Seniors’ organizations in China’s new rural reconstruction: experiments in Hubei and Henan

This article tracks the shifting cultural meanings that the East/West distinction has produced in the history of nationalism in colonial and post-colonial India. It does so by focusing on the word “civilization” and the role it played in promoting a rich sense of inter-cultural dialogue in the writings of nationalist leaders such as Swami Vivekananda, Mahatma Gandhi, Rabindranath Tagore, and Jawaharlal Nehru. The article documents how the word figures with much reduced significance in contemporary cultural debates about globalization in India and concludes by asking if the rise of China and India to global prominence holds the potential today to initiate a conversation across cultures similar to the one that accompanied the rise of the West in the age of modern imperial rule.     

Development and preliminary validation of an acculturation scale for China’s rural to urban migrant children

The large-scale internal migration in China has provided an unparalleled scientific opportunity to study the conceptualization and measurement of adaptation processes among Chinese migrant youth. The present study aims to develop an acculturation instrument for Chinese children participating in the rural to urban migration. The newly developed acculturation scale was tested in a two-wave cross-sectional survey (N = 301 for phase 1 and N = 1773 for phase 2). The results suggested that the acculturation scale possessed adequate content and face validity as evaluated by expert panel and participants. Through exploratory factor analysis, the 20-item scale identified four theoretically supported factors: integration, assimilation, separation, and marginalization. The internal consistency of the four subscales was found to be adequate. The criterion-related validity estimates using the life satisfaction scale and depressive symptoms supported the use and continued development of the acculturation scale.     

The Left and Indonesia’s 1960s: the politics of remembering and forgetting

Abstract

This article examines a pivotal decade in the recent history of Indonesian society: the 1960s. It examines the context within which the Left came to be decisively, and violently, defeated as a social and political force. It then studies the consequences of this defeat for Indonesia’s subsequent historical trajectory. The article also suggests that history‐writing anywhere is nothing less than the politics of remembering (and forgetting). What is at stake in these exercises is ultimately tied up with the legitimacy of entire social orders and systems of power. Thus, in Indonesia, the trauma of 1965 and its aftermath banished, from the collective memory of Indonesians, the political role of the Left – except in the form that runs through New Order‐era discourse on Indonesian communism. For Indonesians born or raised after 1965, the ‘communist treason’ became, arguably, the most critical element of the grand narrative of post‐colonial Indonesian history, which was so important in legitimising New Order authoritarianism. The current inability of Indonesian society and its elites to acknowledge and confront the reality of the horrors of the 1960s might prove to be a major impediment to a more genuine and substantive democratisation process.     

Three “centuries”: the context and development of rural construction in China

If the shoe doesn’t fit, it is a mistake to change the foot, but in essence this is what occurred in 20th-century China, in the context of rural construction. Motivated by self-preservation, nationalist forces in China resisted the hasty, indiscriminate and harmful importation (indeed, imposition) of western influences, but these external influences ultimately predominated over traditional domestic practices. Radical ideologies evolved, destroying traditional construction methods while promoting ill-conceived, but ostensibly “modern” counterparts, or chaotic syntheses of old and new. Rural economies were devastated, to the despair of peasants. The internal response to external stimulus had become far more damaging, the cure its own fatal disease. Amid ongoing efforts at reconstruction, local committees were formed that varied in efficiency, and successive waves of rural construction featured a wide array of approaches, far more than merely “top down” or “bottom up (grassroots).” And yet, while conditions have improved, the symptoms of radical response persist. The proper cure should be context-dependent reform.     

Reading Korean society through Stuart Hall’s cultural theory: constructing a new paradigm for socialist politics in the 21st century

This paper discusses the legacy of Stuart Hall’s cultural studies approach to socialist politics. Like many other socialist thinkers, his ideas are the direct outcome of political intervention, often through the form of theoretical practice. Because gaps will always remain between reality and theoretical explanation, political intervention tends to be an overreaction to social change or the underestimation of people’s power. Hall’s political practice cannot therefore be exceptional in that it is far from perfect. This paper attempts to establish a balance sheet in terms of his involvement in the debate on the nature of British society, Thatcherism and neo-liberalism. From this examination, some key concepts will be employed to analyse the nature of Korean society in relation to neo-liberal restructuration and the neo-liberal historic bloc. Discussing Hall’s ideas and applying these to Korea, the paper sets out to demonstrate both weaknesses and strengths in Hall’s thought. The strength consists of his open-ended and empirically sensitive reformation of Marxism. On the other hand, the core weakness is found in his post-Marxist epistemological relativism. The main argument set out here is that, in order to develop and refine Hall’s thought, there should be an ontologically realist position compatible with epistemological relativism. For this difficult task, the concept of needs can be suggested as a fresh starting point.     

