Reassembling the Cultural

The central argument in this paper is that actor-network theory (ANT) does not do ‘cultural economy’ symmetrically: it has had a lot to say about economy but much less to say about culture. This rejection of culture is ontological and epistemological: culture appears in ANT largely as an artefact of modernist thought rather than as an empirical aspect of agents' performances. And yet if ‘economy’ can be critiqued and reinstated as performative, so too can ‘culture’. To explore this, we focus on objects of concern that – unlike the financial markets that have formed the core of ANT-inspired thinking about the economy – are assembled by actors in and through what they themselves understand to be cultural materials, cultural calculations, cultural processes, cultural institutions. In such examples, ‘culture’ is continuously invoked and enacted by actors in constructing their actions, whatever critical sociologists might have to say about its ontological status. It seems paradoxical that a theoretical approach that makes sacrosanct the associations constructed by agents who assemble their own world, generally discusses ‘culture’ only from the point of view of critical epistemology. Bearing all this in mind, we argue that it is time for us to ‘reassemble’ the cultural.     

MEDIATIONS IN FASHION

This paper deals with the relations between the sociality of cultural economies and the cultural objects traded in them. It argues that the study of cultural economies must work up new methodologies that can account for both. The paper suggests the concept of the ‘mediator’ as a way of highlighting how cultural objects and sociality are co-constituted. The ‘mediator’ is formulated as a methodological tool for by-passing the academic divide between cultural-aesthetic objects and their social contexts.     

Core task and organizational reality

Reflecting a wider trend in the social sciences, the field of organization studies has adopted an increasingly general and metaphysical vocabulary to guide and frame its analyses of life and dynamics in organizations. Where classic organizational analyses would describe organizations in terms of core objects such as ‘task’ and ‘coordination,’ contemporary organization studies emphasize, much like other social science disciplines, broader topics such as ‘network,’ ‘identity,’ and ‘change.’ The paper argues that this altered focus and vocabulary is accompanied by a diminished ability to specify and intervene into the practical reality of organizations. It further argues that a discipline's core objects are not anachronisms to be discarded with, but crucial for specifying reality in ways that have proven practically relevant and still are.     

What is the ‘Social’ in Climate Change Research? A Case Study on Scientific Representations from Chile

Over the last few decades climate change has been gaining importance in international scientific and political debates. However, the social sciences, especially in Latin America, have only lately become interested in the subject and their approach is still vague. Scientific understanding of global environmental change and the process of designing public policies to face them are characterized by their complexity as well as by epistemic and normative uncertainties. This makes it necessary to problematize the way in which research efforts understand ‘the social’ of climate change. How do ‘the climate’ and ‘the social’ interpenetrate as scientific objects? What does the resulting field look like? Is the combination capable of promoting reflexivity and collaboration on the issue, or does it merely become dispersed with diffuse boundaries? Our paper seeks to answer these and other related questions using Chile as a case study and examining peer-reviewed scientific research on the topic. By combining in-depth qualitative content analysis of each paper with a statistical meta-analysis, we were able to: characterize the key content and forms of such literature; identify divisions and patterns within it; and, discuss some factors and trends that may help explain these. We conclude that the literature displays two competing trends: while it is inclined to become fragmented beyond the scope of the ‘mitigation’ black box, it also tends to cluster along the lines of methodological distinctions traditionally contested within the social sciences. This, in turn, highlights the persistence of disciplinary divisions within an allegedly interdisciplinary field.

     

Making architecture compete: open-ended accumulation meets objectification and singularisation in the UK construction industry

Sociologists over the last two decades have taken inspiration from actor-network theory to suggest that competition, like ‘the market’, takes place through a dynamic of detaching objects from one set of relations and reattaching them within another: objectification and singularisation. Yet there has been little theorisation of how competition differs between situations. To approach this question, we can ask how competition, as a process of objectification and singularisation, interacts with other patterns of movement. Ethnographers have described one such pattern in the everyday work of architects. Here a building emerges from an ever-increasing number of ‘versions’, images and models, in an open-ended accumulation. This study considers the interaction between, first, the objectification and singularisation of competition and, second, the open-ended accumulation of architectural work. To do so, I examine architectural competitions in the UK. I draw from document analysis of one competition for a school in northern England, as well as interviews with architects about their work on competitions. This study concludes that architectural competitions repeat the multiplicity of architectural work but in a more delimited form. Multiplicity is not ‘cut-off’ so much as winnowed down through an explicit process of selecting images and blocks of text.     

How do National Career Systems Promote or Hinder the Emergence of New Research Lines?

