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1.
ABSTRACT

This article examines the hunger strikes of the Hindustan Socialist Republican Association, a small group of revolutionary prisoners in India's jails in the midst of the nationalist movement. It examines the everyday practices of the state and demonstrates that the legal powers and medical duties designed to guide prison administrators in fact provided room for individual officers to improvise non-standard means of causing prisoners physical distress in order to end the strike. In these daily encounters, the prisoners adapted novel forms of resistance to meet each new technique. The second purpose of this article is to explore the reasons why their hunger strikes brought these men to the forefront of India's nationalist movement. It is argued, that although many members of the Indian National Congress were ambivalent about these revolutionaries, Congressmen nonetheless used the patriotic sacrifices of these prisoners to mobilize ordinary Indians for the nationalist cause.  相似文献   

2.
ABSTRACT

The denial of Taiwan's status as a nation by international communities has long-served as a catalyst for Taiwanese theatre practitioners’ pursuit of an expressive body that responds to complex national identities. Taking Taiwanese society as the basis for considering the irreducible complexity of postcolonial struggles vis-à-vis the power relations of neoliberal cultural production, in the theoretical framework of this paper, I propose a biopolitical reading of modern Taiwanese theatre. In particular, to reveal the constructedness of the idea of the body, I foreground the embeddedness of theatre in local society and scrutinize the interplay between an imagined body and the theatre through Taiwanese practitioner Tian Chi-Yuan's (1964–1996) White Water (or Baishui, 1993). Using this work as a case study, I focus on his experiment of intercultural bodily gestures through which the fabrication of national identity is both revealed and questioned. I consider Tian's practice of integrating cultural traditions expressive of the dynamics of decolonization with the experiment in reconfiguring the local body—a practice that positions the theatre in Taiwan as an experimental and cathartic site for pursuing an epistemological change in identity formation. Thus, the theatre constitutes a performance of a necessary identity-burdened space between history and memory, struggling to renew itself in distinctive contexts.  相似文献   

3.
    
ABSTRACT

This article studies the Nazis' enthusiastic embrace of theatre in the period before and during the Second World War, and places this in a longer tradition of political power and the theatre in Germany. It argues that Hitler, Goering and Goebbels oversaw a ‘restoration’ of German theatre in the later 1930s, aiming to restore the emotional link between audience, Kultur and nation, for their own political purposes.  相似文献   

4.
    
ABSTRACT

In 2017 the Donmar Warehouse presented The Tempest to women prisoners at HMP New Hall, UK. The production was part of a trilogy of Shakespeare plays directed by Phyllida Lloyd, each staged with an all-female cast and each set within a women’s prison. Over the five years of developing this trilogy the Donmar undertook extensive research and development into the prison context, including in collaboration with York St John University’s Prison Partnership Project. This paper explores the prison audiences’ experiences of The Tempest, examining how they responded to seeing their own lived experiences on stage, filtered through the prism of Shakespearian plot, characterisation and language. In particular, this paper focuses on moments of identification, where the women found direct resonance and self-recognition with the characters and experiences in The Tempest. At the same time it draws on discourses from dramatherapy and aesthetic theory to argue for the importance of various forms of emotional, empathetic and psychical distance. Using close analysis of the spectators’ responses, it describes how for the prison audience the result was an oscillation between identification and distance, a reading of “me but more than me” that produced a powerful affective and reflective impact.  相似文献   

5.
    
This paper assesses the degree to which a typical regional theatre engages with society. It uses postcodes from theatre booking data and compares the socioecenomic profiles of these postcodes with postcodes from which no theatregoers are drawn. A re-working of recent theories of class provides a conceptual context, whilst discriminant analysis is used to identify the socioecenomic factors of postcodes associated with theatre and non-theatre attendance. Education factors were the principal determinants of attendance, with occupational categories being important, but lower socioecenomic groups were less likely to engage with theatre. However, social engagement and factors determining attendance varied by type of show: comedy, drama, family and Shakespearian productions.  相似文献   

