Failing with grace: kids,Improv and embodied literacies

In this article, we explore the idea that comedy, with its often unorthodox ways of looking at, experiencing, and responding to the world, offers untold possibility for classroom literacy instruction. The article focuses on the potential of Improv comedy as socio‐materialist literacy in the classroom. It provides an account of Improv as a form of embodied literacy that operates as an assemblage created collectively between many people, practices, and material objects. We present findings from interviews with professional comedians regarding the possibilities of comedy for language and literacy instruction with elementary school children. The article then examines a moment from the subsequent classroom phase of the study to look at ways Improv can help students create stories and ways that laughter can be used to create a cohesive assemblage based around students' spontaneous creation of texts. The aim of the article is to provide educators with a practical means to apply socio‐materialist literacy in their classrooms through Improv, which will, in turn, allow students to create collectively generated texts and assemblages.     

iTEC: conceptualising,realising and recognising pedagogical and technological innovation in European classrooms

Innovation, a complex concept, underpinned a four-year pan-European research project designed to increase the effective use of technology in school classrooms. This article revisits evaluation data collected during the project and explores the challenges of conceptualising, realising and researching ‘innovation’. The authors describe how innovation was conceptualised, highlighting key issues, not all of which could be resolved in the project. The development of an approach to support teachers to change their practices facilitated the realisation of innovation in the classroom. This approach, through which researchers and national pedagogical coordinators worked with teachers to develop their teaching and learning practices with technology in potentially innovative ways, is outlined. Case study data are then used to exemplify how teachers and other stakeholders applied this approach and how they perceived innovation in practice within their own countries. Through a discussion of these cases, the article highlights the challenge of defining innovation in different country settings and, in turn, the complexity of identifying its occurrence. It concludes by proposing the next steps for similar research endeavours.     

Words on the screen: broadening analyses of interactions among fanfiction writers and reviewers

Young fanfiction writers use the Internet to build networks of reading, writing and editing – literacy practices that are highly valued in schools, universities and workplaces. While prior research shows that online spaces frame multiple kinds of participation as legitimate, much of this work focuses on the extensive contributions of exceptional young authors. In this paper, we foreground the contributions of fanfiction reviewers and focus on their interactions with writers, exploring their communicative literacy practices and hypothesising about how we can make their reading and writing more visible and more effectively consider their learning practices. To do so, we conducted a linguistic analysis of fanfiction review comments on two sites, FanFiction.net and Figment.com. While fanfiction readers provide writers with an authentic audience for their creative work, our findings indicate that the review comments that they leave generally do not offer specific feedback regarding the craft of writing. For this reason, we argue that teachers' expertise is still needed in the difficult task of developing young adults' composition, peer review and critique skills.     

Challenging the tyranny of the five‐paragraph essay: teachers and students as semiotic boundary workers in classroom and digital space

This article addresses several challenges faced by educators and students in English classrooms in the US–Mexico borderlands region that will resonate with educators more broadly. I present how Ms Smith, the predominately Latino students in her high school writing class and I moved beyond what Ms Smith called the “tyranny of the five‐paragraph essay” used for standardised tests so that students were able to make personally and academically meaningful arguments in their writing. I examine how we collaboratively mobilised interests, motivations and diverse semiotic resources across out‐of‐school and in‐school contexts in the process of developing multimodal and hybrid genres and texts. First, I describe how Ms Smith and I crafted hybrid, digitally mediated classroom spaces and essay assignments informed by students' identity and literacy practices within digital networks. Next, I examine how three Latina students used semiotic resources and issues circulating in the different spaces of their lives to confidently argue their perspectives within the hybrid genres we created. From this collaborative work, I suggest that thinking of students and teachers as “semiotic boundary workers” provides a useful framework for practitioners who want to enable young people to draw on their practices and digital tools and engage their expansive, networked and creative affordances in academic contexts.     

