黄粱梦里

很多人都喜欢告诉我们人生不过如一场黄粱梦，在繁复的美丽与曲折的悲欢之后，悠然醒转，新炊却犹末熟。     

Having a Great Ideal and Becoming a World Citizen Qujiang Launches a Summer Camp for Young Overseas Chinese

On August 12, “Seeking the Root： Chinese Culture Journey”, an international summer camp for young overseas Chinese, opened in the Tang Paradise in Qujiang New Area, Xi＇an City. Dr. Hu Chunyi, Chairman of Malaysia NV Foundation, Ms. Li Peishan, representative for China-Malaysia Friendship and Culture Promotion, Ms. Wang Jing, representative from Qujiang Culture ＆Tourism Co., Ltd., Ms. Xu Chun from Chinese International Ceremonial Group, and Mr. Li Weimin and Mr. Yao Kaiwen who were responsible for the event＇s organization, attended the opening ceremony.     

映日荷花别样红--访大诗人、理学家杨万里故里

盛夏六月，骄阳似火，我们一行五人穿梭在吉泰平原无边的绿色田野中。极目远眺，圆润的群峰裹在一层淡蓝色的薄雾之中，平展展的稻田一望无际；间或小溪沟渠流水潺潺，黄牛在悠闲地反刍，小山坡上几个牧童在嬉戏。不远处，大片绿树阴中，一座江南古村忽现眼前，那就是我们梦牵魂绕之地——南宋大诗人、理学家杨万里的故乡江西吉水县滋塘村。     

反切语杂谈

反切语不是大众语的白话，而是小众秘密语的黑话。白话力求明明白白，黑话则是揣起明白说糊涂。反切语虽然遍及各地，然而语圈极小，是另类话语，是封闭性不为圈外人道的秘密语。江湖黑话，给定不同的名称，试循名求实：     

作为历史学家的孔子

穿过笼罩在孔子头顶的种种光环，我觉得他更像是一位历史学家，一个历史的虔诚信仰，一个顽固的化遗民。尼采有云：历史学家总是向后看，因而也向后信仰。其实，何止历史学家，对历史的信仰和迷恋从来都隐藏在人心的底层，甚至已经蜕变为一种潜意识，左右着人的行动和思想。历史在某种意义上，恰是父亲的隐喻，因而对历史的依恋就成为孤独的个人在无助的尘世生活中对父亲的呼唤。     

擦净心灵

伯父病危。回光返照时，让儿子拿来一个旧皮箱，从皮箱里拿出一件黄色的旧呢大衣，撕开衣角的线道，取出一块银元。     

从乐器到玩具的演变——拨浪鼓漫谈

拨浪鼓是近代的一种儿童玩具，属于鼓类。但其样式与一般的鼓略有不同，它那两面蒙有皮革的圆形鼓身中间竖贯有一长柄，鼓身两侧各固定有一短绳，绳端系缀小珠，当转摇竖柄时，鼓身两侧的绳珠便反复甩动击打鼓面而发出声响，颇有情趣。因此拨浪鼓常常成为母亲哄逗婴幼儿的用具或儿童自娱自乐的玩具。     

Using mixed-methods,a data model and a computational ontology in film audience research

ABSTRACT

This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach using surveys, interviews, focus groups and document analysis to explore the richness of audience experiences and trends in the context of regional film policy. This required a mixed methods approach using surveys, interviews, focus groups and document analysis. The project utilised a data model approach that uses the principles of a computational ontology in order to sort, order and categorise data for systematic interrogation. The paper discusses methods, data, coding, and the use of a data model to support data analysis. We argue that this approach enables the cross referencing of data that provides a rich, multi-layered and relational understanding of film audiences but requires time and attention to data management and coding. Although, additionally it also forms the basis of an open access data resource for future research.     

Yuxian: a Historic County

County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2,000 years ago. Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China. Not long ago, the Photographic Exhibition on the Cultural Heritage of Historic Counties of China, organized by China Cultural Relics Protection Foundation in partnership with the Palace Museum and China Institute of Toponymy, was held at the Forbidden City, displaying photographs on the cultures and traditions of the first 16 Historic Counties of China, with an objective to enhance the public’s awareness of the conservation of cultural heritage in these historic counties. Our magazine will cover each of these chosen historic counties in each issue.     

Zunhua : a Historic County

County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2000 years ago. Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China. Not long ago, the Photographic Exhibition on the Cultural Heritage of Historic Counties of China, organized by China Cultural Relics Protection Foundation in partnership with th...     

开辟神还是祖先神--豫南盘古山盘古神格建构分析

本文试图通过对盘古山盘古神格建构过程的追溯，对不同历史时期民众、地方文人与政府三种社会力量对民间信仰的不同态度及其互动进行分析，进而审视大传统、国家权力与民间信仰之间的复杂关系。     

For a comparative film studies

The paper argues that the comparative approach to the study of modern cultural forms should be founded on the common experience but divergent histories of the development of a capitalist mode of production and the impact of its reformatting dynamics on social, including cultural, relations. The paper then goes on to explore and propose a number of probably inevitable theoretical frameworks and tools to implement a comparative approach to the study of a thoroughly industrialized cultural form, such as cinema and films.     

Nanchang:a Historic County

County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2,000 years ago.Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China.Not long ago,the Photographic Exhibition on the Cultural Heritage of Historic China,organized by China Cultural Relics Protection Foundation in partnership     

Jinxian: a Historic County

<正>County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2,000 ...     

通行证溯源

通行证是一种用于证明持证者身份并准予通行的证件。在现代人的生活中，常用的通行证有两种：一种是出入国境的护照，另一种是出人国家机关的出入证，通行证在我国起源很早，已有3000多年的历史了。     

From a Fishing Village to a Pearl in Desert Unveiling the Story Behind Doha

In the eyes of many tourists,Doha is almost a synonym of Qatar with unique charms.It is Qatars largest city and one of the fastest-growing in the entire Persian...     

Reflections of a Racial Queer

In this article, I reflect on my personal experiences of racial queerness. In an effort to speak my secrets, I explore my identity production as a Multiracial person by critically examining my positionality throughout various key stages in my life. I present Multiracial microaggressions –those accumulated moments that underscore my racial queerness and argue that these phenomena, while taxing, also confer agency. I propose a conceptual framework that incorporates both queer theory and borderlands theory as a potential framework from which to study how Multiracial individuals are positioned as racial queers. I argue that queerness, for the Multiracial individual, may denote both deviance (from the monoracial norm) and a unique individuality (stemming from one’s Multiracial background). By offering my testimonial as a racial queer and introducing the racial queer conceptual framework, I come a bit closer to naming my experience as a Multiracial individual and providing a space from which others can do the same.