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Ghassan Hage 《Inter-Asia Cultural Studies》2013,14(1):85-96
AbstractThis paper aims to explore the historical processes of Malaya-Indonesia literary links and networks in 1950–1965. The focus is on how Malay writers, most of whom were political activists and journalists as well, sought inspiration from Indonesia in their creative processes as a part of the struggle for the Malayan independence. As a preliminary study, this paper is limited to showing the links the Malay writers built with their Indonesian counterparts, and how these links affected and were affected by the political relations between the two countries, especially during the “Confrontation” era in 1963–1965. 相似文献
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Su-Dol Kang 《Inter-Asia Cultural Studies》2013,14(3):393-407
Abstract This paper examines the ambiguous nature of Murakami's criticism toward the postwar Japanese condition – as the artist most effectively captured in his phrase ‘A Little Boy,’ which was also the title of his curated exhibition at the Japan Society of New York in 2005. As Murakami wrote in his introduction to the catalogue, demilitarized Japan after the Second World War underwent a collective sense of helplessness, and the metaphor of a little boy is intended to describe Japan's supposedly unavoidable reliance on its big brother, America. The name ‘Little Boy,’ in fact, originates from the code name used by the American military for the atomic bomb dropped on Hiroshima in 1945. The proliferation of ‘cuteness’ in Japanese contemporary art, which draws upon youth culture, especially otaku culture, evinces a common urge among the postwar generation in Japan to escape from their horrible memories and sense of powerlessness. Murakami's rhetorical analysis of Japan's self‐image seems, however, contradictory, given his extremely aggressive business tactics, which can find no counterpart in the Western art world – not even in the efforts of Murakami's predecessor, Andy Warhol. Like My Lonesome Cowboy (1998), whose hyper sexuality defies its pubescent and immature appearance, his art, theory, and art marketing indicate the paradoxical nature of his theory of impotence. By focusing on his manifesto and writings published on the occasion of his 2005 exhibition and his style of managing Kaikai Kiki Ltd., this paper delves into the dual nature of Murakami's interpretation of postwar Japanese art and culture, particularly in relation to those of America. 相似文献
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Melani Budianta 《Inter-Asia Cultural Studies》2013,14(1):109-128
Abstract ‘Asian Pop’ cultural products, which include a wide range of media artifacts such as film, music, television drama, comic books, magazines, websites and fashion, have emerged as a popular choice for youth in Asia in recent times. These cultural artifacts feature prominently in the lives of urban youth in major metropolitan centers throughout Asia. This paper examines how Thai youths have become consumers of Korean pop (K‐pop), following the trend of neighboring countries. The popularization of Japanese pop (J‐pop), Taiwanese‐pop and more recently, K‐pop, is welcomed by the Cultural Industry as a sign of expanding borders and as a major step towards expanding its Asian market. On the one hand, growing consumption and mainstreaming of Asian pop might become problematic due to the notion of cultural ‘McDonaldization’/standardization, in the future. On the other hand, perhaps nationalism and national ties will manage to overrule this projected standardization. This paper explores the Thai youth’s consumption of K‐pop in the process of cultural appropriation vis‐à‐vis their ‘national’ cultural formation in changing socio‐cultural contexts. 相似文献
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Mitsuhiro Yoshimoto 《Inter-Asia Cultural Studies》2013,14(3):451-459
Abstract What should, could, and does the thesis advisor do? Four years of teaching, researching, and supervising in a graduate program at a university in Taipei led me to search within – not beyond – the ‘holy trinity of academic work’ (i.e. teaching, research, and service) for a different interpretation on the laboring of university teachers. The neoliberal logic embodied in the numbers game, quantitative criteria of judgment, and inter‐regional competition has formed specific conditions of laboring for university professors in East Asia. In this article, I advocate a ‘learning to labor’ perspective to situate teachers in the institutional, social, and global relations of laboring. I draw particular attention to affective labor – a quintessential form of labor in the global condition – and suggest its potential to formulate subjectivity in the current geopolitics of knowledge production. In this article, the productive power of affective labor is represented in three experimental texts: two short stories and a play. Created to document, grasp and learn from my interactions with my graduate advisees, this article hopes to sound out multiple voices and inflect laboring with consoling imagination. 相似文献
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Younghan Cho 《Inter-Asia Cultural Studies》2013,14(1):82-96
