Historicizing Singapore cinema: questions of colonial influence and spatiality

Films produced since the 1990s revival of Singapore cinema have been interpreted through a historical backdrop consisting of the nation's rapid development, participation in the global economy and authoritarian one-party governance. Film historians have described these texts by relying on discourses associated with globalization and postmodernism. This paper finds the perspective of Singaporean films to have overlooked colonialism as a significant part of Singapore's cultural identity and argues that greater consideration of that history can not only illuminate contemporary films, but also expand film scholarship to include understudied films from Singapore's ‘golden age’ of filmmaking from the 1950s to early 1970s. The history of Singapore cinema should thus be re-periodized. By analyzing the heuristic function of colonial urbanity in films from both eras, this paper explores how spatiality provides a common thread that runs through local experience, identity, culture and cinema.     

Transnational imagination in action cinema: Hong Kong and the making of a global popular culture

Taking action cinema as an example, this paper outlines a historical approach to the transnational study of globally popular cultural forms. Action cinema has long had a complex economy in which Hollywood not only trades stars, styles and narratives with the hybrid culture of Hong Kong cinema itself, but draws on a vast ‘direct to tape’ industry significantly based in East Asia. The paper outlines a Hong Kong‐based approach to two earlier phases in the history of action: the ‘international co‐production’ as an industrially innovative form (1973–85), and the golden age of the ‘direct to tape’ industry enabled by the rapid spread of video technology (1985–93). Focusing on the latter, it suggests that the global uptake by filmmakers of a ‘contact’ narrative and an ethic of emulation taken from Hong Kong cinema allowed direct‐to‐video action to address issues of social class in emotionally complex ways.     

The rise of the national-popular and its limits: communism and the cultural in Kerala

The emergence of the communist movement in Kerala, India in a society that was characterized by immense divisions of caste and class is significant for understanding social transformation. What is of particular importance is the ways in which the communist activists who spoke the language of a supposedly alien ideology engaged with a populace that was predominantly agrarian and poor. This paper will look at the communist engagement with certain aspects of culture, specifically songs, folk arts and theater, in the initial years of the movement, and will argue that something akin to a national-popular will was constructed, which broke down many existing hierarchies and created new unities. But this engagement was equally characterized by many contradictions and spectacular failures, which dented the emerging national-popular will. The cultural, and the communist engagement with it will played a crucial role in laying the seeds of a substantive postcolonial democracy but only in relative terms and without necessarily conferring on the most exploited classes equal rights.     

Migrant Philippine teachers in Indonesia: the nexus between precarious skilled work,illegal mobility and the cosmopolitan

This article examines the nexus between the illegal migration of Filipino teachers as a form of precarious skilled employment in conjunction with the mobility of choice and hope found in the adoption of cosmopolitan outlooks. Catering to the aspirations of Indonesia’s rising middle class, privately managed “international” schools actively recruit trained teachers from the Philippines. Many of these teachers are migrants negotiating journeys of financial independence. These migrant teachers often find themselves arriving in Indonesia being required to work in the absence of work visas that were initially promised by their employers. Migrant Philippine teachers working in Indonesia compensate for these “shocks” encountered during their employment by cultivating a sense of cosmopolitan sociability as they aspire to utilize their professional and cultural experiences in Indonesia for better employment opportunities beyond Indonesia.     

Extending the cultural research infrastructure: The rise of the regional cultural consortiums in England

Two distinguishing features of the New Labour Government have been its focus on regionalism and the establishment of a department of state, the Department for Culture, Media and Sport (DCMS), explicitly dedicated to ‘cultural’ policy. This paper tracks the development of a new set of regional cultural organizations, the Regional Cultural Consortiums (RCCs). These were established to contribute to regional development and to deliver the DCMS's national policy goals. The paper examines the RCCs' remit, challenges, achievements and prospects, and locates these in wider debates about evidence-based policy and continuity and change in cultural and regional policy. Particular consideration is given to the RCCs' research and data collection activities and their role in developing a move towards improved capacity in regional cultural research and data collection.     