Early career researchers are faced with the expectation of their scientific communities to conduct independent research, which is reflected in the development of independent new research lines. This change must take place under conditions that vary between national career systems. Case studies for a chair system (Germany) and two tenure systems, one with strong hierarchies (the Netherlands) and one with flat hierarchies (Australia) were conducted. The career conditions created by universities and funding agencies during this transition phase towards independence are systematically compared for two fields, molecular biology and history. Despite their different structures functional equivalents lead to similar outcomes: Only a small group of the potential elite had sufficient ‘protected space’ to start new research lines without delay. The majority of early career researchers encountered limitations of their ‘protected space.’ Differences between the systems occurred due to the increasing importance of the external funding system for the creation of ‘protected space’: researchers were better off in a rich funding landscape with higher grant success rates.     

From shanzhai chic to Gangnam style: seven practices of cultural-economic mediation in China and Korea

ABSTRACT

This paper examines the social construction of ‘fashionability’ – namely, what is ‘desirable’ and ‘fashionable’ – with reference to the concept ‘cultural mediators’ that foregrounds agency, negotiation and the contested practices of market actors in cultural production. It zeroes in on the cultural mediators’ attitudes and positions in the two markets by drawing on 25 in-depth interviews with industry veterans. It shows that the mediators in South Korea and China increasingly occupy hybrid occupational roles and social positions across industries and sectors yet achieve limited success in countering the status quo of Western fashion through mediation. The analysis contributes to the literature with a categorisation of seven mediation practices that shape the valuation of fashion products (i.e. ‘fashionability’) in two ways. Empirically, this categorisation illuminates how cultural mediators make reference habitually to the broader social and cultural contexts to co-construct cultural-aesthetic objects. Theoretically, it advances a cultural-economic approach to the understanding of cultural mediation and challenges the reductionist viewpoint of actor–network theory through the notion of a matrix of cultural-economic agency.     

Tricks,Lies, and Mobile Phones: ‘Phone Friend’ Stories in Papua New Guinea

Since their arrival in Papua New Guinea (PNG) in 2007, mobile phones have become objects of broad moral concern, particularly around issues of female social and physical mobility. I explore these concerns through a discussion of stories about ‘phone friends’ – frequently unknown callers who initiate long-term correspondence and exchange relationships via mobile. I argue that these stories, which resemble the long-established genre of giaman (trickster) folktales, condense and make explicit one of the central problems generated by mobile phone use in PNG: that of how to maintain morally appropriate forms of exchange in a context where spatiotemporal relations have been radically distorted and in which the identity of participants can be easily hidden. The appeal of phone friend stories, I suggest, lies not so much in their critique of social climbing or female mobility, but in their consideration of the problem of mediation.     

Towards a commodity theory of token money: on ‘Gold standard thinking in a fiat currency world’

ABSTRACT

Via a discussion of public debates surrounding the potential minting of a trillion dollar platinum coin in the context of the American debt ceiling crises of 2011 and 2013, this essay seeks to make sense of the popular persistence of ‘commodity’ or ‘metallist’ understandings of money's value in the face of a scholarly consensus that all currency is ‘token’ or ‘fiat’ in nature. Scholars from Knapp to Desan have elaborated token theories of commodity money, wherein both precious and non-precious currencies are treated as the products of social construction. By contrast, I suggest the need to supplement such approaches with what I term a commodity theory of token money, wherein money objects made from both precious and non-precious materials are treated as inherently valuable. Exploring the semiotic convergence between gold, Bitcoin and modern paper money, I suggest that the broadly Peircean notion of rhematization in which symbol and indexical signs are (mis)taken for iconic ones is particularly suited to unpack the continuing social salience of commodity theories of money across the gold/paper divide. Moreover attention must be paid to how we define the icon itself.     

Future climate-induced pressures on painted wood

A broad category of cultural heritage objects are multilayer structures composed of organic, humidity-sensitive materials – wood, animal glue, paper, leather, bone or paints. They respond to variations in relative humidity (RH) in their environment by cyclically gaining and losing moisture, and consequently swelling and shrinking. Differences in the moisture response of the materials induce internal stresses in the individual layers of the structures, which cause objects to deform and crack. Polychrome wood is examined in detail. The cumulative physical damage of the design layer on wood due to repeated RH variations is quantified in terms of their magnitude and number of times they occur. The climatological risk index for accumulated, ‘fatigue’ damage is established, using a procedure to reduce irregular real-world climate histories into simple RH cycles of known damage impact. Using output from the Hadley Model (HadCM3) and simple transfer functions predicting indoor temperature and RH from outdoor climate, changes in the indoor climate through to 2100 were forecast for unheated buildings. European maps highlighting the areas in which painted wood may be significantly affected by climate change are presented.     

