艺术专业教学成果作品化的思考

在以工科为主的院校里,艺术学科该如何发展,如何在学校里独树一帜,突出自己专业的特色亮点,如何发挥艺术学科在学校里的作用?艺术教学成果化,可以充分展现艺术学科的亮点,用艺术形式把工科专业设计成打破传统观念的作品,打造不一样的校园文化,激发全校师生对艺术、对美的追求,引起学校的重视,或许是一个很好展示途径.     

Uncomfortable pedagogy: experiential learning as an anthropological encounter in the Asia-Pacific

This paper features a discussion of how educators can channel anthropological practices towards the enhancement of experiential learning (EL) teaching methods, particularly on the topic of religion across the Asia-Pacific. I argue that our capacity to achieve curricular objectives through EL calls for an attentiveness to the affinity between the empirical challenges confronted by ethnographers, who work to create rapport between researcher and subject, and classroom teachers who seek to cultivate a conducive learning environment beyond the classroom walls. I show the pedagogical implications of the ways anthropologists have operationalized their discipline’s “critical turn” by highlighting two experiential domains: (1) through activities of “uncomfortable” stereotype self-inventory and (2) through a dialogic pedagogy that pursues meaningful learning outcomes through the “struggle” to recognize inter-cultural and religious agency among students.     

研究性学习在高职美术教学中的实践

本文针对高职教育美术教学的现状,探讨了研究性学习在美术教学中的实施策略和操作方法,证明了研究性学习在美术教学中具有增强学生合作精神、促进学生自主性学习、培养学生创新精神和实践能力等实际功效。     

Envisioning the Future: Working toward Sustainability in Fine Art Education

Fine art education provides students with opportunities to acquire knowledge and skills to respond creatively to their experience of society and culture. Fostering creative ways of knowing, thinking and doing requires studio learning conditions that promote the exploration of embodied perceptions, material sensibilities and conceptual ideas that are provisional, socially constructed and ever changing. Traditionally, art schools provided these conditions unchallenged because they were autonomous. Since the 1980s, however, art schools have been integrated into the academy, and face increasing pressure to meet the institutional demands of being in a university. Some argue this changed status means the academy, with its research and pedagogic traditions, is actually straitjacketing creativity. Furthermore, contemporary art practice has changed as artists are increasingly experimenting with interdisciplinary modes of working. This article discusses a two‐year major change initiative, undertaken within an urban Australian art school, designed to respond to this complex set of changed circumstances. It considers ways to address institutional compliance and viability demands while maintaining deeply held values about how to foster creativity in undergraduate students. The outcome is a new organising structure and renewed curriculum for the largest programme offering in the school: the fine art undergraduate degree. Educational renewal is conceptualised as a creative process and the approach to change is thus adapted from creative research methodologies. By treating pedagogy and curriculum design as a creative process, this change initiative, rather than straitjacketing creativity, has re‐envisioned an epistemological framework for undergraduate fine art that will sustain creativity education into the future.     

新时期学习型班级建设与学生领导力研究简

学习型班级是以班级成员为中心,以班级成员管理自治为运行机制的新型班级组织。它是开放的组织管理体系,其动力机制和运行机制是一种“竞争力匹配与调和”模型。实践中,可以通过重新树立学生领导力权威、营造“可以犯错”的学生领导力执行氛围、重新确立学生领导力执行的目标等途径和手段来实现班级组织转型和学生领导力变革。新时期,提升学生领导力水平,树立学生自治意识是首要前提,维护学生领导权威是重要保障,变革班级组织架构是关键步骤,完善班级纪律规定是基础环节。只有改变传统“德育式”和“法治化”的教育实践方式,才能实现“通过教育的纪律”、学生个体的纪律化和“美化集体的纪律”。     

Community College Faculty Competencies

Much has been written about the characteristics of effective college teachers. However, skill sets have not yet been defined with any level of specificity. Also, instructors at community colleges have unique working conditions and challenges that influence how they teach. This paper illustrates the use of three studies conducted to build and validate a framework for defining the competencies of effective community college faculty. The project's culmination was a set of skills used to redesign one university's master's in education (MAEd) program in two-year college teaching. Although participants in all three studies identified subject matter expertise as an important competency, they emphasized several other skill sets as being important for meaningful student learning. Those skills are related to the use of authentic activities and multiple instructional delivery models, multiple ways of assessing student learning, and skills that are necessary outside the classroom in their teaching roles. Participants also emphasized interpersonal and affective components of effective teaching.     

