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The article describes and compares two museums: the National Palace Museum in Taiwan and the Museum of History in Hong Kong. The two present widely divergent versions of Chinese “history.”  相似文献   

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This article presents a case study of the design, development and evaluation of a science museum exhibition called Planetary Landscapes: Sculpting the Solar System. The exhibition was created by Chabot Space and Science Center in Oakland, California, in collaboration with the artist Ned Kahn. (A slightly smaller version has been traveling to science museums around the country, and has been sent to the Middle East and Asia.) This exhibition affords a chance to explore the work of a gifted artist as he seeks to merge art and science and create beautiful inquiry‐based exhibits. The story also relates how a museum design team and an evaluation team sought to support the exhibition design in ways that would augment and not interfere with the expertise of the artist.  相似文献   

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The 2011 Hearst Philippine Biodiversity Expedition was the largest ever launched by the California Academy of Sciences, and was also the largest and most diverse expedition to ever take place in the Philippines. Filipino collaboration and participation were vitally important from the outset. Scientists of both nations documented biodiversity in a variety of habitats and across multiple biological disciplines, identifying more than 500 species new to science. The expedition also modeled a new way of embedding substantial educational outreach and media coverage, and promoting conservation actions. More than 900 people attended educational events in the Philippines. Extensive television, radio, online, and print media coverage occurred both in the Philippines and in the U.S. during the expedition and after. A conference at the end shared preliminary results among scientists, educators, policy makers, and media, before the Academy team even left the country.  相似文献   

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David Wildon Carr (1945–2016) was recognized in the international cultural community as a scholar and instigator whose critical thinking challenged museum practitioners to reflect on the purpose and responsibility of their work. In his recent papers and lectures, he argued that those discussing museum experiences are late to enter into a dialogue already in progress—a dialogue which carefully considers the whole person in a community, and wherein thinking with a museum is an enterprise embedded in the learner's experience. This forum, written by three museum professionals in response to his recent untimely death, is intended to capture personal impressions of Carr's contribution to the continuing work of museums. Each author quotes from Carr's writings, since his words have such enduring strength—a strength that will continue to resonate long into the future. Each also offers readers some personal background on his work as a teacher.  相似文献   

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Abstract Kensington Palace, London, has been home to kings and queens, dukes and princesses for 300 years. It was the focus for the tremendous public outpouring of grief following the death of Diana, Princess of Wales in 1997. Recently, the historic building was transformed into “The Enchanted Palace at Kensington,” which sent visitors on a quest through the sumptuous rooms to find seven of the palace’s princesses. On their journey, visitors discovered fantastical, fairy‐tale‐like installations, some of them by the best British fashion designers, and inspired by Kensington Palace’s incredible history.  相似文献   

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