The neurotic academic: anxiety,casualisation, and governance in the neoliberalising university

Based on empirical research conducted with academic staff working on fixed-term contracts, the article explores the subjective experience of anxiety in the UK’s ‘neoliberalising’ higher education (HE) sector. As HE undergoes a process of marketisation, and the teaching and research activities of academics are increasingly measured and scrutinised, the contemporary academy appears to be suffused with anxiety. Coupled with pressures facing all staff, 34% of academic employees are currently working on a fixed-term contract and so must contend with the multiple forms of uncertainty associated with their so-called ‘casualised’ positions. While anxiety is often perceived as an individualised affliction for which employees are encouraged to take personal responsibility, the article argues that it should be conceptualised in two ways: firstly, as a symptom of wider processes at work in the neoliberalising sector; and secondly, as a ‘tactic’ of what Isin [(2004). The neurotic citizen. Citizenship Studies, 8 (3), 217–235] refers to as ‘neuroliberal’ governance. The article concludes by proposing that the figure of the ‘neurotic academic’ is emblematic of the contradictions facing the contemporary academy.     

Characterisation and provenance of stones used in the mosaics of the domus dei Coiedii at Roman Suasa (Ancona,Italy)

The mosaics covering the floors of the rooms of the domus dei Coiedii at Suasa (Ancona, Italy) may be dated archaeologically and artistically between the late republican-Augustan age (end of the first century B.C.-beginning of first century A.D.) and the second century A.D.-first half of third century A.D. The floors were made mostly in opus tessellatum, only one in opus sectile. Tesserae used in opus tessellatum are made mainly of local stones, belonging to the so-called Umbro-Marchigiana Sedimentary Sequence: the white to pinkish and reddish tesserae consist prevalently of limestones belonging to the ‘Scaglia Rosata’ Formation (Late Turonian-Middle Eocene), and subordinately to the ‘Calcare Massiccio del Burano’, which is part of the ‘Calcare Massiccio s.l.’ Formation (Late Triassic-Early Lias). Most dark to black tesserae are composed of not fossiliferous marls and marly clays, which probably derive from the local ‘Marne a Fucoidi’ Formation; a number of them are made of very fine grained sandstones, which are found as pebbles in the alluvial sediments of the Cesano river close to Suasa, and, some, of aphyric leucite-bearing basanites from the potassic Quaternary magmatic province of central-southern Italy. Artificial glasses (red and green, rich in Pb and low in Sb; light blue, low in Pb and high in Sb), containing microliths of Pb-rich phase(s) and of wollastonite, were also used in some floors. The stones used in opus sectile are (1) sedimentary: nodular limestones belonging to the ‘Rosso Ammonitico’, which occurs in the Umbro-Marchigiana Sedimentary Succession; black marls and marly clays similar to those used in opus tessellatum; onyx marble; (2) magmatic: porphyrites (‘porfido verde antico’) and gabbros (ophite); (3) marbles: different kinds of coloured marbles, comprising ‘marmo cipollino’, ‘rosso antico’, ‘pavonazzetto’, ‘portasanta’, ‘giallo antico’, ‘bigio antico’, ‘brecce coralline’. White marbles from Marmara and Carrara were also employed.     

The Elasticity of Thought: A Note on the Drive in Worringer and Freud

Abstract

The essay approaches recent discussions of ‘life’ and biopolitics from the historical context of early 20th century German vitalist thought. By closely analysing the concept of the ‘drive’ in art historian Wilhelm Worringer's Abstraction and Empathy (1908) and Sigmund Freud's Beyond the Pleasure Principle (1920), the essay shows how the paradoxes of those texts prefigure and contribute to the contemporary problematic of ‘life’ in theoretical discourse across the humanities. In Worringer and Freud, the drive is an ‘elastic’ concept stretching beyond – and yet constitutive of – the epistemological object (‘life’) that it is called upon to describe. The distortion of the drive in each author's thought – from an impulse of organic vitality to a principle of inorganic primordiality – manifests the contradictory ‘life’ of vitalist concepts themselves in their elastic potential for transformation, regression and contradiction.     

Consumer databases as practical accomplishments: the making of digital objects in three movements

This paper aims to reflect on some key issues linked to the production of digital objects in business settings. In doing so, it problematizes current social science scholarship, which emphasizes the analysis of digital data and analytics, and reinforces the magnitude of its consequences and ‘data power’. The paper proposes making three corrective ‘movements’ that might enrich our approaches to how databases and analytics are assembled in business settings. The first movement involves the problem of ethnographic access to data-making practices. We propose taking seriously the issue of fabricating an ethnographic encounter where the process of making digital objects is exposed. The second movement concerns the visibility and the type of politics taking place in data practices. We argue for the need to displace attention from data impacts and results to the myriad of mundane practices and devices through which these objects are assembled. The third movement we suggest requires a focus on examining error and failure as key aspects of the manufacturing of consumer databases. Each of these movements is illustrated by ethnographic vignettes from a 9-month ethnographic experiment that involved participating in the first stages of the manufacturing of an online financial retail company's consumer database.     

