My Fascinating Adventure to Awancang

Gannan Tibetan Autonomous Prefecture is located at the conjunction of the west end of Qinling Mountain Range and Animaqing Motmtain,bordering with westem Qinghai, Gansu and Sichuan provinces. During Chinese lunar New Year, local monasteries hold diverse religious rites, such as doing Buddhist services, sprinkling holy water, demonstrating Buddhist treasures and setting things free. Religious celebrations reach the climax on the thirteenth of the first lunar month by displaying woven Buddha paintings. Other Buddhist celebrations include debating on sutras, presenting Tibetan dances, displaying butter light festivals, and holding Maitreya Buddha statues to turn around monasteries.[第一段]     

The unredeemed nations: the Taiwanese film KANO and its trans-border reception

Taiwanese film KANO recounts the passage of a mixed-race baseball team to Japan’s Koshien Tournament during the colonial era of the 1930s. Its release evoked in both Taiwan and Japan critical responses in view of its rosy depiction of colonial modernity. Through analysing the film’s text and reviews in both Taiwan and Japan, we identify KANO as a “post-national” cinematic event. Its inviting nostalgic invocation of Japanese colonialism at the civilian level has launched divergent discourses on colonial legacies in the contemporary re/making of national identities, reflecting on the post-colonial socio-cultural conditions facing both Taiwan and Japan. We found that KANO in Taiwan instigated a re-examination of the state’s role in crafting the foundational myth of baseball as a “national” sport. Furthermore, the film brought on schemes of othering in which two national others were distinguished to manifest Taiwan subjectivity: Japanese colonialism versus Chinese nationalism. On the other hand, KANO in Japan was stripped of its colonial connotation. Its honouring of juvenile devotion to baseball was employed as a psychic introjection of Japanese-ness, which many considered losing in the globalizing social milieu.     

Intercultural non-conscious influences: Prosocial effects of Buddhist priming on Westerners of Christian tradition

Prosocial concepts and behavior are often found to be activated when participants are primed with concepts of their own religious cultural tradition. We investigated whether similar effects can be found when people (Westerners of Christian tradition) are primed with concepts of a different from their own religious cultural tradition (Buddhist and Islamic). Participants (104 young Belgian adults) were randomly assigned to three conditions. They were supraliminally primed with either Buddhist or Islamic images; or they were not primed (control condition). Priming Buddhism increased prosocial intentions (spontaneous sharing of hypothetical gains), and decreased, among participants highly valuing universalism, implicit prejudice toward an ethnic outgroup. Priming Islam had no effect on prosociality or prejudice. The findings suggest that concepts from one religious and cultural context are transposable, under some conditions, to another religious and cultural context and can influence even implicit social cognition.     

Queer Marxism in Taiwan

Abstract

This paper refutes the dominant assumption that Taiwan, unlike Mainland China, has developed a greater degree of tolerance for non‐normative sexual expressions as a result of its democratization. Recent legal and cultural changes indicate that Taiwan’s democratization consists of tendencies and repressive countertendencies. At the same time, this contradictory development has uniquely enabled a body of indigenous Marxist writings that mobilizes different senses of ‘queerness’ to demonstrate that the official celebration of diversity and human rights has actually further alienated and disempowered sex workers, promiscuous homosexuals, gay drug‐users, and other social subjects that are considered to be a threat to the liberal‐democratic order. I offer a reading of the critical writings of Josephine Ho, Yin‐bin Ning, Ding Naifei, and Wang Ping since the 1990s to explain why Queer Marxism in Taiwan is founded on a strong a‐statist discourse. I argue that a Queer Marxist intellectual practice emerged in Taiwan because liberal pluralism, institutionalized in what these critics call ‘state feminism,’ has failed to redress effects of social exclusion that (1) persist not despite of, but precisely because of, post‐martial law liberal reforms, and that (2) diverge in significant ways from individual experiences as members of officially defined minority groups (women, aborigines, migrant workers, or homosexuals). If social structuration is not always synchronic or isomorphic with state‐engineered legal changes, this difference also provides the occasion for Queer Marxists to interrogate the intellectual division of labor between feminism, assumed to be the analysis of gender as a non‐pluralizable category, and queer theory, assumed to be the analysis of sexuality as a non‐singular but personifiable category. Only by distinguishing between social relations and social identity can we comprehend how the rise of the Taiwanese Independence Movement played a key role in the naturalization of homosexuality as a fictive ethnicity, to which Queer Marxism developed as a historical response. As a geopolitically specific analysis of the aporia of substantive personhood, the Queer Marxism in Taiwan I re‐historicize is also a significant contribution to Marxist critique of liberal formalism that is of use to readers across the globe.     

