Musical discovery,colonialism, and the possibilities of intercultural communication through music

ABSTRACT

Discourses of discovery have been important in a wide range of musical contexts, from early modern ideas about musical composition through to current forms of popular music production and consumption. Across these various contexts there are often inherent connections between discovery and colonialism, connections that become most apparent in non-Western socio-cultural and musical settings. In this article, I situate discourses of discovery within the “coloniality of power,” noting how colonial discovery can be more critically described as invention. From here, I turn to the genre of World Music as an example of how musical discovery is underpinned by inherently colonial perspectives, articulations of power, and relationships of dominance and subordination between Western and non-Western cultures. In contrast, I present the concept of interculturalism as a way of thinking about the possibilities of cultural in-between-ness beyond discovery, drawing on the practices of musicians who articulate intercorporeal and intercultural communication through performance.     

Intermarriage and imperial subject formation in colonial Taiwan: Shōji Sōichi's Chin-fujin

Abstract

In this article, I analyze the political significance of Shōji Sōichi's Chin-fujin (The wife of Mr. Chen), an intricate story of an interracial family in colonial Taiwan struggling to come to terms with their cultural identifications against the backdrop of political upheavals in the late 1910s to the mid-1930s. The novel was well received in wartime Japan and received a 1943 Greater East Asia Literary Prize. Contemporary critics praised it for depicting the perseverance of a Japanese woman married into a Taiwanese family and for representing a Han-Taiwanese intellectual realistically. Yet it was the political effect of the novel that was appreciated by those who selected it for the prize. Shōji demonstrated how the policy and political discourse of the Japanese empire could be acted out in a site of family life, the site that was regarded as critically important for colonial control. He depicted a Taiwanese elite man, his Japanese wife, and their mixed-blood daughter as trying to transcend the old categorical distinction between metropolitan Japanese and natives of Taiwan and seeking a new unified identity position based on colonial Taiwan. I want to show the repressive nature of the national subject formation outlined in this colonial fantasy.     

Mundi: articulating a post-Umbrella common(s)

ABSTRACT

This paper shares the experiences of an emergent collective of young intellectuals in Hong Kong and its recent project, Mundi, which consists of publication, activist research and communal transmission of knowledge. The project negotiates the notion and practice of “common” at the limit, from within the historical experience of Hong Kong, between academia and public intellectuals, global universalism and local particularism, and colonial knowledge and everyday urban practice. Affected by an intense desire to analyse and theorise the reality of Hong Kong, Mundi engages in a long process of decolonising knowledge production. The paper also explores how Mundi responds to the demand of the present post-Umbrella Hong Kong situation by problematising and re-articulating the common.     

On not being able to read or speak Malayalam: language and region in Kerala

Abstract

This paper attempts to read aspects of language, history, and literariness historically from the perspective of both Brazil and Kerala. It is also an attempt to compare two very distinct places from within a framework centred on the South. Initially, region and nation are discussed, as well as modernity and development, and the issue of thinking South–South connections from an anthropological perspective. Next, the matter of the complex connected histories of Kerala within the Indian Ocean is mentioned, including Portuguese colonial history. The image and influence of Latin America in Kerala is briefly brought up, especially in what concerns literary influence. There follows an extended discussion of issues of literacy and the rise of the novel in Kerala as well as the historical intricacies of the construction of Malayalam as a modern medium. A contrast with the literary construction of modernity in Brazil is made, and the importance of English in Kerala is accordingly highlighted as well as the issue of the coloniality of the Portuguese within Brazil's complex creolized history. An analysis of the pioneering novel of Chandumenon is offered, and a comparison with a novel in Brazil is subsequently sketched. The different historical contexts of nineteenth century Brazil and Kerala are stressed. The close interrelatedness between issues of language, nation, and region is emphasised as well as the internal complexities of modernity in both regions.     

