Desire: A History of European Sexuality. By Anna Clark/Sexuality in World History. By Peter N. Stearns

ABSTRACT

The present article uses Nell Dunn's Up the Junction (1963) to explore class, gender and the city in the 1960s. It focuses on three elements: the book's representation of post-war, urban working-class identity; the place of gender and sexuality within that representation; and, finally, Nell Dunn's own position as a middle-class observer. It argues for the continuing relevance and dynamism of class as a social referent in post-war, ‘affluent’ Britain. The article also explores the meaning of ‘slumming’ in the context of the mid-twentiethcentury city, against the background of ‘affluence’ and the emergence of the ‘permissive society’. What becomes particularly apparent in both contexts is the importance of femininity and female sexuality in the representation of mid-twentieth-century London, whether in terms of the portrayal of working-class women or the position of the middle-class author.     

Time and the Shape of History. By Penelope J.

ABSTRACT

In the interwar period, women formed an ever-growing share of the press market. They were an increasingly important target for advertisers, and newspapers were intent on securing the maximum number of women readers. The press turned its spotlight on female politicians in an attempt to attract women readers. Some politicians, such as the Labour MP Ellen Wilkinson, collaborated with the press to increase their media exposure and promote an image of themselves as political ‘celebrities'. In so doing, they simultaneously perpetuated and destabilized assumptions about women as frivolous, superficial and uninterested in serious political debate. Wilkinson was ultimately able to turn her celebrity to political advantage, using the press as a pulpit to expound her progressive political agenda. However, her successful manipulation of her public platform should not obscure the gendered assumptions behind the press coverage that helped to propel her to political stardom.     

The Local: A History of the English Pub. By Paul Jennings.

ABSTRACT

The period between 1950 and 1975 marked a dramatic shift in food retailing in Britain with the introduction of self-service stores and supermarkets. It also witnessed a significant rise in shoplifting, which many contemporary observers blamed on the introduction of self-service retailing. Using material from the retail trade press, newspaper reports, contemporary academic and marketing studies, and the publications of consumer associations, this article reflects on the fractured nature of the public discourse surrounding shoplifting in the early post-war period and looks at the factors that made self-service food retailing such a potentially problematic innovation. We argue that an ambivalence arose because shoplifting was regarded as a ‘housewives' crime’, and because of some of the specific characteristics of the self-service innovation. The introduction of self-service retailing not only fundamentally altered the relationship between consumers and retailers, and between consumers and goods, but had the effect of throwing into question existing definitions and perceptions of consumer crime. This article will show that there was considerable public debate and disagreement over who was to blame for the sudden surge in the crime, over what could be done to prevent it, and over how to treat those accused and convicted of shoplifting. Some of the ambiguities in public responses to shoplifting evident in our period were witnessed in the earlier experiences of the nineteenth-century department store. Then, as in the 1950s, public debate on the causes of shoplifting occurred within the context of broader critiques of consumerism.     

From Silent Screen to Multi-screen: A History of Cinema Exhibition in Britain since 1896. By Stuart Hanson/The British Musical Film. By John Mundy.

ABSTRACT

This article explores the political, economic, media and social reactions to the Sex Pistols' Anarchy Tour of December 1976. A critical reading of the sociological concept of ‘moral panic’ is used to examine the ways in which responses to the Sex Pistols were related to the notion of post-war decline, immorality, delinquent youth and the changing nature of the British working class. The responses to the Anarchy Tour constitute a further episode in the cycle of ‘moral panics' that emerged in British society in connection with the development of youth culture, juvenile delinquency and popular music. The exploration that follows posits the view that although ‘moral panic’ is useful for understanding particular aspects of popular music, it also conceals the complexity of the differing responses of political/social groups to the appearance of such phenomena. The article also forms a critique of recent revisionist characterizations of Britain in the 1970s. The ‘moral panic’ surrounding the Sex Pistols was in part ‘socially constructed’ by the media, yet reactions by trade unionists, students, feminists and socialists show that concerns about British society in 1976 were not confined to religious pressure groups, conservative media commentators and political elites.     

Heroes of Their Own Life Stories: Narrating the Female Self in the Feminist Age

ABSTRACT

This article proposes a triple legacy of the expressive culture of the 1960s and 70s. Late twentieth century feminism, discourses of gender equality and the advent of modern confessional culture liberated women’s women’s voices, producing self-realising narratives and a shift in women’s facility to produce authentic ‘reflexive projects of the self’. Drawing on oral history interviews with women born in the 1940s in the United Kingdom, Australia and North America, a new concept for a distinct genre of women’s oral history narrative is advanced– the feminography – in which we hear women owning their voices and the stories those voices tell.