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1.
Systematic interventions are being planned and progressively designed on most buildings of the Arsenale of Venice, the Venetian republic’s shipyard, a very large complex of docks and sheds of peculiar construction characteristics. These renovation interventions are required in view of new uses for the revitalizing of that area, which is currently almost completely neglected. In the paper, after a general presentation of the main properties and of the most relevant deterioration phenomena of the principal parts of the monumental area, the methodology that is being used for the structural diagnosis, for the implementation of guidelines for the future interventions and for the maintenance of the restored conditions are presented. Some preliminary results, given by experimental tests performed both in situ and in laboratory on materials and structural elements, and by FE simulations, are discussed.  相似文献   

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Financial imagination plays a fundamental, yet ambivalent role in the establishment of hierarchies within and between business schools, and in business life at large. This study examines this process in the ‘middle tier’ of business education: that is, in the social space in which students and instructors understand themselves to occupy a ‘mid-range’ position within an order of excellence and success. Largely articulated through business school rankings, this order strongly relies on the centrality of the financial curriculum, proficiency in which is understood as both a proxy for smartness and a sign of moneymaking capacity. In the ‘middle tier’, this order manifests in the form of an anxiety: an order that, though legitimate, is thought not to be attained, or hardly attainable. The study draws from ethnographic investigation in a ‘middle tier’ business school with attention to how finance is made sense of in relation to an alternative curriculum, and in connection with the aim of ‘making it to the top’. A comparison with a ‘top tier’ business school allows furthering understanding of how the order of business schools relies on the anxiety of finance in order to reproduce an acquiescence to dominant financial imagination.  相似文献   

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Abstract

This essay reads two differing conceptions of subjectivity in Frantz Fanon's work as corresponding to a shift in subjective orientation in certain moments of crisis, from what I term a unified individual – the subject of psychoanalysis – to a dispersed subject, the frenzied participant in collective activity. I believe that such a potential duality within the subject is best adopted when analysing Fanon's oeuvre, as well as when examining a subject's behaviour as participant in forms of unstructured collective protest such as rioting. Whereas the unified subject of psychoanalysis best expresses the consciously self-reflective individual in society, the dispersed subject expresses a subjectivity operating in excess of individualism. This dispersed subject acts collectively, as an object moving in tandem with other objects, without individual reflection. I argue that this shift comprises the initial spark of insurrection suggested in Fanon's work, the moment in which he sees the people pitched ‘in a single direction, from which there is no turning back’; and what Jean-Paul Sartre calls the explosive moment of ‘conflagration’. The two subject positions between which the subject shifts exist as two potential sides of every subject and comprise the ‘Manichean’ world in which Fanon's subject is entrenched.  相似文献   

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Abstract

Race is rigorously policed through, and predicated on, a crisis of maintaining a claim to supposed racial ontology. The language of crisis pervades race; yet crisis is only brought into focus – shows itself – when racial ontology is called into question or threatened as an axiomatic reality. This essay argues, however, that it is crisis, in the form of the imperative regulatory call to race or the intricate operations of racialising discipline that constitutes raced subjects. The crisis is one of belonging or of successfully representing a ‘racial truth’. The objective of this analysis is to demonstrate that it is when race is viewed as performative that crisis becomes evident as the ever‐present condition of racial identity formation. From this vantage point, the concept of crisis as a point of danger can be revised to be seen as a turning point when an important change can take place: then, crisis might be envisaged as a positive means through which to imagine and realise new enactments of racial being.  相似文献   

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This paper contends that political economy may profit from an understanding of money that is both able to account for its systemic importance as well as money’s specific role for the contemporary distribution of wealth. ‘Money-ness’ is a strategic factor in profit-making and capital accumulation. If we accord moneyness to all those instruments that make the repackaging of credit and other financial assets and liabilities and their capitalization possible, we arrive at an understanding of money that underscores the Marxian analysis of the structural importance of the money relation for capital accumulation that is up to speed with current financial innovations. As a social structure and process, moneymaking through capital permeates society. As a public-private deal between the state, rentiers, banks, and taxpayers that has existed since the foundation of the Bank of England in 1694, it binds these actors together in shifting relations of dependence. Under financial capitalism today, what counts as money and how far moneyness stretches into the realms of financial innovation has been a core object of struggle in the public-private deal of money creation.  相似文献   

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This essay addresses the controversial status of subjectivity in Esposito’s affirmative biopolitics and articulates it using Recalcati’s psychoanalytical theory, with the aim of promoting a non-vitalistic affirmative biopolitics. In biopolitical theory in general, and in Esposito’s especially, subjectivity has a problematic status: while life precedes intersubjectivity, it is not clear whether subjectivity is regarded as a consequence or as the precondition of intersubjectivity (and thus of life). Esposito acknowledges such an aporia, the subjectum suppositum, but fails to recognise it in his own reasoning, ultimately envisioning a powerful interpretative and transformative paradigm – affirmative biopolitics – whilst leaving at its core a life-less subject. In this essay, I read Esposito’s affirmative biopolitics through Recalcati’s clinical approach to the ‘new symptoms’, with the aim of envisioning a subjectivity compatible with the ontogenetic primacy of life posited by biopolitical theory. Ultimately, the aim of this article is to suggest that an affirmative biopolitics, grounded on the promotion of neither a pre-subjective bare life, nor of a lifeless subject, but of a fully subjective life, a living subject is possible.  相似文献   

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Chinese Science and the ‘Nobel Prize Complex’   总被引:2,自引:0,他引:2  
Cao  Cong 《Minerva》2004,42(2):151-172
China's scientists have so far failed to win a Nobel Prize. Political interference, certain aspects of cultural heritage, and a problematic value system have arguably been major contributing factors. This essay examines the ways in which these factors have operated, and discusses why there is a growing Nobel Prize mania in China today.  相似文献   

