Networking Asia Pacific: queer film festivals and the spatiotemporal politics of inter-referencing

ABSTRACT

Expanding on the critique of Euro-America-centrism in knowledge production, this article examines three spatiotemporal hierarchies through the inter-referencing practices of Asia Pacific Queer Film Festival Alliance. First, through the analysis of the documentary short Lady Eva and its circulation, I look at how the network opens up the issue of Pacific indigeneity in the transpacific context, which has the potential to unsettle the existing epistemic structures that rest upon the binary of West/non-West or white/Indigenous. Second, I investigate how the queer film festival alliance serves as sites for the articulation of queer rights, which sometimes cast a progressivist temporal narrative based on a hierarchical arrangement of geographical places. Third, through the case of ShanghaiPRIDE Film Festival, I examine how anti-institutionalism in film festival organizing offers a critique of gay-male dominated queer film festivals and the capitalist developmental logic that emphasizes profit and financial viability. By doing so, I scrutinize how the spatiotemporal hierarchies embedded in the film festival network complicate the understanding of inter-referencing as citation, collaboration, and competition. At the same time, I use inter-referencing to further the discussion of spatial politics in film festival studies by highlighting the spatiotemporal hierarchies.     

Shifting spaces,frozen frames: trajectories of queer politics in contemporary India

Abstract

This paper is a comparative reading of two Malayalam films The Journey (Sancharram, 2004) and The Wandering Bird Does Not Cry (Deshadana Kili Karayarilla, 1986) as representative of differing trajectories of queer politics in the Kerala public sphere. It uses an analysis of the representative strategies of these two films, to interrogate the limits of a universal language of sexual identity politics. The paper places the two films in the different historical contexts in which they are produced, and deploys a film from an earlier time period to problematize some of the assumptions of contemporary queer politics. For this purpose it undertakes a close reading of the cinematic codes of both these films, especially the spatial arrangements in the films. I argue that the location of Sancharram in the LGBT discourse in India and abroad makes it so enmeshed in setting up an established meaning for the term ‘queer’ that the process of queering becomes one of stabilizing a chosen form of desire as the ideal one. In this process of setting up a stable trajectory for queer desire, it also freezes the spatial and social terrains of Kerala. The process of queering that Deshadana Kili Karayarilla undertakes is not one that attempts to set up a particular subject position as the queer subject position. It sets out to trouble the naturalized construction of the heterosexual couple and injects a sense of instability into the social sphere itself. The paper examines how some of the taken‐for‐granted assumptions of transnational queer politics, like the celebration of visible bodies, gets radically questioned when we turn to non‐metropolitan sites of analysis. It aims to look at how cultural texts can embody different modes of sexual politics, as activists struggle to coin strategies to articulate the political possibilities of non‐normative sexual practices in Kerala today.     

Our city of colours: queer/Asian publics in transpacific Vancouver

This article examines the contested relation between discourses of ethnic subjectivity and queer critique of homophobia and transphobia in Vancouver, a transpacific city in Canada that is being touted as “the most Asian city outside of Asia.” I analyse the perceived association of Chinese communities with moral conservatism and the concomitant existence of a vibrant queer Asian cultural scene in the city as a discursive clash between two cultural publics. I examine the underlying dynamics of their antagonism as well as their potential for mutual engagement.     

Migrant Philippine teachers in Indonesia: the nexus between precarious skilled work,illegal mobility and the cosmopolitan

This article examines the nexus between the illegal migration of Filipino teachers as a form of precarious skilled employment in conjunction with the mobility of choice and hope found in the adoption of cosmopolitan outlooks. Catering to the aspirations of Indonesia’s rising middle class, privately managed “international” schools actively recruit trained teachers from the Philippines. Many of these teachers are migrants negotiating journeys of financial independence. These migrant teachers often find themselves arriving in Indonesia being required to work in the absence of work visas that were initially promised by their employers. Migrant Philippine teachers working in Indonesia compensate for these “shocks” encountered during their employment by cultivating a sense of cosmopolitan sociability as they aspire to utilize their professional and cultural experiences in Indonesia for better employment opportunities beyond Indonesia.     

Islam in Bangladesh politics: the role of Ghulam Azam of Jamaat-I-Islami

Abstract

In recent years, Islam has emerged dramatically in the politics and news headlines of the world. As elsewhere in the Muslim World, the impact of the Islamic resurgence movement is clearly visible in contemporary Bangladesh. Organized and led by Ghulam Azam until very recently, the Jamaat is now the largest and most active Islam-based political party in Bangladesh. This paper attempts to analyse the politics of Jamaat, with reference to Ghulam Azam and his political ideas and thought. First, this paper attempts to put Jamaat-I-Islami within the context of Bangladesh politics. We then provide a short biographical sketch of Ghulam Azam, showing his exposure to both Western and Islamic educations and their impact on his political activities. This paper next focuses on some of his political ideas and contributions and analyses them in the light of contemporary socio-political realities in Bangladesh, demonstrating the significant and controversial impact of his political activism and strategies on contemporary Bangladesh politics and society. The paper concludes that neither Ghulam Azam nor his party has been able to change generally negative perception about Jamaat and thus significantly widen its acceptance among the masses. Rather, at times, comments of Jamaat leadership like ‘we did no mistakes in 1971’ have infuriated the nationalist and patriotic forces and widened the gap between Jamaat and common people. It remains to be seen how Ghulam Azam and the new Jamaat leadership tackle these challenges in future.     