Multimodality,learning and decision-making: children's metacognitive reflections on their engagement with video games as interactive texts

This study examines how 31 middle-school children conducted multimodal analyses of video games. Over four consecutive days, students played video games for 30 minutes and then wrote written reflections about the multimodal symbols within the game and how these symbols influenced their interpretation and decision-making processes during gameplay. Students produced 124 reflections in total, which were analysed via template analysis to determine how children metacognitively reflected on different types of multimodal symbols and used those symbols to comprehend the games and make decisions. Results illustrate how students engaged in metacognitive semantic and syntactic processes with a variety of multimodal symbols, such as written language, dynamic visuals and abstract symbols, during gameplay that aided their understanding of the games and influenced their decisions. This study contributes to the limited empirical research on video game literacies and illustrates children's meaning-making processes while engaged with video games as multimodal interactive texts.     

Engaging students through new literacies: the good, bad and curriculum of visual essays

In this article, we share our experiences working with students to read and/or write visual essays, texts that rely more heavily on images with minimal print text. We explore how students consider elements of design as they create a visual essay, which entails new forms of semiotic processing of the combinations of the visual, audio, textual, gestural and spatial. In particular, we share a case study of how one adolescent engages with an alternative to the standard essay format when he is not restricted by the use of words alone, but is encouraged to tap into the affordances of digital media, expressing himself multimodally by using words, images and sound.     

Extending Learning Communities: New Technologies,Multiple Literacies,and Culture Blind Pedagogies

Technologies such as videoconferencing used for distance education are creating ways for high schools to extend their learning communities to connect youth with professional communities of practice in ways that approximate the face-to-face interactions in traditional classrooms. These technologies are often touted as a way to augment course offerings and curricula, particularly those needed for college-going. The use of videoconferencing technologies alone, however, does not ensure that the desired forms of interaction will occur particularly given their reliance on traditional banking-model pedagogies and literacies. In this article, we focus on college bound Black and Latino/a youth from under resourced urban communities and their negotiations of new technologies, multiple literacies, and traditional pedagogies within a music education learning community extended through videoconferencing technologies. Employing a multicultural feminist critical theoretical framework, we unearth the ways Black and Latino/a youths identities as active learners and college-bound musicians shape, and are shaped, in the interplay of new technologies, multiple literacies, and traditional pedagogies within a music education classroom.     

Building the mobile hub: mobile literacies and the construction of a complex academic text

This paper contributes a definition of mobile literacy. This is worthwhile because although mobile, internet‐enabled devices are increasingly prevalent in many people's lives, mobile literacy appears to be under‐theorised and lacking definition. After giving an overview of the scale and nature of mobile device use, the paper develops the definition through building on an existing body of work which seeks to define literacies, digital literacies and mobile learning. The definition takes account of the mobility of technology, of learners, and of learning. A systematic multimodal analysis of a complex undergraduate text, in the form of a conference‐style poster, is then undertaken in order to exemplify the definition offered. The analysis attends to both the semiotic resources exploited by the text's author and the wider context the text is created within. Interview data complements that constructed through analysis of the text itself. Combining these two data sources reveals the ideational, interpersonal and textual/organisational meanings communicated by the text, and how mobility is a contextual factor which is fundamental to the literacy practices employed by the author to convey these meanings.     

Drawing near and pushing away: critical positioning in multimodal composition

As the tools and modes of literate practice continually emerge, so too must our critical approaches to understanding their expression. While media production has been praised for its potential to provide youth a voice to challenge dominant narratives, various questions remain as to what happens at the multimodal levels of composition in terms of critical engagement. This study uses mediated discourse analysis to examine adolescent students’ use of multimodal resources for purposes of critical positioning in ways unique to the multimodal dimensions of composing radio and video documentaries. Research findings reveal students’ active use of multimodal resources to both draw audiences near as well as push them away for purposes of pleasure, analysis, and critique. Implications for research and teaching include attention to the movement of shifting social positions as critical social practice.     

