Reading and Reinterpreting Picture Books on Children’s Television: Implications for Young Children’s Narrative Literacy

Bookaboo is a television programme aiming to promote literacy and reading among young children. In each episode, a celebrity reads a book to Bookaboo, a dog who plays the drums in a rock band, in order to help him overcome stage fright. Using the episode featuring the picture book (Cowell and Layton in That Rabbit Belongs to Emily Brown, 2006) as a case study, this article explores how this type of adaptation of picture books transforms the original narrative, with implications for children’s developing narrative literacy. Taking a multimodal social semiotic perspective, this study investigates the changes in meaning which result from the employment of semiotic resources such as animation, sound, and camera movement in the representation of the book on the television show. We argue that the deployment of such resources can subtly reshape the meanings expressed through the modes of language and images in the original picture book, potentially affecting the child viewer’s engagement with the narrative. Examining the use of these resources in the picture book’s televisual representation is thus an important first step towards developing frameworks for evaluating the ability of television programmes that incorporate picture book reading to support children’s literacy.     

Families’ Selection of Children’s Literature Books

This study examined families’ choices of children’s literature books for joint story reading. Teachers, parents, and their children from five kindergarten classrooms participated in the study. Over a 4 months period, family members joined other parents twice a week to learn and practice story reading techniques. They selected children’s literature books that were of interest to both of them and their children and were developmentally appropriate. Family members were interviewed and responded to a questionnaire before the intervention. The results provided insight in relation to the parents’ perceptions about literacy, reading with families, and story reading. All members of the families read to their children frequently or daily and engaged the children in conversations about the books read. The books chosen to be read to the children were categorized by genre, with modern fiction being the most popular genre.     

Pictures in Pictures: Art History and Art Museums in Children’s Picture Books

Children’s picture books that recreate, parody, or fictionalize famous artworks and introduce the art museum experience, a genre to which I will refer as “children’s art books,” have become increasingly popular over the past decade. This essay explores the pedagogical implications of this trend through the family program “Picture Books and Picture Looks” conducted at the Art Institute of Chicago. Program sessions were observed to learn the extent to which picture books featuring the painting A Sunday on La Grande Jatte—1884 (Seurat) informed and impacted children’s experiences with the original artwork. The books Katie’s Sunday Afternoon (Mayhew, 2005), Babar’s Museum of Art (De Brunhoff, 2003), and Willy’s Pictures (Browne, 2000) provided the foundation for the program. In addition to these three books, The Dot (Reynolds, 2003), which does not include a reference to La Grande Jatte (Seurat, 1884–1886), acted as a “control” variable. This research demonstrates that while most picture books can be used to establish a level of comfort in an environment that is new to children, those that directly referenced the painting provided a base level of knowledge from which children could confidently draw upon encountering the original work. The research further indicated that, when used in conjunction with original artworks, children’s art books provide unique and distinct entry points for talking about art. The inclusion of artwork in children’s picture books elicits an enthusiasm and recognition that enhances the museum experience, and such books can be effective tools for enabling reflective, imaginative experiences with art.     

Mappaemundi,Maps and the Romantic Aesthetic in Children’s Books

This article considers the extent to which medieval mappaemundi are an important precedent for literary cartographies in fiction for children. It connects the notion of embeddedness to Peta Mitchell’s (2011) suggestion that mappaemundi refused to entertain the later, post-Enlightenment cartographic distinction between subject and environment, positing instead the “absorption” of the medieval subject into the religious medieval world space. The article documents some of the visual conventions that maps in children’s literature have appropriated from mappaemundi. In doing so, it articulates the contradictions inherent both to ecological rhetoric and cartographic space and the visual lexicon of maps included with children’s books, which contribute to a rhetoric of ecomimesis. The article argues that maps in children’s literature are invested in a rhetoric of ecomimesis, that we are, as Timothy Morton (2009) has it, “embedded” in Nature, and that this embeddedness conceit threatens to forestall critique in that it reproduces the related oppositions of culture/Nature, subject/object and subject/environment even as it appears to collapse their respective terms. In the process, it considers maps in Daniel Defoe’s Robinson Crusoe (2007/1719), the Alderley Edge books of Alan Garner, Arthur Ransome’s Swallows and Amazons (2012/1930), and Rosemary Sutcliff’s Outcast (1998/1955).     

