秋兰为佩 芳泽杂糅－－余德庄长篇小说创作论

余德庄是新时期重庆小说创作的重要作家，他以《忧魂》、《海噬》、《太阳雨》等三部长篇小说，充分显示了自己的创作实力。忧患意识和批判精神，在三部作品中一以贯之，而作品的时空体形式却有了明显变化，表现出作者对文学传统的反思和审慎的间离，及不断超越自我的鲜明意识。将城市文化精神与地域文化特色作有机的统一和融通，是读者对余德庄新一轮创作的期待。     

悠悠我心——论唐君毅的心灵哲学

唐君毅思想可以心灵哲学命名之,其主要内容有三个方面:首先,以心灵的超越本性为基本认定的道德主义;其次,心灵超越性的现实化历程所构成的人文主义;最后,精神生命贯通流行的心灵境界论.他把心灵的超越本性建基于日常经验之上,使之成为价值和意义世界的生成根源,消除了传统的形而上性质,且没有轻率肯定人的普遍本性,又解消了价值和事实、道德理性和科学理性之间的对立关系,同时还避免了西方哲学所内含的主客体间的困境,是对中国传统思想和西方哲学理论的创造性发展.     

再评柯灵的《遥寄张爱玲》

柯灵在评价张爱玲时坚持的是一种“外缘利用论”，其一，没有认识到体验的真实比题材的熟悉更重要；其二，忽略了张爱玲作品的前后期的联系；其三，不能认同张爱玲对政治的超越，本文赞同从人性的角度评价张爱玲的所有作品，包括《秧歌》等。     

ACCEL: Thoughts From the Field

This author responds to Sternberg (2017) and his article, “ACCEL: A New Model for Identifying the Gifted,” published in his special issue of the Roeper Review focused on “wisdom in a changing world.” Wisdom is evident throughout Sternberg’s essay as he invites readers to consider the relevance of his ACCEL (Active Concerned Citizenship and Ethical Leadership) model in the context of its relationship to gifted individuals and the pressing need for change in society. The spiritual concept of wisdom and humanistic educational theory is implicit throughout this review. The author considers elements of the model’s utility and implementation in light of his experience in the field as a veteran educator and consultant, his own research relating to self-efficacy of teachers’ teaching critical thinking, the Kaleidoscope Project, and its similarities to his own Chandelier methodology.     

写作诗学:超拔、意味、过程及其他

写作在本质上是自适以他适,自超以他超。写作的“超拔”性对作者而言是自超,对读者而言,则是他超。一部好作品应该有意味,只有当意味包含了真诚与智慧,才能产生好作品。写作还应当遵循一定规律：重过程,轻结论。     

达利的异度空间建构及其高峰体验

达利用理智将自己的梦幻、想象及非理性的事物进行立体空间的重组,特意"实验"混乱无序、颠倒错位的异度空间的构建。在对视觉图像的表达方式和观看领域的颠覆中,认同体验激情涌动、缺失的情感得到补偿、失落的自尊得以回归、受挫的自我达到超越,从而真正获得了"自我实现"的高峰体验。     

A Pedagogy of Sight: Microscopic Vision in Robert Hooke's Micrographia

Robert Hooke's Micrographia (1665) holds an important place in the history of scientific visual rhetoric. Hooke's accomplishment lies not only in a stunning array of engravings, but also in a “pedagogy of sight”—a rhetorical framework that instructs readers how to view images in accordance with an ideological or epistemic program. Hooke not only taught his readers how to view a new kind of image, but recruited potential contributors to the program of natural philosophy. In particular, Hooke taught his readers to see microscopic specimens as mechanical bodies, as evidence of divine creation, and as pleasant entertainment.     

《北迁季节》：归属与流放——摇摆的精神家园

苏丹最著名的现实主义作家塔依卜·萨利赫的小说对阿拉伯及非洲民众寻求自我认知的艰辛历程多有描述,其代表作《北迁季节》被誉为“阿拉伯文坛当代的奇葩”、一部非常重要的处理复杂跨文化身份问题的作品。书中叙述者和穆斯塔法的东西两种文化碰撞下的心理矛盾非常震撼人心。在后殖民主义理论中身份归属问题的框架下,两位主人公的身份危机、归属感的缺失和流放的状态醒目而富于启迪性,揭示了人类面临失根时放逐自我和超越自我的精神取向。     

苏轼诗歌的哲理思辨倾向

以哲理思辨入诗是苏轼诗歌颇具个性的艺术特征.苏诗的哲理思辨涉及宇宙自然,更主要表现于对社会人生的体验,其产生具有深刻的社会背景和迫切的现实需要.一方面是对人生困境的体验,一方面是对这种困境的超越,使苏诗的哲理思辨上升到更高的境界.诗的哲理趋归显示了苏诗意蕴深化的艺术倾向.从史诗发展的流程来看,苏诗的哲理思辨突破唐诗情景交融的艺术范式,在内容和形式两方面拓展了诗歌的表现天地.     

