In the Margins of Journalism

Research on journalists and journalistic work has focused on journalists with permanent, full-time employment. Given the rapid decrease of such employment opportunities, we argue that journalism research needs to pay more attention to those who those who have had to leave their jobs and either stopped doing journalism entirely, or who have switched to a freelance career (sometimes combining journalism with other work). This category of people is at once becoming more marginalized and “the new normal” within the occupation: In this paper, we furthermore focus on local (Swedish) journalists and ex-journalists. Based on a set of semi-structured interviews (n?=?12) with ex-journalists who share the experience of having lost their permanent, full-time jobs, we use the concept of livelihood as an analytical tool. The concept of livelihood highlights the shift from journalism as a job practiced exclusive of other jobs to an activity conducted alongside other income-generating activities and makes it possible to analyse leaving the occupation from a context that incorporates the whole life situation of the respondents. This also contributes to the current wave of studies of journalism and job loss by adding qualitative data about individual experiences of job loss to the existing quantitative survey evidence.     

“融媒体”时代的新闻学专业教学探析

"融媒体"时代为大学新闻学教学提出了新的课题.本文从新闻学教学改革的角度进行思考,认为可以从多学科知识、多种传媒技术和媒介素养的培养等方面来进行教学改进与创新,同时注重新型师资力量的培训.     

Classifying Data Journalism

The review of theoretical and empirical studies in data journalism has uncovered different conceptualisations of data journalistic artefacts. This quantitative content analysis of data-driven stories published by European quality news websites Zeit Online, Spiegel Online, The Guardian and Neue Zürcher Zeitung aims to outline universal characteristics of daily data-driven stories and to compare these findings with previous analyses of data stories and acclaimed data journalism projects. Results suggest that daily data journalism stories generally feature two visualisations that are likely to be bar charts. The majority of these visualisations are not interactive whereas maps turn out to be the most interactive type of visualisation. Data journalists rely predominantly on pre-processed data drawn from domestic governmental bodies. For the most part, data-driven stories are reports on political topics paralleling traditional news reporting. The sparsity of collaborative efforts and investigative approaches distinguishes daily data journalism from previous analyses of eclectic and elaborate data-driven projects.     

3Ws of Data Journalism Education

This paper explores data journalism education, with a particular focus on formal training in the higher education sector globally. The study draws on data from: (1) the 2017 Global Data Journalism Survey, to study the state of data journalism education and the requirements in terms of training and (2) a dataset of 219 unique modules or programmes on data journalism or related fields that were curated and examined in order to understand the nature of data journalism education in universities across the world. The results show that while journalists interested in data are highly educated in journalism or closely related fields, they do not have a strong level of education in the more technical areas of data journalism, such as data analysis, coding and data visualisation. The study further reveals that a high proportion of data journalism courses are concentrated in the United States, with a growing number of courses developing across the world, and particularly in Europe. Despite this, education in the field does not have a strong academic underpinning, and while many courses are emerging in this area, there are not enough academically trained instructors to lead and/or teach such interdisciplinary programmes in the higher education sector.     

美国的公民新闻事业

本文系统地介绍了发端于 2 0世纪 90年代初美国新闻界的“公民新闻事业” ;它具有迥异于传统新闻事业的 5个特点 ,在美国新闻界发展势头良好 ,在国外新闻实践中也有追随者 ,对美国社会和新闻界产生了深远的影响 ,同时也引发了多方争议。     

Exploring Participatory Journalism in Mediterranean Countries

Digital media have rapidly adopted mechanisms for transforming their audience into active content providers. Various studies have shown that the main motivation for developing audience participation is financial in nature and that journalists are striving to retain their role as gatekeepers. Nevertheless, “participatory journalism” opens up the public arena to citizen debate. The main aim of this article is to examine how 20 media, two from each of 10 countries on both sides of the Mediterranean, have integrated user-generated content, and to identify whether the forms of participation offered by these media are conditioned by national political and media systems. The results show that in democracies the opportunities for participation are greater than in countries with autocratic regimes. However, significant internal differences were identified.     

Changes in U.S. Journalism

During the past decade, great changes have occurred in journalism, many of them due to the rapid rise of social media. What has happened to American journalists in the decade since the early 2000s, a time of tumultuous changes in society, economics, and technology? What impact have the many cutbacks and the dramatic growth of the internet had on US journalists’ attitudes, and behaviors—and even on the definition of who is a journalist? To answer the questions raised above, in late 2013 we conducted a national online survey of 1080 US journalists. The survey is part of the American Journalist project, which conducted similar surveys of US journalists in 1982, 1992, and 2002. We found that US journalists use social media mainly to check on what other news organizations are doing and to look for breaking news events. A majority also use social media to find ideas for stories, keep in touch with their readers and viewers, and find additional information. Thus, journalists use social media predominantly as information-gathering tools and much less to interview sources or to validate information. Our findings also indicate that most journalists consider social media to have a positive impact on their work. Of particular value, it seems, was the fact that social media make journalism more accountable to the public. However, only about a third of the journalists also think that social media have a positive influence on the journalistic profession overall. One of the most common negative perceptions was that online journalism has sacrificed accuracy for speed. Overall, then, it appears that most journalists do see the benefits of social media, but fewer are convinced that these new forms of digital communication will benefit journalistic professionalism.     

