An integrated diagnostic approach for the assessment of historic masonry structures

Knowledge of the structural behaviour of existing masonry requires a multi-level approach, with the proper application of diagnostic and assessment methodologies. The structural performance of masonry wall structures can be understood provided that the history of their construction, their geometry, the characteristics of their masonry texture, and the characteristics of the masonry as a composite material are known. In order to obtain all these data, an effective on-site testing program, which can involve the application of different test methodologies as a combination of destructive tests (DT), minor destructive tests (MDT) and non-destructive tests (NDT), needs to be performed. Furthermore, the effectiveness of applied methodologies for the assessment of historical masonry structures strongly depends on the type of investigated structure, as well as on the appropriate numerical model for the analysis. However, the unclear aspects of any testing programme remain the same – how efficient is a particular testing technique, and how can it be assessed? Following the results of recently carried out EU and national research projects, a comprehensive set of data regarding the effectiveness of different testing methods, depending on the type of problem, have been collected and analyzed. Within this framework, several masonry heritage structures from Slovenia, which differ both from the historical and structural point of view (Pi?ece Castle, the Carthusian Monastery at ?i?e, and a typical stone-masonry house from the So?a Valley region), have been investigated by means of different techniques, and numerically analyzed. For this purpose, two different models were used: a push-over model based, on the structural element method, and FEM analysis. It was concluded that the effectiveness of any particular diagnostic technique for the investigation of masonry structures, and for the planning of their restoration, depends on numerous factors. An attempt to determine which of the techniques could be appropriate, depending on the problem, was made. No single test is self-sufficient for the solving of a particular problem, so a combination of different NDT, MDT and DT should be performed. Summarizing all the results, it can be said that, in the process of assessing the state of a structure, even a simple investigation technique is better than none. The effort will always be repaid - if not already in the planning stage of the restoration and retrofitting actions, then certainly in the execution stage of the revitalization works, on site.     

Desalination of masonry structures: Fine tuning of pore size distribution of poultices to substrate properties

Desalination is a relatively new intervention in the field of conservation of architectural heritage. Especially the desalination of immovable objects, such as masonry structures, is still a trial-error practice. In the field, different desalination materials and methods are used, sometimes with unsatisfactory results. Better understanding of the desalination process is needed in order to support the conservator with clear guidelines for choosing a suitable desalination material and method. The research presented in this paper constitutes the first step towards the development of a modular system of poultices, which can be adapted, i.e. fine-tuned to different types of substrates. Starting point is to make use of advection, i.e. the transport of salt ions with water flow. This transport mechanism is faster than diffusion and the application on immovable objects is relatively easy. In order to optimize salt extraction, a poultice working by advection should have smaller pores than the substrate. Starting from this principle the pore sizes of different desalination materials (sand, cellulose, kaolin and bentonite) mixed in different proportions, have been measured. Interesting results were obtained, showing that the desalination materials commonly used in the field are often not the most suitable ones. On the basis of the results, recipes for poultices, adapted to a specific substrate, can be formulated.     

A multilevel approach for the damage assessment of Historic masonry towers

In the paper some case studies of damaged towers in Italy are presented: the Tower Masserano of Palace Ferrero - La Marmora at Biella, the bell tower of the Collegiata of San Vittore at Arcisate, and three medieval towers in Alba. A methodology is put forward for combining laboratory and nondestructive testing methods with monitoring systems in order to reach the goal of evaluating the state of conservation of historic towers and its evolution in time.     