Marxism and Class Analysis. By André Béteille.

ABSTRACT

The emergence of a new type of consumer society was catalysed rather than impeded by the tumultuous events of the late 1960s. The rebels of 1968 contributed considerably to the breaking down of conservative obstacles to consumption, to the opening up of new markets and to the creation of a new type of consumer. At its heart, ‘1968’ was an intra-bourgeois confrontation pursued by an innovative minority. The many instances of personal transformation from protagonists of protest to pillars of the establishment can be interpreted in the context of communicative and consumerist modernization. The protesters' performative hedonism proved highly compatible with consumer culture. Protest culture, on the one hand, sought the publicity of consumer society as a spatial and moral sphere for its activities. The response of the ‘system’ to the protests, on the other hand, was surprisingly flexible and resulted in the further development of capitalism and consumer society in the late twentieth century.     

Religion and Politics in English Monastic Towns

ABSTRACT

This article tackles religion and politics as different aspects of a variety of social practices within a common culture. It examines thie political and religious climate of English provincial towns with a monastic presence in the period before before 1540. It demonstrates the extent to which monastic interests were fused with those of local elites, and argues those elites sought to undercut the process of dissolution and to preserve something of the monastic framework through the unfolding crisis. It challenges the notion of a natural dialect between traditional religion and provincial politics and uncovers a dynamic of negotiation productive for both constituencies before and after the Dissolution.     

The effects of economic development and modernization in resolving traditional-modern attitudinal conflict

Experts point out that development changes societies in ways so profound that they cannot be anticipated by the participants in the experience. This article analyses the effects of rapid economic development on traditional life styles and the resolution of ensuing attitudinal conflict. Previous studies of traditional-modern (T-M) problems encountered in the process of modernization are reviewed and modernization theories and methodological problems are discussed. Evidence is presented for a T-M model based on studies in West Africa, Australian aborigines, Hong Kong Chinese, Japanese, and Alaskan Eskimo, identifying certain independent variables which are held to influence modernization: the nature of traditional ecologies, e.g., agricultural, pastoral, or hunting/fishing societies, the severity of socialization and the nature of traditional authority systems. The analysis confirmed that development does change societies in profound ways, uprooting cultures, altering environments and modifying individuals physically and psychologically. However, it was also postulated, based on T-M research, that hunting, fishing and the main pastoral societies are generally more highly resistant to change, do not want change and may be better off without it. In contrast, most agricultural and mixed agricultural-pastoral societies are not only more susceptible to modern change, they can usually derive the most benefit from it and also in most cases want change.     

Problems and problematics of teaching cultural studies in Taiwan

Abstract

The essay was written in the context of a Teaching Cultural Studies (in Asia) Workshop. In dialogues with practitioners and young faculty in Taiwan and Asia, it utilizes the author's own past and present experiences to articulate the difficulties and problematic of teaching Cultural Studies. The main argument proposes that teaching Cultural Studies needs to be grounded in local intellectual traditions and histories upon which critical works out of Asia and the Third World will have to be actively engaged to overcome the dominant condition of knowledge which singularizes the West as the only source for intellectual interventions.     

Nationalism and internationalism: thoughts on Zhang Chengzhi’s work and Afro-Asian Writers’ Conference

Nationalism in the Third World is shaped through the processes of anti-imperial and anti-feudal modernization, and is closely connected with communist internationalism. It differentiates from the nationalism formed in the context of the European modernization. Nevertheless, with the establishment of the nation-state, in the context of international politics and geopolitics and during the construction of modernization in the realms of politics, economy and culture, progressive nationalism can be reactionary. Via analysing the emotions and thinkings of Zhang Chengzhi’s writing on Japan and reviewing the history of Afro-Asian Writers’ Conference in 1950s and 1960s, this essay argues that internationalism is the effective thinking resource to overcome reactionary nationalism.     

Crisis of the human and the responsibilities of art/education

In the twenty-first century, we are experiencing a new round of acceleration in the Anthropocene. On all fronts, art and education are facing new challenges and chances. On the one hand, the technological and media developments have compelled art, design, and knowledge production to change, whereas the internet, big data, and artificial intelligence have brought about a revolution in education and learning. As a consequence, the ideas of art education and the form of the university are also remodeled. On the other hand, the reverse side of this technological optimism is the proletarianization of sensibility resulted from digitalized, intelligent, and automated technologies, as the motivations for art are depleted and replaced by the conveniences provided by the big data and artificial intelligence. How to find the force to reverse this trend? And how to locate “another register of the dialectic” – beyond that of the technologization of nature and the naturalization of technology, and of the technologicalization of humans and the humanization of technology – has become the fundamental mandate of art and education in the twenty-first century.     

