Does Shame Still Prevail in China and Guilt Prevail in the U.S.A?

This study examined whether Chinese and Americans varied in guilt and shame. A 2 (relational closeness: friends vs. acquaintance) × 3 (targets of harm: self only vs. self and the other vs. the other only) × 2 (country: China vs. U.S.) between-subject factorial study was conducted. Results showed regardless of cultures, the extent of damage caused by transgression significantly predicted guilt and shame, whereas relational closeness between a transgressor and a witness did not have an impact. U.S. participants exhibited stronger guilt and shame compared to Chinese on scaled items; Chinese participants had more open-ended shame expressions than U.S. participants.     

‘A Million Little Bonds’: Infidelity,Divorce and the Emotional Worlds of Marriage in British Women’s Magazines of the 1930s

This article examines infidelity discourse within women's magazines of the 1930s. Marking a departure from existing studies that have explored representations of ideal marriage, it uses discussions of marital breakdown as a lens through which to consider conceptualisations of love within marriage. It demonstrates how, in the interwar period, notions of mutual emotional investment were used to reinforce marriages that were deemed to be in breakdown. Muddying the perceived binary between individuals and the institution of marriage, this research highlights how the latter could be bolstered, rather than challenged, by recourse to the emotional worlds of spouses.     

‘Are You Really Living?’ If Not, ‘Get With It!’

ABSTRACT

Young women were harbingers of social change in postwar Britain; this article addresses discourses that informed their sense of self and expectations. It focuses on magazines produced for, and read by, young women in their mid-to-late teens and early twenties as a prism through which to explore ideas about the teenage self and lifestyle between 1957 and 1970. It argues that a distinctive feature of these magazines was a new ideal of young womanhood that resonated with late-modern discourses of self-discovery and self-fulfilment and which necessitated a lifestyle characterized by independence, experience and opportunity. Though an attractive ideal, it was also problematic for young women and potentially frustrating.     

Young Adults’ Trait Affection Given and Received as Functions of Hofstede’s Dimensions of Cultures and National Origin

Based on the work conducted by trait psychologists, this cross-cultural investigation sought to examine young adults’ trait affection given and trait affection received in the U.S., Russia, and Slovakia as functions of (a) Hofstede’s four primary dimensions of national cultures (i.e. masculinity–femininity, individualism–collectivism, uncertainty avoidance, and power distance), and (b) national origin. Undergraduate students (N = 558) from the U.S. (n = 214), Russia (n = 169), and Slovakia (n = 210) completed a questionnaire in their native languages. The results of regression analyses and analyses of variances supported the notion that the four dimensions of national cultures influence people’s trait-like attributes and therefore also result in significant differences among the three countries examined in this investigation.     

Seeing the Communist past through the lens of a CIA consultant: Guy J. Pauker on the Indonesian Communist Party before and after the ‘1965 Affair’

Abstract

This paper explores Guy J. Pauker’s works on Indonesia in the 1960s, particularly the ones concerning the Indonesian Communist Party (PKI) before and after the killing of six top Army officers on 30 September 1965 (called the ‘1965 Affair’ for short). Of Western scholars working on Indonesia in 1960s, Pauker was indeed infamous. Being a consultant for the CIA‐sponsored RAND Corporation has made his academic integrity doubtful. In addition, his active roles in several historical events in Indonesia in the 1960s have given his scholarship a bad reputation. Consequently, it is his name, rather than his works, that has often been mentioned and associated with what happened in Indonesia in the 1960s. However, this paper argues that precisely because of such a position, his pre‐‘1965 Affair’ works were to give a cool report and analysis of the current history, through which one can understand better the PKI before it was exterminated due to being accused of masterminding the killing of six top Army officers. Through these works the narrative of the Communist past can ironically be freed from the demonizing image constructed by the New Order regime. Yet, his post‐‘1965 Affair’ works were not only in parallel with, but also a part – if not the core – of the demonization as such. Through his ways of seeing the PKI in 1960s, one can see the shift from Baconian knowledge/power to Foucaultian power/knowledge relations.     

Fear and Rumour in the People's Republic of China in the 1950s

ABSTRACT

The article explores the nature of popular fears during the early years of the People's Republic of China by examining two types of rumour: those of a ‘secular’ type that told of China's defeat in the Korean War, a third world war or an imminent nuclear attack; and those of a ‘supernatural’ type that told of demons out to snatch vital organs or the end of the world. These rumours testified both to the resilience of ancient cosmological beliefs and values and to their capacity to fuse with elements of ‘modern’ politics. The article asks what they tell us about the relationship of the party-state to the populace.     

