锦州海洋文化发展史续探

该文运用文献与典籍研究法,介绍海洋文化的定义与海洋文化史的基本内涵,进而对锦州海洋文化发展史进行更为深入的挖掘、探究与稽考,以完善笔者2021年的研究成果《锦州海洋文化发展史略》,并愿此研究能够启迪人们更深层次地关心海洋、认识海洋、经略海洋、开发海洋与保护海洋,为锦州市乃至我国海洋文化的传播与传承,历史文化产业、海洋文化产业等相关产业的发展与繁荣,以及海洋强国与文化强国建设略尽绵薄之力。     

试论海洋强国战略背景下青年海洋文化意识的培育

海洋文化意识对于国家的海洋事业具有直接影响。青年的海洋文化意识对于构建海洋强国的进程具有较大影响,而当代青年的海洋文化意识相对淡薄。该文通过分析培养青年海洋文化意识的意义及青年海洋文化意识淡薄的原因,进而从教育引导、舆论宣传、实践探索3方面提出路径对策以促进青年树立正确的海洋文化意识。     

中国开渔节：象山节庆文化的全国品牌——感恩海洋 渔开天下

宁波市象山县三面环海,两港相拥,境内岛礁星罗棋布,港湾曲折,海岸线绵延800公里,素有＂百里海岸,千年渔乡＂之美誉。2008年象山被授予＂中国渔文化之乡＂称号,2009年被文化部命名为国家海洋渔文化生态保护实验区,2010年荣膺新世纪十年·首批中国节庆名县。     

舟山:海洋文化的国际盛宴

中国舟山,锣鼓、渔歌号子、旗语鱼灯……爱尔兰踢踏舞、法国康康舞、黑人说唱、夏威夷草裙舞、非洲原生态打击乐、阿拉伯肚皮舞……2013舟山群岛·中国海洋文化节《约定·海那边》。6月16日夜,舟山定海海滨,灯光璀璨,热闹非凡。巨型的电子屏上,蓝天、白云、海鸥、海浪……勾画出让人浮想联翩的浪漫梦想。一声汽笛长鸣,"美丽海洋梦想"号巨轮驶入人们的视线,它承载着一个海上古城绵延久远的历史变迁,表     

历史和国际视野下的中国海洋文化自信建构

中国是陆地文化与海洋文化同构的国家,但中国的海洋文化因多重因素在整体上被遮蔽,从而导致国际国内对中国海洋文化存在无视和误识。从历史视野上来分析,中国的海洋文化历史悠久,辉煌灿烂;从国际视野上来分析,中国海洋文化具有西方海洋文化无可比拟的优势。中国海洋文化自信的树立及重塑对提高国家软实力和建设海洋强国具有重要意义,我们要通过多种途径深入认识中国的海洋文化,提高全体国民的海洋文化自信,更好地实现中国海洋强国梦。     

以海洋文化为载体,大力发展舟山旅游经济

文章介绍了舟山海洋文化的现状表现,分析了舟山海洋旅游经济存在的问题,结合舟山海洋文化资源优势的特点,提出了抓住国家大力发展海洋经济和舟山大桥经济的机遇,大力发展舟山旅游经济的具体建议.     

“一带一路”视阈下广西北部湾海洋文化传播现状与创新对策

“一带一路”倡议和“海洋强国”战略的实施,为广西北部湾海洋文化的发展和传播带来了生机,为了更好地传播广西海洋文化,首先要对当前广西海洋文化传播的现状进行充分了解,从而针对目前广西海洋文化传播现状中存在的问题,提出对应的建议及发展策略,进而促进广西北部湾海洋文化的传播,进一步带动广西北部湾经济区的发展。     

舟山:海洋文化打造幸福海岛

今年8月15日,舟山定海新城热闹非凡. 热闹的节庆活动、嘹亮的渔歌号子、走马灯似的民间艺术团,营造了喜庆的海岛节庆的氖围——这是为期两个多月的"2012舟山群岛·中国海洋文化节"闭幕式.旁人告诉我,多年来,这一国字号的文化节,凭借深厚的海洋文化底蕴,演绎了舟山的历史张力,并由此提升了舟山的软实力. 今年的第八届"舟山群岛·中国海洋文化节",历时两个多月,其间陆续举办了海洋生物增殖放流、国际游艇展、海鲜美食争霸赛、海洋歌会等18项"海味"十足的活动.正如相关媒体所评价的:这一平台,已经越来越成为海洋文化的民众推广者.     

