共查询到20条相似文献,搜索用时 15 毫秒
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Vicki Mayer 《传播与批判/文化研究》2013,10(2-3):291-294
These words critique the ongoing tendency to create false dichotomies between different approaches in media studies. Delivered as part of a panel on the future of media studies at the 2013 Society for Cinema and Media Studies, I offer a definition of critique that all critical media scholars should share. 相似文献
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David Golumbia 《传播与批判/文化研究》2013,10(2-3):248-252
Despite the proliferation of critical studies of communication, the meanings of the words “communication” and “critical” remain deeply contested. Attending to the history of the use of these terms inside and outside of the academy offers a broader perspective on some of the most pressing issues confronting scholars of communication today. 相似文献
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Laras Sekarasih Kavita Nayar Donica O’Malley Christine Olson Erica Scharrer 《The Communication Review》2016,19(2):128-152
Qualitatively analyzing 35 responses from a letter-writing homework in a media literacy education program, this study examines sixth graders’ understandings of producers’ responsibility in creating media content. Responses suggest their understandings about producers’ responsibility are bounded within the context of their media use as consumers, rather than as citizens. Findings focus on the importance of introducing contextual factors of media production as well as the challenges that researchers and educators might face. 相似文献
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Victor Pickard 《Critical Studies in Media Communication》2016,33(4):337-351
The field of communication has much to recover from its intellectual history, particularly critical traditions that have been pushed to the margins. Such a project is inherently political: how scholars narrate the histories of their fields reflect tacit assumptions about discursive boundaries and what counts for legitimate scholarship. Prominent historical narratives typically emphasize certain sub-fields and research traditions while giving short shrift to others. Suggesting larger erasures and deeper tensions in the history of the field, this article aims to recover one such neglected thread, embodied by a reformist policy scholar who is all but forgotten in communication research: Charles Siepmann. 相似文献
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本文旨在论述过去几十年曾主导美国传播研究、并仍在影响今天研究的3种典范 :结构功能主义、政治经济学和文化研究 ,分析这 3种传播研究典范与当时美国社会背景、历史状况及主流社会思潮间的关系 ,并回顾每种典范的代表人物 ,探讨每一典范的解释及存在的缺陷 ,以寻求典范之间对话与沟通的空间 相似文献
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浅论传媒经济是"权力经济" 总被引:2,自引:0,他引:2
本文在对传媒经济的产生和发展进行回顾、对媒介权力的实质和产生原因进行探讨、对"权力经济"展开重新认识的基础上,提出了传媒经济是"权力经济"的观点,并进一步分析了这一观点的指导意义。 相似文献
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New media technologies are often met with political and public ambivalence, as they are perceived to threaten established activities, values and institutions, as well as bring progress and improve political, cultural and social life. Taking the Norwegian history of television as an empirical case study, this article relates to an international research agenda focusing on the cultural political debates in the early phases of broadcast media. The article is structured according to five key conjunctures where significant new media and technologies were introduced with corresponding political debates: the introduction of television (1940s–1950s), of colour television (1960s–1970s), of satellite, cable and commercial television (1980s), of digital distribution (1990s–2000s) and the expansion of television to new platforms (2000s). The article addresses the key arguments and dividing lines in these political debates, as well as the change in the perception of television when the medium is no longer new, but has become an integrated part of people's everyday life. 相似文献
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英国文化马克思主义与二战后媒介研究的生成 总被引:1,自引:0,他引:1
\"媒介研究\"是英国文化研究发轫以降的一大核心旨趣,其兴起与二战后英国\"丰裕社会\"的来临、媒介文化的爆炸以及\"新左派\"诞生的特定历史情境紧密相关。\"文化马克思主义\"旨在破除教条主义对\"经济基础与上层建筑\"理论模式的机械阐释,强调从一种隐喻意义上理解二者之间的复杂交互关系,并且在社会历史总过程中将\"文化\"重构为一种\"日常的\"生活方式。霍加特、威廉斯以及青年霍尔的早期研究充分展现了\"文化马克思主义\"在媒介研究领域的理论特性。 相似文献
