Bandung plus 50: a call for a tri‐continental dialogue on global hegemony

Abstract

This paper is an attempt to present a few arguments about the importance of holding a second Bandung Conference, broadened to include the Tri‐Continental regions, including Latin America and the Caribbean region, in the conference.     

Scandalous equivocation: a note on the politics of queer self‐naming

Abstract

This paper discusses the political and theoretical implications of the various performances of queer self‐naming (or the refusal of which) in the face of the ongoing backlash against unconventional or non‐normative genders and sexualities. It argues that, instead of a hasty call for the discarding of identity terms or naïve recourse to them, we could keep (re)using the signs without endorsing their normative meanings and line of demarcation. Through analysing some of the feminist counter‐discourses against the backlash, arguments for indigenous Japanese queerness, and a performance by a Japanese lesbian artist, Ito Tari, it shows that the queer gesture of equivocally assuming the scandalous ‘name’ may be one of the few effective survival strategies for those who have already been scandalously (mis)named.     

The city as extracurricular space: re‐instituting urban pedagogy in South Asia

Abstract

This paper addresses the pedagogic and disciplinary challenges posed by the effort to understand urban spatial practices and institutional histories in Bombay/Mumbai, and other postcolonial South Asian cities. Many cities in the region, such as Chandigarh and Dhaka were designed as iconic of the abstract space of the nation‐state. The dominance of the nationalist spatial imagination in the understandings of public space, citizenship, and the metropolitan environment – combined with the functionalist perception of architecture and spatial practice – have resulted in an urban pedagogy that regards the city only as a technological or physical artefact. Architectural education and urban pedagogy is therefore unable to address the diversity of social‐spatial formations in the city, and its political regime of predatory development, tactical negotiation, and blurry urbanism. To better understand this new regime, we require a collaborative urbanism that treats the city as an extra‐curricular space by which we can reconstruct existing institutional frameworks. Drawing on the work of CRIT (Collective Research Initiatives Trust), Mumbai, this papers explores the post‐industrial landscapes of the Mumbai Mill and Port Lands as a case study in two extracurricular research projects, which grew into urban design and community planning interventions in the Mumbai Metropolitan Region, where urban spaces became the arena for re‐imagining the relations between knowledge production, institutional boundaries, and civic activism on which nationalism has imposed a long estrangement.     

Confronting dictatorship,democratization, and post‐democratization – personal reflection on intellectual and social practices in the context of dictatorship,democratization and post‐democratization

Abstract

This essay tries to trace the life trajectory of an intellectual, in terms of his intellectual and social practices, who wants to live through modern Korean history via progressive activism. The trajectory can be divided into three different stages: the first comes with the military developmental dictatorship in 1961, ending in 1987. The next is during the democratic transition since the Democratic Uprising in June 1987, which put the Korean society onto the road of democratization. The last one should be the so‐called ‘post‐democratization’ period in which we now find ourselves. This is more a story than an analysis of the progressive intellectual movement in the form of the personal recollections. The story is, however, not just about an individual but it is a window giving a glimpse into the larger trajectory that many progressive intellectuals have gone through, and that directly reflects the huge changes in contemporary history of South Korea, such as the interaction between the domination and social movements.     

The eloquence of the taciturn: an essay on Hou Hsiao‐Hsien

Abstract

Dust in the Wind, a color film set in the verdant mountains of Taiwan, includes two scenes almost identical to the black‐and‐white and silent films by the Lumières, shot at the end of the nineteenth century: Arrival of a Train at La Ciotat and Passage Through a Railway Tunnel. As Hou’s mise‐en‐scène consists of the fixed camera angle with its long takes, it is the means of transportation that brings motion to the film, controlling dramatic elements of each work. The luxury cars, which appear in his first three romantic comedies, symbolize the rich and the motorbike the common people. The drivers are all young women, but an automobile cannot be a setting for love. In Daughter of the Nile and Goodbye South, Goodbye, the cars offer no protection to men trying to escape. Compared with the thematic negativity that the automobile possess in Hou’s universe, the motion of the passing trains, taken from many angles, offers rich and profound significations. When the camera is inside the train, the protagonists are taciturn, such as the two adolescents in Dust in the Wind who show their intimacy with each other without saying words. When the camera is next to the tracks or on the platform, the situation changes. In A Time to Live, A Time to Die, Hou depicts the grandmother sitting next to her grandson at a shop by the train and sipping sweet ice while behind them passes a freight train that emphasizes the anxious solitude of the old woman exiled from her homeland. A sublime depiction of the sense of powerlessness of both the deaf‐mute photographer and his family before a passing train is the scene on the deserted platform in A City of Sadness. In Café Lumière, the young woman and her friend in the passing train recognize how valuable they are to each other without saying words. This taciturnity suggests a certain kind of love that needs no sexual language.     

