浅析十九世纪欧洲浪漫主义音乐与肖邦作品

十九世纪欧洲浪漫主义音乐是浪漫主义融合于艺术的一种表现形式,浪漫主义音乐往往富于想象力,大多受到了非现实文学作品的影响。肖邦是欧洲十九世纪浪漫主义音乐的代表人物,富于诗意及细威感情的作品成为浪漫主义的载体,凸显了其个性与理想。     

十九世纪法国高等教育改革的启示--兼谈法国数学百年兴衰

法国在18世纪末成为世界数学乃至科学的中心,其百年兴衰史与法国大革命后所进行的高等教育体制和科学体制改革有着密切联系,其经验和教训值得我们深思和借鉴.     

浅谈批评教育的艺术

批评是思想政治教育的重要手段之一,批评的效果有正、负、无三种,批评要讲究原则和艺术,应注意批评教育的时机、方式、频率、强度等。     

十九世纪前西方艺术音乐指挥发展概述

十九世纪前的西方艺术音乐指挥经历了歌唱者边唱边击拍、乐器演奏者边奏边指挥、指挥者从。兼职”到“专职”、指挥方式由有声到无声的历史发展阶段；指挥功能和作用也经历了从单纯的速度和节拍提示逐步演变到对管弦乐队和音乐演出全面负责的过程：同时，由于国家和地区的区别也呈现出了不同的风格和技术特点。本文主要探讨了15至18世纪这段历史时期西方艺术音乐指挥的发展和演变状况，以及具有典型意义的国家和地区的发展状况。     

Science Education and the Emergence of the Specialized Scientist in Nineteenth Century Greece

In this paper, I describe the strong and reciprocal relations between the emergence of the specialized expert in the natural sciences and the establishment of science education, in early Modern Greece. Accordingly, I show how science and public education interacted within the Greek state from its inception in the early 1830, to the first decade of the twentieth century, when the University of Athens established an autonomous Mathematics and Physics School. Several factors are taken into account, such as the negotiations of Western educational theories and practices within a local context, the discourses of the science savants of the University of Athens, the role of the influential Greek pedagogues of the era, the state as an agent which imposed restrictions or facilitated certain developments and finally the intellectual and cultural aspirations of the nation itself. Science education is shown to be of fundamental importance for Greek scientists. The inclusion of science within the school system preceded and promoted the appearance of a scientific community and the institution of science courses was instrumental for the emergence of the first trained Greek scientists. Thus, the conventional narrative that would have science appearing in the classrooms as an aftermath of the emergence of a scientific community is problematized.     

Mindfulness‐Based Design Practice (MBDP): A Novel Learning Framework in Support of Designers within Twenty‐First‐Century Higher Education

While the interconnected and technological nature of the twenty‐first century can bring about many positive global connections, the importance of prioritising the development of the ‘inner world’ of designers is receiving less attention; similarly, time for contemplation, reflection and stillness is becoming scarcer. This article discusses mindfulness training from the Buddhist perspective, and how it can act as a pathway to personal introspection and as a supportive method for mental illnesses. With a special focus on design education, it discusses a novel framework, Mindfulness‐Based Design Practice (MBDP), and how it can potentially offer opportunities for design students to foster positive mind qualities such as mindfulness, compassion, resilience, and recognising the true nature of phenomena for becoming more ethical designers. Therefore, this article looks to bridge the gap between the significant lack of contemplative mindfulness‐based methods within the higher design education sector and the increasing mental health crisis within that sector. Thus, the primary concern of the MBDP is to advance both the individual and the collective development of the contemporary designer’s mind. Referring to the mind of the designer as the ‘inner designer’, this article forms an unfolding dialogue of the novel framework MBDP in support of mindful learning within twenty‐first‐century design education.     

浅析中小学音乐教学中宏扬民族传统音乐的重要性、方法与途径

民族音乐教育可以,培养学生民族审美观和民族精神,了解我国的传统文化,吸收本民族所特有的精神、气质和神韵,让学生在民族音乐声中感受到祖国的辽阔和温馨.通过课堂教学,让学生发现体验民族音乐的美,培养学生对民族民间音乐的兴趣,培养学生的民族自信心和自豪感.教师要以生动活泼的教学形式和教学力一法,让学生参与、积极思考、师生互动、发展学生的想象力和创造力、拓展学生的视野,使学生掌握中华民族音乐的精华,更加热爱祖国,喜欢民族民间音乐.     