海洋强国视域下非遗调顺网龙的传承与保护研究

该文以“调顺网龙”文化为切入点,通过研究调顺网龙的社会价值及海洋龙文化,发现调顺网龙具有发展海洋文化的价值取向,阐述其对海洋精神的凸显,分析其富有激情浪漫的海洋文化审美意蕴、蕴含的浓郁海洋文化特色。可见调顺网龙承载着积极的时代意蕴,代表着中华民族独特的审美旨趣,蕴藏着文化深意,折射出中华民族的精神实质,这对于发展海洋文化、强化国人的海洋意识和海洋观念具有重要的现实意义,推动着海洋命运共同体建设,进一步实现海洋文化自信。最后,基于非物质文化遗产调顺网龙的传承与保护提出3点可行办法,进一步阐述调顺网龙的实际应用价值。     

生态博物馆:对传统文化的保护还是冲击

生态博物馆自20世纪70年代发源于法国,至今已历经30年,在不少国家都可以发现它的顽强实践。但不可否认的是生态博物馆的发展并不是如创建者和支持者们期待的那样,拥有一个令人振奋的局面,相反是在艰难的实践中起伏。     

博物馆之岛:岱山

浮现在浩瀚烟波中的岱山岛,是东海的一颗明珠,岛上物产丰富,风光旖旎,一直受到人们的青睐。近年来,又由于这个岛十分重视弘扬海洋文化,建立了一个个独特的海洋博物馆,因而更引起了国内外新闻媒体的关注。许多海内外媒体都将岱山的海洋博物馆作为新闻中的一个亮点,中央电视台、凤凰卫视、人民日报、新华网、香港文汇报、香港大公报等对岱山海洋博物馆的报道总量已达数百篇之多,其中浙江卫视在“浙江告诉你”海外栏目,以“感受海洋博物馆”为主题,对岱山海洋文化进行深度报道,凤凰卫视北美台、凤凰卫视欧洲台、澳大利亚悉尼中文台、新西兰金水…     

Superstar Museums: An Economic Analysis

Superstar museums are characterized by (1) great prominence among tourists and world fame among the general population; (2) a large number of visitors; (3) a collection of generally known painters and individual paintings; (4) an exceptional architecture; and (5) a large role of commercialization, including a substantial impact on the local economy. The superstar phenomenon is caused by factors both on the demand and the supply side of the market. Superstar museums are forced to offer total experience to the visitors; they have to relate to events in history, technology, politics, films and TV, and they have to provide for everything from education, food, gifts, shopping to entertainment. The development of superstar status strongly affects museum policy. The strategic orientation emphasizes visitors' demands; the organization has to be decentralized into processes each devoted to particular segments of visitors, to special exhibitions or support activities. There are also major consequences for human resource management, in particular, relating to flexibility and staff composition of paid employees and volunteers.     

The Economics of Museums: A Research Perspective

This paper examines the contribution economic analysis can make to the study of museums as productive organisations, and considers some related policy issues. The paper also suggests areas where research by economists might prove most fruitful.     

Art Museums: Collections, Deaccessioning and Donations

This paper looks at three issues: the functions of art museums, the role of deaccessioning in this context and the importance of donations of works of art in contributing to the collection function. Donor restrictions it is argued should not be allowed to unduly influence the policy of an art museum, including that in relation to deaccessioning: this is especially the case given that often the state has paid, in the form of a tax expenditure, for the bulk of such donations.     

