Empathy towards people of different race and ethnicity: Further empirical evidence for the Scale of Ethnocultural Empathy

The present study examined the generalizability of the factor pattern, structural parameters, and latent structure of a multidimensional hierarchical model of ethnocultural empathy in males and females. The Scale of Ethnocultural Empathy (SEE) (Wang et al., 2003) was administered to a sample of 610 Italian undergraduates to examine the generalizability and reliability of its factor structure across gender, the psychometric properties and the validity of the scale. Two models were tested through multi-group confirmatory factor analysis (MGCFA): a confirmatory factor-analytic model that hypothesized a multidimensional model of ethnocultural empathy; and a structural equation model that proposed a multidimensional, hierarchical structure with global ethnocultural empathy as a superordinate construct that explained the covariances among the subdomains of the SEE. Both models satisfied multiple criteria for goodness-of-fit with the data. Full metric invariance of factor loadings and factor covariances, and partial invariance of error variances across gender for the four-factors model were supported. Scale reliability was also satisfactory, showing good internal consistency. As regard scale validity, evidence was found for a positive moderate association with a measure of general empathy and a negative high association with a measure of prejudice. Implications are discussed.     

The Presbyopic Six: Exploring Marginalization of Protest and of Journalism in a Television-Online Advertising Campaign

This article is a textual analysis of a recent ad campaign for Varilux eyewear that features a fictional group of protesters known as "The Presbyopic Six." Varilux is a brand of eyeglass lenses marketed by Essilor, a French corporation. Viewers "follow" the protesters from their arrest for defacing a large-print book sign at a bookstore through booking, and through interviews with fictional journalist Lauren Lewis while incarcerated in a minimum-security prison. The ads suggest that new, more aggressive methods of protest have clearly passed the Presbyopic Six by. The campaign announces and celebrates their marginalization. The campaign also suggests that contemporary journalism is driven by the same kind of homogeneity. It could also be argued that a degree of evolution in protest and journalism is seen in these ads. Thus, the campaign may also be a veiled criticism of today's anonymous, aggressive protestors.     

“One Hour He Is a Christian and the Next He Is a Muslim!” A Family Dispute from the Cairo Geniza

This study publishes a newly identified letter to Moses Maimonides reconstructed from three Geniza fragments. The letter describes an inheritance dispute over real estate in the Egyptian delta town of al-Ma?alla. Having a letter written by a litigant provides information on what took place outside of court, information that is often missing from legal records. This allows us to explore the dynamics of a dispute in which one side makes a legal move, and the other counters with a move outside of court, and vice versa. These manoeuvrings included action in Jewish and Muslim courts, appeal to a jurisconsult, social pressure and performative disregard to the boundaries of the religious communities. As a result, we can conceive of the legal arena not only as encompassing different legal institutions but also as a social space constituted by the ways litigants experienced and interacted with legal institutions.     

The undulating contours of sōgō geijutsu (total work of art), or Hanada Kiyoteru's thoughts on transmedia in postwar Japan

This article provides an insight into the theorization of sōgō geijutsu or the work of total art during the postwar decades in Japan, primarily through the language of Hanada Kiyoteru, a notable communist critic during the 1950s, as a way to present a discursive precursor to what would be explored as intermedia in the 1960s. It is an attempt to trace the debates that were seen in journal Sōgō Bunka, which was established immediately after the war, and how the question of collectivity and collective production of art was discussed among the contributing critics, artists, and intellectuals. Totality as some may know already, is a problematic term that comes close to the wartime notion of ‘totality’, as it was employed for Japanese government's ideological deployment for its war efforts. Although the term has accrued a sinister ring, the critics mentioned in the article, especially Hanada, were determined to reclaim the term as a way of devising a postwar aesthetic-political platform. One important component of sōgō geijutsu was popular art and its relationship to the masses, as it was designed to relocate avant-garde art practices to the juncture of popular space and political praxis, while critiquing the modernist avant-garde art associated with high art. In addition to providing a fuller historiography of intermedia (or transmedia) in Japan, interrogating sōgō geijutsu also serves to shed some light on the complex and multivalent discourse of locating a ‘people’ and their communicative action. Through this history, the term totality gains a greater texture, no longer dismissible as a mere vestige of fascism in the minds of the Japanese artists and critics.     