Leaving a Choice for Others: Children’s Evaluations of Considerate,Socially-Mindful Actions

People value those who act with others in mind even as they pursue their own goals. Across three studies (N = 566; 4- to 6-year-olds), we investigated children’s developing understanding of such considerate, socially-mindful actions. By age 6, both U.S. and Chinese children positively evaluate a character who takes a snack for herself in a way that leaves a snack choice for others over a character who leaves no choice (Study 1), but only when the actors had alternative possible actions (Study 2) and when a clear beneficiary was present (Study 3). These results suggest an emerging ability to infer underlying social intentions from self-oriented actions, providing insights into the role of social-cognitive capacities versus culture-specific norms in children’s moral evaluations.     

Whitewashing Nature: Sanitized Depictions of Biology in Children’s Books and Parent–Child Conversation

The biological world includes many negatively valenced activities, like predation, parasitism, and disease. Do children’s books cover these activities? And how do parents discuss them with their children? In a content analysis of children’s nature books (Study 1), we found that negatively valenced concepts were rarely depicted across genres and reading levels. When parents encountered negative information in books (Studies 2–3), they did not omit it but rather elaborated on it, adding their own comments and questions, and their children (ages 3–11) were more likely to remember the negative information but less likely to generalize that information beyond the animal in the book. These findings suggest that early input relevant to biological competition may hamper children’s developing understanding of ecology and evolution.     

Biological Evolution and Children’s Books: Whimsical Storytelling and Darwinian Origins

Science & Education -     

Correction to: Examining Agency in Children’s Nonfiction Picture Books

Children's Literature in Education - In the original publication of the article unfortunately contained a mistake in the name of co-author Vera Sotirvoska.The correct name should be Vera...     

Children’s and Adults’ Views of Punishment as a Path to Redemption

The current work investigated the extent to which children (N=171 6- to 8-year-olds) and adults (N = 94) view punishment as redemptive. In Study 1, children—but not adults—reported that “mean” individuals became “nicer” after one severe form of punishment (incarceration). Moreover, adults expected “nice” individuals’ moral character to worsen following punishment; however, we did not find that children expected such a change. Study 2 extended these findings by showing that children view “mean” individuals as becoming “nicer” following both severe (incarceration) and relatively minor (time-out) punishments, suggesting that the pattern of results from Study 1 generalizes across punishment types. Together, these studies indicate that children—but not adults—may view punishment as a vehicle for redemption.     

Navigating Worlds of “Trouble and Woe and Worse” in Children’s Literature: An Exploration into the Double Text of Tony Kushner and Maurice Sendak’s Brundibar

In this article, the author explores the richly layered double text of Kushner and Sendak’s picturebook, Brundibar (2003)—the historical context of Brundibár as a Holocaust-era children’s operetta by Hans Krása and Adolf Hoffmeister, and the present day manifestation of Brundibar as a children’s picturebook. In order to contextualize the discussion of Kushner and Sendak’s text, Brundibar’s historical origins in Nazi-annexed Czechoslovakia and its transition to the stage in the Nazi “model” concentration camp, Terezín, is presented. An extensive semiotic analysis of Kushner and Sendak’s illustrations and text is also provided within the framework of what Kushner (The art of Maurice Sendak: 1980 to the present, 2003) terms “a world of trouble and woe and worse” (p. 210). Furthermore, the author discusses the development of Sendak’s Hitlerian Brundibar and the struggles that both Kushner and Sendak faced as they considered how to portray the story’s antagonist, given their somewhat differing conceptions of which difficult themes and topics children should be exposed to during childhood. To round out this discussion, the author explores pedagogical implications for teachers as they read difficult texts, particularly Holocaust texts, with children.     

The Progress of Sugar: Consumption as Complicity in Children’s Books about Slavery and Manufacturing, 1790–2015

This paper analyzes “production stories,” a genre of information literature and media responsible for teaching children how everyday things are made. As nineteenth-century families increasingly consumed tropical commodities produced by slave labor, including sugar, tea, coffee, rum, and tobacco, the production story developed in Britain and the United States as a way to explain to children where everyday household goods originate, making global trade networks visible in the home. These “production stories” developed strategies for raising or eliding ethical questions posed by who makes things, under what conditions, and for whom. Focusing on stories of sugar production, I find that production stories reveal surprising details about technical processes for making things, but conceal the human cost of production. They also end with consumption, when children use the products, symbolically affirming the conditions under which they were made. Drawing on scholarship from the history of technology and the history of the Atlantic slave trade, I contend that problematic representations of manufacturing processes feed into and support whitewashed histories for children. I conclude by analyzing contemporary picturebooks that resist certain genre patterns and encourage positive identification with enslaved black characters, who like child readers, are at once makers, readers, and consumers.

