English-Spanish Cognates and the Pura Belpré Children's Award Books: Reading the Word and the World

English-Spanish cognates are an important subset of words in both the English and Spanish languages. Cognates are words that possess identical or nearly identical spellings and meanings in both languages as a result of being derived from Latin and Greek. Of major importance is the fact that many of the more than 20,000 cognates in English are academic vocabulary words, terms essential for comprehending school texts.

?The Pura Belpré Children's Book Award has been given since 1996 to outstanding children's and young adult literature that represents, affirms, and celebrates the Latino cultural experience. The books are judged for their literary and artistic quality.

?There are many English-Spanish cognates in each of the Pura Belpré picture books. The purpose of this article is to introduce the Pura Belpré Cognate Database, which lists all of the English-Spanish cognates for each of the children's picture books that have won the award or have been designated as honor books. Ideas for vocabulary, spelling, and morphology lessons or mini-lessons are also presented.     

Of Fighters and Frames: Femen’s Corporeality Between the Old,the New,the Yellow and the Blue

In this essay, we examine corporeality, its discursive framings and the salience of cultural contexts in the interpretation of embodied protest rhetoric on an example of originally Ukrainian and by now international feminist group Femen. We analyse the embodied rhetoric of Femen’s activism from various angles, with a special focus on the pivotal role of cultural locations in the interpretation of Femen’s embodied activism, in particular, and corporeal resistance, in general. With our findings, we hope to extend the existent knowledge on corporeal framing and politicalization of the body as a culture-specific site of resistance and social change.     

Afro-Asian solidarity and the “capital” question: looking beyond the last frontier

The argument in this paper is a continuation of an argument that I have been making for some time, which questions the universal history of capital, crucial to which are assumptions regarding its historical necessity. Capital is not only understood to be a historically unavoidable condition but one that has already colonized the world such that there is no outside to it. In developing my argument regarding the “outside” to capital, where I find Kalyan Sanyal's work very useful and significant, I claim that much of the problem with theorizing capital today has to do not with the beast itself but with the inherited paraphernalia of western theory and philosophy. After a survey of the passive revolution debate in India, which I read as a sign of the actual impossibility of “capitalist” development across different parts of the world, I move on to argue that both “capital/ism” and the “logic of capital” (accumulation) are misleading concepts concealing an essential “emptiness,” which I work out through the idea of “dependent arising” taken from Buddhist philosophy.     

Sick bunnies and pocket dumps: “Not-selfies” and the genre of self-representation

ABSTRACT

This article develops and troubles existing approaches to visual self-representation in social media, questioning the naturalized roles of faces and bodies in mediated self-representation. We argue that self-representation in digital communication should not be treated as synonymous with selfies, and that selfies themselves should not be reductively equated with performances of embodiment. We do this through discussing “not-selfies”: visual self-representation consisting of images that do not feature the likenesses of the people who share them, but instead show objects, animals, fictional characters, or other things, as in the practices of #EDC (“everyday carry”) and #GPOY (“gratuitous picture of yourself”) on platforms such as Tumblr, Facebook, Instagram, and reddit. We present an account of self-representation as an emergent, recognizable, intertextual genre, and show that #EDC and #GPOY practices are best conceptualized as instances of self-representation.     

The good,the bad and the advantageous: Migrants’ attitudes towards other migrants

There is a growing number of various ethnic groups in Finland. The attitudes and categorizations that host country nationals have and make regarding migrants is frequently researched. The attitudes that migrants have towards other migrants has, however, been much less researched. This paper provides an in-depth analysis that considers what factors are behind the attitudes that migrants form of other migrants and how these impact categorizations and hierarchies. The empirical research material of this study is based on 77 qualitative interviews with migrants living in Finland, carried out in 2018–2019. In the analysis, various theories of minority relations are applied.The research finds that migrants evaluate other migrants according to their perceived advantageousness and, based on these evaluations, they form hierarchies, which are to some extent ethnic. Perceived advantageousness is based on being integrated (especially in economic terms), hard-working, non-threatening, pliable, similar to Finns (or an ideal of perceived Finnishness), “white”, and not being dependent on welfare benefits. As a fear of being lumped together and then discriminated against, migrants emphasise their distinctiveness from other migrant groups in a subjugating manner. Certain characteristics tend to be ascribed to certain backgrounds and ethnicities and, thus, migrant groups become categorized according to their positions in a hierarchy. Not being advantageous is attributed to personal shortcomings and even ‘racial’ attributes. A shared commonness of the majority population is presumed and functions as the underlying assumption which guides the idea of how and what people should be like in order to fit in.     