Literacy,media and multimodality: a critical response

In recent years, literacy educators have increasingly recognised the importance of addressing a broader range of texts in the classroom. This article raises some critical concerns about a particular approach to this issue that has been widely promoted in recent years – the concept of ‘multimodality’. Multimodality theory offers a broadly semiotic approach to analysing a range of communicative forms. It has been widely taken up by literacy educators, initially at an academic level, and has begun to find its way into policy documents, teacher education and professional development and classroom practice. This article presents some criticisms, both of the theory itself and of the ways in which it has been taken up within the wider context of curriculum change. It argues that, in its popular usage, multimodality theory is being appropriated in a way that merely reinforces a long‐standing distinction between print and ‘non‐print’ texts. This contributes in particular to a continuing neglect of the specificity of moving image media – media that are central to the learning and everyday life experiences of young children. Drawing on recent classroom‐based research, the article concludes by offering some brief indications of an alternative approach to these issues.     

Learning through making in public libraries: theories,practices, and tensions

This article investigates learning and teaching in library makerspace programs. Given the recent trend for libraries and makerspaces to define themselves in terms of learning, the findings of this article are particularly relevant to current initiatives. The article first reviews pedagogical theories which are referenced in literature connected with makerspaces. Second, the article analyzes interview and observational data from a system-wide public library makerspace program. The analysis compares the pedagogical theories with the realities of teaching and learning in public library makerspaces and indicates tensions emerging from these comparisons. The conclusion highlights ways librarians in makerspaces might consider the affordances of these spaces and ways goals, facilitation strategies, and assessments might draw on a range of pedagogical theories. Rather than approaching makerspaces with a ‘one-size-fits’ all model, librarians can design makerspace learning and teaching to align with a range of structures, styles, and content.     

Mobile storytelling and informal education in a suburban area: a qualitative study on the potential of digital narratives for young second-generation immigrants

The article discusses an action-research study focused on developing participatory attitudes and the self-expression skills of a group (N?=?15) of second-generation immigrant adolescents who live in an urban suburb in Italy. The research study was based on mobile storytelling, a practice of personal multimedia storytelling conducted through mobile devices in connection with social networking services. The findings reveal that encouraging certain uses of the media can have positive effects on the expression of identities and collaborative practices, particularly for marginalised groups. At the same time, a certain laconicism and misspelling tends to characterise the mobile stories created by the teens, which reveals their difficulties in linguistic communication. From this perspective, it is evident that the use of digital media can reinforce pre-existing divisions and therefore there is now a need for public education to play a more active role in balancing inequalities with the development of technical, social and linguistic skills.     

Digital image manipulation and avatar configuration: implications for inclusive classrooms

This paper outlines concerns for inclusive classrooms involving personal digital image modifications and selections, as well as avatar configurations. Classroom interactions incorporate various dimensions of personal appearance; however, educators try to make them primarily about knowledge and wisdom. Students in environments where they can interact with each other face‐to‐face are constantly immersed in issues involving their exterior manifestations. However, the utilisations of digital media in the classroom and in the online delivery of instruction are providing new ways of manipulating the digitised images of individuals, as well as their characteristic patterns of speech and motion. The rising popularity of avatars in education (such as in Second Life) also provides a new spectrum of representational choices. Individuals who reconstitute their images so as to appear more ‘normal’ may achieve results that are more problematic than liberating, however. Fostering the development of manipulated images and avatars for the purposes of educational interaction can also be construed as an attempt to ‘erase’ stigma and in effect disempower individuals, especially those with disabilities. Likewise, image modification can be incorporated into bullying initiatives as part of efforts to ridicule and marginalise. In endeavours to mitigate these problems, faculty and staff can model the creative and empowering use of digital image and avatar technologies while celebrating (and not eradicating) their own idiosyncratic personal characteristics.     

Digital literacy,fake news and education / Alfabetización digital,fake news y educación

Abstract

The role of digital literacy in strengthening citizens’ resilience to misinformation and ‘fake news’ has been the subject of research projects and networking and academic and policy discourses in recent years, given prominence by an escalation of the perceived crisis following election and referendum results in the US and UK respectively. This special issue sets out to take forward critical dialogue in the field of media and digital literacy education by publishing rigorous research on the subject. The research disseminated in this collection speaks to the political and economic contexts for ‘fake news’, the complex issue of trust and the risks of educational solutionism; questions of definition and policy implementation; teaching about specific subgenres such as YouTube and clickbait; international comparisons of pedagogic approaches and challenges for teachers in this changing ecosystem.     