The ‘truth politics’ of anti‐North Koreanism: the post‐ideological cultural representation of North Korea and the cultural criticisms of Korean nationalism

Abstract

This essay questions the ‘truth politics’ of anti‐North Koreanism in which a ‘genuine’ figuration of North Korea is presumed to be achievable at the popular level. I define the truth politics of anti‐North Koreanism as the political‐cultural discursive formation obscuring the ideological powerfulness of anti‐North Koreanism that hinges on ‘the normality of nationalism’. The truth politics reinscribes and reinforces the populist and functionalist belief in national unification that justifies developmentalist agendas for North Korea. As an alternative, I discuss the post‐colonial cultural criticism that calls into question the identity politics of popular nationalism, which implicitly performs along the lines of the Sunshine Policy guidelines to naturalize the normality of nationalism under economic developmentalism. The questionable formation of nationalism prevents South Koreans from gaining self‐reflexive access to the way in which heterogeneous tropes of the nation rupturing in the discursive practice of popular nationalism are exploited. But I also critically interrogate the analytical framework presumed within the criticism, because it constrains its own scope and abilities of questioning the truth politics of anti‐North Koreanism the criticism ostensibly targets.     

The representation of ‘Asia’, ‘occupational forces’ and ‘women’ against the backdrop of post‐war Japanese culture: from the system of censorship to the present

This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan.     

Return of the Kyai: representations of horror,commerce, and censorship in post‐Suharto Indonesian film and television 1

Abstract

In about half a decade since May 1998, changes have taken place in the content, production, distribution, exhibition, and discourse of Indonesian cinema. During Reformasi (1999–2001), the rules and regulations of cinema authorized under the New Order government of President Suharto began to be contested and re‐negotiated. The rise of new film genres and changes in concepts about existing genres and formats took place, new discourses emerged, and different communities and institutions arose that identified themselves with certain film genres or which used the medium of film for particular means, such as a medium for advocacy of human rights issues. Five to six years after 1998, it is apparent that besides changes, there are also many continuities: many old film institutions and structures for film production, distribution, and exhibition are still in place, and topics of discourses often recall past discourses of the New Order period or those held in the newly independent 1950s. This paper considers some of the changes in the understanding of genres and formulas within horror films, and discusses modes of representation and constraints in choices of subject matter in narrative practices in contemporary Indonesian cinema.     

The Memory of a Cenerdtion:Movie Review of Deacock

The setting of the film Peacock is the small town of Heyang, home of the Gao family. The Gaos are not wealthy, but there is no lack of love and warmth among them. The parents are hardworking, honest people. Weihong, the daughter, loves art and is full of dreams, but often feels depressed about her failure to join the military. Both her career and her marriage are unsuccessful. The elder son, Weiguo, has a slight mental disorder and is his parents' pet, but is often bullied by people outside the family. He also suffers setbacks in finding his ideal mate and has to settle on a less-than-perfect love to marry. The younger son, Weiqiang, is a sensitive, gloomy lad who is silent but self-adoring. He drops out of middle school and marries a divorced actress. Heyang, though a fictional place, is based     

When is a foreign‐language film not a foreign‐language film? When it has too much English in it: The case of a Singapore film and the Oscars 1

Abstract

In December 2005, a film called Be With Me, by Singapore director, Eric Khoo, was disqualified from entering the Best Foreign Language Film category at the following year’s Academy Awards on the grounds that it contained ‘too much English’. An Academy spokesperson attempted to explain this decision with what was apparently obvious, that ‘English is not a foreign language’. In an age where issues of cultural migration, hybridity, diaspora and globalisation are de rigueur, this intractable declaration seems almost comic. However, it indicates a continued ambivalence in the role of the English language in the making of a cultural identity: the perennial post‐colonial conundrum that shows no sign of going away. Singapore’s post‐independence decision to keep English as the first language of the country means that the use of English, albeit with local variations, is a quotidian reality. I would like to use this incident to reflect, not so much on the politics of Oscar selection, as perhaps more importantly, on the implications it presents for the internationalisation, and thus the ownership, of English, as well as its role as a marker for both local and global subjectivities – especially when the irony of the situation is compounded by the fact that Khoo’s film is, in effect, mostly silent.     