The eloquence of the taciturn: an essay on Hou Hsiao‐Hsien

Abstract

Dust in the Wind, a color film set in the verdant mountains of Taiwan, includes two scenes almost identical to the black‐and‐white and silent films by the Lumières, shot at the end of the nineteenth century: Arrival of a Train at La Ciotat and Passage Through a Railway Tunnel. As Hou’s mise‐en‐scène consists of the fixed camera angle with its long takes, it is the means of transportation that brings motion to the film, controlling dramatic elements of each work. The luxury cars, which appear in his first three romantic comedies, symbolize the rich and the motorbike the common people. The drivers are all young women, but an automobile cannot be a setting for love. In Daughter of the Nile and Goodbye South, Goodbye, the cars offer no protection to men trying to escape. Compared with the thematic negativity that the automobile possess in Hou’s universe, the motion of the passing trains, taken from many angles, offers rich and profound significations. When the camera is inside the train, the protagonists are taciturn, such as the two adolescents in Dust in the Wind who show their intimacy with each other without saying words. When the camera is next to the tracks or on the platform, the situation changes. In A Time to Live, A Time to Die, Hou depicts the grandmother sitting next to her grandson at a shop by the train and sipping sweet ice while behind them passes a freight train that emphasizes the anxious solitude of the old woman exiled from her homeland. A sublime depiction of the sense of powerlessness of both the deaf‐mute photographer and his family before a passing train is the scene on the deserted platform in A City of Sadness. In Café Lumière, the young woman and her friend in the passing train recognize how valuable they are to each other without saying words. This taciturnity suggests a certain kind of love that needs no sexual language.     

Making Sense of the Online Forum Posts of Two Books on Zheng He’s Voyages

This paper studies the online forum posts at the websites of Amazon and Goodreads of two books on Zheng He’s voyages. The findings are threefold: First, most of the online forum participants play their due roles and satisfy the six conditions of Dahlberg’s model of an ideal online public sphere. Second, the emerged themes match the six conditions of Dahlberg’s model. The readers’ reviews at the two Western social media websites are mostly positive and rational. Implications of the study are also discussed.     

The way our generation imagined the world

Abstract

This paper tells the worldview of a generation that grew up in the Communist revolutionary ideology. For the people of this generation, the world was always divided into two worlds, the East and the West. Throughout China’s modern national history, the West, led by the United States, has been the imperialist aggressor and invader; on a global scale, it has been the hegemonic power that rejected and blockaded China; in social structure and ideology, it was capitalist, countering socialist China, and ever ready to subvert the New China. According to Mao Zedong’s three‐pronged theory of ‘enemy, friends and us,’ the West belonged to the ‘enemy’ side. The Bandung Conference in 1955, and prior to it, the Peace Conference for Asia and the Pacific Region held in Beijing, had a great impact on high‐school students in Mainland China. We viewed these conferences as promising signs that the New China would rid itself of isolation, and felt very close to those countries of ‘neighbors and friends.’     

“To Reach the Lands of Freedom”: Petitions of Polish Displaced Persons to American Poles,Moral Screening and the Role of Diaspora in Refugee Resettlement

ABSTRACT

In 1949, in the wake of the USA’s Displaced Persons Act of 1948, the American Committee for the Resettlement of Polish Displaced Persons received thousands of letters from refugees of peasant and worker background residing in camps in Germany and Austria. These potential immigrants appealed to the Polish diaspora for help with securing assurances of accommodation and work which would enable them to resettle in the USA. This paper investigates the discursive strategies of the authors and the wider meanings of their emigration endeavour. Firstly, it demonstrates that non-elite Displaced Persons (DPs) adopted the language of martyrology, patriotism, anti-Communism and freedom to maximise their chances of emigration. These DPs did not evoke the language of rights as they appealed to the traditional network of support, based on benevolence and familiarity. Secondly, it argues that the American Poles and Polish social elites played a crucial role in resettlement of the DPs, providing an additional layer of screening, here called ‘the moral screening’. It is an example of how ethnic and cultural communities mediated the resettlement procedures supervised by international humanitarian organisations. Using a ‘history from below’ approach, this article argues that during this episode of migration, political and economic ideological underpinnings intertwined.     

The Almohads and the Qur’ān of Uthm ān: The Legacy of the Umayyads of Cordoba in the Twelfth Century Maghrib

The sixth/twelfth century geographer, al-Idrīsī, alludes to the presence of the so-called Qur’ān of Uthmān in the great Mosque of Cordoba and a ceremony in which it was brought out and paraded daily after the Umayyads proclaimed themselves caliphs in 317/929-30. Around 552/1157, the same Qur’ān appeared in the processions of the Almohads, a Ma?mūda Berber dynasty from the High Atlas mountains, who also claimed to be caliphs. Ibn ?ā?ib al-?alāt, al-Marrākushī and the unknown author of the ?ulal al-mawshiyya, who describe the Almohad parades, all mention the Qur’ān's Uthmānic antecedents and possession by the Umayyads. Using this as a starting point, this paper will explore the image the Umayyads projected in the Maghrib, and the later significance of Cordoban Umayyad prototypes to the ruling Mu’minid dynasty of the Almohads. This contributes to a larger discussion of the evolution of a paradigm of imperial power in the Islamic west and its manipulation to legitimise a succession of dynasties whose actual origins, ambitions and praxis diverged widely.     

The representation of ‘Asia’, ‘occupational forces’ and ‘women’ against the backdrop of post‐war Japanese culture: from the system of censorship to the present

This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan.