Cinema Demand in Spain: A Cointegration Analysis

In this paper we explain the decline in cinema attendance in Spain since 1968. We use a cointegration analysis to estimate an individual demand function for cinema, with annual data and in terms of average attendance per inhabitant. We find that cinema is a luxury good and that its demand is elastic with respect to its price. We also show that television acts as a deterrent with regard to cinema attendance. This revised version was published online in August 2006 with corrections to the Cover Date.     

Quality Judgements and Demand for French Public Theatre

Regression models often reveal a low statistical significance for the quality variables that are used to explain theatrical demand. I posit that opposing opinions on quality are the cause of this. A regression equation is constructed in order to explain demand, with continuous variables for price and volume, and with dummy variables for drama critics, directors-cum-managers, growth in funding by public authorities and repertoire classification. I use detailed data on demand for French theatrical institutions in 1995 and 1996 to test this model. To some extent, the results support the hypothesis that the media reputation of shows, as expressed in the form of drama reviews, and the artistic reputation of directors-cum-managers, which are listed on the programme, havean opposite effect on attendance. Nevertheless, the least squares coefficients show that the most reliable sign of quality remains the reputation of the theatrical institution.     

Demand for Live Theater with Market Segmentation and Seasonality

Using performance level box-office receipts from the PacificConservatory of the Performing Arts over eight years, we analyzeperformance-level demand for live theater. The disaggregated data allowsus to estimate demand at a particular venue and to characterize theseasonality of demand for live theater. We examine whether the supply ofshows matches the differentiated tastes of theater-goers at each of thethree locations and the sensitivity of demand to critical reviews andprior attendance.     

Learning-by-Consuming and the Dynamics of the Demand and Prices of Cultural Goods

The major distinctive feature of cultural goods is that consumers must learn how to consume them, implying that preferences should be modelled as intertemporally dependent. The canonical model in the literature uses a habit formation analogy. In this paper, we discuss in detail, though in the simplest setup, a consistent preference structure for that model. Then, we derive the implications for the dynamics of two aggregate equilibrium models, a fixed price model and a flexible price model. The learning-by-consuming behaviour is characterised by a preference structure displaying bounded adjacent complementarity in the demand for the cultural good. This implies that there will be short run complementarity between the stocks of culture and financial wealth and that the adjustment of the demand for cultural goods, or of their relative price, will have some inertia. In the exogenous price model, we find that increases in income will raise the long run demand for cultural goods while increases in the relative price will decrease it. In the endogenous price model, an increase in the supply of cultural goods will imply an initial undershooting of the price of cultural goods followed by an upward transition process. Our results seem to be consistent with the empirical results on the demand for cultural goods and seem to offer an explanation for the Baumol and Bowen paradox.JEL Classification: Z1, E21Earlier versions of this paper have been presented at the 1st Conference of the Sociedade Portuguesa de Investigação em Economia (SPiE, 1997) and at the Xth Conference of the Association for Cultural Economics International, 1998, Barcelona.     

On the role of critics in the culture industry

Despite a substantial literature on the economics of the arts, there has been virtually no analysis of the role of criticism in the market for the arts. This paper discusses a number of problems which emerge in attempting such an analysis.     

The Economic Dimension of the Culture and Leisure Industry in Spain: National, Sectoral and Regional Analysis

This article analyses the economic dimension of a set of activities groupedunder the heading, Culture and Leisure Industry, from three complementaryperspectives: national (Spain), sectoral and regional. Particular emphasis isplaced on determining the value added generated by this industry and itscontribution to the Gross Domestic Product – 4.5% – as wellas showing its level of employment both in absolute terms and as a percentageof the number of employees in the economy – 7.8%. This is apioneer project; studies in this field on either a national or internationalscale are scarce. The study demonstrates that the cultural sector is aproductive activity generating wealth in Spain. However, a high degree ofheterogeneity is found at both the sectoral and regional levels. Economicactivity is led by Performing, Musical and Audiovisual Arts (mainlyTelevision) and Publishing and Printing, which jointly account for about70% of sales and gross value added, and it is concentrated in similarproportions in developed regions specialized in service industries, Madrid andCatalonia, where most culture and leisure activities are available.     

Canaletto’s paintings open a new window on the relative sea-level rise in Venice

The paintings by Canaletto (1697–1768), made with the help of a camera obscura, are just like real photographs, documenting as they do the Venice of the XVIII century with an accurate reproduction of all the details. The brown–green front left by the Laminaria, an alga living between the high and low tide, constitutes a precise biological indication of the average level of the high tide. By comparing the level of this front at Canaletto’s time with the present level, we can calculate/discover the relative sea level rise which has occurred in the last two and a half centuries.     