Metrological definition and evaluation of some mechanical properties of post-medieval Neapolitan yellow tuff masonry

The knowledge of the morphological and mechanical properties of masonry walls is very important for the refurbishment of ancient buildings, particularly when the requirements of both structural safety and historical preservation must be fulfilled. The masonry is not of homogenous material: its mechanical properties depend on stones, mortar, and texture which are very variable due to their dependence on the historical periods and the geographical area of the erection. For this reason, a deep knowledge of masonries built in different sites and historical periods is essential in order to evaluate both the capacities of bearing vertical load and the seismic vulnerability of the masonry structure. Three fundamental typologies of tuff masonry have been defined: they are the characteristics of different historical periods from the XVI to the XX century. The models are in full-scale in order to reproduce the three defined chronotypes. Original tuff stones quarried in the corresponding historical period, mortars similar to the original ones, reproduced according to ancient documents and original constructive techniques have been used for the construction of the specimens. Compression tests performed in displacement control have been carried out on the masonry models in order to determine the maximum resistance of the material and the corresponding strain, the ultimate strain and corresponding residual strength. In this paper, the procedure used for making the specimens and for experimentally evaluating the mechanical properties of post-medieval Neapolitan yellow tuff masonry are illustrated and the obtained results, even in terms of plastic capacity of these kinds of masonry, are reported.     

Validation of non-destructive characterization of the structure and seismic damage propagation of plaster and texture in multi-leaf stone masonry walls of cultural-artistic value

Assessment of multi-leaf stone masonry in earthquake-prone areas is mostly related to the evaluation of its texture, morphology, leaf detachment and structural cracking due to previous seismic activity, as well as disintegration due to material deterioration. For the plastered masonry with heritage or artistic value (paintings, frescoes etc.), both the type of structure and the extent of damage should be characterized with minimal interference to the structure, which could be overcome solely by non-destructive testing (NDT). However, due to the complexity of plastered multi-leaf masonry structure, the performance of well-known NDT methods could be significantly worsened. Therefore, as a prerequisite for applying NDT on multi-leaf stone masonry in practice, a validation process should be carried out. In this study, complementary ground penetrating radar (GPR) and infrared (IR) thermography measurements on plastered laboratory three-leaf stone masonry walls were performed. Apart from assessing the wall texture and morphology with the type of connection between the leaves, detection of gradual plaster delamination and crack propagation while subjecting the walls to an in-plane cyclic shear test was taken into account. The results showed that GPR could successfully visualize header stones passing through the whole depth of the specimen. The masonry texture behind the plaster could be well resolved by both methods, although GPR near-field effects worsened its localisation. For the detection of plaster delamination, IR thermography outperformed GPR by detecting delamination as small as 2 mm as well as structural crack patterns, whereas GPR only detected delamination larger than 8 mm. It was shown that the performance of both methods for defect detection could be further improved by image fusion based on unsupervised clustering methods.     

Digital preservation of Brazilian indigenous artworks: Generating high quality textures for 3D models

Three-dimensional (3D) digital preservation aims at generating 3D models of objects that have cultural or scientific value. It allows realistic visualization of objects through virtual museums or scientific applications, and the restoration of the preserved object in case of natural wear or accidents. This work contributes to this research area by presenting a method to improve color texture quality of 3D models obtained from color and depth images of a laser scanner. Although this device offers precise depth information, the resulting color information is still poor and limits the generation of realistic textures. Our approach is to capture photographs of the object with a high-resolution digital camera and use them to generate a new color texture for the 3D model. Our work proposes a practical technique, easy to replicate, to generate high quality textures for 3D models from photographs. The method is composed by three main steps: (1) calibration of the image acquisition devices; (2) data acquisition; and (3) texture generation. In this paper, we detail our color texture generation method and apply it on the digital preservation of many artworks made by native Brazilians (indians) from the Wauja and Karaja communities. These indigenous communities are acknowledged as great ceramic artists, each bearing their own main themes, using a very rich symbolism in their paintings. Their artworks represent important aspects of the native South American culture and their digital preservation is motivated by three main reasons: (1) their fragility; (2) the paintings loose their original appearance with time; and (3) the possibility of extinction of these communities. We present several results of preserved artworks with enhanced quality realistic texture maps. Also, we present a methodology to analyze the quality and accuracy of texture maps. The resulting 3D models can be visualized through a tool we developed to support the virtual exhibit of 3D preserved heritage.     