The Left and Indonesia’s 1960s: the politics of remembering and forgetting

Abstract

This article examines a pivotal decade in the recent history of Indonesian society: the 1960s. It examines the context within which the Left came to be decisively, and violently, defeated as a social and political force. It then studies the consequences of this defeat for Indonesia’s subsequent historical trajectory. The article also suggests that history‐writing anywhere is nothing less than the politics of remembering (and forgetting). What is at stake in these exercises is ultimately tied up with the legitimacy of entire social orders and systems of power. Thus, in Indonesia, the trauma of 1965 and its aftermath banished, from the collective memory of Indonesians, the political role of the Left – except in the form that runs through New Order‐era discourse on Indonesian communism. For Indonesians born or raised after 1965, the ‘communist treason’ became, arguably, the most critical element of the grand narrative of post‐colonial Indonesian history, which was so important in legitimising New Order authoritarianism. The current inability of Indonesian society and its elites to acknowledge and confront the reality of the horrors of the 1960s might prove to be a major impediment to a more genuine and substantive democratisation process.     

Poverty,Philanthropy and the State: Charities and the Working Classes in London 1918–79. By Katharine Bradley

Abstract

Nineteenth-century perceptions of alcoholism were shaped implicitly by notions of gender, class and morality. From 1879, legislation advocated the institutional management of inebriates as a response to the growing problem of habitual drunkenness. Examining the methods of treating varied classes of female alcoholics in three inebriate institutions between 1876 and 1898, this article highlights how reformatory and punitive treatment models were shaped by class and gender perceptions of the alcoholic. The article questions why the application of reformatory treatment models proved problematic and analyzes the points of tension encountered in the attempts to reform a mixed class of female patients.     

‘Of lost fathers and broken sons’: Farish Noor on the politics of love and the new thought in Malaysia

Abstract

This paper addresses the polemical and intimate writings of one of Malaysia’s leading public intellectuals, Farish Noor. Straddling secularism and Islamism, Noor’s ideas are informed by a compassion that seeks to bypass monotheism and an ethnically informed nationalism. An advocate of a multiethnic and plural society, Noor does not merely reject Islamism; rather, his thinking seeks to reconcile and transcend what he perceives as a false dichotomy between a system of reason and a system of belief. The achievement of this transcendence is a fraught one for it sometimes seems that Noor involuntarily contradicts himself. To resolve this contradiction I turn to Gille Deleuze’s work, Pure Immanence, which, I argue, provides a key in‐road into understanding the complexivity of Noor’s thought, in particular his valorization of love and his canny and novel attempts to interpret what he calls an ‘other Malaysia.’     

Artist He Gong Spans the East and the West

He Gong,a Chinese artist residing in the United Stares,is now teaching at Sichuan University. He studied oil painting and arl education at Southwest China Normal University in 1978 and received his master‘s degree in 1985,     

Made in China: the cultural logic of OEMs and the manufacture of low‐cost technology

Abstract

This paper investigates the conditions of the manufacture of low‐cost technology in China with the examples of ‘pirated’ VCD players, ‘no‐name’ DVD players, and Shenzhen’s development as a techno‐urban city. It emphasizes the significance of the cultural logic of original equipment manufacturers (OEMs) and argues that the various transformations and deflections that are derived from ubiquitous OEM experiences have gone beyond the original model of an authorized OEM, experiences that are to some extent embodied in the transgression of brand name and patent hegemonies, which are mainly controlled by high technology companies. OEMs have been associated with China’s current imperative and uninhibited development of low‐cost technology capitalism. ‘Made in China’ signifies the production of any product, legal or illegal, for transnational high technology giants or domestic technology manufacturers. Learning to ‘become an OEM’ in China has partly resulted in excessive technological mimesis that may be part of an unauthorized, underground economy that is based on low‐cost technology. Based on the Shenzhen experience, part of this study will show industrial production‐oriented OEM cultures in which illegal operations and counterfeit trade are incorporated, even in city projects that are shared by municipal governments and Chinese technological companies, and undergo spatial restructuring in the development of the economy, consumerism, and urbanism.     