Abstract This paper explores the process by which Korean nationalism was challenged and transformed through utilizing sports celebrities as iconic figures during the International Monetary Fund (IMF) intervention in South Korea. The influences of the IMF intervention were not limited to economic and political fields; rather, Korean nationalism had undergone substantial changes through the national crisis. At that time, two Korean athletes who were hugely successful in the US became national celebrities, or even national heroes in South Korea, a baseball player, Chan‐ho Park and a goler Se‐ri Pak. The media representation of these two Korean athletes is useful for the understanding of altered nationalism during the IMF intervention. The analysis of media coverage of these two athletes can be summarized in three ways: first, the coverage is focused on a self‐governing individual; second, that individual is invested with the image of economic success in global competition; and third, that individual is invested with the image of responsibility for both family and nation‐state. Conclusively, the two celebrities were presented as models for a new kind of citizenship, i.e. a national individual. Finally, this paper suggests that Korean nationalism has been altered through the IMF intervention, but remains a hegemonic ideology albeit combined with neoliberalism. 相似文献
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ABSTRACTThis article identifies the visual representation of Europe’s “refugee crisis” in the media as a key dimension of the communicative architecture of the crisis and its aftermath. Effectively, it argues, the powerful, even iconic, imagery that the media produced and shared during the 2015 “crisis” affirmed ideological frames of incompatible difference, perpetually dividing European citizens and refugees. The article focuses on some of the fundamental elements of the 2015 crisis’s visual grammar to demonstrate how they have (re-)produced popular fears of strangeness and the need for containment and control of foreign bodies. This visual grammar, we argue, imitated and procreated recognizable representations of popular culture to exaggerate newcomers’ strangeness and incompatible difference from the national subject. On the one hand, many news media simulated zombies’ threatening strangeness in images of refugee massification; on the other, many news media images reaffirmed the decisive power of the national subject over refugees’ fate, not unlike the video game player who unilaterally controls a game and takes action when confronted by zombies. This grammar, we argue, symbolically predetermines encounters between citizens and refugees, by emphasizing their incompatible difference and newcomers’ strangeness. 相似文献
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Acculturation is an inherently causal phenomenon that deals with changes and processes initiated by intercultural contact. However, although more than 13,000 scientific articles to date have been published on a topic related to acculturation, only a small fraction uses data that allow for causal inferences. As a result, our field can be seen as facing a “crisis of causality,” where central theories and models that assume causality between constructs still lack robust empirical support. To address this gap, I provide recommendations for the next generation of acculturation research, emphasizing primarily the need for experimental and longitudinal studies. 相似文献
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五粮液文化是五粮液发展过程中产生的思想观念、制度规范、建筑雕塑、产品广告等的综合体。其核心是中国儒家的中庸文化,但也恰当地吸收了道家、墨家、法家等文化中的先进成分,它是五粮液不断走向成功的反映。中庸文化应当与时俱进,在全球化时代进行现代转型,使文化成为五粮液强大的软实力。 相似文献
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2004年,我在京中一次文友的聚會上,與武漢作家、以出版長篇歷史小說《張居正》享譽文壇、近日更榮獲茅盾長篇小說獎榜首的熊召政先生聊明史。甚投機,便脫口而出:“我要寫一部明朝的書,書名就叫《看了明朝就明白》。”素以捷才见稱的熊先生立即說:“好啊!我也要寫一部書,書名叫《看了明朝不明白》。”我倆不禁哈哈大笑。 相似文献
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Maria Rita Rudden 《Int J Intercult Relat》1978,2(4):410-425
This study examines Mehrabian's claim concerning the cross-cultural generality of implicit metaphors that underlie a set of coding rules for the interpretation of nonverbal behaviors. Responses of Japanese and American school teachers were used to discover whether observers from two different cultures interpret nonverbal behaviors during interpersonal communication according to the three-dimensional metaphorical scheme proposed by Mehrabian and to assess the degree of intercultural consensus about dimensions and interpretations. Factor analysis, factor structure comparisons, and multiple discriminant analysis yielded evidence of significant differences between groups both in the dimensions used and in the interpretations of nonverbal cues along those dimensions. 相似文献
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Hua Jian 《中外文化交流(英文版)》2009,(2):21-24
Renowned American geneticist and physician Walter Sutton compares truth [science], kindness [religion] and , beauty [art] to the three sides of a pyramid, He notes that when a person stands on the bottom of different sides of a pyramid, he will find the distance between either sides is quite long, Many people have made lifelong pursuit but they have only ended up learning about a Small part of Sclence. 相似文献
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無論我們對於子貢"夫子之文章,可得而聞也;夫子之言性與天道,不可得而聞也"的說法做出如何的詮釋,<論語>所見孔子思想中天道角色的模糊確實是顯而易見的.①除了子貢這裹的說法之外,我們看不到另外孔子和門弟子們討論或者提到天道的例子.如果考慮到子產"天道遠,人道邇,非所及也"②之說所顯示出來的春秋後期政治和文化精英對於天道的疏遠,那麼孔子的這種模糊或許可以被理解成是很自覺的選擇. 相似文献
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Shi Ruilin 《中外文化交流(英文版)》2012,(1):26-29
<正>Cultural exchange brings people of different nations closer. Cultural exchange and cooperation constitutes an indispensable part of country-to-country relati... 相似文献
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周宣王二十二年(前806年),宣王封异母弟友于郑,为三等诸侯国,都于镐京附近的械林(今陕西华县北),是为郑桓公。公元前781年,宣王去世,太子继位,史称周幽王。幽王沉溺酒色,宠信奸臣,把国家推向了危亡边缘。 相似文献