The politics of imagining Asia: a genealogical analysis

Abstract

Following the recent trends of globalization and regionalization, the idea of Asia has been revived in political, economic, and cultural fields. This essay examines some of the various uses of this idea in modern East Asian and especially Chinese history. The essay consists of four parts. Part One discusses the derivativeness of the idea of Asia, that is, how this idea developed from modern European history, especially the nineteenth‐century European narrative of ‘World History,’ and it points out how the early modern Japanese ‘theory of shedding Asia’ derived from this narrative. Part Two studies the relationship between the idea of Asia and two forms of populism against the background of the Chinese and Russian revolutions – one, exemplified by Russian Narodism, attempted to use Asian particularity to challenge modern capitalism; the other, represented by Sun Yat‐sen, attempted to construct a nation‐state according to a socialist revolutionary program, and to develop agricultural capitalism under the particular social conditions of Asia. Part Three considers the differences and tensions between the ‘Great Asia‐ism’ of Chinese revolutionaries such as Sun and the Japanese idea of East Asia (Tōyō),and it discusses the need to overcome the categories of nation‐state and international relations in order to understand the question of Asia. Part Four discusses the need to go beyond early modern maritime‐centered accounts, nationalist frameworks, and Eurocentrism in re‐examining the question of Asia through historical research by focusing on the particular legacies of Asia and Toyo (such as the tributary system) and the problems of ‘early modernity.’     

Conviviality as a politics of endurance: the refugee emergency and the consolations of artistic intervention

ABSTRACT

Against the impasse of despair in the public response to the refugee emergency, artistic interventions emerge to offer fleeting significant opportunities for restorative and reparative action. This article takes up conviviality as a conceptual tool to understand artistic interventions to the forced migration and asylum issues that variably aim for healing, empathy, and reflexivity. Drawing on comparative research consisting of interviews of artists in France, the United Kingdom, and the United States and textual analyses of their performances, we discuss specific motivations and diverse representational practices that aim to enact togetherness-in-difference. We discuss the potentials and risks of convivial artistic productions, which we argue produce a politics of endurance that, as Feldman has said, helps “people live better with circumstances they cannot change.”     

Cultural policy indicators: reflections on the role of official statisticians in the politics of data collection

Cultural policy indicators are being constructed in many countries today as a consequence of reforms in public governance aimed at increasing cost-effectiveness and general efficiency as well as transparency and accountability. Drawing upon a project of the Finnish Ministry of Education, the article discusses the responsibilities of official statisticians in regard to the collection and processing of data to be used as “evidence” of the outcomes of cultural policies. Official statisticians are bound by an ethical code that emphasises the objective and independent production of information on different aspects of the economy and society. Direct involvement with the construction of cultural policy indicators may threaten the integrity of official statisticians, because such work would require close collaboration with administrators and decision makers who have their own particular interests in the cultural field. Moreover, the system of cultural statistics, which was established internationally at the turn of the 1970s, has a history of providing justification for public cultural policies. The Finnish project, in which two officials from Statistics Finland functioned in the role of commissioned experts, was officially about societal effectiveness indicators but was extended to encompass arguments for cultural policy. The final report even went as far as to propose that cultural considerations could be mainstreamed through indices and evaluation schemes covering all policy sectors. The article shows how easily official statisticians are drawn into the politics of data collection in the field of culture even when precautions are in place. The article concludes that the code of ethics of official statisticians serves as an indispensable buffer against partiality, but, to put this ideal fully into action, cultural statisticians need to develop reflexive practices that combine an applied approach and critical discourse. Such practices are similar to those outlined recently by cultural policy researchers.     