A Ṭā’ifa in Exile: Sayf al-Dawla and the Survival of the Banū Hūd

In 1145–1146, Sayf al-Dawla returned to al-Andalus to create an independent kingdom and return the Banū Hūd of Zaragoza to prominence. His task was a difficult one, not least because he’d spent a decade serving the Christian king Alfonso VII. After a year of campaigning, Sayf al-Dawla secured a base of support in Murcia. However, he died shortly after his coronation in a battle with Christian allies who were allegedly sent by Alfonso to help him. In addition to providing an explanation for the battle and his death, the article examines how Sayf al-Dawla promoted the legitimacy of his state through his coinage, adherence to Andalusī traditions, and a network of fellow exiles. It interprets the Zaragozan ?ā’ifa as a moveable faction rather than a fixed geographical entity and connects Sayf al-Dawla’s kingdom to later movements to demonstrate how his actions preserved the Banū Hūd’s prestige in Andalusī imaginations.     

Cross-cultural differences in attitudes towards disabled persons: A study of Jewish and Arab youth in Israel

Cultural values may be seen as the primary determinants of altitudes towards deviant or exceptional persons. The present study deals with the attitudes of Jewish and Arab youth in Israel towards the disabled as a function of cultural identity, existence of contact with a disabled person, and type of disability (blindness, amputation, facial disfigurement, or confinement to a wheelchair).A sample of 510 Jews and 655 Arabs filled out the Yuker Altitudes Towards Disabled Persons Scale (ATDP). The results indicated that overall, Jews were more positive towards the disabled than Arabs. Furthermore, the existence of previous contact with a disabled person was a positive factor in the formation of the Jews' attitudes, and a negative factor for the Arabs. In their ranking of different types of disability, Jews and Arabs differed significantly.The results are interpreted in the context of modern versus traditional cultures, whereby the Jewish youths' more tolerant Western approach seems to engender a more positive attitude than the Arab youths' conservative values.     

Queer Marxism in Taiwan

Abstract

This paper refutes the dominant assumption that Taiwan, unlike Mainland China, has developed a greater degree of tolerance for non‐normative sexual expressions as a result of its democratization. Recent legal and cultural changes indicate that Taiwan’s democratization consists of tendencies and repressive countertendencies. At the same time, this contradictory development has uniquely enabled a body of indigenous Marxist writings that mobilizes different senses of ‘queerness’ to demonstrate that the official celebration of diversity and human rights has actually further alienated and disempowered sex workers, promiscuous homosexuals, gay drug‐users, and other social subjects that are considered to be a threat to the liberal‐democratic order. I offer a reading of the critical writings of Josephine Ho, Yin‐bin Ning, Ding Naifei, and Wang Ping since the 1990s to explain why Queer Marxism in Taiwan is founded on a strong a‐statist discourse. I argue that a Queer Marxist intellectual practice emerged in Taiwan because liberal pluralism, institutionalized in what these critics call ‘state feminism,’ has failed to redress effects of social exclusion that (1) persist not despite of, but precisely because of, post‐martial law liberal reforms, and that (2) diverge in significant ways from individual experiences as members of officially defined minority groups (women, aborigines, migrant workers, or homosexuals). If social structuration is not always synchronic or isomorphic with state‐engineered legal changes, this difference also provides the occasion for Queer Marxists to interrogate the intellectual division of labor between feminism, assumed to be the analysis of gender as a non‐pluralizable category, and queer theory, assumed to be the analysis of sexuality as a non‐singular but personifiable category. Only by distinguishing between social relations and social identity can we comprehend how the rise of the Taiwanese Independence Movement played a key role in the naturalization of homosexuality as a fictive ethnicity, to which Queer Marxism developed as a historical response. As a geopolitically specific analysis of the aporia of substantive personhood, the Queer Marxism in Taiwan I re‐historicize is also a significant contribution to Marxist critique of liberal formalism that is of use to readers across the globe.     

Life is not complete without critique: Chua Beng Huat as model

This essay outlines an intellectual portrait of Chua Beng Huat and offers a critical appreciation of his contributions as an academic, a scholar, and an intellectual. I highlight key biographical details: his family upbringing in Bukit Ho Swee, schooling in the Chinese and English mediums, higher education and academic experience in Canada, his return to Singapore, and serving as a sociology faculty at the National University of Singapore, which he made a home base for inter-Asia studies. I discuss his pedagogical approach, which extends to his research and public engagement. In reviewing his works, I focus on the theme of communitarianism as a basis of political legitimacy in East Asia, with housing provision in Singapore as a prime example. His project presents an alternative to Western liberal democracy taken as the universal bedrock of political modernity. I characterize it as the recuperation of the social in the face of capitalist modernity, which is conducive to atomization and corrosive of solidarity. Yet, he projects the possibilities of a more politically liberalized communitarianism. What he offers is not a set of ready answers that reconcile Marx’s “realm of necessity” and “realm of freedom,” but a lucid exposition of the tensions between the two realms under contemporary conditions.     