The relationship between cultural intelligence and performance with the mediating effect of culture shock: A case from Philippine laborers in Taiwan

This purpose of the present study was to explore the role of cultural intelligence (CQ) and its effect on performance of foreign laborers. We also examined the mediating effect of culture shock on the relationship between CQ and performance. Data were collected from Philippine laborers working in Taiwan. A paper-based survey, with a return rate of 76.4%, was completed by 382 Philippine laborers working in Taiwan's manufacturing industries. The results showed that CQ was positively related to the performance of Philippine laborers and negatively related to culture shock. In addition, we found that culture shock partly mediated the relationship of CQ and performance. These findings suggested that CQ can serve as a predictor for cross-cultural effectiveness. Implications for practice and direction for future research are offered.     

Translation of ‘America’ during the early Cold War period: a comparative study on the history of popular music in South Korea and Taiwan

Abstract

The evaluation of the cold war influences played by the US on the rest of the world should not only be accounted economically and politically, but also culturally. In this paper we see the US influences on South Korea and Taiwan from the value‐laden concept of Americanization and through which we examine comparatively specific practices of domestic popular music development in these two countries. Setting this paper as a historical comparative study, we see the working of Americanization in relation to popular music as a value regime in which American is constructed as an ideal model imaginatively and discursively, which was made possible by economic, social and cultural forces in South Korea and Taiwan. Focusing on the Cold War period, circa 1950s to 1960s, levels and aspects of Americanization were therefore ways of translation, to use Said’s concept of traveling theory analogically; Anglo‐American music genres traveled to these countries to be incorporated contextually as new or trendy conventions of music‐making, which in turn helped form local music genres. The socio‐historical contexts of South Korea and Taiwan, with respect to the presence of American army forces, and similar postwar anti‐communist political forces, in nation‐building (north–south Korea, red China–free China antagonism respectively) are central to our understanding of the visibility of Americanization in different music cultures in these two countries. This paper will go into each country’s historical trajectory of music practices that took Japanese colonial influences up to the postwar time and then blending with Anglo‐American genres in indigenizing that eventually marked their different paths, as we comparatively reveal their institutional, political and national cultural conditions, which were necessary in shaping each country’s music‐making conventions, entertainment business, and consumption cultures of popular music – and that might implicitly inform tentatively the present rivalry between ‘offensive’ Korean Wave and ‘defensive’ Taiwanese ‘rockers’ in the globalization era.     

Valuing diversity in Spain and Canada: The role of multicultural ideology in intergroup attitudes and intentions to reduce inequalities

Multicultural ideology proposes that group memberships should be not just acknowledged but also valued in order to accommodate diversity and attain equality. In three studies conducted in Spain and Canada we analyzed, using different measures, the relationship between multicultural ideology on the one hand and prejudice, support for social policies, and motivation for social change on the other hand. In Spain we focused on responses to Gitanos (Spanish Roma) and, in Canada, on First Nations people. Results showed that multicultural ideology was related in both cases to lower prejudice and higher support for social policies to support the minority group and motivation for social change. The internal motivation to control prejudice was an important mediator of this relationship in both countries. In contrast, the way in which social identities are represented played a different role as a function of country: whereas a dual identity representation played a mediating role in Canada, a common identity representation was the mediator in Spain. These results support the importance of valuing cultural diversity to harmonize intergroup relations and to reduce inequalities between majorities and minority groups.     

Gamers versus zombies? Visual mediation of the citizen/non-citizen encounter in Europe’s ‘refugee crisis’

ABSTRACT

This article identifies the visual representation of Europe’s “refugee crisis” in the media as a key dimension of the communicative architecture of the crisis and its aftermath. Effectively, it argues, the powerful, even iconic, imagery that the media produced and shared during the 2015 “crisis” affirmed ideological frames of incompatible difference, perpetually dividing European citizens and refugees. The article focuses on some of the fundamental elements of the 2015 crisis’s visual grammar to demonstrate how they have (re-)produced popular fears of strangeness and the need for containment and control of foreign bodies. This visual grammar, we argue, imitated and procreated recognizable representations of popular culture to exaggerate newcomers’ strangeness and incompatible difference from the national subject. On the one hand, many news media simulated zombies’ threatening strangeness in images of refugee massification; on the other, many news media images reaffirmed the decisive power of the national subject over refugees’ fate, not unlike the video game player who unilaterally controls a game and takes action when confronted by zombies. This grammar, we argue, symbolically predetermines encounters between citizens and refugees, by emphasizing their incompatible difference and newcomers’ strangeness.     