     

Teachers’ and Children’s Perceptions of Creativity In High- and Low-Anxious Children

Abstract

Expectations of citizens for the role of the school board with respect to four educational concerns were examined with educational attainment and family income of citizens as independent variables. The population for the study was 1,794 citizens in twelve Wisconsin school districts. Citizens were placed in one of five education and one of five family income groups and mean expectation scores were treated statistically with analysis of variance and the Sheff6 post hoc means test. Expectation scares were obtained from responses to four sets of interview questions scaled from conservative to liberal. Generally, the higher the educational attainment and family income of citizens, the more liberal were their expectations for the role of the school board.     

Differences between Children’s first Language Acquisition and Adults’ second Language Acquisition

Discuss the differences between children’s first language acquisition and adults’second language acquisition from four aspects:age, motivation, environment, learning process and content in order to help adults to learn L2 more efficiently by applying some of the knacks for L1 to L2.     

Boys Write About Boys: Androcentrism in Children’s Reading Experience and Its Emergence in Children’s Own Writing

Gender bias exists in our language environment. We investigated personal name usage in two large corpora of language written for and by U.K. children aged 5–13. Study 1 found an overrepresentation of male names in children’s books, largely attributable to male authors. In stories written by over 100,000 children, Study 2 found an overall male bias that interacted with age. Younger children wrote more about their own gender. With age, girls became more balanced yet boys continued to show a strong male bias. Our findings demonstrate a male-centered bias in both children’s books and their own writing. We consider the power of written language to both shape and be shaped by cultural stereotypes via systematic biases in gender associations.     

Children’s Knowledge of Symbolic Number in Grades 1 and 2: Integration of Associations

How do children develop associations among number symbols? For Grade 1 children (n = 66, M = 78 months), sequence knowledge (i.e., identify missing numbers) and number comparison (i.e., choose larger number) predicted addition, both concurrently and indirectly at the end of Grade 1. Number ordering (i.e., touch numbers in order) did not predict addition but was predicted by number comparison, suggesting that magnitude associations underlie ordering performance. In contrast, for Grade 2 children (n = 80, M = 90 months), number ordering predicted addition concurrently and at the end of Grade 2; number ordering was predicted by number comparison, sequencing, and inhibitory processing. Development of symbolic number competence involves the hierarchical integration of sequence, magnitude, order, and arithmetic associations.     

Children’s early numeracy in England,Finland and People’s Republic of China

This research investigated the similarities and differences between countries in young children’s early numeracy skills related to age, culture, and gender. The participants were five‐year‐old children from Beijing (People’s Republic of China), England, and Finland. The rationale for the cross‐cultural comparison originates from research results with older children showing that Asian children outperform children from America or Europe, and from the lack of such information concerning younger children. The results showed that in all locations older children performed better than the younger children. Cultural differences were found: young children from Beijing outperformed those from England and Finland in overall early numeracy performance, as well as in sub‐tests for understanding of quantities and relations (i.e. relational skills), and counting skills. Finnish children had better scores than English children in the whole early numeracy scale and in the relational scale. The results are discussed in relation to culture, instruction in preschools, and learning support at home, as well as the effects of language characteristics. The culture’s appreciation of and approach to mathematics learning in early childhood is a plausible explanation for the cross‐cultural differences found in this study.     

Nature of Interactions Among Young Children and Adult Caregivers in a Children’s Museum

This naturalistic, qualitative study examines the nature of child- and adult-led interactions in a children’s museum. Using dialogic learning as a theoretical framework, the study examines how children and adults engage in interactions while learning at a museum. Findings suggest that children and adults are almost equally likely to lead interactions; however, most child-led interactions are qualitatively different from adult-led interactions. Children are more likely to show-and-tell about their experiences and learn by asking questions and commenting about their play. Adults are more likely to teach by telling, prompting, and reporting a child’s activities. Children and adults also are equally engage in pretend play during their interactions. Leveraging these findings, recommendations are made for museum exhibit space design.