Conditions influencing rural and town women's participation in the labor force : Some important considerations

This paper suggests that changes in the basic conditions of subsistence of Bangladeshi families, particularly increasing destitution and landlessness, are prime factors in forcing increasing numbers of rural and urban women into the wage sector of the economy. It has been found that as an initial step towards women's control over their own lives, participation in the labor force may be considered an advance for women in comparison to previous forms of labor. It is suggested, however, that the patterning of wage labor in less developed capitalist countries, to the extent that it follows Western trends, has every possibility of duplicating in Bangladesh the structures of women's exploitation and differential income earning opportunities hindering women's development in other countries, It is also suggested that traditional forms of social control legitimating and governing the subordination of women in Bangladesh are being undermined by worsening socio-economic conditions. It has been found that the traditional system controlling women's subordination, which is known as purdah, may be losing saliency for increasing numbers of rural families. This leads one to conclude that the development and extension of a wage economy brings new forms of social control involving contradictory results, exploitation, and dependence on the one hand, and changing conditions of independence and control on the other.     

Managerial characteristics, operational observations, and small business performance: A comparison of US and Mexican ventures

To contribute to our cross-cultural understanding of small business ventures, we investigate manager reports of small business effectiveness in the United States and Mexico. We examine the influence of organizational policies, managerial characteristics, and managerial process observations on reports of business effectiveness. Data were gathered from ventures in both countries, and results showed differences in interpersonal processes, business structure, and gender. Implications for future research are given.     

The red thread and the white kimono: Japanese women, omote and ura

A portrait of modern Japanese middle class urban woman is presented from a dual perspective: Omote, public outside self, and Ura, private inside self. An almost Stereotypic outward submissive presentation is correlated with a special inner strength commanded as the Japanese woman satisfactorily fulfills the role of home manager. This strength is understood to be a particular characteristic of Japanese women which supports the existence of the well known “psychology of dependence.” Data from interviews with 30–50 year old Japanese women, collected over a four year period, is placed within the historical context of women 's traditional role in Japan.     

Lost in TransNation: Tokyo and the urban imaginary in the era of globalization

Abstract

The 2003 film Lost in Translation has attracted both acclaim and critique concerning its representation of the urban imaginary of Tokyo. Examining both the film representation and the critical responses to the imaginary, this paper discusses how they illuminate some of the emerging issues that Tokyo and Japan face in the era of globalization, such as the loss of the idiosyncratic status of non‐Western modernity that Japan has long enjoyed; post‐(self)Orientalist cultural othering; and the transnational alliance of media and cultural industries in a global cultural economy of branding the nation through media and consumer cultures, all at the expense of the issue of intensifying migration and multicultural situations in the urban space. It will be suggested that both the film and Japanese critiques of the film are lost in the actuality of Tokyo (indeed, of Japan) and its populace, which is being radically transformed by intensifying transnational flows of people, capital, and media imagery.     

Rethinking the new beginning of the democratic union movement in Korea: from the 1987 Great Workers' Struggle to the construction of the Korean Trade Union Council ( Chunnohyup ) and the Korean Confederation of Trade Unions (KCTU)

Abstract

It is sometimes taken for granted too readily that the concept of ‘diaspora’ is deconstructive of nations and nation-states. This essay makes a case for a more complicated understanding of the concept. Diaporic consciousness provides fertile grounds for nurturing cultural nationalism. Its relationship to the nation-state is also highly problematic.Where the nation of departure is privileged over the nation of arrival, such a consciousness may serve to extend the power of the nation-state of origin globally, beyond national boundaries. The opposite may also be the case, as when diasporic populations are manipulated by the nation-state at the point of arrival to influence relations between the two states that such populations bridge. The concept needs to be approached more critically, not only for political reasons but also for more precise understanding of the politics as well as of the social and cultural dynamics of human motions.     

Cultural Diplomacy,Branding and the American Film Institute's Project: 20/20

The Global Cultural Initiative (GCI) was a flagship cultural diplomacy effort introduced by the Bush Administration in the mid-2000s; one project of this initiative was the American Film Institute's Project: 20/20, a program of 19 films from five continents scheduled to tour the United States and abroad. This paper is a historical exploration into how the Bush Administration reconstructed American identity and culture through framing, and how that framing was embedded within cultural diplomacy initiatives like the GCI. This paper contributes to an understanding of how intercultural dialogue is often based on key messages and constructed ideas.     