Decolonizing love: ambivalent love in contemporary (anti)sexual movements of Taiwan and South Korea*

ABSTRACT

This article problematizes the modern construction of “love” in colonial and contemporary Taiwan and South Korea through historicizing the concept from the nineteenth century to the present. The conception of modern love in East Asia emerged during the late nineteenth century that coincided with the beginnings of civilization and nation-building discourses advocating as a strong mediator for the reconfiguration of social and intimate relationships. In the case of colonial Taiwan and Korea, the colonial governments and intellectuals constantly pivoted on “exceptions” – obscene sex, indecent behavior or illegitimate subjects – to justify their political legitimacy/hegemony to love that prescribed a normative social relationship. Fully embraced by colonial Taiwan and Korea, this mechanism was extended to their postwar regimes; that is, love is celebrated and worshiped without the recognition of its underlying ideology of discrimination and exclusion. I coin the term “love unconscious” to characterize the colonial legacies of love in the contemporary social movements in Taiwan and South Korea. Furthermore I examine how both religious groups and LGBTQ activism were stuck in the “love unconscious” with two cases of contested love: the definition of love in the dictionary, and the rhetoric of love in (anti-)same-sex marriage movements. This article argues that Taiwan and South Korea's LGBTQ and marriage movements are based neither on Western discourses nor inspiration, but are instead driven by the reality and legacy of colonial history. To envisage the decolonization of love is to deconstruct the love unconscious and reconsider the history of colonial love.     

The religious,the plural,the secular and the modern: a brief critical survey on Islam in Malaysia

Abstract

The embedization of Islam in Malaysia has gone through a long and complex process that involved an interaction with three major world civilizations (Indian, Chinese and European) and two colonial systems (Dutch and British) during which many aspects of its practices were reconfigured. This paper provides a brief critical survey of the evolution of the said embedization process during which Islam and the Muslims in Malaysia were moulded by a series of sociological realities, namely plural society, secularism and modernity. This has resulted, we argue, in the creation of 'moderate' Islam in Malaysia, one that is quite different from the fundamentalist image of Islam profiled in the contemporary worldwide discourse on global Islam     

A Complaint with the Cadi,ca. 1896: an East/West Cultural Encounter

This article presents a case study of A Complaint with the Cadi (Algeria), ca. 1896 – a painting by the French Orientalist artist Marie Lucas-Robiquet (1858–1959). Using cultural and social history as prisms, it explores what Lucas-Robiquet’s visual record communicates to the cultural ‘outsider’ about Muslim social life in French colonial Algeria. Attention is given to this artwork because it depicts the Islamic judiciary system as practised in late nineteenth-century Algeria. This article argues that this painting and its subject matter are rare in the Orientalist canon; that the artist was female, is, I posit, crucial to the ways in which this work can be read. Lucas-Robiquet, a decorated Orientalist, used a Naturalist style of painting which was both nuanced and sensitive to Islamic cultural traditions. I contend that A Complaint with the Cadi (or qā?ī meaning judge) is an important work because it represents a locus of historicised forms of Otherness: the French female artist and the Algerian cultural attribute.     

Dancing from Past to Present: Nation,Culture, Identities. Edited by Theresa Jill Buckland

ABSTRACT

The rise of smuggling in eastern Ghana is directly related to the establishment of the colonial state. Elderly Ghanaians discuss gin smuggling in the context of a colonial state which tried to curb it, but also emphasize the authority of chiefs and elders who encouraged it. Based on a combination of interviews and archival research, this article first examines the uses of imported gin and suggests why it became one of the most important smuggled goods. There follows an in-depth look at the organization of the smuggling enterprises, and an exploration of how smugglers managed their dealings with the colonial state as well as local society. The complex and changing relations between African smugglers, traditional chiefs, local communities and the colonial state illustrate the irrelevance of the colonial state in the moral picture, and also how the gin smugglers' engagement with the wider world was shaped by an utterly local perspective.     