The view from within: a curatorial account of the rise and fall of visits to London museums from 1851–2016. A research note

ABSTRACT

This note addresses two questions: what comparing patterns of attendance at a group of museums and art galleries since 1851 might reveal? and how might the museums themselves have explained those figures? This note considers the rises and falls of visit numbers amongst a sample of 15 London museums over a 160-year period, and how the institutions themselves perceived those figures. The data used here were gathered from the museums’ published annual reports and internal documents, including daybooks and memos. Their presentation here introduces readers to an exceptionally long time series, and to the conventionally neglected voices of museums’ managers, whose circumstances and attitudes informed those museums’ management. These notes show that certain external factors affected simultaneous rises and falls in the majority of museums’ figures across the sample, although there were always exceptions. Some trends are revealed as general tendencies over a number of years. Discrete internal factors, such as temporary closures and exhibitions create peaks and troughs at individual institutions.     

Does the term matter? The labeling effect on the perception of ethnic minorities: The case of The Romani in Serbia

Empirical research on the impact of linguistic labels on social perceptions is scarce, especially in the context of ethnic groups. Across three studies (N = 1185), we investigated the impact of labels on perceptions of the Romani ethnic group by non-Romani participants in Serbia. In Study 1 (N = 244), we found some evidence that the Romani elicit more positive perceptions (more sociable and competent) when labeled with the neutral (vs. derogatory) term. In two follow-up studies, we focused on investigating potential mechanisms. In Study 2, we tested whether positive perceptions emerged via perceived higher status, while in Study 3 we focused on the motivation to respond without prejudice and sensitivity to hate speech. Study 2 (N = 467) replicated the labeling effect showing that Romani were perceived more positively (more sociable and moral) when labeled with the neutral term. However, we found no support for perceived group status as a mechanism. Study 3 (N = 474) did not corroborate the labeling effect but found the higher external motivation to respond without prejudice (potential mechanism). Meta-analytic effects showed that Romani were perceived as more moral, sociable, and competent when the neutral term was used. These effects were to some extent moderated by ideology as they existed only for right-wing individuals. We conclude that the effect is much smaller than the effects in previous comparable studies.     

Translation of ‘America’ during the early Cold War period: a comparative study on the history of popular music in South Korea and Taiwan

Abstract

The evaluation of the cold war influences played by the US on the rest of the world should not only be accounted economically and politically, but also culturally. In this paper we see the US influences on South Korea and Taiwan from the value‐laden concept of Americanization and through which we examine comparatively specific practices of domestic popular music development in these two countries. Setting this paper as a historical comparative study, we see the working of Americanization in relation to popular music as a value regime in which American is constructed as an ideal model imaginatively and discursively, which was made possible by economic, social and cultural forces in South Korea and Taiwan. Focusing on the Cold War period, circa 1950s to 1960s, levels and aspects of Americanization were therefore ways of translation, to use Said’s concept of traveling theory analogically; Anglo‐American music genres traveled to these countries to be incorporated contextually as new or trendy conventions of music‐making, which in turn helped form local music genres. The socio‐historical contexts of South Korea and Taiwan, with respect to the presence of American army forces, and similar postwar anti‐communist political forces, in nation‐building (north–south Korea, red China–free China antagonism respectively) are central to our understanding of the visibility of Americanization in different music cultures in these two countries. This paper will go into each country’s historical trajectory of music practices that took Japanese colonial influences up to the postwar time and then blending with Anglo‐American genres in indigenizing that eventually marked their different paths, as we comparatively reveal their institutional, political and national cultural conditions, which were necessary in shaping each country’s music‐making conventions, entertainment business, and consumption cultures of popular music – and that might implicitly inform tentatively the present rivalry between ‘offensive’ Korean Wave and ‘defensive’ Taiwanese ‘rockers’ in the globalization era.     

My Wild Lily: a self‐criticism from a participant in the March 1990 student movement 1

Abstract

The ‘Wild Lily’ student sit‐in in March 1990 was often praised in the later political transformation process as a crucial moment when the ‘pure and innocent’ students facilitated democratization in Taiwan. From the perspective of a participant in the protest, the author argues that the sit‐in was actually a failure of the ‘popular democratic’ wing of Taiwan's student movement in the 1980s, which championed a more radical vision of democracy. The idea of ‘popular democracy’ was an anti‐elitist ideology arising from critiques on the elite‐led political reform movement. However, due to its historical constraint, practices along this line were unable to alter the bourgeois democratic character of 1980s' democratization process in Taiwan.     