Neither Public Nor Private: The Hybridization of Museums

This paper takes a preliminary look at the hybridization of museums – the creation of a variety of mixed forms of governance incorporating both public and private governing authorities. Using data from three national surveys of American museums, the analysis documents the mix of types of governing authority and demonstrates how this mix varies across location, over time, and by museum type. The paper then estimates the extent of hybridization using several different indicators and speculates about its implications. The United States offers a particularly informative case because the general view is that American museums are (1) either public or private and (2) predominately private. While the second part of this view may still be a useful characterization of American museums, the first is no longer a particularly helpful way of understanding American museums, or, by extension, other cultural institutions, American or not. It is increasingly necessary to view cultural institutions through the lens of hybridization rather than privatization in order to improve our ability to document and predict their institutional behavior.     

家庭收藏馆遍布上海

收藏是一种情趣盎然的文化活动,上海的家庭收藏馆占了全国半数之多,有“半壁江山”之誉。据上海收藏欣赏联谊会会长吴少华先生说,目前上海热衷于收藏的人数有30万,已建立的家庭收藏馆有70余家!上海家庭收藏馆的藏品种类繁多,计有书籍杂志、金石书画、陶瓷玉器、文房四宝、摄影图片、商标票证、鱼鳞蝴蝶、古今钱币、贝壳怪石以及算盘、筷子、酒瓶、钮扣、绣鞋、古匣、钟表、铜锁、奖章等等,多达200余个门类。 凡为家庭收藏馆主,可说个个皆为痴迷者,他们“衣带渐宽终不悔,为伊消得人憔悴”!     

盈藏呈祥的馆藏精品展

文化部全面开展全国美术馆藏品普查,这是一项影响广泛、效应持久的系统工程.浙江省美术藏品普查工作于2016年11月完成,共计普查藏品数量94889件.为展示全省美术馆藏品普查的成果,特遴选展出全省27家美术馆馆藏精品100件,于2017年1月5日至2月19日,在浙江美术馆举办"盈藏呈祥——全省美术馆馆藏精品展".这是一场真正的"跨年"大展,也是浙江全省美术馆(艺术馆、纪念馆)"镇馆之宝"的集体亮相.     

揭开萨摩亚人的面纱

西萨与东萨——“打断骨头还连着筋” 萨摩亚群岛是南太平洋一处古老而神秘的火山群岛。在21世纪到来的时候,许多游客到萨摩亚的海边观赏20世纪最后一抹夕阳,因为这里是夕阳西下最晚的地方。萨摩亚人在此繁衍生息3000余年,处于原始部落状态的萨摩亚人穿“树叶裙”或“草裙”,吃香蕉、芋头、面包果等热带植物,住有顶无墙的“法雷”。     

Communication Productivity: A Major Cause for the Changing Output of Art Museums

Art museum output changes away from collection maintenance to display events and to the sale of add-on goods. What is the driving force? A series of theoretical explanations are tested: technological changes which favor new input combinations and thus arrive at a changed output; changes in the relative price structure; income flows and their relation to the productivity of the different museum output segments. It will be claimed that changes in the ability of art museums to become productive as part of a communication network are the major driving force of the output change.     

The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums

Italian state museums are characterised by a rigid bureaucratic structure and are almost completely financed by government transfers. In this paper we develop a simplified two-stage model in an attempt to explain how the government's preferences for differentiated museum functions may affect museum organisation. The model shows that the government prefers that complementary functions (e.g., conservation and scientific research) be produced by a single museum, whereas it prefers that substitutable functions (e.g., conservation and access by the general public) be produced by two museums. We use this prediction for an empirical analysis of the organisational structure of Italian state museums. On the basis of the unique ISTAT census of the Italian museum system, we test with two separate probit models the probability of observing in a state museum the concentration of either scientific activities of conservation and research or promotion activities for education and the general public. Higher classes of centralisation for the state museums are also considered by means of an ordered probit model. The results seem to suggest that the Italian state museum structure, as surveyed in the early 1990s, fully reflected the traditional policy model viewing museums as institutions devoted to conservation, scientific research and education. JEL-Classification: D73, Z11