Imagining accidental fetal citizens: pregnant Mainland women and the cultural politics of birthright citizenship

This essay looks at the mobility of pregnant Mainland women in Hong Kong to expose the reverberations of the SAR government's immigration policies relating to cross-border birth tourism. Pregnant Mainland women and their children (fetuses), as emergent social subjects, embody conflict and the negotiation between population governance and economic benefits. The government denies pregnant Mainland women the right to give birth in Hong Kong based on their non-eligible status while admitting their children to be born in Hong Kong on the grounds that their children meet Hong Kong's future demand for population renewal, in this way boosting the development of childbirth tourism. However, the localism, which has had an extensive influence on Hong Kong local society in recent years, has rejected the SAR government's “population renewal” imaginary by suggesting its own “locust imaginary.” The government's acceptance and the local's exclusion of the population flow between China and Hong Kong imply distinct cross-border subject imaginations. Only by contextualizing and critically analyzing the various othering identities such as the non-eligible or locusts can we better understand the cultural politics of Hong Kong birthright citizenship over recent years.     

Cultural politics of emotions in households: migrant domestic workers in Macau

This article discusses the emotions and cultural politics within domestic work contexts involving employers and migrant domestic workers in Macau. Since Macau was transferred back to China from Portugal in 1999, the Macau SAR government has pursued a neoliberal economic policy that emphasizes economic growth. With a revitalized economy boosted by casino revenues, thousands of migrant workers have moved to Macau to take advantage of new employment opportunities. Based on first-hand interviews with migrant domestic workers and employers in Macau, this paper examines how emotions are motivated and articulated within the affective interactions between employers and Migrant Domestic Workers (MDWs). This includes how employers’ emotions of fear and disgust towards MDWs contribute to the creation of an MDW population as a feared and inferior “other,” and how such affective operations reinforces the existing hegemonic dominance of naming and legitimizing the exploitation of MDWs. Meanwhile, in the production of domesticity in the home, this paper explores how emotions such as emotional numbness and disgust experienced by the MDWs make affective negotiations and contestation possible, and generate disobedience and resistance to the disciplines and controls imposed upon them. This article also investigates how such emotions, acting as a kind of intervention, operate within the production of specific subjectivities and identities that MDWs want to claim for themselves.     

Looking for other stories: women's writing,Self-Respect movement and the politics of feminist translations

ABSTRACT

The primary purpose of this essay is to survey the recent zombie craze in Northeast Asian films from Japan and South Korea. While the concept of the zombie may have originated in colonial Haiti, with its ghoulish images and supernatural lore, zombies were later imported to North America and reformulated as popular cultural entertainment by Hollywood. They are now flourishing in an East Asian cinematic context preserved in a globalized form. The films under investigation – I Am a Hero and Train to Busan – share similar cultural subtexts despite their incommensurable experiences of global capitalism in Asia and its latest ideological phase, neoliberalism. Both films critique the current neoliberal order and were nurtured by historical traumas experienced by both countries as well as the pandemic spread of viruses, both real and imaginary, that have ravaged the region. Nevertheless, the most prominent issue explored by Japanese and Korean zombie films is the continuity of society and its reproduction: as cultural artifacts of the neoliberal world, these films offer dystopian visions in which exploitation accelerates to such an extent that states cannot protect themselves against the viral and capitalist onslaught.     

Memory films and the politics of revisiting: on Amir Muhammad's films about the Communist Party of Malaya

Abstract

This article argues that Amir Muhammad's two films about the Community Party of Malaya—The Last Communist and Village People Radio Show—can be understood as “memory films”: films that search for, create, question, and function as memories, especially when they are no longer in place, or nowhere to be found. Its reading of Muhammad's films also engages with a discussion of the politics of revisiting as it pertains to the invocation of the Malayan consciousness, the national history and racial conditions of today's Malaysia. Ultimately, it asserts that such films about the communist past engage in a memory war to demand a rethinking of the present.     

Depoliticized politics,multiple components of hegemony,and the eclipse of the Sixties

Abstract

Following the recent trends of globalization and regionalization, the idea of Asia has been revived in political, economic, and cultural fields. This essay examines some of the various uses of this idea in modern East Asian and especially Chinese history. The essay consists of four parts. Part One discusses the derivativeness of the idea of Asia, that is, how this idea developed from modern European history, especially the nineteenth century European narrative of “World History,” and it points out how the early modern Japanese “theory of shedding Asia” derived from this narrative. Part Two studies the relationship between the idea of Asia and two forms of Narodism against the background of the Chinese and Russian revolutions – one, exemplified by Russian Narodism, attempted to use Asian particularity to challenge modern capitalism; the other, represented by Sun Yat‐sen, attempted to construct a nation‐state according to a socialist revolutionary program, and to develop agricultural capitalism under the particular social conditions of Asia. Part Three considers the differences and tensions between the “Great Asia‐ism” of Chinese revolutionaries such as Sun and the Japanese idea of Toyo (East Asia), and it discusses the need to overcome the categories of nation‐state and international relations in order to understand the question of Asia. Part Four discusses the need to go beyond early modern maritime‐centered accounts, nationalist frameworks, and Eurocentrism in re‐examining the question of Asia through historical research by focusing on the particular legacies of Asia (such as the tributary system) and the problems of “early modernity.”