大学通识教育中“必要的张力”

我国目前的通识教育课程设置片面地鼓励发散思维培养,发散思维培养过度,收敛思维培养被遏制。然而收敛思维方式也是创新思维的重要形式,在通识教育中起着不可或缺的作用。因此,通识教育理念里两种思维方式的培养同样重要,两者看似对立其实互补,只有保持＂必要的张力＂才能使通识教育健康发展。要保持＂必要的张力＂,通识教育课程的调整路径...     

发散思维的神经认知模型及其本土化运用探索

研究验证了Brandoni和Anderson设计的发散思维神经认知评估模型的理论基础、应用意义及在中国本土施行的可能性。模型产生于神经认知科学领域的理论与研究发现,具有跨领域研究、应用的意义。在对模型本土运用进行验证时,选取了30名上海本地中学平行班七年级学生为样本,最终得到10个编码值(D、C、D、C、H、S、NS、CU、DS、R)得分,通过计算其变异系数并呈现各类别上的四分区间频数分布,得出结论:模型在评估本土样本发散思维上同样能够敏感地捕捉到个体差异。     

英语课堂教学中的创新教育

从培养设疑启智、自力探究及发散思维三方面讨论了在课堂中进行英语创新教育的途径．并探讨了英语作为外语和第二语言的关系。指出创新教育即素质教育的关键在教师。     

数列复习中发散思维的培养

在数学教学中,应注意拓宽学生的思维空间,培养学生的创新思维能力。发散思维即求异思维,是一种创造性思维,本文探讨了如何在数列学习中培养学生的发散思维。     

The effects of age on divergent thinking and creative objects production: a cross-sectional study

Age-related changes in divergent thinking and creative objects production were investigated in 150 native Italian speakers, divided into six age groups, each one comprised 25 participants: young (20–29), young adult (30–39), middle aged (40–49), adult-old (50–59), old (60–69), and old-old (70–80). Two tasks were used: the alternative uses task, which measures divergent thinking, and the creative mental synthesis task, which measure the ability to create objects belonging to specific categories. Results showed that the peaking of performances at both tasks is reached before 40 years, and declines thereafter. The analysis also showed that divergent thinking and creative objects production stabilize after 40 years and decline after 70 years, especially the ability to create objects. These results reveal that creative thinking might be preserved across years.     

浅谈生物学教学中学生思维能力的培养

本文从生物学教学的角度谈中学生思维能力的培养,提出了四条可行的途径。     

浅谈创新教育与英语教学

创新教育是以开发创新性思维为核心、以培养创新性人才为基本价值取向的教育。在英语教学中实施创新教育，以人为本；在语言学习的过程中培养学生的创新性思维，引导学生进行创新性学习。教师应在英语教学中将凝聚在教学内容和教学过程中的创造性因素发掘出来，展现开来，在教学活动中随时随地去引导学生进行创造性思维，培养其创新个性。     

发散思维在一例解析几何问题中的实践

在学习和教学中培养发散性思维,有助于开拓人的视野,从而激发创新能力。多视角对同一个解析几何问题进行分析和解决,对类似问题的解决富有启发性。     

3-5岁幼儿口语叙事能力对创造力发展的影响

为探讨3-5岁幼儿口语叙事能力对创造力发展的影响,采用修订后的叙事评估工具(NAP)与创造力测评工具(EPoC)对108名3-5岁幼儿进行个体施测。研究结果表明:(1)3-5岁幼儿口语叙事能力随年龄不断增长,4岁为快速发展期;(2)创造力的整体发展趋势随年龄增长呈倒U型,即在3-4岁幼儿创造力随年龄不断提高,在5岁时随年龄增长而下降;(3)3-5岁幼儿创造力与口语叙事能力发展均无显著性别差异;(4)3-5岁幼儿口语叙事能力中故事语法维度对幼儿发散性思维与语言创造力有显著正向预测作用,贡献率分别为7.6%和11.4%。     

Divergent Thinking in Italian Students with and Without Reading Impairments

Several studies have explored the relationship between dyslexia and creativity, but results have been rather mixed. This study examines whether Italian dyslexic children are more creative than their peers without a reading impairment. One hundred ninety Italian children aged between 9 and 13 participated in this study, divided into two groups: Ninety five dyslexic students and ninety five peers without a reading impairment. All the participants’ creativity skills were assessed. The results indicated that dyslexic children outperformed their peers in the total score, and in the originality, elaboration, and titles sub-scores, whereas no differences were found in the fluency and flexibility sub-scores. The results are discussed in relation to the practical implications, and provide indications for supportive learning environments.     

