Damage mechanism in Tournai limestone – The case of the tomb of Admiral Tromp in the Old Church of Delft (The Netherlands)

The funeral monument of Maarten Tromp, in the Old Church of Delft (the Netherlands), is partially built with Tournai stone, a grey-blackish limestone from the Wallonia region (Belgium). This stone is suffering a severe delamination and scaling, which has, in the course of the centuries, led to a considerable material loss from the surface of some of the stone elements. In order to identify the damage process and define a sound basis for the conservation of the monument, a research plan was set-up including, next to the tests and analyses on the stone, a 1-year monitoring of the microclimate in the church and the investigation of the structure of the monument as well as its connections to the adjacent walls. First of all, the stone type was identified by macroscopic features and by thin section microscopy. The moisture distribution in the monument and in the adjacent walls was gravimetrically determined on samples taken at different height and depths. The content and type of salt in the Tournai stone from the monument were determined by X-ray diffraction and ion chromatography, and the results compared to those obtained for the fresh stone. The analyses showed the presence of considerable amount of gypsum, together with a low content of soluble salts (chlorides and nitrates). The SEM-EDS observations showed that gypsum is mainly crystallizing in cracks between the layers of the material. The damage mechanism and the influence of salt on the decay were further investigated by combining hygroscopic moisture uptake, hygric dilation (RH cycles between 50% and 95% RH) measurements and SEM-EDS observations; all measurements were performed both on stone sampled from the monument and, as comparison, on fresh stone specimens. The results show that gypsum is the main salt present, but its role in the damage is not significant. The naturally thin laminated structure of the stone together with the considerable hygric dilation seem to be the main causes of the delamination observed in this stone.     

The rhetorical force of “global archival memory”: (Re)Situating archives along the global memoryscape

ABSTRACT

This essay engages the possibilities and pitfalls of UNESCO’s Memory of the World program for fostering “global archival memory.” Archives function as rhetorical weapons for both political control and social justice within national and regional contexts. The constitution of global archival memory shifts archives’ borders beyond nation-bound contexts, creating space for contention, deliberation, and debate within a presentist transnational arena. Approaching archives as symbols capable of marshaling cross-cultural identifications furthers memory scholars’ conceptions of transnational memories and communities. It responds to rhetorical scholars’ calls to further engage archives, while drawing on archival studies, memory studies, and rhetorical theories of memory.     

Viscoelastic and mechano-sorptive studies applied to the conservation of historical violins: A case study of the Guarneri “del Gesù” violin (1743) known as the “Cannone”

To assess the possible effects of mechanical loading on the conservation of historical wooden musical instruments, a research project was carried out on the violin Guarneri “del Gesù” (1743), known as the “Cannone”. This paper refers to the results obtained by studying the deformations to which a violin is subjected after being tuned, with special attention to the viscous and mechano-sorptive behaviour (as in a concert environment for example). The amount of viscoelastic creep was quantified under normal tuning conditions, and the mechano-sorptive creep was quantified using a dead mass resulting in 55% of the elastic deformation obtained after tuning. The viscoelastic and mechano-sorptive deformations were clearly observed. These deformations were completely recovered once the violin was unloaded, demonstrating that this violin structure is appropriately dimensioned for the applied stresses.     

The war of the words: The rhetoric of ‘Operation Iraqi Freedom’ (an informal survey)

The political, military and media rhetoric of the March–April 2003 invasion of Iraq is interpreted as a phenomenon of power in relation to an understanding of culture as a site of denegation. Patterns of tautology, euphemism and equivocation are identified and their rhetorical appeal analysed in terms of the denegational structure of each of these figures. The essay is thus governed by an understanding of figuration as instrumental, not ornamental; it shows how rhetoric can be studied as a cultural phenomenon and argues by example that a pragmatics of troping is crucial to such a study.     

A combination of NDT methods for the restoration of monumental façades: The case study of Monte di Pietà (Naples,Italy)

The paper focuses on an interdisciplinary research project concerning the preservation of the XVII century monumental building of Monte di Pietà in Naples, Italy. The building underwent a series of restorations being the structural walls affected by humidity and cracks. The importance of this monumental building in the historical city center of Naples led to design an extensive surveying program to provide the designers of strengthening with a detailed investigation of the geometry of the entire structure, and particularly of the entrance façade, with great details on several materials, thicknesses and restraints. A preliminary investigation was performed on the historical phases of this monumental building to have a clear knowledge of its vicissitudes, and then in situ structural assessment included 3D laser scanner techniques probing radar, in situ stress measures. This surveying phase was crucial especially for the subsequent Finite Elements modeling (F.E.M.) of the façade. The scope of the numerical refined analyses was to evaluate the state of stress in the structural elements of the façade putting in evidence structural ‘weak points’ and finally to design a retrofit intervention having a detailed map of the ‘intervention areas’. The theoretical damage assessment has been compared with on-site assessment and in situ stress measures. The damage primarily concerned the entrance façade and its valuable decorations. Furthermore, the basic principles for the design of the strengthening have been discussed.     