Kim Kardashian is my new BFF: Video games and the looking glass celebrity

Mobile-based celebrity games are a by-product of a new, more feminized video game industry. Within celebrity games, the player engages with celebrity culture in a variety of ways, often being transformed into their own brand of celebrity. Celebrity games are a form of hypertrophic media, based on the dyadic interactions between the player and celebrity. Within this, one becomes a looking-glass celebrity—an enculturation process by which the celebrity text situates the player as closer to the titular star than the player actually is. In turn, the player uses this position to reflexively construct what the player believes constitutes a successful celebrity. The path to fame, however, is a hollow one, wherein the player can never really lose and never really win.     

Stereotyping Hispanics: The differential effect of research method,label, and degree of contact

One hundred Anglo university students were asked to rate a number of ethnic/national groups (American, Chicano, Mexican American, Hispanic, Puerto Rican, Japanese, and German) on a Semantic Differential and to openly produce traits they identified with each group. As expected, the freely produced traits differed from those obtained in another study which used the Katz and Braly technique with students from the same university. Furthermore, differential evaluations were found for Chicanos and Mexican Americans in which the latter group was perceived more positively in the Evaluative Dimension, but not in terms of Potency or Activity. Also, as expected, having a member of the group as a friend produced the highest correlations with a positive perception of the group as a whole.     

Counterpublic but obedient: a case of Taiwan’s BL fandom

BL (Boys’ Love) fandom has been regarded as a counterpublic by some academics since 2005. In this article, I investigate the dispute over “real-person” texts (texts based not on fictional characters but on real people, both public and non-public figures) on the BL board of PTT BBS in Taiwan as a case-study. The dispute is significant in the sense that, ostensibly, there were a few young female BL fans who actively defined what the BL scene consists of, as only these young women were involved in the dispute. Nevertheless, a closer look at the dispute reveals that the mainstream values actually played a significant role in framing the fandom in question. I then argue that the objection to the real-person texts should be regarded as a refusal by the BL fandom to be part of a counterpublic. The dispute started with a clarification of the genre, equating real-person with real gay people, BL with fantasy, and gay with reality. It is on this basis that real-person texts were not regarded as part of BL practices. Moral issues, such as respect and politeness, were also raised to question real-person texts. The conflict intensified, leading finally to the total exclusion of real-person texts from the BL board. To sum up, the dispute over real-person texts demonstrates how BL fans actively (re)formed the shape of the BL board; at the same time, it represents a refusal and exclusions, which place this counterpublic into question.     

Fear Appeals in Health Communication: Should the Receivers’ Nationality or Cultural Orientation be Taken into Account?

This study investigated the influence of both nationality and cultural orientation on reactions to fear appeal messages including a self-targeted or a family-targeted threat. Participants from Spain (n = 138) and from the Netherlands (n = 127) either read a version of a story that accentuated the misery of a girl suffering from chlamydia, or a version that focused on her parents’ sorrow. Cultural orientation was assessed using a scale for measuring individualism and collectivism, and a scale for measuring familism. Contrary to claims from the earlier studies, neither nationality nor cultural orientation proved to interact with message version on any of the outcome variables.     

The Effects of Self-Construal and Perceived Control on Argumentativeness and Communication Apprehension

This study investigates the relationships between self-construal, perceived control in communication interaction, and communication predispositions (e.g., argumentativeness and communication apprehension [CA]). The results indicate that the independent self-construal constitutes a significant predictor of perceived internal control in interaction, whereas the interdependent self-construal constitutes a significant predictor of perceived external (chance and powerful others) control in interaction. Moreover, the findings of this research indicate that perceived internal control constitutes a significant predictor of argumentativeness, whereas perceived external control is a significant predictor of CA. Contrary to expectations, the interdependent self-construal also constitutes a predictor of perceived internal control, which in turn constitutes a significant predictor of CA.     

Black Like Who?: The Class of 2014 Considers Race in Dear White People

Modern educational institutions were associated with the separation of children from ordinary people and of the schoolhouse from the ordinary world, creating an educational subculture and a minority population of schoolchildren. Passage through this subculture became a universal shared experience. Higher education grew at the same time into an experience that separated those who went to college from those who did not, becoming a basis for the modern class system. Popular culture reflects this split as the college movie, a genre that addresses only part of the movie audience. As in other American institutions, there is also a split between the worlds of Black and White colleges. Only the mainstream White version of college appeared in movies until recently. The African-American-themed college movie was pioneered in School Daze. Dear White People followed that lead. The movie concerns a generation of Black college students whose perspectives rest on a familiarity with more than a half century of ideas about race in America.     