Alternative responses to ‘the modern dream’: the sources and contradictions of Rural Reconstruction in China

ABSTRACT

The title is supposed to be a paradox, as the two notions are opposed in Gramsci’s work: hegemony being the heterogeneous aspect of the dominating alliance in a given historical period (e.g. fascism), whereas the national‐popular representing the unified cultural resistance from below. The question mark thus refers to a short circuit of opposites, to an unexpected consequence of liberation itself, rather than to the domination of some new cultural industry, as the one Adorno had fought against. Not that cultural industries aren’t stronger than ever; but cultural studies have developed various strategies to critique them over the post‐war years. I want to argue here that the new amorphous world without transcendence and alternative (usually called ‘globalization’) puts the discipline in a more difficult situation. Is there a danger of cultural studies becoming an accomplice to such a new hegemonic culture of the global‐popular?     

The left‐wing movement in Malaya,Singapore and Borneo in the 1960s: ‘an era of hope or devil’s decade’?

Abstract

The 1960s was a period of Leftwing resurgence in the world. As Britain was disengaging from its empire, the ethnically plural societies she had generated within her protectorates and colonies in Malaya, Singapore, Sarawak, North Borneo and Brunei threw up anti‐colonial movements that began struggling towards self‐determination and national independence. These movements manifested the ideologies of communism, socialism, nationalism and communalism. As British imperialism began planning its retreat, the competition for power among the local movements became intense. In Malaya, the largest of the five colonial territories, the communist party launched an armed rebellion in 1948 in the name of national liberation and independence, but made little headway. As Singapore and Malaya were closely linked and ruled, Britain introduced emergency rule in both territories. Most leftwing parties disappeared. Nationalist and communalist parties in Malaya emerged and eventually succeeded in securing national independence from Britain in 1957. Singapore was given a measure of limited self‐government in 1955, while Sarawak, North Borneo and Brunei were gradually awakened towards self‐government. Leftwing parties re‐surfaced in Malaya, and in Singapore, Sarawak, North Borneo and Brunei in the 1950s and 1960s, and made some headway in parliamentary elections. This paper presents a historical account of their resurgence, which was however short‐lived.     

Being a Man,Being a Member: Masculinity and Community in Britain’s Working Men’s Clubs, 1945–1960*

By 1960, there were more than 3,500 working men’s clubs in Britain, with a combined membership of more than two million people. This article explores their post-war transformation from small homosocial enclaves for drinking and bar-games to larger family-oriented entertainment venues, while they continued to provide social, welfare and educational activities for local communities. Operating on the boundaries of public and private life, they remained alternative sites of domesticity to the home, in which men nurtured relations with both friends and family. Nevertheless, though women and children came to represent a significant presence in the clubs, their cultures remained largely patriarchal and discriminatory. I argue that working men’s clubs provided important sources of agency, community and continuity for their members, during a period of rapid social and cultural change.     

Renationalisation and resistance of Hong Kong cinema: Milkyway Image’s journey to Mainland China

Hong Kong cinema is an emerging component of the booming Chinese film industry twenty years after the transfer of Hong Kong’s sovereignty from Britain to China. Hong Kong filmmakers and film companies now routinely collaborate with the mainland industry to produce for the mainland audience, prompting many creative artists and companies of the Hong Kong industry to relocate to the mainland. Based on the fundamental idea that both mainland Chinese cinema and Hong Kong cinema are constantly reshaping as a result of inter- and trans-cultural exchanges, this article adopts a bottom-up approach to re-examine the top-down-managed cultural nationalisation of Hong Kong cinema. Hong Kong (co-)produced films are increasingly devoid of local sensibilities and identities. Film companies and talents of the Hong Kong film industry, at least in the mainstream sector, are gradually incorporated into the film industry in the mainland. Notwithstanding these overwhelming tendencies, I suggest that Hong Kong cinema’s legacies exist beyond narrative strategies and genre approaches, and have started to show in film companies’ role in, and their capability of, challenging and reshaping the future of the Chinese screenscape. Specifically, through the examination of a series of film projects from Milkyway Image, a Hong Kong-based film production company, this article shows that Hong Kong cinema’s renationalisation is a process of simultaneous cooperation, negotiation, and resistance.     