The case study of an Italian contemporary art object: Materials and state of conservation of the painting “Ragazzo seduto” by Remo Brindisi

This paper deals with the scientific survey of Remo Brindisi's painting “Ragazzo seduto” (Seated boy), made at the end of the 1950s, that is a symbolic figure of both his personal artistic solitude and the crisis of values determined by the economic boom in the post-war period. In a period of great changes and economic regrowth, the need to find a new style that could be the most authentic and personal as possible pressed the artist to experiment innovative products, including non-conventional support. Photographic and analytical techniques demonstrated the use of innovative products as an experimentation tendency, that pressed the artist to use non-conventional support, industrially treated with plasticized PVC and primed with acrylate polymers and to paint with traditional and industrial pigments mixed with an oil-modified alkyd resin. In the span of a few years, an unexpected and extended degradation on the whole surface of the painting took place, with the consequent formation of lifting and detachment of the paint film. The detected alteration is mainly due to the fast ageing of the employed polymeric materials, actually responsible of the impermanence of many contemporary works of arts. Clarifying the unknown aspects of the Remo Brindisi's stylistic choices together with the deterioration processes of the employed painting materials, this paper highlights the general problems related to the conservation of contemporary art, a neglected area of research in Italy, where more efforts are committed to the enormous and more ancient cultural heritage.     

Structural assessment and measurement of the elastic deformation of historical violins: The case study of the Guarneri ‘del Gesù’ violin (1743) known as the ‘Cannone’

This paper presents a deformative and structural study of the Guarneri ‘del Gesù’ violin (1743) known as the ‘Cannone’. A structural assessment is fundamental to understanding the violin's compatibility with its residual function of musical instrument. The tuning of the instrument to a modern playing pitch during concerts could, in fact, cause stress resulting in plastic deformations of its structure. In order to understand the stress level to which the violin is subjected when tuned, several tests were performed. The forces acting on the bridge were measured, the geometry of the un-strung and of the tuned violin were acquired with a tri-dimensional scanner, the violin deformation was assessed by means of the computed surface deviation mesh and by measuring the deformation in selected lines, several sections of the violin were cut from the digital model and stress exerted on the sections was computed. The stress exerted on the neck, scroll and body were found to be very limited. More significant, albeit at a low level, was the stress exerted under the bridge between the sound holes. Mechanical stress exerted after tuning was found to be safe for the violin, if applied for a limited amount of time. This does not mean that the violin can be played freely, because the real strength of the material used in the violin is not known and mechanical stress during a concert must be added to time (viscous behaviour), moisture content variation (mechano-sorptive behaviour) and hygro-thermal stress, thus worsening the condition. The method presented here could be applied to compute the level of stress of any violin.     

Shadow banking: a story of the Doppelgänger (the Double) in science of finance

ABSTRACT

After the 2007 financial crisis central bank economists in the US produced a map of shadow banking system, a fragile interconnectedness of regulated and unregulated financial institutions, to explain why the crisis had happened. This piece of cartographic work in banking regulation had two aims: (a) to represent the economic reality, including the parts that were not in regulatory sight, with full realism and (b) to develop a regulatory surveillance regime to monitor shadow banking to prevent future crises. This paper problematises the first aim as a peculiar cognitive response to the knowledge crisis of economics which challenges the consensus on modern finance as post-modern Baudrilliardian simulacra. The paper then introduces a cultural economy perspective to explore the regulatory fear in the second aim of the shadow banking analysis with references to the theme of the Doppelgänger (the Double) in the genre of horror stories. Finally the societal consequences of the control oriented epistemological choices of the shadow banking analysis are problematised by using Michel Serres concepts of foedera natura versus foedera fati.     

Autographs and the global art market: the case of hedonic prices for French autographs (1960–2005)

The market for autographs has become more open to international buyers since 1990. Our data set features a large sample of store and auction sales for selected authors every 5 years from 1960 to 2005. The estimation of a hedonic price function shows that page count, type of author, date and type of the document conditionally to author explain more than three quarters of the price differences. The apparent price of autographs increased by 7.7 % per year during the period, while the hedonic price index increased by 7.9 % on average. With a supply function responsive to market valuation, as well French autograph prices seemingly showing trend similar to art market index, the French autograph market has become more integrated in the global art market.     

The Simon Mann Trial,the Demise of the “Dogs of War,” and the Discursive Legitimation of “Humanitarian” Private Security Companies in Africa

The essay provides a critical intercultural analysis of the 2008 trial of the “mercenary” Simon Mann, accused of instigating an attempted coup in Equatorial Guinea. The author argues that Equatorial Guinean President, Teodoro Obiang, tried to turn this trial into a tactical, neocolonial critique of mercenary activities that were allegedly supported by the United Kingdom, Spain, and other Western powers. Unfortunately, he was only partially successful. The growing influence of private security corporations and the suasory power of new military “rescue” tales meant that there were no shortage of defenders of these types of coups. This study demonstrates how certain actions can, at times, be simultaneously characterized as dominant strategies and subaltern tactics.     

