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ABSTRACT

From the late 1950s onwards, the Netherlands witnessed a transformation of the emotional codes of politics. A culture of political leadership marked by notions of duty and restraint, made way for self-expression and authenticity. This article argues that the interaction between the spheres of politics and popular culture played a vital role in this transformation. The practices and discourses of popular culture became a significant part of the repertoire through which politicians articulated representative claims. The article traces how politicians negotiated their interaction with popular culture, started to cultivate a private persona and eventually turned into political celebrities.  相似文献   

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This article explores changing understandings of Catholic hell in post-war England, focusing on how questions of sex and gender intersected with beliefs in the afterlife. It uses oral testimony from Catholic laypeople alongside the pronouncements of the clerical hierarchy to challenge the pervasive notion that ‘hell disappeared in the 1960s’. Hell did however, change in constitution during the post-war decades, transforming from a material ‘place’ to an abstract ‘state’ in the lay and institutional imagination. Rather than being about a straightforward ‘liberation’ from a coercive theology of damnation, the changing constitution of hell spoke of the way certain religious beliefs became re-categorised in late-modern England.  相似文献   

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This paper explores the ways in which the early modern English execution functioned as a forum in which various, and often competing, notions of guilt and innocence were expressed. In the context of a culture which placed an inordinate emphasis on the significance of the behaviour and last dying words of men and women teetering on the brink of ‘Judgement and Eternity’, the gallows became, in essence, ‘God's tribunal – the site where solemn oaths and supernatural signs could trump the rulings of secular courts. And it was here that the condemned could proclaim not merely his or her individual innocence of a specific crime, but raise larger questions of relative societal guilt and sinfulness and social justice by invoking the disparity between man's justice and God's.  相似文献   

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The ‘bloomers’ are rarely considered beyond their 1851 origins in the United States and subsequent appearance in Britain. This article expands dress reform scholarship by analysing print culture elsewhere in the British world, specifically Australia and New Zealand. The colonial press manufactured controversy over this fashion – a perceived transgression of gender norms – even though antipodean women rarely sported the outfit. This article focuses on the dress reform lectures and writings of Amelia Bloomer, Caroline Dexter and Dr Mary Walker. While certain continuities resurfaced alongside the bloomer-like rational dress popularised in the bicycling culture of the 1890s, dress reform was largely deemed far less controversial by the turn of the twentieth century.  相似文献   

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Many medical texts of the European Middle Ages included advice to young women on breast reduction. These recipes and techniques have not often been discussed by medieval historians, whose interest in meanings of women’s breasts has concentrated mostly on religious or nutritive associations. Highlighting late medieval English texts and culture, this article summarises medical advice on repressing breast growth, notes some ancient and earlier medieval precedents and argues the recipes responded not only to aesthetic preferences but also to beliefs that bust size and texture signified sexual experience. Arguing that breasts were legible flesh, in which an observer could read a young woman’s honour, it contends that breast suppression not only met idealised beauty standards but also protected sexual reputations.  相似文献   

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Abstract

Around 1960, revolutionary forms of activism and critique emerged to challenge administrative forms of politics and daily life. In Japan, despite massive strikes and widespread protest, the ruling party used a Diet majority and riot police to renew the USA–Japan Security Treaty. After this display of force, this party’s new administration sought a new legitimacy, and a means to assuage and co‐opt the defeated opposition, through promoting a depoliticized everyday world of high growth and consumption, and a dehistoricized national image in preparation for the 1964 Tokyo Olympics. Among those activists who emerged to contest this new cultural politics, a diverse group of young artists worked to repoliticize daily life through an interventionist art practice. Their practices arose out of a particular local, playful art practice, whose focus on the material debris and spaces of the economic expansion led to an engagement with the transformations of daily life. Focusing on the art practices connected with the yearly exhibition, the Yomiuri Indépendant, I examine the advent of a critical art examining the everyday world of Japan in the late 1950s and early 1960s, reflecting on its complex relation with an internationalized art world and domestic art scene, mass culture, and domestic protest movements. Examining the history of this art illuminates the state’s investments in a normative cultural order, and a particular configuration of the politics of culture in the early 1960s.  相似文献   

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The figure of the hyper-patriotic middle-class father, happy to sacrifice his sons to the war, while remaining snug at home, was a recurrent feature of post-First World War literature. This article places this view of wartime fatherhood under scrutiny, suggesting that middle-class fathers with sons of military age rarely behaved as straightforward enforcers of the state’s call to arms. Alongside expressions of vocal pride in sons who conformed to the manly ideal by volunteering, there were resistance, silence and fear, while support for sons who sought to avoid enlistment was a good deal more evident than any determination that sons should do their ‘bit’ at all costs.  相似文献   

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This article examines the printed representation, and prosecutorial characterisation, of the movements, actions and motivations of early Quakers as vagrant. It argues that the prevalence and power of representing (and subsequently treating) early Quakers as vagrants is an understudied aspect of the social and cultural history of the Society of Friends, particularly in Interregnum England. As evidence, it interrogates a furious pamphlet debate between mid-century religious writers and preachers, who devoted much time and ink to painting Quakers as mendacious vagabonds, and Quaker ‘First Publishers’, who responded at length and in a striking way to these accusations. The article concludes that these images of Quakerism as a form of ‘spiritual vagrancy’ created historically significant echoes in English and Atlantic culture.  相似文献   

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By 1960, there were more than 3,500 working men’s clubs in Britain, with a combined membership of more than two million people. This article explores their post-war transformation from small homosocial enclaves for drinking and bar-games to larger family-oriented entertainment venues, while they continued to provide social, welfare and educational activities for local communities. Operating on the boundaries of public and private life, they remained alternative sites of domesticity to the home, in which men nurtured relations with both friends and family. Nevertheless, though women and children came to represent a significant presence in the clubs, their cultures remained largely patriarchal and discriminatory. I argue that working men’s clubs provided important sources of agency, community and continuity for their members, during a period of rapid social and cultural change.  相似文献   

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