苏州民间美术因素在幼儿游戏活动中的渗透

富有苏州地方特色的优秀民间美术教育内容,以课程方式科学合理地渗透在幼儿游戏活动中,丰富了幼儿的游戏经验,充实了幼儿的游戏内容,促进了幼儿游戏的深入开展。创设富有苏州民间美术元素的游戏环境,开展能让幼儿自主表现、创造的特色区域、自主游戏,探寻民间美术在幼儿游戏中渗透的创新之处,促进了幼儿情感、态度、能力、知识、技能等方面的全面发展。     

Influences on the struggle over content: considering two fine art studio practice curricula in developing/ed contexts

This paper considers the influences of curricula content on the nuances of teaching and learning practices, and the ways in such influences are complicated by the contexts within which they are situated. Generated data from within the particularity of two fine art schools, one operating from the developed world in the global ‘north’ and another the developing world in the ‘south’, considers how they have negotiated the contemporary push from the professional community of practice, led by ‘western’ artmaking, towards the discourse-interest of contextualism in fine art practice education, compared to the focus on skills and mastery of more out-dated formalism. Particular emphasis is placed on the significance of such influences and pressures on the structures and cultures of teaching and learning.     

智慧课堂环境下提升高中思政课程的教学有效性

信息技术的发展不仅带来了教学方式的变革,更激励着教师运用新的教育理念。为了更好地培育高中生政治学科的必备品质、关键能力与正确的价值观,高中思政课教师要充分发挥教学技术与教学主体的智慧,在智慧课堂环境下打造智能、高效的思政课堂,从而为学生的自主学习创设一个良好的氛围。基于此,本文着眼于智慧课堂环境,积极探索提升高中思政教学有效性的策略。     

Facilitating Meta‐learning in Art and Design Education

Art and design programmes are educationally unique in that students themselves play a central role in determining their own learning needs. To be successful in their study, art and design students are required to operate with a high degree of independence and self‐direction. Developing the skills for greater self‐reliance requires students to become aware of their conceptions of the subject of study, and of themselves as learners in a particular learning context. Developing greater self‐awareness as a learner and becoming more independent in one's learning is captured by the concept of meta‐learning. In this article I present an alternative strategy to prevalent diagnostic approaches to assist in developing a student's capacity for meta‐learning in the subject context of art and design. An inquiry cycle was created to provide a structure within which to facilitate generative thinking about learning through engaging with fundamental questions related to the subject of learning (art and design) rather than the learning subject (i.e. the student). This method represents a departure from existing approaches to engaging students in meta‐learning. A pilot study used to trial the effectiveness of this strategy is also presented here. The inquiry map, and the conceptual base upon which it was developed, were found to be useful ways to structure reflective thinking about learning and to assist in developing a student's conception of the subject.     

浅谈研究性学习在地理学科中的应用

研究性学习以培养学生的创新精神和实践能力为根本出发点，着眼于学生学习方式的改变，地理学是一门多学科，跨领域，门类复杂的综合性学科，是非常适合开展研究性学习的一门课程，地理学科学习为在研究性学习奠定了基础，研究性学习也能促进地理学科素质的发展，地理研究性学习具有其独特目标的特点，评价主体是多元的，评价方法是多样的。     

基于新课标的美术课堂示范教学探研

示范教学作为一种常见的美术课堂教学方式,能够激发学生的美术学习兴趣,让学生充分发挥想象力、创造力,绘制出具有个人特色的美术作品。文章分析美术课堂示范教学的特点、作用,介绍示范教学的形式,探讨基于新课标的美术课堂示范教学提升策略,以期提高美术课堂教学效率,提高学生的美术学科核心素养。     

