Enid on Enid: Blyton’s Use of Arthurian Narratives in The Knights of the Round Table

The article begins by assessing Enid Blyton’s contribution to the Arthurian revival of the late nineteenth and early twentieth century, setting this in the context of longstanding debates about the function of children’s literature. It goes on to argue that Blyton’s use of the story of Enid in The Knights of the Round Table (1930) has a personal significance which deserves attention. The article also suggests that other figures in the story—Enid’s father, her mother, and her husband Geraint—have parallels in Blyton’s life. In Alfred Tennyson’s “Idylls of the King,” the tale of Geraint and Enid concerns the early phase of married life—a phase which must meet certain criteria if children are to be forthcoming. But Blyton’s source might have prompted unease on her part, for it was in 1928—the year in which The Knights of the Round Table was serialized—that Blyton, who had not conceived after 4 years of marriage, consulted a gynaecologist.     

Identifying patterns in students’ scientific argumentation: content analysis through text mining using Latent Dirichlet Allocation

Constructing scientific arguments is an important practice for students because it helps them to make sense of data using scientific knowledge and within the conceptual and experimental boundaries of an investigation. In this study, we used a text mining method called Latent Dirichlet Allocation (LDA) to identify underlying patterns in students written scientific arguments about a complex scientific phenomenon called Albedo Effect. We further examined how identified patterns compare to existing frameworks related to explaining evidence to support claims and attributing sources of uncertainty. LDA was applied to electronically stored arguments written by 2472 students and concerning how decreases in sea ice affect global temperatures. The results indicated that each content topic identified in the explanations by the LDA— “data only,” “reasoning only,” “data and reasoning combined,” “wrong reasoning types,” and “restatement of the claim”—could be interpreted using the claim–evidence–reasoning framework. Similarly, each topic identified in the students’ uncertainty attributions— “self-evaluations,” “personal sources related to knowledge and experience,” and “scientific sources related to reasoning and data”—could be interpreted using the taxonomy of uncertainty attribution. These results indicate that LDA can serve as a tool for content analysis that can discover semantic patterns in students’ scientific argumentation in particular science domains and facilitate teachers’ providing help to students.

     

SHOULD JEWISH SUPPLEMENTARY RELIGIOUS SCHOOLS BE LIKE THE PUBLIC SCHOOLS?

Whether the Jewish supplementary school should be operated as if it were a public school depends on the goals of Jewish education. “In terms of ultimate goals, however, Jewish education is now at a crossroads.”¹ While all Jewish educators would probably agree with Harold Schulweis' statement that “it is our sacred task to create Jews,”² educators are not in agreement over what type of Jews we are to create and how we are to create them. Jewish educators can be divided into two groups. One group wants to create “educated, thinking Jews” — goal #1—while the other desires to shape children into “feeling Jews” —goal #2.     

Vampires and Witches Go to School: Contemporary Young Adult Fiction,Gender, and the Gothic

In the twenty-first century, the Gothic has experienced a cultural resurgence in literature, film, and television for young adult audiences. Young adult readers, poised between childhood and adulthood, have proven especially receptive to the Gothic’s themes of liminality, monstrosity, transgression, romance, and sexuality (James, 2009, p. 116). As part of the Gothic’s incorporation into a broad range of texts for young people, the school story—a conventionally realist genre—has begun to include supernatural gothic characters including vampires, witches, angels, and zombies, and has once again become a popular genre for young readers. In the past decade, in particular, a large number of Gothic young adult series with female protagonists set in boarding schools have been published (These include Shadow Falls (2011–2013) by C.C. Hunter, Covenant (2011–2013) by Jennifer L. Armentrout, House of Night (2007–2014) by P.C. Cast, Mythos Academy (2011–2014) by Jennifer Estep, The Dragonian (2013–2015) by Adrienne Woods, The Morganville Vampires (2006–2014) by Rachel Caine, Blue Bloods (2006–2013) by Melissa de la Cruz, and Fallen (2009–2012) by Lauren Kate). In this article, we will consider the first books in three such supernatural Gothic series that feature vampires and witches: Richelle Mead’s Vampire Academy (2007), Claudia Gray’s vampire romance Evernight (2008) and Rachel Hawkins’ Hex Hall (2010). These books are significant for the ways in which the traditional school story is adapted and transformed by the Gothic to define models of contemporary girlhood. Although Diane Long Hoeveler suggests that “the ‘body’ that emerges from female gothic textuality is a highly gendered one” (1998, p. 18), what we see in these texts is how the school story setting enables Gothic female protagonists who are unique, disruptive, and potentially transformative, despite the limitations enforced by the heterosexual romance plot. We argue that these novels, while conservative in some respects, rework the school story genre in that they foreground the sexual and romantic desires of girl protagonists regardless of the threat they constitute to the institution and the safety of others.     