‘Let the People Sing’: J.B. Priestley and the Significance of Music

Abstract

In a writing life that spanned the 1910 to 1970s, J.B. Priestley engaged with a variety of subjects, across various literary forms, ranging from politics, popular culture and Englishness through to theories of time. However it has rarely been noted that he also wrote passionately and knowledgeably about music, with the latter playing an important role in key novels, plays and nonfiction. Priestley also promoted chamber festivals, wrote the libretto for an opera ‘The Olympians’, and even occasionally performed himself. Priestley’s writings on music fitted into his concerns about the rise of an Americanized mass order, and his mistrust of commericalized musical forms was shared by other critics of the time. However, Priestley’s work is more significant than a binary high/low low cultural validation of classical music/dismissal of more popular musical forms. He was often critical of jazz and ragtime, but more positive about popular music that was produced in, reflected, and empowered the individual and community. Priestley’s writings on music marked a genuine attempt at understanding the role of music in culture, and contributed to his democratic critique of the mass society.     

Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013

Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investigates (i) to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and (ii) to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regarding ethno-racial classifications in their reception of rock music. Albums by nonwhite artists tend to receive lower evaluations than those by white artists, particularly when reviewed by consumer critics. Although both types of reviewers often ignore talking about race—echoing a color-blind ideology—(semi-)professional critics are more explicit and color-conscious regarding nonwhite participation in rock music. Furthermore, five different mechanisms are employed by reviewers as a part of ethno-racial boundary work: (i) ethno-racial comparisons, (ii) inter-genre comparisons, (iii) positive ethno-racial marking, (iv) negative ethno-racial marking, and (v) minimization.     

‘The Talke of the Towne’: News,Crime and the Public Sphere in Seventeenth-Century London

This article reconsiders ideas of the public sphere in the seventeenth century, by focusing on how public opinion is shaped by the movement of information between media and between receivers. It contends that the scholarly preoccupation with a public sphere viewed exclusively in terms of politics obscures the fact that contemporaries did not distinguish between politics and subjects such as crime in their newsgathering. Examining the case study of James Turner, a burglar in the 1660s who became a cause célèbre in London and beyond, this article shows how crime news were eagerly exchanged, informing discussions and constructing public opinion.     

‘Envisioning the Past: Art,Historiography and Public History’*

Abstract

This essay considers the role that art and history might play together in public history projects. It discusses public history not in terms of ‘learning lessons’, ‘public debate’ and ‘transferable skills’ but instead in terms of creative thinking in the public sphere. The essay draws upon the author’s experiences of working with artists on a series of exhibitions themed around the history of an arts centre’s late Georgian and Victorian buildings and their inhabitants in Sheffield. It explores the synergies between artistic and historical ways of knowing and argues that collaborations with artists provide an opportunity for academic historians to reengage the imaginative aspects of professional academic history. It also explores the value of art’s expressive power and its potential to pose new questions and suggest new answers for both public and historians’ understanding of the past.     

‘America’ as desire and violence: Americanization in postwar Japan and Asia during the Cold War

Abstract

Reflecting on a personal experience of ‘pre‐professional’ university education and reluctant engagement with Cultural Studies as an academic project, this article examines the now ambiguous role of undergraduate education under neo‐liberal management regimes. Arguing that a ‘new class politics in knowledge’ is emerging with the transnational policy‐sharing and international student exchange schemes with which diverse governmental cultures are responding to globalization, Morris suggests that the undergraduate classroom is becoming a ‘frontier’ of struggle over the future. Teaching cultural studies to undergraduates in a liberal arts environment is one way in which the discipline's emphasis on local knowledge can be put to institutionally creative uses.