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Journal of Cultural Economics - The cultural and creative industries (CCIs) are increasingly being recognised in South Africa, as in other countries, as wealth-creating, given appropriate... 相似文献
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Richard Swedberg 《Journal of Cultural Economics》2006,30(4):243-261
In this paper on the creative industries and cultural entrepreneurship I take my point of departure in Richard Caves’ Creative Industries [Caves, R. (2000). Creative industries: Contacts between art and commerce. Cambridge, MA: Harvard University Press.]. While Caves draws heavily on economic analysis and contemporary sociology in his excellent analysis of these two topics, he does not use the sociological classics at all. The main purpose of the paper is an attempt to remedy this, by drawing attention to the possible contribution that the works of Max Weber, Emile Durkheim, and Georg Simmel can make to our understanding of the creative industries and cultural entrepreneurship. Since this paper was prepared as a keynote address for the 2006 conference of the Association for Cultural Economics International in Vienna, I also discuss Schumpeter’s ideas on art and entrepreneurship, ideas which grew out of Viennese culture.
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Richard SwedbergEmail: |
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Jason Potts Stuart Cunningham John Hartley Paul Ormerod 《Journal of Cultural Economics》2008,32(3):167-185
We propose a new definition of the creative industries in terms of social network markets. The extant definition of the creative
industries is based on an industrial classification that proceeds in terms of the creative nature of inputs and the intellectual
property nature of outputs. We propose, instead, a new market-based definition in terms of the extent to which both demand
and supply operate in complex social networks. We review and critique the standard creative industries definitions and explain
why we believe a market-based social network definition offers analytic advance. We discuss some empirical, analytic and policy
implications of this new definition.
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Jason PottsEmail: |