Using 3D digital models for the virtual restoration of polychrome in interesting cultural sites

In most cases, the polychrome paintings that decorated heritage buildings no longer exist or are reduced to mere remnants. These facts decontextualize the sites in their historical and artistic evolution, distort the intention under which they were conceived, and hamper their accomplishment. Current recovery methods are restricted to the stabilization of the remains in their present status, requiring a lot of completely manual work that is expensive and almost unrelated to the use of new technologies. Three-dimensional digitalization and modelling is proved to be the basis for the virtual recovery of paintings in a significant edifice. To do so, an innovative methodology is presented that allows the 3D geometric information of a site (captured using a laser scanner) to be combined with specially designed 2D artistic images. The resulting 3D digital models can then be focused, with high efficiency projectors, on the equivalent area of the original site, and also used as raw material to compose a video-projection without perspective effects to emulate, with due rigour, the primitive appearance, its evolution along time, the effects of the deterioration, or other interesting aspects. The results obtained at Sta. María de Mave (Palencia, Spain) are presented, supporting the potential of this new methodology not only as a scientific way to discuss possible restoration hypotheses with experts or as a didactic tool for narrating the historical evolution of a monument, but also as a spectacular show for tourists.     

Dimensional studies of specific microscopic fibre structures in deteriorated parchment before and during shrinkage

This paper reports the first systematic study of the dimensions of morphological changed microscopic collagen fibres in historical and new reference parchments with the aim to improve the knowledge on deterioration and the diagnosis of their damage in connection with conservation activities. The dimensions of fibres from the parchments were measured before and during shrinkage, with special emphasis on fibres with degradation characteristics designated as “pearls on a string” and “butterflies”. In addition, measurements of the total shrinkage of the length of fibres and pieces of parchment were also carried out. The observations support the assumption that in vivo transformation of the fibre structure by natural ageing is similar to that taking place when heating parchment and fibres in water. Based on statistical cluster analysis, four subpopulations of pearls representing different stages of deterioration are found. Moreover, the dimensional changes in the specific structures observed at room temperature can be related to specific temperatures in the interval of shrinkage suggesting that the hydrothermal stability of the fibres may be predicted on the basis of the ratio between length and width of the so-called pearls (P_l/P_w). The total shrinkage measured is drastic, in average around 56% for fibres and 43 to 48% for pieces of parchment depending on the direction of the skin. The total shrinkage of fibres corresponds to a mean change in the ratio P_l/P_w from around 10 to around 2.3. Finally, relations between the measured dimensions at the microscopic level with those of collagen at nanoscopic and molecular levels including known and potential chemical splitting points strongly indicate that the formation of the butterfly-like fragments formed by cleavage of two adjacent pearls in the fibre can be ascribed to chemical modification of specific tripeptides in the collagen molecule.     

Cultural heritage interactive 3D models on the web: An approach using open source and free software

Cultural heritage sites and artefacts get a significant added value from high-resolution 3D models. These models are increasingly available due to improvements in technology and to higher integration of survey techniques such as laser scanning and photogrammetry. In this paper we present a case study on the development of a web-based application for user access and interactive exploration of three-dimensional models by providing integrated geometrical and non-geometrical information into an intuitive interface. The main feature of this interactive system is to provide the user with a completely new visit experience based on a free interactive exploration interface of the object (i.e., not constrained by any predefined pathway) and on the opportunity to get more detailed information on specific parts of interest. A parallel aim achieved was to use, in data processing and in the architecture, open source tools and free software, thus providing full transparency on adopted methodology and data processing methods, and a cost effective solution both for server and client. Furthermore, the aspect of data size has been considered using a segmentation and simplification scheme and server-side data management to keep transmission size to a minimum, thus improving access speed.     