Peasant cultures of the twenty‐first century 1

Abstract

In the last quarter of a century there has been a fundamental change in the historical situation of post‐coloniality. The new conditions under which global flows of capital, commodities, information and people are now regulated have created both new opportunities and new obstacles for post‐colonial countries. The old idea of a Third World, sharing a common history of colonial oppression and backwardness, is no longer as persuasive as it was in the 1960s. The phenomenal growth of China and India in recent years has set in motion a process of social change that, in its scale and speed, is unprecedented in human history. I will argue that the forms of capitalist industrial growth in the twenty‐first century may, in large agrarian countries like China, India and the countries of South‐east Asia, make room for the preservation of peasant production and peasant cultures, but under completely altered conditions. The analysis of these emergent forms of postcolonial capitalism requires new conceptual work.     

The unredeemed nations: the Taiwanese film KANO and its trans-border reception

Taiwanese film KANO recounts the passage of a mixed-race baseball team to Japan’s Koshien Tournament during the colonial era of the 1930s. Its release evoked in both Taiwan and Japan critical responses in view of its rosy depiction of colonial modernity. Through analysing the film’s text and reviews in both Taiwan and Japan, we identify KANO as a “post-national” cinematic event. Its inviting nostalgic invocation of Japanese colonialism at the civilian level has launched divergent discourses on colonial legacies in the contemporary re/making of national identities, reflecting on the post-colonial socio-cultural conditions facing both Taiwan and Japan. We found that KANO in Taiwan instigated a re-examination of the state’s role in crafting the foundational myth of baseball as a “national” sport. Furthermore, the film brought on schemes of othering in which two national others were distinguished to manifest Taiwan subjectivity: Japanese colonialism versus Chinese nationalism. On the other hand, KANO in Japan was stripped of its colonial connotation. Its honouring of juvenile devotion to baseball was employed as a psychic introjection of Japanese-ness, which many considered losing in the globalizing social milieu.     

Seoul and the time in motion: urban form and political consciousness

Abstract

This paper explores the political effects of the cognitive change in the visual environment of colonial Seoul. It asks how the new urban imagery was perceived by the Korean population. It analyzes the ways in which they experienced urban forms, techniques of advertisement and urban infrastructure such as street‐cars and trains. It argues that the engagement of people with mobility, urban symbols and spectacles in the colonial city had stimulated different ways of seeing and thinking about who they were and what they had become, a new collective identity that is neither a subject of the Chos[obreve]n dynasty nor the Japanese colonial state. This paper demonstrates that colonial Seoul represented not only the technique of Japanese colonial subjugation but also generated a new grammar for imagining new identity and difference. The urban environment of the colonial city reflects not entirely a strategy of the colonizer but a tactic of the colonized in appropriating the different meanings of new social life, which was brought by, but not exclusively under, the control of colonial space and time.     

Government,Church and Māori Responses to Mākutu (Sorcery) in New Zealand in the Nineteenth and Early Twentieth Centuries

ABSTRACT

Traditionally Māori attributed disease to supernatural causes, including mākutu (sorcery) and, as with some other indigenous cultures, considered that killing sorcerers was both just and right. Belief in mākutu ran counter to the Church's desire to gain religious primacy, and mākutu-related murders challenged the State's claim to sovereignty, and its desire to ‘civilize’ Māori. Each indigenous society possesses unique characteristics, just as the nature of each settler society develops within its own environment. While some similarities with other colonized societies can be identified, distinctive local conditions influenced the relationship of Māori to the New Zealand colonial state, and thus attitudes and actions relating to sorcery-related crime. This article explores how mākutu brought Māori communities into conflict with both Church and State, and how the latter in particular was constrained by political realities. As the nineteenth century came to an end, the murders had largely ceased and the State and Church became more concerned with Māori spiritual healers. The article also shows that Māori reformers in the late nineteenth and early twentieth centuries took a lead in changing Māori attitudes.     

Decorum or Deterrence?

ABSTRACT

Capital punishment – specifically public execution – is here investigated not simply as a judicial punishment, but as a lens through which to view the civil and socio-political development of Malawi from the colonial to early independence eras. Public executions were an exceptional measure, employed at times of marked social and political unrest, being ordered by the colonial government in response to the Chilembwe Uprising in 1915 and by Prime Minister Banda in 1965 in the aftermath of the Cabinet crisis and Chipembere Uprising. This article looks at the continuities and changes in the practice and signification of these judicial killings.     