The lyrics of laborious life: popular music and the reassertion of migrant manhood in Northeastern Thailand

Abstract

The focal subject under investigation in this paper is the gendered identities of overseas male migrant workers as presented in the contemporary popular song lyrics from Northeastern Thailand. My reading of such lyrics is informed by my ethnographic fieldwork of Thai migrant workers in Singapore. I intend to uncover some complex, cultural junctures of transnational labor migration, in which men, mobility, and music have come across and formed a social force to reshape cultural imagination of migrant manhood. I argue that popular music celebrates male heroism of overseas migrant workers. Instead of challenging existing structures of hegemonic masculinity in the region, popular song texts poetically reaffirm and reassert the traditional dominant gender ideology and cultural practice. Overseas workmen are usually depicted as hard‐working, self‐sacrificial heroes in their attempts to rescue their families as well as romantic, caring lovers and morally responsible fathers.     

The concepts of individual, self, and group in Japanese National, Japanese-American, and European-American samples: a semantic differential analysis

This study empirically investigated variations in the semantic/affective construction of the concepts of “individual”, “self”, and “group” in individualistic and collectivistic cultures. Data were collected on the semantic differential ratings for these concepts among 110 Japanese National (JN), 110 Japanese-American (JA), and 110 European-American (EA) university students. Compared to the other two samples, the JN sample rated the concept of “individual” as weaker and more fast, the concept of “self” as more fast, and the concept of “group” as more strong and more slow. It also was revealed that the JA sample’s ratings of the three concepts tended to fall between the JN and EA samples’ ratings. Altogether, the findings offer further evidence that the individualism-collectivism distinction has psychological implications and predictive power.     

Gender,culture, and geography: A comparison of seating arrangements in the United States and Taiwan

The present study describes and compares seating preferences among Taiwanese and American respondents. Using a questionnaire method, seating preferences were obtained for 75 male and 100 female college students from the United Slates, and for 29 male and 54 female teachers of English in Taiwan. Responses were obtained for all possible combinations of sex of interaction partner, location (task or social), and six interpersonal activities. Results were summarized in the form of proportions of respondents choosing each of four possible angles of interaction: corner, opposite, diagonal, and side seating. Comparisons were made using Chisquare tests for independence.In general, results showed that Taiwanese respondents, when compared to Americans, are more likely to prefer side seating and less likely to prefer corner seating. Culture, sex of respondents, and sex of interaction partner interact in influencing preferences. In the United States, seating preferences function to unite males with females and to separate same-sex partners, while the opposite is true in Taiwan. Results are interpreted in terms of implications for intercultural communication.     

A Chinese in the new world: television dramas,global cities,and travels to modernity

Abstract

After having lain dormant for some 20 years during 1973 and 1991, the Singaporean film industry is experiencing a revival. Films produced since the early 1990s have been resolutely ‘local’ in their portrayals in an effort to ground this emergent cinematic modernity. Only a handful of these films have, however, received any international attention; most remain ‘too local’, ‘too colloquial’ to be exported further afield. This paper explores those visions or versions of the local presented in contemporary films from Singapore that simultaneously manufacture a brand of foreignness assimilable by international audiences. Through an overview of films from the revival period, this paper will show that the images that do travel successfully overseas are those that portray the dark side to Singapore’s road to economic modernization, the failed processes of an Asianized modernity. It is these images, representing one vision of an ‘authentic’ social reality, that is recognizable by international audiences in the context of previous successes by Asian films utilizing a shared form of (local) expression. My question is whether we can read these images as a particular kind of ‘slang’ – a vagabond expression that represents a filmic vernacular that also strategically invokes a cinematic modernity for the Singaporean film industry. This argument may extend to other (emergent) Asian cinemas that also participate in the production of this particular brand of foreignness. The paper will therefore provide some initial speculations towards the regionalization of cinema and ask whether such a move might be desirable and what its purpose might be.     

Rural women in development: Veil of invisibility,world of workFemmes rurales et le developpement: Voile d'invisibilite,monde de travailLas mujeres rurales en el desarrolo: El velo de las invisibilidad,en mundo del trabajo

Over the last decade, evidence has been accumulating that the process of development has resulted more frequently in greater economic marginalization than benefits for poor rural women in much of the Third World. Yet recent efforts aimed at incorporating these poor non-urban women into development have been hampered by the “veil of invisibility” hiding their past and present conditions and contributions. This article formulates some hypotheses concerning female invisibility as well as productivity, and then contrasts the extant view of rural Third World women as relatively unproductive with (1) evidence drawn from evolutionary history, and (2) data from new micro-level and UN studies. The former indicates that women were the primary producers in most pre-agrarian human groups. The latter indicate that women continue to produce approximately half the world's food, although there is dramatic regional variation. The article concludes with an analysis of the statistical biases and stereotypes that obscure these contributions and briefly indicates the cost of this invisibility to the countries involved as well as to the women themselves.