Commemorating the 550^th Birth Year of Wen Zhengming and His Era Exhibition in Tokyo

The year 2020 marks the 550^th anniversary of Wen Zhengming s birth.The exhibition of Com m em orating the 550^th Birth Year of WenZhengming and His Era was co-...     

Review of the Highlights of the Cultural and Tourism Exchanges in 2019

1.On September 17,2019,The Return Road—Achievement Exhibition of Repatriated Lost Cultural Relics for Celebrating the 70th Anniversary of the Founding of the P...     

Recent and Forthcoming Events

China Cultural Center in Bangkok launched a Video Exhibition of Seasons of China On May 5,China Cultural Center in Bangkok launched the online documentary Seaso...     

From Silent Screen to Multi-screen: A History of Cinema Exhibition in Britain since 1896. By Stuart Hanson/The British Musical Film. By John Mundy.

ABSTRACT

This article explores the political, economic, media and social reactions to the Sex Pistols' Anarchy Tour of December 1976. A critical reading of the sociological concept of ‘moral panic’ is used to examine the ways in which responses to the Sex Pistols were related to the notion of post-war decline, immorality, delinquent youth and the changing nature of the British working class. The responses to the Anarchy Tour constitute a further episode in the cycle of ‘moral panics' that emerged in British society in connection with the development of youth culture, juvenile delinquency and popular music. The exploration that follows posits the view that although ‘moral panic’ is useful for understanding particular aspects of popular music, it also conceals the complexity of the differing responses of political/social groups to the appearance of such phenomena. The article also forms a critique of recent revisionist characterizations of Britain in the 1970s. The ‘moral panic’ surrounding the Sex Pistols was in part ‘socially constructed’ by the media, yet reactions by trade unionists, students, feminists and socialists show that concerns about British society in 1976 were not confined to religious pressure groups, conservative media commentators and political elites.     

A View of Chinese Design Online Virtual Exhibition of Fine Chinese Cultural and Creative Products on the Official Website of China Cultural Center in Seoul

The exhibition includes a total of 60 contemporary Chinese design works,coming from different field of contemporary Chinese society and showing the latest devel...     

HOMEless: a case study of private/public inversion and the temporal–spatial exclusion faced by migrant domestic workers

Abstract

This paper is a case study of the shutdown of HOME (the House for Migrant Workers' Empowerment), a cultural and service center for migrant workers. HOME was founded by the Taipei City Labor Bureau (TCLB) and subcontracted to TIWA (the Taiwan International Workers' Association) in 2002, when the Director of the TCLB was the former labor activist Zheng Cun‐qi. For migrant domestic workers, the distinction between sold‐time and free‐time (i.e. the work–rest distinction) is blurred. Most of their supposedly private reproductive activities are temporally squeezed into holidays and spatially forced into public places where they are exposed to the scrutiny of the Taiwanese. This peculiar situation of private/public inversion not only results from, but also serves to reinforce, racial discrimination and class inferiority in their workplace (i.e. the homes of their employers). I use the concept of ‘bracketing’ to describe the spatial‐temporal strategies used by migrant domestic workers against this distorted inversion. I also analyze how employers ‘counter‐bracket’ migrant worker subjects as a counter strategy. HOME once existed as a ‘surrogate home’, providing shelter for migrant workers and allowing them to retain privacy during their days off. TIWA conducted organizing‐oriented cultural and political activities to assist the migrants in forming their own community, and challenged the spatial hegemony of real estate owners in the ChungShan District. However, when Yan Shang‐luan, a well‐known feminist labor research professor, took over the directorship of the TCLB in 2004 Taipei City Labor Bureau. 2004. “‘Minutes of the meeting for the analysis, review, and evaluation of administrative efficiency at the House for Migrant Workers' Empowerment’ ‘’”. 26 August [Google Scholar], she did not appreciate the function of HOME, and decided to close its doors. In analyzing the official rhetoric in the documents of the TCLB, I find that their decision to shut down HOME was a result of their middle‐class temporal‐spatial ‘habitus’. The shutdown became a counter‐bracket measure, which coincided with the real estate interests of the ChungShan local elites.     

Museums: Impact and value

The role of museums and their place within society is no longer one which we can take for granted. Eschewing the notion of funding based on ‘public good’, successive iterations of public sector reform have progressively required museums to prove that they are worthy of public support. Notions of ‘worth’ have increasingly been tied to the achievement of government policy and enforced through making attainment of key policy directions a condition of funding agreements. Current government policy aimed at ‘building social capital’ in both the Britain and Australia expects museums to prove that they ‘make a difference’ in terms of long-term social impact. However, unease over the imbalance created by what many perceive to be an overly ‘instrumental’ approach to assessing the role of museums has generated growing criticism and a parallel conversation about ‘intrinsic value’. Impact and value—the twin peaks of current discourse about the role of museums in contemporary society—are the subject of a recent study carried out in Australia, which is described here.     