Screen violence and partition

ABSTRACT

Recent film and television treatment of South Asia from UK producers have introduced new angles on the violent politics of colonial past, whether this be the activities of the East India Company in the early days of Empire, or about Partition, at the ostensible Raj’s end. The controversy over Gurinder Chadha’s 2017 film Viceroy’s House is taken as an opportunity to consider the new South Asian film and television studies and the emergent scholars that are challenging conventional media studies models. The co-constitution of here and there is given as an analytic lens through which to comprehend representation and stereotyping in films “about” politics in South Asia, and the view taken is that a debilitating divide and rule, via mechanisms of representation, remains strongly in place, despite the fighting efforts of the new South Asian media scholarship.     

Looking for other stories: women's writing,Self-Respect movement and the politics of feminist translations

ABSTRACT

The primary purpose of this essay is to survey the recent zombie craze in Northeast Asian films from Japan and South Korea. While the concept of the zombie may have originated in colonial Haiti, with its ghoulish images and supernatural lore, zombies were later imported to North America and reformulated as popular cultural entertainment by Hollywood. They are now flourishing in an East Asian cinematic context preserved in a globalized form. The films under investigation – I Am a Hero and Train to Busan – share similar cultural subtexts despite their incommensurable experiences of global capitalism in Asia and its latest ideological phase, neoliberalism. Both films critique the current neoliberal order and were nurtured by historical traumas experienced by both countries as well as the pandemic spread of viruses, both real and imaginary, that have ravaged the region. Nevertheless, the most prominent issue explored by Japanese and Korean zombie films is the continuity of society and its reproduction: as cultural artifacts of the neoliberal world, these films offer dystopian visions in which exploitation accelerates to such an extent that states cannot protect themselves against the viral and capitalist onslaught.     

Yoko's Story and the battle of memory: fragmentation and suture of national memory and gender in the age of globalization

Abstract

Since its publication in 1986, Yoko Watkins’ So Far from the Bamboo Grove has been used as a textbook by some primary and middle schools in the US. The book is an autobiographical novel about the experiences of a Japanese girl named Yoko who returns to her home country with her mother and sister with an anti‐war and peace message. However, it became the center of attention and was referred to as the Yoko incident when, in January 2007, it became known to the Koreans that the book was being used as a textbook by American students and contained a story about Japanese women raped by Korean men at the end of Japanese colonial rule. It immediately incited outcries from the Korean media and online communities, complaining that any suggestion of the rape of Japanese women by Korean men at the end of Japanese colonial rule is a grave distortion of history and a reversal of the perpetrator and the victim. This paper analyzes how the memory structure of the Koreans regarding colonialism is based on a victim nationalism and how Korean feminism has intervened in the fragmentation and suture of national memory since the 1990s. Furthermore, the paper reveals how American multiculturalism turns a blind eye to, or even promotes, the clashing of collective identities in the age of globalization. The so called Yoko incident illustrates how the competition of East Asian countries for a historical position of ‘victim’ in a battle of memory in the US not only strengthens exclusive nationalism in the area but also connives in ‘Americanization of world justice’.     

Nations in shame and art’s shame: towards a radical politics of image and affect around “Okinawa”

ABSTRACT

This article first examines the resurgence of popular, semi-academic nationalist discourses that solidify the figures of “Japan” and “Okinawa” within post-1945 U.S.-led formation of nation-states across the Asia-Pacific. It critiques two discourses that are symptomatic of such a return to the figure of the nation: developmental economist Matsushima Yasukatsu’s thesis of “Ryukyu’s independence” and philosopher Takahashi Tetsuya’s call to relocate the U.S. military bases from Okinawa to mainland Japan. These symptomatic instances of the mutually transferential nationalisms in Okinawa and mainland Japan rely upon crudely culturalist assumptions about the self and the others and are thus surprisingly oblivious to how the very nation-forms have been instituted as part of imperial modernity. Their implicit figurations of the exemplary national subjects partake in the biopolitical assumptions as to whose lives must be “made to live” and “made to die” within and outside the border of the national. Ultimately, such nationalist discourses about Japan and Okinawa engage in a zero-sum exchange of imperial shame and colonial shame, a process that further stabilizes the co-operative placement of local nation-forms within the U.S.-led inter-state regime of warfare and biopolitics. But insofar as these discourses require the images of the nations that they seek to represent, their (re)production of what Naoki Sakai calls “a schema of co-figurative” nationalities needs to be critiqued through an exploration of a radical aesthetics and affect that pertain to image production.

