important part of Australian life – this programme, perhaps more than any other, has taken and continues to take centre stage in our living rooms and social worlds as young children. Play school is invested with an enormous amount of cultural capital and hence plays a significant role in the way that children engage and learn about social interaction, life and values in Australian culture. Aimed at preschoolers under the age of five, everything in the programme is done to relate as closely as possible to the social world and developmental level of the child and thereby assist their social, psychological and cognitive development. Through a combination of songs and dances, stories, dress up games and moments to ‘look through the window’ into the real world outside Play school, children are presented with a variety of sounds and images to engage with social concepts. In this paper we explore discourses of race, otherness and Indigeneity on Play school by deconstructing Aboriginalist images and representations featured on the programme and in doing so ask questions about the types of ‘race making’ that this programme engages in.     

007 Spies,surveillance and pedagogical middle leadership: for the good of the empire of education

ABSTRACT

This research critically examines the role of pedagogical leadership as it is distributed amongst middle leaders. It seeks to better understand the playful utility of a popular culture metaphor as a frame for understanding empirical data about pedagogical leadership in two Australian schools during a period of imposed curriculum change. Utilising ‘the theory of practice architectures’ (Kemmis, Stephen, Jane Wilkinson, Christine Edwards-Groves, Ian Hardy, Peter Grootenboer, and Laurette Bristol. 2014. Changing Practices, Changing Education. Wagga Wagga: Springer), the paper explores a direct quotation as metaphor from several pedagogical middle leaders that ‘we’re spies’ – and from one participant, ‘in a good James Bond sort of way.’ This research plays with and interprets the politics of practice including collaborating or ‘licensed trouble shooting’, and empowerment or ‘interrogation’ in everyday pedagogical leadership practice where distributing leadership may create espionage, or compliance during reform. Educational reform is espoused for ‘the good of the empire’ of education through the enabling and constraining practices of pedagogical middle leaders.     

‘A new life in the countryside awaits’*: interactive lessons in the rural utopia in ‘farming’ simulation games

ABSTRACT

This paper critically analyses the legitimation of exploitative human–nonhuman animal relations in online ‘farming’ simulation games, especially the game Hay Day. The analysis contributes to a wider project of critical analyses of popular culture representations of nonhuman animals. The paper argues that legitimation is effected in Hay Day and cognate games through: the construction of idyllic rural utopias in gameplay, imagery, and soundscape; the depiction of anthropomorphized nonhumans who are complicit in their own subjection; the suppression of references to suffering, death, and sexual reproduction among ‘farmed’ animals; and the colonialist transmission of Western norms of nonhuman animal use and food practices among the global audience of players. Hay Day thereby resonates with the wider cultural legitimation of nonhuman animal exploitation through establishing emotional connections with idealized representations of nonhuman animals at the same time as they inhibit the development of awareness and empathy about the exploitation of real nonhuman animals.     

Singing into Language: Sudanese Australian young women create public pedagogy

This article examines the ethnocinematic research project Cross-Marked: Sudanese Australian Young Women Talk Education, and its relationship to the evolving notion of public pedagogies. The project explores the potential of alternative pedagogies, which include popular culture, especially audiovisual forms, to engage teachers and learners with one another in collaborative pedagogical methods. The author's collaborative work with students from refugee backgrounds involves what Giroux calls a ‘spectrum of social practices’ utilising a variety of media platforms. This article draws from the lived experiences of one particular co-participant, Achol Baroch, and her 15 Sudanese Australian co-participants. Their experiences of secondary education are traced through this arts-based participatory project using the emerging practice of ethnocinema, a type of ethnographic documentary film which is generative, interculturally collaborative and aligned with the transformative goals of critical pedagogy.     

New girlhood and lost boys: analysing the cultural politics of gender and education through film

The ‘coming of age’ films Bend it like Beckham, Whale Rider and Harry Potter feature distinctive narratives about girlhood and boyhood that provide a perspective on the changing historical and political context of gendered identity construction in the new millennium. The early 2000s represented a particular moment in thinking about the possibilities, risks and threats of gender relations in Western countries. This was overwhelmingly represented by a discourse of crisis and loss in relation to boyhood and a discourse of hope in relation to girlhood. These films reflect the tensions and contradictory readings of the new cultural politics of gender in the early 2000s, drawing on many of the discourses present in academic discussions about young people's gendered identities. We show how an analysis of ‘coming of age’ films offers a lens for examining the cultural politics of gender and education, and for reflecting on social change and the perceptions and anxieties that this brings.     

Gender and hyper-linear history in the representation of the female Australian primary school teacher in Marion (ABCTV, 1974)

Abstract

Building on the author’s previous work on Australian national cinema and schooling, this article explores the representation of the female primary school teacher in the television mini-series entitled Marion (Australian Broadcasting Commission, 1974). Using narrative analysis, it argues that this representation is disruptive of patriarchal gender relations, demonstrating ‘hyper-linear history’ where an exemplary relationship is created between the disrupted gender relations in school leadership in Australia caused by the Second World War and the ongoing disruption of gender relations occasioned by the second-wave women’s movement in the 1970s. This mini-series shows how history, gender and representation are mobilised to create a unique cinematic historical argument about the gendered nature of Australian primary school teaching. Finally, the article reflects briefly on the situatedness of this reading out of the Global South.