Cultural Journalism and Cultural Critique in a changing Media Landscape

This special issue addresses a topic of journalism studies that has previously been somewhat neglected but which has gained increasing scholarly attention since the mid-2000s: the coverage and evaluation of art and culture, or what we term “cultural journalism and cultural critique.” In this introduction, we highlight three issues that serve to frame the study of cultural journalism and cultural critique more generally and the eight articles of this special issue more specifically: (1) the constant challenge of demarcating cultural journalism and cultural critique, including the interrelations of “journalism” and “critique”; (2) the dialectic of globalisation’s cultural homogenisation, on the one hand, and the specificity of local/national cultures, on the other; and (3) the digital media landscape seen in terms of the need to rethink, perhaps even redefine cultural journalism and cultural critique.     

Solutions Journalism

The media contribute to compassion fatigue—or public apathy toward human tragedy—in part by failing to present solutions to the social problems ubiquitous in today’s conflict-based news coverage. Some journalists have attempted to address this issue through a style of news labeled solutions journalism. This experiment tests the effects of this increasingly popular approach. Results revealed that discussing an effective solution to a social problem in a news story caused readers to feel less negative and to report more favorable attitudes toward the news article and toward solutions to the problem than when no solution or an ineffective solution was mentioned. Reading about an effective solution did not, however, impact on readers’ behavioral intentions or actual behaviors. This suggests that solution-based journalism might mitigate some harmful effects of negative, conflict-based news, but might not inspire action.     

新闻文化的数学观

新闻文化与数学文化具有一种天然的一致性。本文在数学思维的视野下,概要分析了新闻文化中的诸多数学观念,特别是从模型意义,审美结构与内容,尤其是简洁美、对称美、奇异美,以及求极值、重证明等方面,提出了一些值得新闻文化借鉴的重要内容和方法。     

Innovation and Entrepreneurship: Journalism Students’ Interpretive Repertoires for a Changing Occupation

ABSTRACT

Amid ongoing disruption, discourse about journalism increasingly emphasizes innovation within the newsroom and the rise of entrepreneurial initiatives outside it. This article uses the concept of interpretive repertoires to explore how students enrolled in journalism programmes in Britain and the Netherlands understand innovation and entrepreneurialism in relation to changing industry circumstances and long-standing conceptualizations of occupational norms and behaviours. We find shared repertoires that embrace technological change, but generally within an acceptance of traditional normative practice.     

Citizen-Centered Journalism and Contested Boundaries

This article explores the existence of a “citizen-centered journalism” that sees citizens as crucial participants in the construction of news and as co-creators of their own worlds. Through qualitative case studies of three news organizations, the article examines the motivation for using a citizen-centered approach, the news routines that are required to do so, the categories of content produced, and the perceived impact of this approach. The results suggest these news organizations are working in partnership with communities and striving to give a voice to historically marginalized communities. The journalists, however, see citizen participation as complementary to professional journalistic routines that favor verifiable information, rather than assigning inherent value to it for its own sake.     

Engaged Journalism in Rural Communities

With a growing interest in audience engagement and membership models in local journalism, engagement has been positioned as the one-stone that may address the two-birds of building trust and financial sustainability. However, little is known about how these practices play out in rural areas. This case study explores the efforts of one rural hyperlocal outlet as it attempts to adapt community traditions as engagement interventions—reimagining “society columns” as community contributors, and “liars tables” as listening circles. Using a communication infrastructure theory framework, it draws from 18 interviews with journalists, participating residents, and community stakeholders to examine how these efforts have and have not affected the local storytelling network and activated existing communication assets.     

Theories of Journalism in a Digital Age

This special issue introductory article investigates contemporary notions of theory in journalism studies. Many scholars have argued that we need better ways of conceptualising what journalism is and how it develops in a digital age. There is, however, a lack of knowledge regarding what the theoretical trends within the interdisciplinary domain of journalism studies are today and to what extent contemporary inquiries into journalism are framed by emerging theories and perspectives. To fill this knowledge gap, we have conducted an analysis of more than 9000 metadata keywords and 195 abstracts found in the first 14 volumes (2000–2013) of the two most internationally acknowledged journals dedicated to journalism studies: Journalism—Theory, Practice and Criticism and Journalism Studies. The findings indicate that there has been a move towards greater theoretical awareness in journalism studies since 2000 and that the variety of theoretical approaches has increased.     

Fake News as a Critical Incident in Journalism

This study examines how American newspapers made sense of the issue of fake news. By analysing newspaper editorials and considering the problem of fake news as a critical incident confronting journalism, this study found that news organizations in the US recognize fake news as a social problem while acknowledging the challenge in defining it. They generally considered fake news as a social media phenomenon thriving on political polarization driven by mostly ideological, but sometimes also financial, motivations. Therefore, they assigned blame for the rise of fake news to the current political environment, to technological platforms Google and Facebook, and to audiences.     

What the Twenty-First Century Engaged Journalism can Learn from the Twentieth Century Public Journalism

ABSTRACT

Engaged journalism emerging today bears a striking resemblance to the public journalism movement of the twentieth century in the United States. They have similar values and spirits, believing that journalists should connect more with local communities and help create public conversation. They also share similar techniques. While generally considered a failed movement, public journalism may provide important lessons for the future of engaged journalism. Analyzing public journalism in the three major domains of journalism studies – normative, democratic, and commercial – this essay discusses how engaged journalism can learn from the missteps of its predecessor.     

Trends in Cultural Journalism

Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decades. This article charts trends in American, Dutch, French, and German film journalism between 1955 and 2005. It demonstrates that coverage is typified by a serious aesthetic approach from the 1970s onwards. The principles of art are seen to steer journalists’ attention to an important degree: the review remains the predominant journalistic genre, and newspapers devote more attention to films by prestigious directors than strictly commercial moviemakers. As such, film’s prominence in the press does not seem to indicate a decline in serious cultural journalism but rather a revaluation of a popular cultural form.