The second part of the article presents my interpretation of artist Nema Satoko’s recent book of photography titled Paradigm, a work in which both bodies and objects explore their potential transformations in the midst of their precarious exposure to one another. I argue that Nema’s images of fragile bodies and objects in the present landscape of Okinawa are poised on the cusp between the past that invokes a sense of shame and this past’s potential future that necessitates an ethical posture of humility. In the vicinity of Adorno’s notion of “art’s shame,” Nema’s photographic images illuminate an amorphous realm of fragile beings, whose linkage and exposure to one another opens a space of viability that is obscured by the biopolitical imaginaries of nation-forms.     

Hot-Heads,Gentlemen and the Liberties of Tradesmen

Abstract

Over the summer and autumn of 1739 Philadelphia’s two newspapers published competing versions of a hearing in the Pennsylvania assembly that was described as the ‘Affair of the Tanners’. What began as a minor property dispute in the colonial assembly became, with the aid of the local press, a citywide paper war for the support of the urban populace. This article argues the affair provides unique evidence for competing conceptions of the common good in the eighteenth-century colonial city, and was an expression of conflict with deep roots in Philadelphia’s history. The affair also shows how the medium of print could reflect both transatlantic cultural processes as well as distinctly local grievances, as a group of prosperous city artisans and their opponents utilized the city’s newspapers to articulate competing commonwealth ideologies.     

Atlantic Families: Lives and Letters in the Later Eighteenth Century. The Pen and the People: English Letter Writers 1660–1800

ABSTRACT

This article concerns the protest of an Aboriginal Australian man, Anthony Martin Fernando, who during an international gathering of Rome Catholics in the Jubilee year of 1925 handed out flyers outside St Peter's Cathedral in Rome. By protesting against conditions for Aboriginal people in Australia, Fernando brought the question of settler colonialism in Australia directly and in person to the Roman Catholic community arriving from around the world. Where the Vatican's ethnographic exhibition of that year rehearsed the more usual representation of injustices towards Australia's indigenous people as integral to an unruly nineteenth-century colonial frontier, Fernando aimed to link Australian settler colonialism with the British world in the present – a world he characterized as yet to be brought to account for its actions towards colonized peoples, particularly the Aborigines of Australia. The audacity of that protest, as well as the literal presence of an Aboriginal man living by himself on the streets of interwar Europe, forces us to reconsider Aboriginal Australian activism in the twentieth century. It requires firstly a more genuinely transnational account of the history of indigenous politics in Australia, and secondly a more dynamic account of the diversity of often-ephemeral forms of black political activism carried out within and beyond colonial settings in the modern era.     

Connected migrants: Encapsulation and cosmopolitanization

ABSTRACT

Taking a cue from Dana Diminescu’s seminal manifesto on “the connected migrant,” this special issue introduces the notions of encapsulation and cosmopolitanism to understand digital migration studies. The pieces here present a nonbinary, integrated notion of an increasingly digitally mediated cosmopolitanism that accommodates differences within but also recognizes Europe’s colonial legacy and the fraught postcolonial present. Of special interest is an essay by the late Zygmunt Bauman, who argues that the messy boundaries of Europe require a renewed vision of cosmopolitan Europe, based on dialogue and aspirations, rather than on Eurocentrism and universal values. In this article, we focus on three overarching discussions informing this special issue: (a) an appreciation of the so-called “refugee crisis” and the articulation of conflicting Europeanisms, (b) an understanding of the relationships between the concepts of cosmopolitanization and encapsulation, and (c) a recognition of the emergence of the interdisciplinary field of digital migration studies.