What Counts? Sources of Knowledge in Children’s Acquisition of the Successor Function

Although many U.S. children can count sets by 4 years, it is not until 5½–6 years that they understand how counting relates to number—that is, that adding 1 to a set necessitates counting up one number. This study examined two knowledge sources that 3½- to 6-year-olds (N = 136) may leverage to acquire this “successor function”: (a) mastery of productive rules governing count list generation; and (b) training with “+1” math facts. Both productive counting and “+1” math facts were related to understanding that adding 1 to sets entails counting up one number in the count list; however, even children with robust successor knowledge struggled with its arithmetic expression, suggesting they do not generalize the successor function from “+1” math facts.     

Gender stereotypes: The case of MisProfesores.com in Mexico

In this study we analyze the extent of gender stereotypes in student evaluations of college professors on the internet site MisProfesores.com in Mexico. We downloaded more than 600,000 evaluations for the period 2008–18. The evaluations include three scores on a scale of 0 to 10: how easy it is to obtain a good grade, how much the professor helps his or her students obtain good grades, and how clearly the professor presents the concepts of the course. The site also allows students to comment on the professor and the class, and we performed a quantitative text analysis of these comments. We found that women receive lower scores than their male counterparts, although the difference is relatively small: 1–2% of a standard deviation. Students refer more to the appearance and personality of female professors, and describe them more often as “bad” or “strict.” They also refer to women in less respectful terms, calling them “maestra” (“teacher”), but calling men “profesor” or “licenciado” (the title corresponding to their academic degree), and they use less positive language for women (“good” vs. “great” or “excellent” for men). Finally, words associated with qualities of service (traditionally stereotyped as feminine) favor women more than men; whereas, words with traditionally masculine associations have a negative impact on women's evaluations.     

Edward Ardizzone Revisited: Lucy Brown and the Moral Editing of Art

Edward Ardizzone (1900–1979), a British painter and illustrator, authored a successful set of children's books known as the “Tim” series, which began in 1936. One of the picture books, however, Lucy Brown and Mr. Grimes (1937), went out of print and was not reissued for 33 years. This article discusses the possibility that the implications of the story line provoked controversy among American librarians in the 1930s. A comparison of the two editions includes these issues. What is a quality picture book and are they just for children? Do revisions meant to modernize a classic make it a stronger work?     

Pictures in Pictures: Art History and Art Museums in Children’s Picture Books

Children’s picture books that recreate, parody, or fictionalize famous artworks and introduce the art museum experience, a genre to which I will refer as “children’s art books,” have become increasingly popular over the past decade. This essay explores the pedagogical implications of this trend through the family program “Picture Books and Picture Looks” conducted at the Art Institute of Chicago. Program sessions were observed to learn the extent to which picture books featuring the painting A Sunday on La Grande Jatte—1884 (Seurat) informed and impacted children’s experiences with the original artwork. The books Katie’s Sunday Afternoon (Mayhew, 2005), Babar’s Museum of Art (De Brunhoff, 2003), and Willy’s Pictures (Browne, 2000) provided the foundation for the program. In addition to these three books, The Dot (Reynolds, 2003), which does not include a reference to La Grande Jatte (Seurat, 1884–1886), acted as a “control” variable. This research demonstrates that while most picture books can be used to establish a level of comfort in an environment that is new to children, those that directly referenced the painting provided a base level of knowledge from which children could confidently draw upon encountering the original work. The research further indicated that, when used in conjunction with original artworks, children’s art books provide unique and distinct entry points for talking about art. The inclusion of artwork in children’s picture books elicits an enthusiasm and recognition that enhances the museum experience, and such books can be effective tools for enabling reflective, imaginative experiences with art.     