“推销艺术学”及其直观体验教学法研究

推销艺术学是相对于公司营销(市场营销管理)的个人营销学,是社会实践艺术。基于课程特征,该文创设直观体验教学法,把学生看作完整的意识主体设计课程教学,通过营造环境、教师示范、学生参与、竞争体验等,使学生在直观体验中获得内心感悟、潜移默化培养营销品格,提高社交能力及说服别人、建立合作的能力。     

专题网站下的自主与协作学习能力开发

日益发展的专题学习网站为学习者的自主和协作学习提供了广阔的空间。自主学习能力和协作学习能力也是数字化生存中学习者需要具备的核心学习能力。本文就如何在专题学习网站环境下培养和开发上述两种能力展开论述。     

环境速写对成人美术写生课教学的有效性探究

与普通美术院校的学生相比,成人美术教育存在年龄阅历差异大、专业水平起点较低等问题。环境速写通过对环境、人物、道具、场景的组合训练,能比单一的速写训练更充分地调动成人的自主绘画经验和兴趣,全面提升他们对描绘对象的整体观察、理解、体悟、概括的能力,从而提高他们的绘画技能,增强绘画自信心。因此,应依据成人学生的特点及实际所面临的具体学习状况,在成人美术课教学中开展环境速写训练。     

面向艺术学科核心素养培养的实践教学模式研究

提出了面向艺术学科核心素养培养的实践教学体系构建策略,重点探索了艺术学科核心素养的内涵界定与系统描述。通过扎根理论的质性研究方法,解析得出艺术学科核心素养的要素构成。以获取的核心素养要素作为艺术实践教学体系改革的指引和目标,按照"知识+实践=素养"的原则,分别提出了课程体系构建策略、实践体系构建策略以及支撑体系构建策略。为了解决实践教学中知识获取与转化的问题,提出一种基于建构主义教学学习理论的多层级任务节点驱动的知识获取和转化路径。实践教学结果表明,学科核心素养与其关键能力在艺术学科实践教学体系、人才培养模式方面起着引领和触发作用,有利于促进素养培养的教学研究与改革的实施。     

全科型小学教师培养的必要性及其途径

随着我国教育改革的深入和小班化教学的提出,全科型小学教师将成为教师培养的一大趋势,全科型教师的培养有助于教师专业化队伍的建设与小学教育教学质量的提升。     

Action,Autobiography and Aesthetics in Young Children’s Self-Initiated Drawings

Lark-Horovitz, Lewis, and Luca [1973] described the emergence of ‘subject matter specialists,’ children who create series of self-initiated or voluntary drawings featuring consistent themes, characters, or settings that seem particularly compelling to them. A decade-long study of the images preschool and kindergarten children create when invited to draw in their own sketchbooks in the context of a weekly art class suggests that the choice of what to draw shapes the process of learning how to draw in decisive ways. The interests young children develop and pursue in drawing and in other forms of symbolic play are influenced by gender and by culture, by personality and circumstance. The choices children make inevitably open certain possibilities and foreclose others, shaping early artistic learning in decisive ways. Many early childhood educators [e.g., Katz, 1993] maintain that young children’s learning should be firmly grounded in first-hand experience. However, children whose drawings are autobiographical in content may be less consistent in choosing topics for drawing and prone to pass the time between significant images by drawing designs and symbols which seem less personally meaningful and engaging. Children who draw upon imaginative themes seem to have an inexhaustible source of inspiration ready at hand when they begin to draw. According to Egan [1988], the fictional or mythic nature of these representations may serve young children’s quest to make sense of their experiences in ways that explorations of the everyday do not.     

运用情景教学法 提高政治教学质量

如何调动学生的学习主动性是当今素质教育改革的关键,本文立足于学生的生理、心理特点,从多方面探索如何进行政治教学情景创设,从而最大限度地使学生由被动学习变为主动学习,进而提高学习能力,增强教学的实效。