国外博物馆、图书馆、档案馆合作现状

国际上有关博物馆、图书馆、档案馆合作的研究已持续了相当长时间,我国三馆合作的研究与实践尚在起步阶段,本文介绍了近五年来部分国家三馆合作的现状,提出三馆合作具有以技术为支撑、广泛的参与性、贴近公众需求的特点。启示我国三馆合作的开展应以理念、政策、技术三方面为着力点。     

图书馆与博物馆公共休闲服务合作初探

图书馆与博物馆具有广泛的合作基础和广阔的发展前景。休闲时代人们的价值观、生活方式、休闲方式都发生很大变化,作为社会公众休闲服务体系一部分的图书馆和博物馆,需要寻求新的立足点,实现资源和服务的最优化组合、在数字化、休闲环境改造等方面"跨馆际合作",提供多元化和精细化的服务以吸引用户。     

“图文博美”四馆协同服务之研究

公共图书馆、文化馆、博物馆和美术馆之间处于一种条块分割、分散管理的状态,很少开展具有一定深度和广度的交流与合作。文章分析了“图文博美”四馆开展协同服务的必要性和可行性,阐述了如何实现公共文化服务机构之间的协同服务,并介绍了江门地区文化场馆开展资源共享和联合服务的工作实践。     

中国旧石器考古与博物馆事业的奋斗者——裴文中先生

裴文中先生是我国著名的地质学家、古生物学家、史前考古学家、博物馆学家,不仅在旧石器考古学、第四纪哺乳动物学和生物地层学等科学领域取得了丰硕的学术成就,而且在中国现代博物馆事业上功勋卓著。他精心培养后学,为我国地质古生物和古人类事业以及博物馆事业的发展铸就了坚实的人才基础。他留下了丰厚宝贵的精神财富,让后人取之不尽、用之不竭。     

Museums,Corporatism and the Civil Society

Abstract The prevailing worldview in North America is grounded in the belief that continuous economic growth is essential to individual and societal well‐being. One result of the dominance of this worldview is the rise of museum corporatism, characterized by the primacy of economic interests in institutional decision making. This paper provides a critical overview of the growing dominance of marketplace thinking in museum affairs, and argues that this market‐oriented viewpoint is enfeebling or diverting otherwise competent museums from realizing their unique strengths and opportunities as social institutions in civil society. The meaning and implications of the “civil society” are discussed with particular reference to museums, along with several examples of museums and galleries that are currently playing key roles as agents of the civil society. This paper contends that departing from the status quo of marketplace imperatives opens the door to more creative definitions of museums as social institutions. Rather than becoming more like businesses, museums must exploit their uniqueness, resisting the domination of marketplace thinking, and testing alternative means of achieving meaning and sustainability within their communities.     

University Natural History Museums: The Public Education Mission

University‐based natural history museums are specialized cultural institutions that serve diverse constituencies. On one hand, these museums promote scientific research and collections through the work of curators and students and must advance the universities' missions. On the other hand, they must provide exhibition and public programs for the local community, or if they are a state museum, serve the citizens of the entire state through these activities. The challenge for university‐based natural history museums is to achieve a balance among their activities and services, given available resources. In the twenty‐first century, university natural history museums must further adapt by promoting social awareness of topics such as biodiversity and fostering learning in informal and formal settings. The Florida Museum of Natural History, an official State museum located at the University of Florida, is a prime example of a comprehensive university museum with a broad spectrum of programs that promote and enhance learning activities.     

Museums, plasticity, temporality

Throughout the 28th century, numerous philosophers of history and time have questioned the most ingrained of all our beliefs: does time progress in a linear way and is the future simply the next chapter in this narrative?² This essay proposes to rethink the future of museums outside of this narrative structure, one for which the future is reduced to words such as projection, prediction and prophecy. It asks: in an age of globalisation, can the museum still think of the future as the outcome of a chronological narrative? This essay takes one recent attempt (by the philosopher Catherine Malabou) to destabilise—again—this belief, and proposes to reveal the impact that this attempt could have on the museum's understanding of time and its place within it.     

科技馆微信公众号的现状与发展建议——基于全国174个科技馆微信公众号的统计数据

本文采用网络搜索、文献检索、数据统计等方法,从开通账号、推送信息、提供服务三个层面对我国174个科技馆微信公众号进行分析,总结不足之处,并提出发展建议:以管理革新为动力,提升微信公众号的运营水平;以用户体验为中心,强化微信公众号的内容创作和传播能力;以数字技术的创新应用为突破,丰富微信公众号的服务功能。     

网上博物馆与传统博物馆

一、网络和博物馆一些媒体开始了新世纪倒计时,21世纪离我们越来越近,“网络”成为报纸、杂志和电视台使用频率最高的词汇之一。据说在中国,“上网”一词在近年所有流行词汇中名列前茅。今年1月ＣＮＮＩＣ(中国互联网络信息中心)公布的统计数,中国互联网用户截止到1999年底有890万,4月5日中央电视台晚间新闻播报的数字已经超过900万。根据ＩＤＣ预测,到2004年,中国互联网用户将发展到3989万。另外,2000年3月30日,我国第一个互联网交换中心———北京中国互联网交换中心正式开通,中国主要互联网间互联带宽由原来不足10兆比特每秒提高到100兆…     

基于网络评论的高校博物馆公众体验研究

本文利用量化、质化内容分析方法,对国内外134所高校博物馆的空间分布、访客感知热点、大学/博物馆教育属性融合、休闲/教育社会功能、教育学习的情感体验影响因素等五方面进行分析。公众对国内外高校博物馆整体评价较高,其中,产生积极体验的影响因素,国内源于激发文化自信的身份认同,国外在于信息化完备、周边服务完善和感知自我社会地位提升;产生消极体验的影响因素,国内主要在于参观不便、展品管理不当、安全管理缺失和服务水准不足,国外则在于讲解服务不足、性价比低等。     

Museums and the Living Artist

During the past two decades, relationships between artists and museums have changed in subtle, but significant, ways. Artists have become more fully integrated into the day-to-day workings of the art museum, whether as employees, guest curators, or even as members of decision-making boards. A new awareness of museum ethics in the 1980s has led to questioning of some common practices, and issues such as censorship have come to the fore. What has emerged is the growing realization on the part of both museums and artists that their fates are inextricably linked.