The rhetorical force of “global archival memory”: (Re)Situating archives along the global memoryscape

ABSTRACT

This essay engages the possibilities and pitfalls of UNESCO’s Memory of the World program for fostering “global archival memory.” Archives function as rhetorical weapons for both political control and social justice within national and regional contexts. The constitution of global archival memory shifts archives’ borders beyond nation-bound contexts, creating space for contention, deliberation, and debate within a presentist transnational arena. Approaching archives as symbols capable of marshaling cross-cultural identifications furthers memory scholars’ conceptions of transnational memories and communities. It responds to rhetorical scholars’ calls to further engage archives, while drawing on archival studies, memory studies, and rhetorical theories of memory.     

Communities of Ruin: Humanitarian Violence and the Amazon's Uncontacted Tribes

This essay investigates portrayals of ‘uncontacted tribes’ of the Amazon by the humanitarian organisations and the popular texts that aim to study and save them. These portrayals rely upon a convergence of figures of racial, gender and sexual deviance recuperated from the age of high imperialism, with newer configurations of the human which emerged in the wake of the Second World War. How might we account for the fact that these objects of preservation are presented – save for a few crucial exceptions – as degraded, almost dead or simply not there? By way of addressing this question, I offer the production of the ‘uncontacted’ as one site for examining the imbrication of humanitarianism and violence.     

Making Bio-Expectations

This paper marks one attempt to open up the boundaries of humanitarianism to the diverse effects of scientific objects, practices and technologies. It follows the frontiers of their effects with one particularly consequential practice of scientific reductionism through its implication with vitamin A deficiency. I open up how the scientific articulation of vitamin A is not simply about reductionism as a process of limiting, but one that unfolds as something more malleable, more multiple; how it is a shifting, distributed reality that speaks of the ongoing effects of reductionism as giving life to, among other things, emotive abstractions, and efforts to widen a distinctly humanitarian promise. I show how this scientific practice puts into play a set of emotive abstractions around the figure of the ‘Third World child’, un/remaking the problem as a morally tense ‘bio-expectation’ that ensures the survival of children across the generalised expanse of the Global South.     

Planned Hindsight

By the early 1980s, many life scientists had begun to maintain small collections of cryopreserved tissues for their own specific research purposes. It became apparent that these materials could be successfully reused as new techniques and research questions emerged. This realization led several American leaders in the field of systematic taxonomy (the science of biological classification) and conservation genetics to argue for the need to take stock of and coordinate these heterogeneous collections. Their strategy, which they called ‘planned hindsight,’ was meant to organize the present in a way that appeared to anticipate the needs of future scientists. In this paper I examine how the seemingly paradoxical strategy of ‘planned hindsight’ has functioned as a strategy for choreographing life, time, and value at two centralized biospecimen collections: The Frozen Zoo in Escondido, CA, USA, and the Ambrose Monell Cryo Collection at the American Museum of Natural History in New York City. I conclude that, in practice, ‘planned hindsight’ not only contributes to the endurance of frozen tissues but also preserves widely divergent speculative visions of the many different individuals involved with their creation, maintenance, and re-use.     

Of Recalcitrant Subjects

This paper problematises some of the assumptions underlying efforts in Governmentality Studies (GS) to theorise the production of subjectivity. By focusing on the GS literature about the role of the ‘psy-disciplines’ in the contemporary production of subjects, and by engaging in discussion with a heterogeneous series of authors such as Bruno Latour, Isabelle Stengers, Gilles Deleuze and Michel Serres, it is argued that there are methodological, epistemic and ontological assumptions underpinning GS's work that result in: (1) a reduction of the material multiplicity of vectors at work in the production of subjectivity; (2) a reproduction of the subject–object distinction also common in conventional accounts of psychology and psychotherapy; and (3) the conceptualisation of ‘governable subjects’, who are nothing but epiphenomena of their vectors of production. The problematisation of such assumptions allows for the possibility of rethinking the formation of subjectivity, that is, of encountering recalcitrant subjects who may resist specific forms of subjectification, and also ask new questions, thereby potentially resulting in unexpected, novel forms of subjectivity. Finally, the notion of ‘ecology of questions’ is offered as an alternative exploration of the production of subjects.