Deconstructing Delphinium: Violence and Flowers in Rousseau’s émile and Henke’s Chrysanthemum

This article is an attempt to contribute to the conversation about “go[ing] beyond all kinds of binary thinking” (Lenz Taguchi, Going beyond the theory/practice divide in early childhood education: introducing an intra-active pedagogy, 2010, p. 50), especially the binary which positions “adults” and “children” as being powerful and powerless, respectively, in educational settings. It is also a personal reflection on “naming.” At the center of the reflection are two literary works, the picture book by Henkes, Chrysanthemum (1991), and the novel by Rousseau, émile, ou l’education (1762a). The central metaphor of émile—that of the developing child as organically unfolding, like a flower—is deconstructed by the plot involving two flower-named characters in Chrysanthemum. These characters are the protagonist, Chrysanthemum, and her music teacher, Delphinium Twinkle. Two acts of “naming” are considered: the literal act of naming a newborn baby and the abstract concept of “naming” [or labeling] a particular time in the life of a human being: “Childhood” (Cannella, Deconstructing early childhood education: social justice and revolution, 1997).     

The Development of Simile Comprehension: From Similarity to Scalar Implicature

Similes require two different pragmatic skills: appreciating the intended similarity and deriving a scalar implicature (e.g., “Lucy is like a parrot” normally implies that Lucy is not a parrot), but previous studies overlooked this second skill. In Experiment 1, preschoolers (N = 48; ages 3–5) understood “X is like a Y” as an expression of similarity. In Experiment 2 (N = 99; ages 3–6, 13) and Experiment 3 (N = 201; ages 3–5 and adults), participants received metaphors (“Lucy is a parrot”) or similes (“Lucy is like a parrot”) as clues to select one of three images (a parrot, a girl or a parrot-looking girl). An early developmental trend revealed that 3-year-olds started deriving the implicature “X is not a Y,” whereas 5-year-olds performed like adults.     

Humanistic Bildung: regulative idea or empty concept?

The article focuses on the notion and humanistic ideal of self-cultivation and self-transformation, for which the term Bildung is/was traditionally used in German educational thought. It is argued that the idea of Bildung, understood as human development and end-in-itself, is not a German exclusivity. However, to understand the specificity of the notion, it may be necessary to consider that German Enlightenment—Aufklärung—in which the term gained a lot of importance, came later in history than French, English, and Scottish Enlightenment. Whereas in the early Western Enlightenment period, freedom was understood as an outward, definitely political concept, in later German Enlightenment the predominant understanding of freedom was characterized by a rather aesthetic dimension, not outward but internal freedom. The shift from a political understanding of Enlightenment—like in France, and also England or Scotland—to German inwardness (“Innerlichkeit”), as realized by the concept of Bildung, can be—at least to a certain degree—interpreted as a desire of German intellectuals at the time to escape from a brutal and on the whole disappointing post-revolutionary world to a place where man could seek secular perfection: an escape toward inwardness.     