‘Such a Splendid Tale’: The Late Nineteenth-Century World of a Young Female Reader

There is little evidence for the impact of literature on young female readers in the late nineteenth century. Most studies focus upon the content of nineteenth-century books and magazines, highlighting female readers' acceptance or rejection of contemporary discourses on femininity and domesticity. This paper uses evidence from the unpublished diary of one young woman to emphasize the importance of reading as an activity in its familial and social, rather than literary and intellectual, context. We argue that some young women had access to books from a wide range of genres, but that reading was often relatively uncritical and apparent ‘messages' were not internalized. For many, the significance of reading lay in its flexibility, fitting easily into a domestic routine, and in the opportunities for privacy, independence and narrative absorption offered by the activity itself.     

The Impact of External Pressures on an Ethnic Community: The Case of Montréal's Quartier Chinois and Muslim-French Immigrants

This article examines how a community responds to external pressures to adapt culturally to a dominant cultural/political paradigm. Interviews were conducted in Montreal, Canada in 2003 and in France in 2005. In Montreal interviews were conducted among Chinese shopkeepers residing in Montreal's Chinatown, or Quartier Chinois. In France interviews were conducted with Muslims in various ummahs, or Muslim communities in France. The results of the interviews demonstrate that when a minority group is pressured to linguistically, politically, culturally, religiously, and economically adapt to a dominant paradigm that the minority community will respond by closing itself from the dominant culture.     

The ‘Non‐dit’ in the Zenana: representations of Muslim women in Islamic canonical texts,the neo‐colonial imagination and a feminist response from Bangladesh

Abstract

This essay recognizes that representations of the ‘Muslim woman’ as the Othered ‘object’ of the ‘Western’ gaze and the domesticated ‘object’ which the Islamic apologists strive hard to defend, are both constructions and false antitheses of each other. It seeks not the ‘truth’ regarding the Muslim women in the world of social reality but to examine how various representations of the women are constructed and to what effects and consequences these representations are mobilized. The essay proceeds in three stages. The first stage shows how the patriarchy mobilizes the Qur’an and the Hadith in order to construct the woman as the negative, the inessential and the abnormal of the man so as to exert complete subordination over her. However, the very act of attempting to mute the woman in Islam is the most strident proof that she is engaged in resistance against patriarchal control and the degree of resistance must be judged by the degree of patriarchal control. The second stage demonstrates how patriarchy operates in colonial and neo‐imperial landscape: it legitimizes the appropriation of Muslim woman ‘possessed’ by the Other (as exemplified by the orientalist seduction fantasy in William Dalrymple’s The White Mughals), but, haunted by the fear of rape and anxieties regarding the sexuality of the White woman possessed by the Self, it attempts to maintain strict control over her (as in the cases of Miss Wheeler in the ‘Mutiny’ of 1857 and Private Jessica Lynch in the Iraq War). This struggle over the feminine body is perfectly in line with Islam’s hyper‐anxiousness to hide the female body and rigorously ensure monopolic possession over her. The third stage shows how Taslima Nasreen, a late‐20th century feminist from Bangladesh, speaks the unspoken and thereby attempts to subvert the normative representation of the muted women in her autobiographical novella, entitled āmār Meyebelā. In thus examining the representations of the Muslim women, this essay seeks an alternative ‘third space of enunciation’ and takes a distinct political stand located outside of the axis of the dichotomy of the ‘Western’ gaze and the construction of the Islamic theologians.     

The Development of Feudal Relations in a Post-Conquest Reality: The Experience of the Mozarab Community of Toledo (Eleventh–Thirteenth Centuries)

The conquest of Toledo by Alfonso VI (r. 1065–1109) in 1085 opened a period of transformation and restructure in the traditional patterns that had organised the former taifa. While some scholars state that, in the early years of the Christian conquest, the traditional features of the Muslim civilisation endured, it is the aim of this article to discuss to what extent it is possible to admit a real continuity in everyday practices, taking as a prism the experience of the Mozarab community of the city. Our hypothesis is that, under the apparent continuities, a process of transformation began, through which new feudal relations managed to infiltrate the previous forms of organisation of land, taxes and religion in order to undermine their basis and make them conform to northern patterns, applying policies of segregation and cooptation.