Cinema and history: critical reflections

Abstract

Hou Hsiao‐Hsien was invited to Singapore to talk about himself. In the speech, he focused on talking about his family background, his childhood memories, life experiences and how these experiences affected his life, and also how he made his films. Furthermore, as Taiwan had gone through many drastic political and economic changes, especially after the lifting of Martial Law, these conditions influenced Hou’s life and his films, too. That is, Hou’s films presented not only the changes in a rapidly urbanizing rural society, but also the important events of Taiwan’s history. At the end of the speech, Hou also mentioned that realizing the importance of social responsibilities, he would like to get more involved in the public sphere in order to make a difference in society.     

Interethnic dating: Reasons for and against

A study was conducted among Black, Mexican American and Anglo college students to determine the subjective reasons involved in the decision to engage in interethnic dating. Results indicated that reasons for dating someone of another ethnic group were similar to those which are common to intraethnic dating. However, many of the reasons against such dating appeared to be very different. Overall, it appears that reasons for intergroup dating can be best explained normatively while reasons against intergroup dating are best understood structurally.     

Family size and parental satisfaction: Race and sex differentials

The impact of family size on parental satisfaction is investigated with race and sex as moderating variables. From a national sample of parents, a white subsample is matched to the black sample on the basis of education, city size, and age. The association between family size and parental satisfaction is negative and low for white males and females as well as for black females. For black males, the association between family size and satisfaction is positive and moderately high. Exchange interaction and role transition are proposed as frameworks which could account for the general relationship between family size and satisfaction as well as for the black male anomaly.     

"梁祝"历史与传说

“梁祝”，是我国影响最大的民间传说之一。就我个人讲，则因工作关系，耳濡目染，首先是从那些数不胜数的民歌、故事、曲艺、戏剧和诸多民间工艺作品中感知并注意到它的。另外，整个“文化大革命”期间，我又是在河南省驻马店地区度过的，许多老人对汝南“梁祝”的津津乐道，就更加引起了我对这一课题的深思。我认为学术界不要总是把目光盯着“江南水乡”的蝴蝶，     

Renaissance revelations: hub museums and online documentation

This review reflects on the response made within the English regions to the national strategy adopted for museums development in the Renaissance in the Regions programme. It considers the national data collection expectations and the actuality of the reporting/evaluation of the programme's management in different regions. A survey of the available regional documentation suggests a lack of consistency in available information and approach, and that review of the programme is welcome in order to establish baseline information for performance measurement.     

Arts and Economic Prosperity III: a review

Americans for the Arts published Arts & Economic Prosperity III: The Economic Impact of Nonprofit Arts and Culture Organizations and Their Audiences in May 2007. Americans for the Arts is a non-profit organization in the USA that aims to advance the arts by creating opportunities for all Americans to participate in and appreciate the arts. This is the third economic impact study of the sector undertaken by Americans for the Arts, the first two studied activity in 1992 and 2000 respectively. This review examines the wealth of data made available and the claims made for the economic impact of the non-profit arts and culture sector in the USA. The Arts & Economic Prosperity study concluded that the non-profit arts and culture industry generated $166.2 billion of economic activity and supported 5.7 million full-time equivalent jobs in the USA. The review raises concerns about the methodologies employed to both capture and interpret the data, in particular the reliance on gross figures rather than net flows and the lack of consideration of opportunity cost. In conclusion, it questions the degree of utility of the study given its heavy promotion as a tool for advocacy by Americans for the Arts.     

Beyond Individualism-Collectivism and Conflict Style: Considering Acculturation and Media Use

Opportunities for individuals from varied cultural backgrounds to interact, and therefore conflict, are inherently greater because the technologies, economies, and livelihoods of people of many countries are increasingly interdependent. In light of globalization, it is ever more valuable to understand how culture influences the way people manage conflict. The purpose of this study was to examine factors influencing people's individualistic-collectivistic culture tendencies and conflict styles, and whether or not acculturation is a moderating factor between individualism-collectivism and conflict style among foreign nationals living within the United States. In addition to acculturation, researchers also measured media use. The data revealed statistically-significant relationships for media-use and acculturation on individualism-collectivism and conflict styles, and supported the idea that acculturation is a moderating factor between individualism-collectivism and conflict style, although this relationship was only significant among those who preferred the dominating conflict style.