Teaching and development: Solving “missing addend” problems using subtraction

The study presented here will examine the connection between teaching and development, focusing in particular on how children solve “missing addend” story problems. Vygotsky’s theory of development will serve as the framework. Ordinarily, when second graders are forced to solve a problem of this type by choosing an arithmetic operation (+ or ?), half of them fail. The most frequent error is choosing addition. The subjects in the experiment presented here were second graders who had always been given the opportunity to use objects or drawings to “act out” (model) the actions expressed in the problem statament. They had never been in the above “forced-choice” situation. Moreover, they had been taught to use a “forward strategy” to solve subtraction problems like 42–36 (to get from 36 to 40, it takes 4; and then to get to 42, it takes 2 more) and a “backward strategy” for subtraction problems like 42–6. When given the following missing-addend problem: “Pierre has 63 pieces of candy and paul has 4. Paul wants to have the same number of pieces as Pierre. How many pieces of candy must Paul buy?” none of these children performed an addition, approximately half did a subtraction, and the others succeeded by using a breakdown strategy or a drawing. The overall success rate was 92%. The results obtained suggest a way of operationalizing the notion of “zone of proximal development” for problem solving of this type.     

How Adults’ Actions,Outcomes, and Testimony Affect Preschoolers’ Persistence

Across four experiments, we looked at how 4- and 5-year-olds' (n = 520) task persistence was affected by observations of adult actions (high or low effort), outcomes (success or failure), and testimony (setting expectations—“This will be hard,” pep talks—“You can do this,” value statements—“Trying hard is important,” and baseline). Across experiments, outcomes had the biggest impact: preschoolers consistently tried harder after seeing the adult succeed than fail. Additionally, adult effort affected children’s persistence, but only when the adult succeeded. Finally, children’s persistence was highest when the adult both succeeded and practiced what she preached: exerting effort while testifying to its value.     

The Out-Group Homogeneity Effect Across Development: A Cross-Cultural Investigation

The present studies investigated the out-group homogeneity effect in 5- and 8-year-old Israeli and German children (n = 150) and adults (n = 96). Participants were asked to infer whether a given property (either biological or psychological) was true of an entire group—either the participants' in-group (“Jews” or “Germans”) or their out-group (“Arabs” or “Turks”). To that end, participants had to select either a homogenous or a heterogeneous sample of group members. It was found that across ages and countries, participants selected heterogeneous samples less often when inferring the biological properties of out-compared to in-group members. No effect was found regarding psychological properties. These findings have important implications for our understanding of the origins of intergroup bias.     

Social Pragmatics: Preschoolers Rely on Commonsense Psychology to Resolve Referential Underspecification

Four experiments show that 4- and 5-year-olds (total N = 112) can identify the referent of underdetermined utterances through their Naïve Utility Calculus—an intuitive theory of people’s behavior structured around an assumption that agents maximize utilities. In Experiments 1–2, a puppet asked for help without specifying to whom she was talking (“Can you help me?”). In Experiments 3–4, a puppet asked the child to pass an object without specifying what she wanted (“Can you pass me that one?”). Children’s responses suggest that they considered cost trade-offs between the members in the interaction. These findings add to a body of work showing that reference resolution is informed by commonsense psychology from early in childhood.     

‘Models of’ versus ‘Models for’

The inclusion of the practice of “developing and using models” in the Framework for K-12 Science Education and in the Next Generation Science Standards provides an opportunity for educators to examine the role this practice plays in science and how it can be leveraged in a science classroom. Drawing on conceptions of models in the philosophy of science, we bring forward an agent-based account of models and discuss the implications of this view for enacting modeling in science classrooms. Models, according to this account, can only be understood with respect to the aims and intentions of a cognitive agent (models for), not solely in terms of how they represent phenomena in the world (models of). We present this contrast as a heuristic—models of versus models for—that can be used to help educators notice and interpret how models are positioned in standards, curriculum, and classrooms.     

