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Alyssa 《中外文化交流(英文版)》2013,(9):46-47
On August 12, “Seeking the Root: Chinese Culture Journey”, an international summer camp for young overseas Chinese, opened in the Tang Paradise in Qujiang New Area, Xi'an City. Dr. Hu Chunyi, Chairman of Malaysia NV Foundation, Ms. Li Peishan, representative for China-Malaysia Friendship and Culture Promotion, Ms. Wang Jing, representative from Qujiang Culture &Tourism Co., Ltd., Ms. Xu Chun from Chinese International Ceremonial Group, and Mr. Li Weimin and Mr. Yao Kaiwen who were responsible for the event's organization, attended the opening ceremony. 相似文献
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盛夏六月,骄阳似火,我们一行五人穿梭在吉泰平原无边的绿色田野中。极目远眺,圆润的群峰裹在一层淡蓝色的薄雾之中,平展展的稻田一望无际;间或小溪沟渠流水潺潺,黄牛在悠闲地反刍,小山坡上几个牧童在嬉戏。不远处,大片绿树阴中,一座江南古村忽现眼前,那就是我们梦牵魂绕之地——南宋大诗人、理学家杨万里的故乡江西吉水县滋塘村。 相似文献
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Sakiyama Masaki 《Inter-Asia Cultural Studies》2013,14(3):365-368
Based on interviews with 30 female readers of BL (‘boys’ love') manga conducted in Taipei in 2005, this paper analyses the BL scene in Taiwan from the perspective of its social utility as a discursive arena enabling women collectively to think through transforming social ideologies around gender and sexuality. This form of participatory pop culture is most interesting, I argue, not because of any unilateral subversiveness vis-à-vis culturally dominant understandings of (feminine) gender or (homo)sexuality—although it does often contest such dominant understandings. Rather, it is important in providing a space for the collective articulation of young women's in-process thinking on these questions. The paper also engages with the Japaneseness of the genre as consumed in Taiwan in order to consider the imaginative function that its perceived cultural ‘otherness’ performs. 相似文献
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ABSTRACTIn May of 2017, a space called Soeng Joeng Toi was established, gathering a variety of people to share and co-organise a space together. While it may be considered a relative newcomer, Soeng Joeng Toi’s appearance can be seen as an inevitable breakaway from the mainstream political, economic and cultural climate of a city like Guangzhou. From its initial planning stages to its official operation, much of Soeng Joeng Toi’s inspiration and methods have come from extensive exchange with independent spaces both in China and abroad, where mutual recognition of similar conditions and thinking of the commons have led these different spaces to continue developing in a sustained dialogue. This text, written from the perspective of two of Soeng Joeng Toi’s “co-proprietors,” introduces the beginnings of Soeng Joeng Toi, its current operations and experiences of connecting with others as well as explores the possibilities of a shared activism involving people from different fields and geographic regions. 相似文献
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Jason Vincent A. Cabañes 《Popular Communication》2019,17(2):109-124
ABSTRACTThis article explores popular media as resources for judgment in how settled migrants in Europe imagine solidarities toward newer arrivals seeking entry into the region. It discusses the news and entertainment consumption of Filipino nurses in London and how this figures in their imaginary of social and political bonds with refugees. Drawing on ethnographic interviews, I argue that these Filipino migrants can only articulate a compromised solidarity: one fractured between empathy with refugees and concern about what these newer arrivals might mean for settled migrants in the city. I then explain how the media contribute to this fracturing. One way is that the xenophobia in popular media content on social media leads the Filipinos to assert their difference with other migrants, including refugees. A second is that the Filipinos deploy popular media content, especially on British television, to assert that they belong to UK society more than other migrants, again including refugees. 相似文献
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拨浪鼓是近代的一种儿童玩具,属于鼓类。但其样式与一般的鼓略有不同,它那两面蒙有皮革的圆形鼓身中间竖贯有一长柄,鼓身两侧各固定有一短绳,绳端系缀小珠,当转摇竖柄时,鼓身两侧的绳珠便反复甩动击打鼓面而发出声响,颇有情趣。因此拨浪鼓常常成为母亲哄逗婴幼儿的用具或儿童自娱自乐的玩具。 相似文献
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本文试图通过对盘古山盘古神格建构过程的追溯,对不同历史时期民众、地方文人与政府三种社会力量对民间信仰的不同态度及其互动进行分析,进而审视大传统、国家权力与民间信仰之间的复杂关系。 相似文献
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Zhang Yue 《中外文化交流(英文版)》2012,(3):36-38
<正>County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2,000 ... 相似文献
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Wang Feng 《中外文化交流(英文版)》2005,(8):6-8
From June 18 to 19, French modern music festival TransMusicales staged its biggest production outside France in the very heart of Chinese capital, bringing the latest techno and electronic pop to an audience largely unfamiliar with outdoor pop festivals. Trans in China, a miniature Chinese version of Les Rencontres TransMusicales held each December in the French city of Rennes, was shown in a grassy amphitheatre at Chaoyang Park — a popular rendezvous of outdoor cultural events in Beiji… 相似文献
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Paul Willemen 《Inter-Asia Cultural Studies》2013,14(1):98-112
The paper argues that the comparative approach to the study of modern cultural forms should be founded on the common experience but divergent histories of the development of a capitalist mode of production and the impact of its reformatting dynamics on social, including cultural, relations. The paper then goes on to explore and propose a number of probably inevitable theoretical frameworks and tools to implement a comparative approach to the study of a thoroughly industrialized cultural form, such as cinema and films. 相似文献
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Zhang Yue 《中外文化交流(英文版)》2012,(4):36-39
County has played an important role in the history of China since it was first established as a basic administrative unit in the Qin Dynasty more than 2,000 years ago.Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China.Not long ago,the Photographic Exhibition on the Cultural Heritage of Historic China,organized by China Cultural Relics Protection Foundation in partnership 相似文献