Technology,learning and instruction: distributed cognition in the secondary English classroom

In this paper, we analyse interactions between secondary students and pre‐service teachers in an online environment in order to understand how their meaning‐making processes embody distributed cognition. We begin by providing a theoretical review of the ways in which literacy learning is distributed across learners, objects, tools, symbols, technologies and the environment in modern English language arts classrooms. This is followed by a case study where we identify how programme values, textual resources and cultural schema function as distributed tools. In traditional schools, with an emphasis on taking standardised tests, the learning environment is designed on the view that learning is a transaction that happens solely ‘inside the head’. Unfortunately, this pushes many students to the margins of classroom engagement and participation. By analysing students' and pre‐service teachers' online discourse, we argue that virtual spaces can facilitate critical dialogue and can act as catalysts for a distributed theory of mind.     

The role of signifier differences,associations, and combinations in creative digital video composing: making meaning with gestures,objects, actions,and speech

This article presents an analysis of a digital video created by a student (age 13) in a classroom setting. Since sign functioning is a key focus in theories of meaning making as it occurs through language and through other modes, my analysis focuses on the relations between signifiers as they are inscribed in her video. This analysis explores new ways to use a theory of signification as a lens for considering, interpreting, and conceptualizing student video creations. My analysis focuses on how the focal student’s video is constituted by signifiers (gestural, actional, object, and spoken) that are arranged into chains of signifiers. These signifiers come into relation, combination, and association with one another across varying degrees of difference and similarity, both delimiting and opening up their possible meaning potentials. This analysis provides a heuristic that offers a signifier-based method of interpreting student-created digital videos, conceptualizing them as composed of signifiers drawn from across modes. This study also offers ways to recognize how creative or novel uses of the medium involve complex semiotic association and dissociation processes occurring in multiple modes.     

Engaging Black and Latinx students through communal learning opportunities: A relevance intervention for middle schoolers in STEM elective classrooms

With the aim of bridging research in educational psychology and teacher education, we designed a research-practice partnership to unpack the concept of relevance from a race-reimaged perspective. Specifically, we employed a mixed-methods sequential explanatory research design to examine associations between the communal learning opportunities afforded to Black and Latinx students, and their engagement patterns during STEM activities. Within a nine-week instructional unit we provided students six opportunities to rate their scholastic activities. High levels of behavioral engagement were sustained over the course of the instructional unit. On weeks when students rated the activities as higher in communal affordances, they also reported more behavioral engagement. Classroom observations facilitated our efforts to create state space grids that show when and how teachers used emancipatory pedagogies to support students’ learning. We used these state space grids, along with teacher interviews and student focus groups, to develop contextualized illustrations of two teachers of color as they successfully provided communal forms of motivational support over the span of six observations per teacher. These strategies differed based on three key factors: where the lesson was placed within the larger instructional unit, the way teachers interpreted and responded to their students’ engagement patterns, and how the demands of the larger school environment impacted classroom dynamics.     

Teacher–writer–crafter–maker: an exploration of how making mattered for one writing teacher

This qualitative case study documents a secondary English teacher's making, writing and teaching. The focal teacher engaged in diverse making practices – including composing, crafting and digital fabrication. She also participated in a National Writing Project (NWP) Summer Institute that focused on both teacher writing and digital composing. Data include observations at this NWP Project Summer Institute and in the focal teacher's English classroom, as well as interviews and artefact collection related to her making practices. The findings describe how this teacher's making mattered for her understandings of writing and for her teaching (or not). The case offers insights into why it may be important to cultivate educator making, as well as potential tensions between experiencing making and incorporating it into writing pedagogy. Ultimately, it contributes to writing research interested in examining how various forms of production and making are enmeshed.