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ABSTRACTWhen Stuart Hall and his Birmingham School colleagues argued that media technologies were essential to the production of moral panics, they focused on the relationship between mass media and the state. Because new technologies have altered our cultures of ostracism and punishment, we offer a revised analysis of this relationship that examines the role of online shaming in current moral panics. Not only do we analyze the new technological affordances of digital media, we argue that our current shaming culture is symptomatic of a deep-seated political disenfranchisement that leaves subjects grasping to “do something.” Contributing to a social media-driven panic culture that punishes and ostracizes deviants thus stands in for meaningful political participation. Ultimately, we argue that the evolving orientation to public life fostered by these new technologies has created a culture of shaming whereby citizens often prosecute their own discrete moral panics amid the more sustained sense of political crisis that characterizes contemporary life. 相似文献
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政治信息沟通对传媒的诉求 总被引:1,自引:0,他引:1
李文冰 《浙江传媒学院学报》2004,11(3):90-91
政治信息沟通是一个国家政治文明建设的缩影.现代化传播媒介以其不可替代的优势,正日益成为世界政治舞台上重要的信息沟通工具.本文从解析传媒的政治功能着手,论述了传媒在当代政治信息沟通方面发挥重要作用的可能性,并对当代中国政治信息沟通对传媒的诉求进行了阐述. 相似文献
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中国传媒产业的迅猛发展推动了传媒经济研究,但传媒经济学研究依然存在学科归属不清、研究进路不明、传媒经济本质存在争议等问题。 相似文献
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Nete Nørgaard Kristensen 《Journalism Practice》2015,9(6):853-871
This article introduces a theoretical typology of four rival yet converging ideal types of cultural critics in contemporary media culture and in cultural journalism, more specifically, encapsulated by the term the heterogeneous cultural critic and characterized by different kinds of authority and expertise: (1) the intellectual cultural critic, who is closely connected to an aesthetic tradition, bohemia and/or academia, or institutionalized cultural capital; (2) the professional cultural journalist, who is first and foremost embedded in a media professional logic; (3) the media-made arbiter of taste, whose authority is closely linked to practical experience with cultural production and repeated charismatic media performances; and (4) the everyday amateur expert, who offers subjective opinions and represents experience-based cultural taste. The aim is to provide an analytical minimum model for future empirical studies by outlining the contours of the multiple, objective and subjective, professional and non-professional cultural “authorities” of contemporary media culture. 相似文献
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本文针对传媒业运作中的规模经济与范围经济现象进行了阐析。作者先在理论上对规模经济与范围经济进行辨析 ,然后列举传媒业中与单一传媒组织以及传媒集团有关的规模经济与范围经济现象 ;论文最后就如何追求规模经济与范围经济对传媒业提出了建议 相似文献
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Around 1960, the politics of the emerging media society in Sweden tended to fixate the formative functions of mass communication. The monopoly of public service broadcast media, press subsidies and new tendencies in film policy were some of the issues around which uncertainty prevailed. New methods to provide reliable data were sought by politicians, since empirical facts were required as arguments for an updated media policy. This article examines the different ways that the field of media studies was introduced in Sweden between 1960 and 1980. We argue that Swedish academic media studies departed from, and emerged within, a rather diffuse borderland between industry, politics and academia. The formation of national media research in Sweden can partly be seen as an effect of politicians and the media industry wanting to be better informed on issues such as media influence, media ownership and the habits and composition of the media audience. 相似文献
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Allison Nellis 《期刊图书馆员》2016,71(3-4):203-211
Mr. Robot is a cyber-thriller television show that premiered on USA Network during the summer of 2015. Apart from quickly becoming a cult hit, the show was lauded for accurately portraying hacker culture. The goal of this article is to isolate three specific cybersecurity issues that recur through the first season of Mr. Robot: personal cybersecurity, corporate cybersecurity, and remote access Trojans; and to determine what laws the characters are in violation of as well as recent case law that can be applied to them. 相似文献