用创新思维培养动画角色设计人才

动画角色是动画片的精神与灵魂,是动画片成功与否的关键。动画角色设计人才的培养,除了需要掌握造型的基础技法外,创新能力的培养在不断发展的动画产业与市场需求中更是刻不容缓。     

工程图学教学中学生创造性思维培养的研究与实践

创造性思维能力是组成创造能力的核心。从工程图学课程的教学研究与实践出发，构建了开发、培养学生创造性思维主体和发散思维的教化方案。     

The Notion of Creativity in Art and the Influence of Cultural Exposure

This study investigates how art teachers judge the creativity of student art work. Both conceptual and operational definitions given by teachers were studied. Furthermore, cultural exposure as measured by a teacher's exposure to non-Asian cultures, was studied to see how it might influence art teachers' judgements. Two instruments were developed for the purpose of this study. One instrument was a questionnaire designed to collect qualitative data from the respondents. The second instrument was used to measure art teachers' ratings of creativity. The data revealed that the conceptual definitions given by art teachers varied considerably. However, when asked to rate subjectively the creativity of art products, moderate agreement was reached among art teachers. Exposure to non-Asian cultures did not seem to have an effect on an art teachers' operational definition of creativity. Results of the study imply that the usefulness of the term creativity needs to be reviewed in general usage and in documents such as curricula. It would seem that there is not a clear notion among art teachers as to what constitutes creativity and a creative product.     

试论创造性与创造教育

创造性是解决问题的最高表现形式，其实质是一种高度特殊化的实质性能量，表现为能产生独特非凡而有一定社会价值的产品的能力，创造教育为培育创造性提供了萌芽的土壤。     

浅谈创新教育过程中学生创造力的培养

开展创新教育，培养创造性人才，其首要任务就是要培养学生的创造能力，本试图从创设有利环境、培养发散思维、培养有助于创造力发挥的非智力因素三方面对学生创造能力的培养作简单地阐述。     

英语教学中创造性思维的培养

知识经济时代的教育就是培养创造性人才的教育，而创造性人才培养的一个重要方面，是对学生创造性思维的培养。本文就英语教学中如何培养学生的创造性思维进行了探讨。     

逆向思维与服装设计

逆向思维作为思维的一种形式，与服装设计紧紧相连，使人们用不同的思路相互启发、促进，能够具有很强的创新能力。它是创造性人才必备的思维品质。     

训练思维悟性，拓展视野有语——作文教学发散思维训练尝试

发散思维是一种沿着各种不同方向去思考探索新的远景,去追求多样性的思维,在作教学中,训练学生的发散思维能力,可以增强学生思维的广阔性,开拓学生视野,增加思考的深度,从而启迪学生悟性,深入挖掘写作客体的审美内涵,做到言之有物,下笔有语,本从观表思里等六个方面论述了其发散思维训练尝试。     

创造力研究对新课程教学改革的启示

随着知识经济时代的到来,国家竞争的关键因素是以科技为先导的综合国力。科技的核心便是创造力。因此,创造力的研究也就得到了前所未有的重视。过去,创造力的研究主要围绕三个研究取向：个性特质的研究取向、认知心理学的研究取向和社会心理学的研究取向。目前,研究者已认识到,创造力是一种复杂的心理现象,很难仅依靠某种单一的概念框架获得解释,而试图将创造力看做一种认知、人格和社会层面多因素的综合体。创造力的本质与研究新进展对新课程教学改革有着重要的启示意义。     

试论变异修辞中的发散性思维

本文通过发散性思维的本质、特征和表现形式,论述了发散性思维与变异修辞不可分割的联系,以及发散性思维在变异修辞创造过程中关键而独特的作用。