Shifting spaces,frozen frames: trajectories of queer politics in contemporary India

Abstract

This paper is a comparative reading of two Malayalam films The Journey (Sancharram, 2004) and The Wandering Bird Does Not Cry (Deshadana Kili Karayarilla, 1986) as representative of differing trajectories of queer politics in the Kerala public sphere. It uses an analysis of the representative strategies of these two films, to interrogate the limits of a universal language of sexual identity politics. The paper places the two films in the different historical contexts in which they are produced, and deploys a film from an earlier time period to problematize some of the assumptions of contemporary queer politics. For this purpose it undertakes a close reading of the cinematic codes of both these films, especially the spatial arrangements in the films. I argue that the location of Sancharram in the LGBT discourse in India and abroad makes it so enmeshed in setting up an established meaning for the term ‘queer’ that the process of queering becomes one of stabilizing a chosen form of desire as the ideal one. In this process of setting up a stable trajectory for queer desire, it also freezes the spatial and social terrains of Kerala. The process of queering that Deshadana Kili Karayarilla undertakes is not one that attempts to set up a particular subject position as the queer subject position. It sets out to trouble the naturalized construction of the heterosexual couple and injects a sense of instability into the social sphere itself. The paper examines how some of the taken‐for‐granted assumptions of transnational queer politics, like the celebration of visible bodies, gets radically questioned when we turn to non‐metropolitan sites of analysis. It aims to look at how cultural texts can embody different modes of sexual politics, as activists struggle to coin strategies to articulate the political possibilities of non‐normative sexual practices in Kerala today.     

Detraditionalization of society and the rise of cultural studies in South Korea

ABSTRACT

The Korean government has started to introduce neoliberal economic policies since the late 1980s and has strengthened its policies even more since the Asian Financial Crisis. Korea has opened markets in almost every sector and applied restructuring policies to every sector, and the Korean government has eagerly concluded Free Trade Agreements (FTAs). The first FTA was signed with Chile, and after signing that agreement the trade deficit with Chile doubled compared with before the Korea–Chile FTA. Now, the Korean government has been playing a very active role at the global level, including multilateral trade institutions. The Korean government is now negotiating with the US for another North American Free Trade Agreement (NAFTA) +plus.     

The relationship between cultural intelligence and performance with the mediating effect of culture shock: A case from Philippine laborers in Taiwan

This purpose of the present study was to explore the role of cultural intelligence (CQ) and its effect on performance of foreign laborers. We also examined the mediating effect of culture shock on the relationship between CQ and performance. Data were collected from Philippine laborers working in Taiwan. A paper-based survey, with a return rate of 76.4%, was completed by 382 Philippine laborers working in Taiwan's manufacturing industries. The results showed that CQ was positively related to the performance of Philippine laborers and negatively related to culture shock. In addition, we found that culture shock partly mediated the relationship of CQ and performance. These findings suggested that CQ can serve as a predictor for cross-cultural effectiveness. Implications for practice and direction for future research are offered.     

Planting virtual lemons: performing forest protection in the context of political performativity

The socialist People’s Democratic Republic of Laos (Lao PDR) has some of the largest intact forests in Southeast Asia, yet these are being quickly depleted by illegal logging, slash-and-burn farming, increasing population pressures, monocrop plantations, mining and dam building. Foreign government and nongovernmental organizations stage “infotainment” theatre plays to educate and inform the Lao public of its role in protecting the forests even though government projects and concessions are the primary causes of forest destruction. Because all the nationally subsidized performing arts troupes are government mouthpieces they cannot critique the government’s role. Foreign aid agencies funding the dramas are also made complicit in the hypocrisy of promoting forest protection to those with the least power to do so, while both performers and spectators know who is profiting the most from the sale of forest products. This article examines theatrical performances regarding forest protection presented in this context of performativity in which the state manipulates socialist rhetoric to conceal its actions that enrich its officials and capitalist partners at the expense of the rest of the Lao public.     