浅析中小学音乐教学中宏扬民族传统音乐的重要性、方法与途径

民族音乐教育可以,培养学生民族审美观和民族精神,了解我国的传统文化,吸收本民族所特有的精神、气质和神韵,让学生在民族音乐声中感受到祖国的辽阔和温馨.通过课堂教学,让学生发现体验民族音乐的美,培养学生对民族民间音乐的兴趣,培养学生的民族自信心和自豪感.教师要以生动活泼的教学形式和教学力一法,让学生参与、积极思考、师生互动、发展学生的想象力和创造力、拓展学生的视野,使学生掌握中华民族音乐的精华,更加热爱祖国,喜欢民族民间音乐.     

谈高职院校的音乐艺术教育

音乐艺术教育是对高职学院学生实施素质教育的最佳途径之一。通过音乐教育可以提高学生的艺术修养,扩大知识面,从而使他们的情感在这里得到释放,以缓解紧张的学习造成的压力。音乐艺术教育还可以培养学生的集体荣誉感和自信心,在各种文化艺术社团活动中提高组织管理能力,对其步入社会,参与社会竞争,打下坚实的基础。     

美术教育创新的途径与方法

教育改革的出路在于教育创新。美术教育观念创新、美术教学内容创新、美术教学过程与方法的创新等等,构成了美术教育创新的途径与方法。     

Educating the Young Mathematician: A Historical Perspective Through the Nineteenth Century

Educational programs for young children emerged reasonably early in the history of the United States of America. Its theoretical foundation was based on the thoughts and principles of various early European scholars who differed from one another in their educational theories and how they viewed experiences that would impact on young children’s education, including their mathematics experiences. The movements of Children’s Arithmetic, Mental Arithmetic, the infant school, and the Froebel kindergarten all influenced mathematics in early childhood education. This article reviews the history of mathematics education in relation to the history of early childhood education through the nineteenth century. It also discusses how research in mathematics education attempted to gain its own identity. Throughout history, researchers have identified issues in mathematics education and addressed them, defining the field, and generating a cadre of mathematics researchers.     

让民族音乐教育走入普通高等院校艺术教育课堂

高师普通音乐教育如何将中国优秀的民族民间音乐渗透到教学中,使我们的民族文化得以继承和发扬光大,这是历史赋予音乐教育工作者的责任,也是关系到我们的民族音乐能否融人世界文化大家庭的重要问题,必须引起重视;要增强使命感和责任感,明确其目的和意义,探索其内容和途径,并具体实施到高校艺术教育课堂.     

Language Policy in British Colonial Education: Evidence from Nineteenth‐Century Hong Kong

This article examines the evolution of language‐in‐education policy in Hong Kong during the first six decades of British rule (1842–1902). In particular, it analyses the changing roles and status of the English and Chinese languages during this formative period in the development of the colony’s education system. The textual and statistical data presented in the article provide a corrective to the claim that the British imposed English on their colonial subjects and in the process rode roughshod over the indigenous languages. The evidence suggests that Hong Kong’s education system provided opportunities for native students to attend purely Chinese schools, purely English schools or mixed‐medium schools. Although the British apparently attached more importance to English teaching, they were generally at pains to emphasise that English should not be studied at the expense of Chinese. The findings indicate that language policy (be it Chinese or English in orientation) was always tied in some way to Britain’s political and economic interests in the region.     

关于高校音乐艺术教育的思考

音乐是一种由音响构成的听觉艺术，它是开启人类智慧宝库的一把钥匙；音乐形象是音乐的艺术形象，在音乐艺术教育中是一个关键因素，必须注重发挥它在艺术教育中的作用。同时，要注意把艺术教育的目标定位干熏陶学生高尚情操，培养学生思维能力、创造能力，促进综合素质的提高上来。     

加强音乐艺术教育提高大学生音乐鉴赏能力

《音乐鉴赏》是高校艺术教育的重要课程,音乐鉴赏能力是音乐艺术教育的主要目标之一。音乐鉴赏的教学和实践,可以使大学生的情感、思想、意识发生积极的变化,在获得音乐基本知识,培养兴趣和爱好的同时,发展了形象思维能力,提高了音乐鉴赏能力,并将对其树立科学的审美观,全面提高文化艺术修养和人文素质产生积极的影响。