Impact of Secondary Students’ Content Knowledge on Their Communication Skills in Science

The expert blind spot (EBS) hypothesis implies that even some experts with a high content knowledge might have problems in science communication because they are using the structure of the content rather than their addressee’s prerequisites as an orientation. But is that also true for students? Explaining science to peers is a crucial part of cooperative learning methods such as the “jigsaw method”. Our study examined the relationship between science communication competence (SCC) and content knowledge (CK) of 10th-grade students (N = 213). Using latent class analysis, we identified two types of students with a different relationship between CK and SCC. Using path analysis, we found that the first type of 109 students primarily used their science CK as the “resource” for addressee-oriented science communication and both their SCC and their CK were correlated with each other. For the second type of 104 students (who used other resources), their CK even had a small negative effect on their SCC. Using t tests, we found that those students primarily using their CK as the resource for communication performed significantly worse in the communication test than did those students who used other resources. Using the EBS hypothesis, we suggest that students’ CK might have ambiguous effects in communication if the content structure—rather than their addressee’s prior knowledge—is used as the primary orientation for communication. We suggest that an effective use of cooperative learning techniques in classroom requires a special prior training for their science communication skills.     

The classroom as a stage and the teacher's role

Teaching is a profession in which teachers are accustomed to being in the spotlight. In this paper we meet “Tina”¹—a newly employed teacher at a Norwegian public junior high school—who is engaged on an hourly basis to teach Arts and Crafts, including a seventh-grade class which has been called “challenging” by other members of the staff. Enthusiastic, committed, and focused educators who can serve as role models for their students are much in demand at this school. Her own challenge is to find a good balance between the many cultural roles she has to perform in an inclusive education—one that works toward a goal of servicing an integrated student body—as manager, administrator of materials, initiator, facilitator, reflection partner, and mentor. In this paper we describe how she shapes a learning environment characterized by clear and unambiguous signals about what is acceptable behavior, while at the same time insisting on creativity and originality in art work. The guiding question is: How does the teacher achieve the double task of keeping order and maintaining creativity?The study is based on ethnographic field work conducted over several months in the Arts and Crafts class of “Berge” school. We describe how the children try to sabotage the tasks, and analyze critical episodes using sociocultural theory. With its emphasis on cultural and creative activities, the Arts and Crafts subject provides a special opportunity for what sociocultural theory calls using mediating artefacts or elements (mediated action²). What makes the subject particularly interesting is that it is not only a matter of using linguistic mediation, but rather also mediation based on external factors, such as the use of specific objects or model learning.     

Sonya Hartnett's Thursday's Child: Readings

Sonya Hartnett's Thursday's Child was published in Australia by Penguin Books in 2000. Editions are available in the UK (Walker Books, 2002), the USA (Candlewick, 2002), as well as in Canada, Germany, Italy, Norway, and Denmark. In 2002, the book was awarded the Guardian's Children's Fiction Prize in the UK. Like Harper, the narrator of the novel, Sonya Hartnett began to write early—her first book, Trouble All the Way, was written when she was 13 and published 2 years later. It seems that adults read Thursday's Child and talk about it without any reference to young readers; we see it as one of those books you read and immediately look for someone to discuss it with. And then go back to the book to reread. It's one of those novels that, like many poems, offers multiple readings and the reader may be content to accept several of them. The UK editors of this journal wanted to bring this intriguing novel to the notice of readers who may not yet have discovered it, and, we felt sure, those who already knew the book would welcome two close readings to set alongside their own. We invited Judith Armstrong to begin the discussion. Then David Rudd, with the benefit of Judith's insights, adds his exploration of the novel. Between the two essays, we have included some comments, extracted from a taped conversation, of two 14-year-old readers. This article comprises two sustained responses to Sonya Hartnett's award-winning novel, Thursday's Child. Both essays explore multiple readings of a complex and intriguing text. Set in the Great Depression in Australia, the novel is seen as at once realistic, mythic, and even fantastic. Judith Armstrong considers Tin, the subject of the title, as a feral child and examines his influence on the other members of his family. As he tunnels through the earth, so does the narrator Harper (Tin's older sister) “dig” with her pen. Their excavations leave both children forever marked by the bleak and sometimes violent events recorded in the book. David Rudd continues the discussion, finding Freud's exploration of “the uncanny” and J. M. Barrie's character, Peter Pan, illuminating in his reading of the novel. He also asks how far Harper can be trusted as narrator: can we even be certain that her brother survived a mudslide that occurred early in the story?