Performing in a multi-cultural context: The role of personality

Performance in situations where individuals from multiple countries are operating in a foreign culture is an underexplored domain of organizational behavior. We test hypothesized relationships between Big Five personality factors and dimensions of international performance using a sample of 232 international business students from 14 countries studying in Mexico. The results indicate differential relationships between personality factors and performance dimensions that emphasize interacting with host nationals and students from other countries, adjusting to a foreign environment, and maintaining a positive attitude in a foreign country. We discuss theoretical and practical implications for understanding and influencing performance in multi-cultural contexts.     

New trends of managerial roles in performing arts: empirical evidence from the Italian context

Since the 1990s the Italian performing arts sector has been characterized by juridical, social and economic changes, due, for instance, to new technologies, increasing environmental competition and contamination among different artistic realities. These new trends have increased the industry's complexity and forced organizations to undertake processes of internal reorganization. In particular, Italian organizations have faced such challenges through the recruitment and training of human resources with managerial competencies. Accordingly, nowadays managerial roles seem to be more critical than artistic ones. This paper aims to investigate “the state of the art” in terms of internal reorganization experienced by Italian organizations operating in the performing arts. In so doing, it draws on the resource-based perspective and discusses the results of an empirical investigation conducted through the administration of a questionnaire.     

The mirror image phenomenon in the context of the Arab-Israeli conflict

This investigation evaluated whether the mirror image could be confirmed and extended to include an ally and an enemy's ally. At the time of the 1973 Arab-Israeli War, 50 Arab students (chiefly from the confrontation states) who were attending Pakistani universities completed five semantic differental scales (brave-coward, honest-deceitful, kind-cruel, peaceful-agressive and dependable-unreliable) on two matricss: (1) Self-image and Enemy-image, (2) Ally-image and Enemy's Ally-image. Fifty Israeli students at Hebrew University also completed the scales. Thus, both groups rated Americans, Arabs, Israelis and Russians for the appropriate categories. Results confirm the mirror image from both Arabs and Israelis and its extension to Ally-image and Enemy's Ally-image. The data are somewhat clearer for the Arabs. Ratings for Israelis' Ally (Americans) are about as high as Self. The discussion offers possible explanations of the results.     

Generalized trust among rural-to-urban migrants in China: Role of relative deprivation and neighborhood context

China has experienced sizeable internal migration in the past several decades. This research examines the implications of internal migration on generalized trust in China. Using data from the 2014 China Labor-force Dynamics Survey (CLDS), a nationally representative survey, we compared the level of self-rated generalized trust in strangers among Chinese rural-to-urban migrants, rural nonmigrants, and urban nonmigrants. We further assessed the mediating effects of relative deprivation and neighborhood context in the relationship between migration status and generalized trust. The results show that migrants are less trusting than rural and urban nonmigrants after adjusting for relevant sociodemographic characteristics. The mediation analysis suggests that relative deprivation partially explains the difference in generalized trust between migrants and rural nonmigrants, and it greatly mediates the trust gap between migrants and urban nonmigrants. The neighborhood context largely explains the difference in generalized trust between migrants and rural nonmigrants. Moreover, urban nonmigrants are less trusting than migrants when taking neighborhood context into consideration, which indicates a suppression effect of neighborhood context on the relationship between migrant status and social trust in urban China. This study contributes to a deeper understanding of how social trust changes in the process of internal migration. Policy implications are discussed.     

Religiosity and attitudes toward muslim immigrants in the context of a terrorist attack

Research on religiosity and attitudes toward immigrants is inconclusive, while it has repeatedly been reported that Islamist terrorist attacks lead to anti-immigrant attitudes. In this context, it remains unclear how these aspects interact, especially, since we can assume that religion plays an important role in light of an attack by an extremist religious group like ISIS: How does an Islamist terrorist attack moderate the relationship between religiosity and attitudes toward immigrants? The present study, therefore, analyses the relationship between religiosity and attitudes toward Muslim immigrants before and after the ‘Charlie Hebdo Attack’. It builds on the Uncertainty-Identity-Theory and the Religious Coping Literature. Analyses of European Social Survey (ESS) data reveal that the relationship varies over time: Religiosity does not predict the attitudes before the attack. Immediately after the attack, more religious individuals are less accepting. Lastly, with temporal distance, greater religiosity makes liberal attitudes more likely.