Leisure participation: modelling the decision to engage in sports and culture

Participation in sport and participation in cultural activities are usually studied separately. However, since both activities dominate the leisure time of most individuals, it is reasonable to analyse simultaneously the determinants of participation in both activities. Informed by the economic household theory, this study examined the core factors of time, income, human capital as well as several socio-demographic factors. The results showed that there was as small but significant correlation between sports and cultural participation. Thus, both can be described as complementary and competing activities. Leisure time, gender, education, nationality and subjective well-being were significant predictors of both sports and cultural participation. Differences were found for the variables age and income. This paper also describes the characteristics of those individuals who are not likely to participate in either activity and emphasises the importance of social inclusion programmes.     

Swelling damage in clay-rich sandstones used in the church of San Mateo in Tarifa (Spain)

This study shows that the sandstone used in the construction of the Church of San Mateo in Tarifa (Cádiz, Spain) is highly sensitive to processes of decay because of a combination of factors that are intrinsic and extrinsic to the material. The mineralogy, texture and porous system of the sandstone and the proximity of the church to the sea all play a part in these processes. X-ray diffraction reveals that there are interstratified chlorite/smectite clays among the minerals that make up the rock. These mixed layer clays have been shown to undergo hydric expansion. This phenomenon may be accompanied and augmented by the presence of NaCl which acts as an electrolyte in osmotic swelling processes. Two varieties of sandstone were used in the construction of the church, namely grey sandstone and brown sandstone. The latter is more porous and undergoes greater hydric expansion, showing a higher degree of deterioration. Ultrasound analysis has demonstrated that both varieties are anisotropic because they contain bedding planes and are affected by the preferred orientation of the phyllosilicates in the rock. The anisotropic nature of these stones was confirmed by capillary suction tests. The capillary front reaches a relatively low height which means that when water is absorbed, the anisotropic textural properties combined with the presence of chlorite–smectite mixed layers in the sandstone result in mechanical (shear) stress between the first few centimetres of the wet stone and the dry area behind. The latter effect favours the development of flakes, so causing the decay of the ornamental stone and the church façade.     

European cultural statistics in a comparative perspective: index of economic and social condition of culture for the EU countries

In the article, we present the construction of an index of economic and social condition of culture using datasets of Eurostat’s Cultural Statistics Pocketbooks from 2007 and 2011 and Eurostat’s COFOG data. The datasets allow us a broad perspective over a set of more than 200 variables in 12 domains for the EU-27 member states. Using high-dimensionally adjusted factor analysis (Metropolis–Hastings Robbins–Monro algorithm), we construct an index and determine a set of its several dimensions (as seen from the cultural statistics viewpoint). Using cluster analysis, we determine the general similarities and differences among the analysed countries and show several broadly different groupings that roughly, but not exclusively follow the divide speculated in some previous studies. The analysis therefore brings a novel and statistically developed tool to empirically follow the changes in the economic and social condition of culture from the viewpoint of cultural statistics, while the clustering of models has important consequences for empirical cultural policy and has to be verified in future studies.     

Contingent Valuation and Semiparametric Methods: A Case Study of the National Museum of Sculpture in Valladolid, Spain

Research on cultural economics is very interested in the economic valuation of non-market goods, particularly in the field ofcultural heritage where contingent valuation techniques are currently being used with both parametric and non-parametric statistical methods to estimate the willingness to pay for cultural goods. In the literature analysed, the number of studies using semiparametric methods, however, is very limited. Our analysis is intended to help fill this gap by offering a parametric, non-parametric and semiparametric economic valuation of the National Museum of Sculpture (Museo Nacional de Escultura), located in Valladolid,Spain. In addition, we also gain insight on a controversial issue affecting most European museums, particularly those located in Latin countries: the role voluntary donations might play in the funding of public museums.     

基于时空数据融合的古城区停车需求模式识别

在城市机动化快速发展背景下,南京、苏州等城市的古城区往往因为建筑保护等原因加剧机动车停车供需矛盾.探寻各种缓解停车问题对策的基础是准确掌握实际停车需求.实践中,传统依赖人工调查采集或者停车场抽样数据的方式存在精度维度较低以及不可持续等缺陷.研究以苏州为实证对象,利用交通卡口等多源数据,提出一套目标区域停车需求估计,以及...