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7.
Published histories of the British home front during the Second World War, both academic and popular, say little or nothing about civilian holidays; the implication is that for most people they did not exist. This article disputes that reading. Complementing earlier work on officially sponsored ‘Holidays at Home’, the article first looks briefly at 1930s holiday expectations, then summarizes government measures to restrain ‘unnecessary’ wartime travel. Using rail-travel statistics, memoirs and diaries, contemporary novels, local press reports, Mass-Observation and other surveys it shows that throughout the war large numbers of people took holidays much as they had in peacetime. This apparent contradiction is then discussed in relation to, for instance, ideas of ‘normality’ and ‘wartime’, the survival of class in Britain, the wartime economy and the debate on the ‘myth of the blitz’ view of civilian behaviour.  相似文献   

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What values do theatre and dance hold for audience members? And how do these values differ between subsidised, amateur, and commercial performance? This paper addresses these questions through a survey of over 1800 spectators for theatre and dance in Tyneside in northeastern England, as well as a parallel set of focus groups, in the spring of 2014. These methods, which are designed for comprehensiveness and comparability, are being used across Europe by the Project on European Theatre Systems, a working group of theatre sociologists. Our research showed two sets of values which performances achieved; one was a common measure of performance quality, while the other described the values particular to subsidised work. This allows us to articulate both the general value of the arts and the particular values which subsidy (attempts to) facilitate. This has implications for both understandings of cultural value and for cultural policy, as the distinction between the two groups was not clean. We also found that amateur theatre participated in the same value system, but with an increased emphasis on loyalty and community cohesion. The paper concludes a methodological reflection on the use of quantitative methods in theatre studies.  相似文献   

10.
    
ABSTRACT

This article explores the creation and transmission of second generation memories concerning the 1947 Partition of British India. The research is based on oral interviews with Punjabi families who migrated because of Partition and now live in Lahore and Delhi. It explores how Partition memories have been transmitted across generations within these families, and also examines similarities and differences between how the second generation interviewees from Delhi and Lahore remember Partition. It demonstrates that the second generation have not passively accepted everything that the first generation, or the state, has told them about Partition. The second generation's memories are also shaped by their age, nationality, religion and class, and the nature of contemporary politics.  相似文献   

11.
ABSTRACT

The refugee, in India's Partition history, appears as an enigmatic construct – part pitiful, part heroic, though mostly shorn of agency – representing the surface of the human tragedy of Partition. Yet this archetype masks the undercurrent of social distinctions that produced hierarchies of post-colonial citizenship within the mass of refugees. The core principle of the official resettlement policy was self-rehabilitation, that is, the ability to become a productive citizen of the new nation state without state intervention. Thus, the onus of performing a successful transition – from refugee to citizen – lay on the resourcefulness of the refugees rather than the state. This article traces the differing historical trajectories followed by ‘state-dependent’ and ‘self-reliant’ refugees in the making of modern citizenry in post-colonial India.  相似文献   

12.
ABSTRACT

In the history of Partition women have been long overlooked, often forced to hide in the shadows of their male counterparts. There are now a number of key works that have focused on the role of women, but these have largely focused on women's experiences in India. Sixty years on and we know little about Muslim women and their experiences of migration and resettlement in West Punjab, Pakistan. In an attempt to trace the experiences of the Muslim women, this article will explore their history by examining official documents, newspaper accounts and women's own testimonies. It attempts to understand how this silent history is documented from these various sources.  相似文献   

13.
    
ABSTRACT

With live performance audience research frequently relying on cultural organisations to facilitate access to their audiences, this article addresses the issues involved in evidencing spectators’ responses via discursive methodologies. Recalling a series of empirical projects conducted over the past ten years with a range of theatre practitioners, it examines the conflicts involved in carrying out scholarly studies of audience reception against cultural organisations’ pressures to produce their own ongoing audience evaluations. Examining key concerns about audience research raised by creative practitioners in varying theatrical contexts, from site-specific to building-based work, it addresses the difficulties of understanding live performance reception and aesthetic experience via impact frameworks. It begins by situating these three operations in the context of Knowledge Exchange (KE) between academics within Higher Education Institutions (HEIs) and those in the creative industry sector.  相似文献   

14.
    