China Cultural Center in Seoul:Photo Exhibition on the 70 Anniversary of China’s Foreign Assistance

In January 2021,China Cultural Center in Seoul launched an Online Photo Exhibition on the 70^(th)Anniversary of China's Foreign Assistance on its new media plat...     

‘At Some Point in the 1960s,Hell Disappeared’: Hell,Gender and Catholicism in Post-War England

This article explores changing understandings of Catholic hell in post-war England, focusing on how questions of sex and gender intersected with beliefs in the afterlife. It uses oral testimony from Catholic laypeople alongside the pronouncements of the clerical hierarchy to challenge the pervasive notion that ‘hell disappeared in the 1960s’. Hell did however, change in constitution during the post-war decades, transforming from a material ‘place’ to an abstract ‘state’ in the lay and institutional imagination. Rather than being about a straightforward ‘liberation’ from a coercive theology of damnation, the changing constitution of hell spoke of the way certain religious beliefs became re-categorised in late-modern England.     

‘A Million Little Bonds’: Infidelity,Divorce and the Emotional Worlds of Marriage in British Women’s Magazines of the 1930s

This article examines infidelity discourse within women's magazines of the 1930s. Marking a departure from existing studies that have explored representations of ideal marriage, it uses discussions of marital breakdown as a lens through which to consider conceptualisations of love within marriage. It demonstrates how, in the interwar period, notions of mutual emotional investment were used to reinforce marriages that were deemed to be in breakdown. Muddying the perceived binary between individuals and the institution of marriage, this research highlights how the latter could be bolstered, rather than challenged, by recourse to the emotional worlds of spouses.     

Translation of ‘America’ during the early Cold War period: a comparative study on the history of popular music in South Korea and Taiwan

Abstract

The evaluation of the cold war influences played by the US on the rest of the world should not only be accounted economically and politically, but also culturally. In this paper we see the US influences on South Korea and Taiwan from the value‐laden concept of Americanization and through which we examine comparatively specific practices of domestic popular music development in these two countries. Setting this paper as a historical comparative study, we see the working of Americanization in relation to popular music as a value regime in which American is constructed as an ideal model imaginatively and discursively, which was made possible by economic, social and cultural forces in South Korea and Taiwan. Focusing on the Cold War period, circa 1950s to 1960s, levels and aspects of Americanization were therefore ways of translation, to use Said’s concept of traveling theory analogically; Anglo‐American music genres traveled to these countries to be incorporated contextually as new or trendy conventions of music‐making, which in turn helped form local music genres. The socio‐historical contexts of South Korea and Taiwan, with respect to the presence of American army forces, and similar postwar anti‐communist political forces, in nation‐building (north–south Korea, red China–free China antagonism respectively) are central to our understanding of the visibility of Americanization in different music cultures in these two countries. This paper will go into each country’s historical trajectory of music practices that took Japanese colonial influences up to the postwar time and then blending with Anglo‐American genres in indigenizing that eventually marked their different paths, as we comparatively reveal their institutional, political and national cultural conditions, which were necessary in shaping each country’s music‐making conventions, entertainment business, and consumption cultures of popular music – and that might implicitly inform tentatively the present rivalry between ‘offensive’ Korean Wave and ‘defensive’ Taiwanese ‘rockers’ in the globalization era.     

‘Of lost fathers and broken sons’: Farish Noor on the politics of love and the new thought in Malaysia

Abstract

This paper addresses the polemical and intimate writings of one of Malaysia’s leading public intellectuals, Farish Noor. Straddling secularism and Islamism, Noor’s ideas are informed by a compassion that seeks to bypass monotheism and an ethnically informed nationalism. An advocate of a multiethnic and plural society, Noor does not merely reject Islamism; rather, his thinking seeks to reconcile and transcend what he perceives as a false dichotomy between a system of reason and a system of belief. The achievement of this transcendence is a fraught one for it sometimes seems that Noor involuntarily contradicts himself. To resolve this contradiction I turn to Gille Deleuze’s work, Pure Immanence, which, I argue, provides a key in‐road into understanding the complexivity of Noor’s thought, in particular his valorization of love and his canny and novel attempts to interpret what he calls an ‘other Malaysia.’     