Negotiating Narratives of Human Trafficking: NGOs,Communication and the Power of Culture

This article draws on interviews with anti-trafficking NGO employees in Thailand to illustrate the use of narratives as a tool for communicating cultural values. Drawing on theories of modernization, culture, and liberation psychology, I assess the way anti-trafficking NGO employees construct narratives, or “stories,” about human trafficking. These narratives rely on Western values associated with modernization, the role of NGOs in development, gendered constructions of victimhood, “Othering,” and Orientalism. Analyzing these narratives, I build a theory of “culture as a space of safety:” a self-reinforcing mechanism whereby employees ritualistically retreat from the overwhelming circumstances they confront in their work.     

The Cold War and post-Cold War dynamics of Taiwan and East Asia in people's security perspective

This paper was originally written as a keynote speech for a specific occasion, an international forum that was held by the Presbyterian Church in Taiwan (PCT) in Taipei in February 2001, to discuss Taiwan's international status in the post-Cold War era. The PCT is known as a strong advocate of Taiwan independence and democratization, and I had this specific audience in mind in organizing this paper. My concern was that the independence advocacy that had aptly expressed people's aspirations in the democratization movement under the iron-fist rule of KMT was being subsumed, as Taiwan polity was Taiwanized and democratized, into a banal statist discourse. This discourse, I am afraid, has distanced itself from its original popular source and become the elite politicians' discourse, indifferent to the everyday life and security of the people in Taiwan. I approached this problematic from the perspective of 'people's security', which I discussed in my previous essay on the topic in Inter-Asia Cultural Studies , vol. 2, no. 1. As the mutual relationships between East Asian countries had to be shaped overwhelming by the US Cold War rhetoric and material influences, discussing Taiwan with regard to the transition to the post-Cold War era required me to go, albeit in outline, into the basics of these relationships as well as the modes of US hegemony in this region both in the Cold War and post-Cold War settings. I felt that characterization of these diverse elements, if sketchy, was indispensable to discussing the topic, Taiwan today. At my friends' suggestion, I tried to revise the original paper to fit into the concerns of the general readership, with the different aspects mentioned more fully explained. However, I have found this difficult as it would require me to write a completely new article, or maybe a whole book. So I present this paper almost as it was written for the original PCT audience.     

Diaspora as mind: making sense of the experiences of the Japanese in postwar Taiwan

This paper began as an inquiry into the plight of ethnic Japanese in postwar Taiwan. As a group, they have been an object of benign neglect. Despite the advent of “multiculturalism” (duoyuan wenhua zhuyi) in Taiwan, was marked by an “alien” (mainlander Chinese) KMT regime and led to the eventual liberation of opposition parties and indigenous ethnic groups, few have found it relevant to celebrate the cause of oppressed Japanese. The postwar ban on Taiwanese and Japanese culture was part of the same imperative of mono-cultural nationalism that endeavored to erase 50 years of Japanese colonialism in order to restore the legacy of Chinese civilization. At the same time, there is little recognition in the literature of any Japanese “diaspora” in Taiwan. It pales in comparison with the many Japanese orphans abandoned in Manchuria after the Second World War. The birth of a generation of children from mixed marriages making claims to Japanese “identity” has added other significant dimensions to the concept of diaspora and its definition as a social group or discursive construction.     

Scenes from Timika,West Papua

Abstract

Hou Hsiao‐Hsien has been one of the central members of Taiwan New Cinema (TNC) since the early 1980s and subsequently took on the rising trajectory of becoming an internationally famous film master. In contrast, during the same period, the Taiwan film industry diminished dramatically and nearly collapsed. Based on Pierre Bourdieu’s theory of cultural production and the thesis of political economy of communication, this article regards Hou as a social agent and accordingly analyzes the dynamic interactions between him and the structural factors related to the broader transformations of Taiwan film industry. Hou seemed to choose his filming and production mode subjectively from the beginning, but actually the possibilities he got at the time were limited by the social structures. In addition, his rising trajectory also has been embedded in the dynamic processes of global cultural economy. Paradoxically, by the same local and global processes, Taiwan film industry has been seriously declining.