Assessment of seismic vulnerability of art objects: The “Galleria dei Prigioni” sculptures at the Accademia Gallery in Florence

The seismic assessment of art objects requires a multidisciplinary approach and the definition of a specific methodology for evaluating the level of safety and the possible interventions necessary for seismic risk prevention, finding a compromise between safety and conservation. This paper describes a first step in this direction, in which the different aspects of the procedure, from knowledge path of the art object to the structural analysis, were studied in the six Michelangelo's statues located in the “Galleria dei Prigioni” (Slaves’ Gallery) at the Accademia Gallery of Florence. We showed that the general principles and criteria expressed in the “Italian Guidelines for evaluation and mitigation of seismic-risk to cultural heritage”, which are specifically devoted to masonry constructions, could be profitably extended to other artworks, like statues, starting from historical research, geometrical survey and material characterization, up to the developing of specific methods of analysis. This research could be the base for future studies to be performed concerning the prevention of seismic damage of art objects, including both bare minimum interventions and specific devices, such as isolation systems.     

Evolution of the Apollo-Soyuz Test Project: The Effects of the “Third” on the Interplay Between Cooperation and Competition

Minerva - The paper investigates the evolution of the first manned international space mission – a rendezvous and docking between a US and a Soviet spacecraft in 1975 known as the...     

The “sacred” standing for the “fallen” spirits: Yasukuni Shrine and memory of war

This essay examines the rhetoric/politics of Yasukuni Shrine as an experiential memory-scape, a material and discursive ground to frame and enact banal patriotism and militant nationalism. As a powerful mnemonic and rhetorical institution, Yasukuni Shrine (re)produces a nationalistic narrative and identity by (con)fusing natural feelings of individual grief and cultural tradition of commemoration with national heritage of banal patriotism. By (con)fusing what is “particular” and “universal,” Yasukuni Shrine establishes its rhetorical ground to justify a “banal” sense of patriotism that slips into the “ordinary yet honorable” fervor of militant nationalism, while effectively evading its moral/ethical reflexivity.     

“Let’s make lots of money”: the determinants of performance in the recorded music sector

This research analyzes the performance of 467 record labels in eight European countries over a period of 13 years (2003–2015). The main goal is to explain a relative measure of profitability in terms of observed variables, although the nature of the dataset also allows us to include non-observed firm and country effects. To this end alternative models are estimated and three main research questions are tested, namely: (1) the effect of the dual structure of the recorded music market, in which a competitive segment and an oligopoly coexist; (2) the extent and source of the volatility of profits in record labels; and (3) the nonlinear impact of size on performance.     

The history of the “Virgin with Child” sculpture (Ottaviano,Naples, southern Italy): Hypotheses from archaeometric multi-technique investigations

A life-size whitish marble statue of a “Virgin with Child” has been recently rediscovered in the St. Rosario church located in Ottaviano, a small town near Naples (southern Italy). This artwork shows stylistic features of the Tuscan-Roman school of the 16th century, and is framed in an intriguing historical context. Historical documents testify that the sculpture was a property of the cadet branch of noble Tuscan family of the Medici, the Medici of Ottaviano. A multianalytical approach has been used to try to indicate the supply area of the white marble of the studied sculpture. Considering the whole mineralogical, petrographic and geochemical data, the source rock can be possibly limited to the main classical white marbles of the Mediterranean district, as the classical marble of Aphrodisias. A reuse practice of a former artwork can be also hypothesized.     

The origin of syngenite in black crusts on the limestone monument King's Gate (Belgrade Fortress,Serbia) – the role of agriculture fertiliser

Black crusts formed on limestone built into the King's Gate represent the most important process in stone deterioration that is occurring in this part of the monumental complex of the Belgrade Fortress (Serbia). Of special importance is the association of salts (namely gypsum and syngenite). Syngenite is a common secondary deposit on granite monuments and on medieval stained glass (i.e., on K-containing materials). However, its appearance over calcareous substrates is not apparent, particularly in cases where cement mortar was not used for bounding. The origins of the potassium and sulphate ions required for syngenite formation are related to meteoritic water, which penetrates the soil above the arch of King's Gate. Water dissolves some soil components and becomes enriched with various ions before coming into contact with the limestone blocks. Enriched water contains two times more K⁺ and SO₄^2? ions than pristine meteoritic water does. The source of the required ions is potassium-sulphate that is present in agricultural fertilisers that are used above the monument. The proposed mechanism for syngenite formation was additionally supported with laboratory experiment. The results of X-ray diffractometry and SEM-EDS analyses of limestone treated with potassium-sulphate solution and sulphuric acid suggest the possibility that the syngenite was formed over calcite:CaCO₃ + K₂SO₄ + H₂SO₄ → K₂Ca(SO₄)₂ H₂O + CO₂↑However, the complex mechanisms of gypsum and syngenite formation under natural conditions (variable concentration of potassium and sulphate ions, intermediates phases, temperature changes, humidity, the amount of disposable water etc.) do not exclude the possibility of syngenite formation over gypsum.