What does “an open body” say: the body and the Cold War in the early 1980s theatre of Taiwan

ABSTRACT

The early 1980s marks a significant period for modern theatre in Taiwan. It is often heralded as the “renaissance of modern Chinese/Taiwan theatre” through the reinvention of Chinese theatrical traditions, such as the Peking opera. This paper examines the connotations and denotations of “the West,” which serves as an important reference or counterpart in theatre practice of the period. An “open body” on stage was highly appraised and requested for theatre practitioners during the time. By historicizing the West in tandem with the concept of the “open body,” this paper calls attention to the socio-historical and the geopolitical aspects of the Cold War in Taiwan’s “theatrical renaissance.” “An open body” was emphasized in the first year of “Experimental Theater Exhibition” in 1980. Wu Jing-jyi, who had experienced working and directing in one of the most famous Off-Off-Broadway theatres, LaMaMa E.T.C in New York, led a series of workshops and training courses in “Lan-ling Theater Workshop” and created a new performing method on the basis of what they coined as “an open body.” Lee Kuo-hsiu, Liu Ching-min, Chin Shih-chieh, Lee Tien-ju – most of whom were and still are the leading actors and actresses in Taiwan – among others were all trained and influenced by this method. The magnificent production of the play Hechu xinpei was an example that followed the “open body” performance method. In this paper I make two main arguments. First, without examining closely what an open body signified at the time, the discursive formation of the body in the 1980s theatre renaissance cannot be fully comprehended. Second, I propose that the modern Taiwanese body that is open is simultaneously imbricated in relation to geopolitics, knowledge of Area Studies, and modernity – categories that the United States invented, led and developed throughout the Western bloc in the Cold War.     

Nations in shame and art’s shame: towards a radical politics of image and affect around “Okinawa”

ABSTRACT

This article first examines the resurgence of popular, semi-academic nationalist discourses that solidify the figures of “Japan” and “Okinawa” within post-1945 U.S.-led formation of nation-states across the Asia-Pacific. It critiques two discourses that are symptomatic of such a return to the figure of the nation: developmental economist Matsushima Yasukatsu’s thesis of “Ryukyu’s independence” and philosopher Takahashi Tetsuya’s call to relocate the U.S. military bases from Okinawa to mainland Japan. These symptomatic instances of the mutually transferential nationalisms in Okinawa and mainland Japan rely upon crudely culturalist assumptions about the self and the others and are thus surprisingly oblivious to how the very nation-forms have been instituted as part of imperial modernity. Their implicit figurations of the exemplary national subjects partake in the biopolitical assumptions as to whose lives must be “made to live” and “made to die” within and outside the border of the national. Ultimately, such nationalist discourses about Japan and Okinawa engage in a zero-sum exchange of imperial shame and colonial shame, a process that further stabilizes the co-operative placement of local nation-forms within the U.S.-led inter-state regime of warfare and biopolitics. But insofar as these discourses require the images of the nations that they seek to represent, their (re)production of what Naoki Sakai calls “a schema of co-figurative” nationalities needs to be critiqued through an exploration of a radical aesthetics and affect that pertain to image production.

The second part of the article presents my interpretation of artist Nema Satoko’s recent book of photography titled Paradigm, a work in which both bodies and objects explore their potential transformations in the midst of their precarious exposure to one another. I argue that Nema’s images of fragile bodies and objects in the present landscape of Okinawa are poised on the cusp between the past that invokes a sense of shame and this past’s potential future that necessitates an ethical posture of humility. In the vicinity of Adorno’s notion of “art’s shame,” Nema’s photographic images illuminate an amorphous realm of fragile beings, whose linkage and exposure to one another opens a space of viability that is obscured by the biopolitical imaginaries of nation-forms.     

The nexus of war,resettlement, and education: War-affected youth’s perspectives and responses to the Quebec education system

This article examines the realities of war-affected youth living in Quebec, Canada, and in particular, their experiences and responses to education upon resettlement. In our qualitative study, using both in-depth interviews and focus groups, we queried 22 young people affected by war. Our thematic analysis describes the challenges youth faced in school after having experienced war-related trauma and migration. Despite existing international and national education frameworks, education policies and provisions are largely lacking and ill-equipped to support refugees’ unique needs. Youth felt that teachers and support staff tended to overlook young people’s pre-migratory lives, as well as post-migratory realities. To facilitate resettlement, war-affected refugee youth sought connections beyond school – in the form of peers, surrogate families, or community members from the same country of origin. These non-formal educational supports demonstrate youth’s agency, illustrating high bonding social capital. To support youth at the nexus of war, resettlement, and education, our findings point to the need for greater consideration of both pre-and post-migratory experiences, as well as for increased bridging and social capital to strengthen the linkages across student-school-community in ways that both build upon and respond to the strengths and challenges of war-affected children.