ABSTRACT

Recent film and television treatment of South Asia from UK producers have introduced new angles on the violent politics of colonial past, whether this be the activities of the East India Company in the early days of Empire, or about Partition, at the ostensible Raj’s end. The controversy over Gurinder Chadha’s 2017 film Viceroy’s House is taken as an opportunity to consider the new South Asian film and television studies and the emergent scholars that are challenging conventional media studies models. The co-constitution of here and there is given as an analytic lens through which to comprehend representation and stereotyping in films “about” politics in South Asia, and the view taken is that a debilitating divide and rule, via mechanisms of representation, remains strongly in place, despite the fighting efforts of the new South Asian media scholarship.  相似文献   

15.
ABSTRACT

This article will offer a fresh perspective on media attitudes towards working-class youth in late Victorian London by looking in detail at a case study of violent youth crime. It offers an analysis of gang crime in the late nineteenth-century capital and explores the use of class and stereotyping in the reporting of working-class youth. It considers the extent to which the problems of violent youth gangs were manipulated by the press to portray the capital as a ‘city out of control’. Finally, it will argue that these contemporary representations of youth helped create a fear that exaggerated the threat posed by gangs.  相似文献   

16.
    
ABSTRACT

Recent debates about the meaning and role of cultural history have focused on the relationship between ‘culture’ and ‘society’. Some have taken this opportunity to position cultural history as a site of resistance to ‘biological’ explanations of human behaviour. In contrast, this article argues that ‘biological’ methodologies – particularly the perspectives of evolutionary psychology – can usefully contribute to the historical understanding of culture and social development. To this end, it outlines the fundamentals of Darwinist psychology, suggests options for interdisciplinary cooperation and uses the topic of interpersonal violence to explore the potential for uniting cultural, social and evolutionary psychological methodologies.  相似文献   

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18.
    
Abstract

In 2005 Hilmar Farid published “Indonesia's original sin: Mass killings and capitalist expansion, 1965-66,” the to date only scholarly attempt to interpret the destruction of the Communist Party of Indonesia, which led to the Killings of 500,000 people in the years 1965–1966, according to a classical Marxist framework. His argument is that the real story about the violence is one of massive transfers of agricultural land, which alienated millions of peasants from their means of subsistence and paved the way for a wide-ranging capitalist transformation of the country. Empirical analysis shows that it is unlikely that such a massive alienation has happened. Many other scholars who have studied the Killings conclude that the violence was not solely driven by capitalist expansion. However, Farid has uncovered an important connection between political violence and economic redistribution that should be detached from the Marxist framework he has used in order to unfold its full significance for our understanding of the Killings.  相似文献   

19.
Abstract

A human rights perspective is compromised in its ability to understand and respond to the mass violence that took place in Indonesia, largely against members and supporters of the Indonesian Communist Party (PKI) from 1965–1966. In “Indonesia's Original Sin: Mass Killings and Capitalist Expansion, 1965–66,” Hilmar Farid makes the point that a human rights standpoint is limited when capital or its various actors, are involved in propagating and/or perpetrating mass violence. In starting to fashion an alternative reading, Farid proposes Marx's notion of primitive accumulation. While Farid's position is suggestive, I contend that his analysis is marred by a number of theoretical weaknesses, which I attempt to sublate in this article. As such, I will offer an alternative reading of primitive accumulation perceived through a multi-dimensional local/global dialectic.  相似文献   

20.
Using three sets of survey data, this article explores the variations and social bases of leisure and cultural consumption patterns during the last decade in Turkey. In particular, this article explores the social basis of reading habits of daily newspapers, magazines and journals, going out to movies and the theatre, as well as spending patterns on these and various other cultural activities. Questions addressed in this study are: how are culture and leisure consumptions stratified in contemporary Turkish society, and what types of changes can be detected between 1994 and 2004? In summary, the data indicate that leisure and cultural consumption tend to be stratified by educational and income level and, to some extent, white-collar occupations. Second, households with female heads tended to engage more in “highbrow” consumption, compared to households with male heads.  相似文献   

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