An integrated and automated segmentation approach to deteriorated regions recognition on 3D reality-based models of cultural heritage artifacts

In the field of Cultural Heritage, image analysis represents an indispensable practice for restorers to collect information about the state of preservation of monuments and artifacts and plan restoration interventions. In addition, during the last two decades, the wide spread of remote sensing technologies and the possibility to build 3D reality-based models of artifacts allow the extension of image analysis to 3D environments. In this context, the purpose of this contribution is to show the results of investigations held in order to provide a methodology for the automatic detection of deteriorated areas within architectures and artifacts using colour images as a field of examination. Using both 2D and 3D segmentation approaches, our methodology aims at speeding and efficiently performing the automatic detection of deteriorated zones within Cultural Heritage and therefore segment 3D digital models acquired using different survey technologies. Within our investigations, we selected case studies concerning recurrent deteriorations, such as, for example, detachments, cracks and chromatic alterations; we run them both to manual and to automatic recognition and selection tests, in order to compare the results obtained using these approaches and evaluate the reliability of the automatic one. Results comparison included computational and user time, quantification of the deteriorated area error between manual and automatically detected zones. Additional parameters characterizing the specific type of deteriorations were also computed for each case study. Comparison between the automatic and the manual procedure showed that the automatic detection is faster and reliable in all our selected case studies, with evident improvements in the efficient evaluation of the entity and extension of deteriorated areas on 3D geometry.     

Royalties for Artists versus Royalties for Authors and Composers

Legislation creating or reinforcing resale royalties for visual artists retains substantial political popularity – particularly in the European Union – despite the often skeptical attitude toward those rights in the economics literature. In this essay, we probe more deeply the affirmative arguments that can be made for a resale royalty right, in either a mandatory or a discretionary form. We also compare the rationale for visual artists' resale royalties with the potential rationales for the now-well-established systems of royalty rights for authors and composers. This comparison has particular interest both because some of the principal arguments made against visual artists' resale royalties also apply to authors' royalties, and because the economic rationale for compensating authors with royalties has itself not been well explored. We also discuss briefly the related subject of display rights for visual artists. We conclude with some general implications for policy.     

朋友遍天下交流结硕果——浙江省人民对外友好协会成立50周年回顾

浙江省人民对外友好协会至今已走过了半个世纪的漫漫征途.作为我省成立较早的从事民间外交工作的团体之一,省友协以增进人民友谊、推动国际合作、维护世界和平、促进共同发展为宗旨,积极主动地开展多渠道、多层次的民间对外交往,广泛交友积累了丰富的经验,为增进我省人民与各国人民间的相互了解和友谊,为促进经济文化社会等各项事业的发展作出了积极的贡献.     

草根的民星大舞台

正民星大舞台,百姓演、百姓看、百姓评、百姓乐。自2012年8月,被杭州市拱墅区推出以来,它已成为群众公共文化品牌。搭建民间的文艺舞台如何不断丰富百姓的精神生活,满足文化需求?就从百姓中寻找。俗话说"高手在民间",意思是民间有很多富有才情、更接地气的各色"范儿",有的绝活能让专业人士服     

崔巍和一座城市的艺术情感

最早知道崔巍,是舞剧《阿姐鼓》。自从在1997年的舞蹈大赛上一口气拿下七项全国大奖之后,这《阿姐鼓》此后几乎把全国的大奖都拿了个遍:文华奖、五个一工程奖……编舞崔巍的大名便也因此在圈内擂响了。只是,当时不知,这个雄伟、男性化的名字后面,居然是个清秀的小女子。 小女子崔巍长得娇小苗条,令人好生羡慕。后来才知道,这一米五八的个头,曾是她心头久久的痛。 2002年,已为杭州歌舞团副团长的崔巍,因执导雷峰塔音乐大典而再次为人瞩目。     

Towards a Research Policy for the New Europe: Changes and Challenges for Public and Private Funders

Since the late 1980s, Europe has witnesseddramatic changes in the political landscape andin daily life. Many of these changes are drivenby new developments in science and technology.At the same time, research choices are beingmade in the anticipation of economic benefits.In this context, the European Commission andprivate foundations in Europe are rethinkingtheir approaches and priorities. This paperconsiders some of the changes taking place inresearch policy, and reflects upon somereconfigurations currently underway.