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This paper presents a deformative and structural study of the Guarneri ‘del Gesù’ violin (1743) known as the ‘Cannone’. A structural assessment is fundamental to understanding the violin's compatibility with its residual function of musical instrument. The tuning of the instrument to a modern playing pitch during concerts could, in fact, cause stress resulting in plastic deformations of its structure. In order to understand the stress level to which the violin is subjected when tuned, several tests were performed. The forces acting on the bridge were measured, the geometry of the un-strung and of the tuned violin were acquired with a tri-dimensional scanner, the violin deformation was assessed by means of the computed surface deviation mesh and by measuring the deformation in selected lines, several sections of the violin were cut from the digital model and stress exerted on the sections was computed. The stress exerted on the neck, scroll and body were found to be very limited. More significant, albeit at a low level, was the stress exerted under the bridge between the sound holes. Mechanical stress exerted after tuning was found to be safe for the violin, if applied for a limited amount of time. This does not mean that the violin can be played freely, because the real strength of the material used in the violin is not known and mechanical stress during a concert must be added to time (viscous behaviour), moisture content variation (mechano-sorptive behaviour) and hygro-thermal stress, thus worsening the condition. The method presented here could be applied to compute the level of stress of any violin.  相似文献   

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Fantasies and especially excessive or ‘phantascistic’ fantasies, as they are referred to here, have the power to suppress within political communities, consciously and unconsciously alike, inner antagonisms in times of crisis. More precisely, they help to blur aporias within the ideological structures of a community through the evocation of a sensus communis (Kant) that establishes the community anew, similar to an act of religious conversion. Their impact on the space of reasons is analysed in this article as one that does not take part in the game of giving and asking for reasons, but operates in the background of communal reason via an emotionally and clandestine ‘code’ of what it means to be ‘We?…?– We who we are’. Next to theoretical elaborations of how and why these phantascistic fantasies are produced, the theory will be further explained through a series of exemplifications demonstrating the way that it has played out across a long history of conflict in the Middle East and a shorter history of contemporary politics in the United States. Through all of this, the aim is to illustrate how very concrete excessive fantasies have an impact on a body politic's form of enjoyment.  相似文献   

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This essay charts the evolution of colportage in Walter Benjamin's body of writing. Originally referring to a form of popular literature peddled by travelling salesmen, Benjamin morphed the term into the ‘colportage phenomenon of space’, where he endowed it with a more abstract connotation referring to a form of embodied perception that could bridge distinctions between near and far and past and present, giving one access to ‘the whole of world history’. By holding a magnifying glass to this term, this essay elucidates the relevance of colportage in its historical context and unpacks its manifestations in Benjamin's essays, with iterations that often confuse boundaries between the material and the phenomenological. This essay further clarifies how Benjamin's handling of colportage exists alongside his studies of surrealism and his explorations into experience in modernity.  相似文献   

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This paper presents a detailed analysis of the measured data on the indoor air of an historical building: tezone 105 of the Arsenale in Venice. During one year of measurements, the indoor air temperature and the air humidity have been collected: the probes have been placed in different sites in order to provide total control of the microclimate. The status of the internal walls has been checked by means of the measurement of the surface temperatures by different sets of thermal resistances. The data collected point out the water wall imbibition and the high thermal capacity of the building envelope.The collected information could be used for the design of the thermal system.  相似文献   

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Peter Woelert 《Minerva》2013,51(3):341-362
More recent advancements in digital technologies have significantly alleviated the dissemination of new scientific ideas as well as the storing, searching and retrieval of large amounts of published research findings. While not denying the benefits of this novel ‘economy of memory,’ this paper endeavors to shed light on the ways in which the use of digital technologies may be linked to a distortion of the system of formal publications that facilitates the effective dissemination and collaborative building of scientific knowledge. Through combining three different strands of discussion that are often left separate – those pertaining to the cognitive effects of new technological memory systems, those pertaining to citation and publishing practices, and those regarding the effects of formalizing modes of research governance – it is also shown that this distortion is not merely a consequence of technological developments alone. Rather, such a distortion is inseparable from and potentially aggravated by the spreading of increasingly dysfunctional, formalizing research governance mechanisms. It is argued that these mechanisms run the risk of fostering the proliferation of knowledge practices that are characterized by an increasing degree of superficiality as well as the strategic publication of research that is of a decreasing degree of originality. If left unaddressed, this may pose a serious threat to the efficiency and effectiveness of the formal record of scientific knowledge as a tool for the dissemination of original research. By extension, this may in the long run seriously undermine the capacity of the publicly funded research system more generally.  相似文献   

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Abstract

This essay demonstrates how Classic Rock is a master signifier for the fantasy of the neoliberal autonomy of individualism. The argument presented is that Classic Rock is conducive with the seven cornerstones of Lacanian fantasy as postulated by Slavoj ?i?ek (schema of wholeness, occlusion of antagonism, intersubjectivity, immersion in Law, gaze of the Other, inherent transgression, and the empty gesture), as coordinated by a select multitude of its subgenres that stand in as objects of desire for the Master Signifier of ‘Classic Rock’: soft rock, hard rock, glam rock, art rock, and punk rock. By analysing Classic Rock through the trope of the Master Signifier, the ideological coordinates of neoliberal fantasy could potentially weaken the transparency of free trade, realising a possibility of radical autonomy that denies the injunction to desire. This essay thus contributes to our understanding of the political significance of Classic Rock.  相似文献   

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Johnes  Geraint 《Minerva》2019,57(1):85-107
Minerva - PIAAC data are used to evaluate the extent of overeducation in G7 countries. Incidence of overeducation is seen to vary systematically with a number of demographic characteristics. The...  相似文献   

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