心灵深处奏响的生命之歌——评唐德亮的诗集《深处》

唐德亮作为从瑶山走出的诗人,具有与众不同的诗学感悟。诗集《深处》在其一贯的朴素生动又原汁原味的生活体验之上精益求精,对美的丰厚意蕴的深度思考、对瑶族文化形态的关注以及对于现代社会的批判与反思、对于人性裂变与超越的突破性展现,构成了唐德亮文学世界求新求变的新角度、新发现、新创造,同时,也更加深切地体现出作为一个乡土诗人对于土地、对于民族的深厚情谊,特别是诗人一路走来所保有的知识者的批判精神与反思能力尤为值得称赞。     

论美育的超越价值

美育是以＂审美＂为核心的实践体系,内在包含着促进人的＂美感生成＂与审美超越的实践目的观,它以审美体验为途径,以个体的全面发展、自由发展和自主超越为价值旨归,通过培养人的审美意识和审美实践能力,客观上为个体实现＂人的美感生成＂与审美超越准备了实践动力和主体条件。当前的美育实践,需要坚持整体性的观点,从实践基础、实践原则和具体实践策略等方面形成一种＂整体性的影响＂,积极促成美育超越价值的实践转化。     

A View of War and Soldiering in the Carey Novels of Ronald Welch

Ronald Welch’s novels featuring the military adventures of the young men of the Carey family were first published between 1954 and 1976 and have recently been reissued. They were uniquely representative of historical military adventure for children in the Britain of this period; and were the last example of a vigorous century-old genre in respectable children’s publishing, particularly intended for boy readers, which honoured warrior virtues and regarded war as a crucible of male character. Children’s fiction since then has generally shied away from depicting soldiering. Where it has done it has focused mainly on the First World War and shown soldiers largely as victims. Welch’s work melds a model of heroic military adventure, inherited from the previous century, with a perception of the horrors of twentieth-century war derived from two world wars and his own experience of professional soldiering. While significantly amending the notion of war and soldiering as a heroic adventure, which he inherited from his predecessors, his work nevertheless retains the idea of combat as a character-forming male experience and implicitly offers military virtues as a model of manhood. While the attitudes expressed in his work were rejected by his publishers towards the end of his career, his views were perhaps an expression of more widely held beliefs at the time. And, for some of his original readers, the republication of his books is seen as a welcome re-affirmation of old values.     

莫言创作的“饥饿”情结与“救赎”情怀

莫言在几次演讲中提到自己的两大创作源泉,尤为强调童年的饥饿。正是因为"饥饿"带来的痛苦,对食物的渴望,让他对生命有着更深沉的体验。另一方面,童年的生存环境虽然艰辛,长辈们不屈的精神,以及莫言既不想为了"食"背叛人性,又不甘于被"食"所压迫、奴役,种种复杂的情结让莫言在创作中又有着潜移默化的"救赎"情怀。本文从莫言的独特童年经验切入,探讨其创作出各种复杂人性的根源。     

召唤结构与李煜后期词的魅力

李煜后期词具有极高的艺术成就和强大的感染力。而其感染力的最重要来源,就在于李煜后期词形成了一种具有极大情感包容性的“召唤结构”,给读者提供了依据自己的人生经验去进行审美再创造并获得同样深沉情感体验的广阔空间。     

赏析《格列佛游记》中的精湛反讽艺术及其文化影响

作为18世纪英国文学史上的杰出的文学巨匠,英国著名作家乔纳森.斯威夫特以在其作品中善用反讽技巧著称。其极具代表性的游记体讽刺小说《格列佛游记》,就是因此流传至今仍让读者们回味无穷。评析其精湛的反讽技巧,可以让读者更加深刻地见识到这一修辞手法是如何在斯威夫特手中变成了巧夺天工的鬼斧神工。该书还借用了拉伯雷《巨人传》的趣味形式,同时受希迪斯和尼安德英法之争影响,对英国文化充满了反思。     

略论胡风的文学编辑

胡风是现代文学史上一位杰出的编辑家，他认为作为编辑的基本素质是诚实，对读者负责，也对自己的良心负责。胡风编辑了一大批质量上乘的文学作品，积累了丰富的工作经验。他认为要善待读者，处理好与作者的关系，在编辑工作中贯彻现实主义的编辑方针，坚持现实主义的理论高度和用稿标准。     

杨巨源诗歌色彩与意境的交融

作为中唐优秀的诗歌能手,杨巨源的诗在艺术上善于使用色彩,利用色彩营造意境,这在其描写战争题材与军旅生活的诗歌中表现得尤为突出。他的诗作既是写实的涂绘,又不乏浪漫的渲染,为读者营造出了一个个真实而又富于诗意的意境。诗人惊人的色彩感悟能力、表现能力建立在他细致入微的观察基础上,奠基于他丰富的生活经验和独到的心理感受。     

李贺诗歌审美倾向的特异性

李贺这位英年早逝的天才诗人，以其笔补造化之功，在唐代诗苑卓荦而立，令人瞩目。本着重从李贺诗歌审美倾向的悲姜性和虚幻性两个方面来展示诗人特异的心理特征，诗作的独特魅力和带给读的新鲜感受。     

试析姜夔感伤词风

姜夔的词作悲伤凄婉,形成独具特色的感伤词风。这与其早年宦游时的情感经历、布衣终身却清雅脱俗的个性气质、风雨飘摇时代引发的忧国情怀三个方面密不可分。文章结合这三方面对其词作进行分析,剖析其词风的感伤性,了解一代词人的创作经历和心路历程。     

Transcendence and Wandering

Shen Congwen and Thomas Hardy are both known for their regional novels,Hardy for his "Wessex" novels,and Shen Congwen for his "World of Xiangxi" .Both writers display a sense of transcendence and wandering in their female characters.Both Xiao Xiao in Shen Congwen’ s Xiao Xiao and Eustacia in Hardy’ s The Return of the Native transcend the traditions and customs of their times,and experience a consequent wandering.But the ways of the two writers in presenting their heroines is quite different.While Xiao Xiao was mentally active but did nothing except follow the traditional system,Eustacia’ s thought was followed by her own words and actions.