Autogenous culture as political form: explorations through participatory art in Singapore

This paper presents the concept of autogenous cultural practices as a political form that is neither a subject of state practices, nor a means of resistive anti-state force. Through a study of three participatory art projects carried out by the author, this paper examines how and if autogenous culture can be presented and more importantly effect societal change. These projects were carried out in a governmental disciplinary facility, a local non-governmental organization supporting sex workers and an independent art project with three young women who were graduates of the Normal Technical stream in Singapore respectively.     

Soeng Joeng Toi: opening fissures towards a platform and a bridge

ABSTRACT

In May of 2017, a space called Soeng Joeng Toi was established, gathering a variety of people to share and co-organise a space together. While it may be considered a relative newcomer, Soeng Joeng Toi’s appearance can be seen as an inevitable breakaway from the mainstream political, economic and cultural climate of a city like Guangzhou. From its initial planning stages to its official operation, much of Soeng Joeng Toi’s inspiration and methods have come from extensive exchange with independent spaces both in China and abroad, where mutual recognition of similar conditions and thinking of the commons have led these different spaces to continue developing in a sustained dialogue. This text, written from the perspective of two of Soeng Joeng Toi’s “co-proprietors,” introduces the beginnings of Soeng Joeng Toi, its current operations and experiences of connecting with others as well as explores the possibilities of a shared activism involving people from different fields and geographic regions.     

Political aesthetics: activism,everyday life,and art’s object in 1960s’ Japan

Abstract

Around 1960, revolutionary forms of activism and critique emerged to challenge administrative forms of politics and daily life. In Japan, despite massive strikes and widespread protest, the ruling party used a Diet majority and riot police to renew the USA–Japan Security Treaty. After this display of force, this party’s new administration sought a new legitimacy, and a means to assuage and co‐opt the defeated opposition, through promoting a depoliticized everyday world of high growth and consumption, and a dehistoricized national image in preparation for the 1964 Tokyo Olympics. Among those activists who emerged to contest this new cultural politics, a diverse group of young artists worked to repoliticize daily life through an interventionist art practice. Their practices arose out of a particular local, playful art practice, whose focus on the material debris and spaces of the economic expansion led to an engagement with the transformations of daily life. Focusing on the art practices connected with the yearly exhibition, the Yomiuri Indépendant, I examine the advent of a critical art examining the everyday world of Japan in the late 1950s and early 1960s, reflecting on its complex relation with an internationalized art world and domestic art scene, mass culture, and domestic protest movements. Examining the history of this art illuminates the state’s investments in a normative cultural order, and a particular configuration of the politics of culture in the early 1960s.     

Intercultural competence through cultural self-study: A strategy for adult learners

The author presents a strategy for increasing adult intercultural sensitivity and effectiveness that has emerged from cumulative lessons of twelve years teaching cross-cultural psychology to undergraduates. Following a tightly structured protocol, learners complete a rigorous process of utilizing concepts of culture in a self-study exercise. Subsequently they are vastly more fluent in applying these concepts in research and in intercultural situations. Students internalize concepts of culture in a way that they comprehend the power of culture, through recognition, both cognitively and emotionally, of how they are the vehicles for the expression of culture. The author presents an explanation of processes that mediate this learning, and a set of five propositions for further exploring the connection between cultural self-study and intercultural competence. Offered are a detailed example of a self-study protocol and practical advice about pedagogical factors that can facilitate or restrain reflexive cultural learning. Throughout, students’ writings are used to illustrate the feasibility and emotional power of the self-study process. This report is presented in the hope of stimulating exchange among teachers and trainers using cultural self-study with various populations, in different settings, for multiple purposes. Future studies of outcome, in terms of both knowledge and intercultural skill, are needed to advance development of the method.     

Screaming and crying androids: voice and presence in Chinese popular music

Abstract

The voice is, next to the face, a defining aspect of the persona of popular music stars. This article seeks to understand the voice prior to lyrical content and genre convention. How does the voice relate to a singer and his or her body? Is the singing voice a sign of an individual? Does it rather embody a tradition, a nation or a generation? Or are the voices of Chinese popular music radically disembodied and phony?