Motion Pictures

Richard Bunce's Television in the Corporate Interest (New York: Praeger Special Studies, 1976—price not given, but about $15.00).

Ralph M. Jennings and Veronica M. Jefferson's Television Station Employment Practices, 1975: The Status of Minorities and Women (New York: Office of Communication, United Church of Christ, 1976—price not given, but about $10.00, paper)

Horace Newcomb's Television: The Critical View (New York: Oxford University Press, 1976—$4.00, paper)

Asa Berger's The TV-Guided American (New York: Walker, 1976—$8.95)

Vincent Mosco's The Regulation of Innovations in the Broadcasting Market (Cambridge, Mass.: Harvard University Program on Information Technologies and Public Policy, 1975—$3.00, paper)

James D. Scott's Cable Television: Strategy for Penetrating Key Urban Markets (Ann Arbor: University of Michigan Graduate School of Business Administration, 1976—$5.50, paper)

R.W. Chandler's Sparks at Sea: The Experiences of a Ship's Radio Officer (North Pomfret, Vt.: David and Charles, 1973, but only recently released in the U.S.—$9.50)     

Motion Pictures

The American Film Institute Guide to College Courses in Film and Television (Washington, D.C.: Acropolis. Books, 1973—$5.95, paper)

Joseph McBride, Orson Welles (192 pp.)

Colin McArthur, Underworld USA (176 pp.)

Alan Lovell and Jim Hillier, Studies in Documentary (176 pp.)

Joel E. Siegel, Val Lewton: the Reality of Terror (176 pp.)

Arnold Gassan's A Chronology of Photography (Light Impressions, Box 3012, Rochester, N.Y. 14614, 1972—$10.50/ 7.95)     

Motion Pictures

Emerson, Naturalistic Photography for Students of the Art (1891)

Hicks, Words and Pictures: Introduction to Photojournalism (1952)

Bunnell, Nonsilver Printing Processes, $4.50

Lee R. Baker, Making Movies: From Script to Screen (New York: Harcourt Brace Javanovich, 1973—price not known, paper)

Johnny Minus and William Storm Hale's Your Introduction to Film-TV Copyright, Contracts and other Law (Seven Arts Press, 6655 Hollywood Blvd., Hollywood, Ca. 90028 1973— $10.00 paper)

Noel Burch Theory of Film Practice (New York: Praeger, 1973—$8.95)

Hector Currie and Donald Staples' Film: Encounter (Dayton, Ohio: Pflaum/Standard, 1973—$9.95, paper)

John G. Cawelti's Focus on Bonnie and Clyde (Englewood Cliffs, N.J.: Prentice-Hall, 1973—$5.95/2.45)

David Bordwell, Filmguide to La Passion de Jeanne d'Arc

Warren French, Filmguide to The Grapes of Wrath

Carolyn Geduld, Filmguide to 2001: A Space Odyssey

James Naremore, Filmguide to Psycho

E. Rubenstein, Filmguide to The General

Jay Leyda's Kino: A History of the Russian and Soviet Film (New York: Collier Books, 1973 reissue of 1960 original —$4.95, paper)     

Motion Pictures

Gerald Mast and Marshall Cohen (eds.) Film Theory and Criticism: Introductory Readings (New York: Oxford University Press, 1974 -- $4.95, paper)

Jump Cut (3130 West Schubert, Chicago, Ill. 60647 -- $3.00 per year for Six issues)

Sam Ewing and R.W. Abolin's Professional Filmmaking (Blue Ridge Summit, Pa.: TAB Books, 1974 -- $9.95)

David Coynik's Movie-Making, (Chicago: Loyola University Press, 1974 -- $3.50 (2.63 to schools), paper with a teacher guide at $1.00, paper)

Lewis Yablonsky's George Raft (New York: McGraw-Hill, 1974 -- $8.95)

Al DiOrio, Jr.'s Little Girl Lost: The Life and Hard Times of Judy Garland (New Rochelle, N.Y.: Arlington House, 1974 -- $8.95)

Eileen Hsu-Balzer, Richard H. Balzer and Franciz K.J. Gsy's China Day by Day (New Haven: Yale University Press, 1974 -- $15.00/7.95)     

Motion Pictures

George Rehrauer's Cinema Booklist: Supplement Two (Metuchen, N.J.: Scarecrow Press, 1977– $15.00), a 482 page update to the main volume (1972–see 4:1:9)

Bab-bars Anne Price and Theodore Price, Federico Felini: An Annotated International Bibliography (Metuchen, N.J.: Scarecrow Press, 1978—$11.00).

Dennis R. Bohnenkamp and Sam L. Grogg Jr., eds. The American Film Institute Guide to College Courses in Film and Television (Princeton, N.J.: Peterson's Guides, 1978—$9.75, paper)

Ian C. Jarvie's Movies as Social Criticism: Aspects of their Social Psychology (Metuchen, N.J.: Scarecrow Press, 1978—$10.00)

Robert Stanley's The Celluloid Empire: A History of the American Motion Picture Industry (New York: Hastings House, 1978—$15.75/7.95)

Richard Koszarski, ed. Hollywood Directors 1941-1976 (New York: Oxford University Press, 1977—$4.95, paper)

Andre Bazin's Orson Welles: A Critical View (New York: Harper & Row, 1978— $10.00)

James Naremore's The Magic World of Orson Welles (New York: Oxford University Press, 1978—$15.95)

Paul Michael's The Academy Awards: 50th Anniversary Edition (New York: Crown, 1978— $14.95)

James Beveridge's John Grierson, Film Master (New York: Macmillan, 1978— $17.95)

John McCabe's Charlie Chaplin (New York: Doubleday, 1978—$10.00)

Leonard Maltin's The Great Movie Comedians, From Charlie Chaplin to Woody Allen (New York: Crown, 1978—$10.95)

S. C. Earley An Introduction to American Movies (New York: New American Library Mentor Books, 1978—$2.25, paper)

Ron Haydock's Deerstalker! Holmes and Watson on Screen (Metuchen, N.J.: Scarecrow Press, 1978—$12.50)

Matthew J. Bruccoli, ed., F.Scott Fitzgerald's Screenplay for Three Comrades (Carbondale: Southern Illinois University Press, 1978—$10.00/3.95)     

Motion Pictures

Leonard Maltin's Movie Comedy Teams (Signet W4453, $1.50)

Edward Wagenknecht's The Movies in the Age of Innocence (Originally issues in 1962 by University of Oklahoma Press, re-issued by Ballantine at $2.95)

Jay Leyda's Films Begat Film (originally issued in 1964, re-issued by Hill & Wang at $1.95 paper and $4.95 hardback)

Rachel Madcluy, Stirling Sillipaant and Neil D. Isaacs' Fiction into Film: A Walk in the Spring Rain (University of Tennessee Press, $10.50)

Charles Sweeting, A Film Course Manual (McCutchan Publishing Corp., 2526 Grove St., Berkeley, Calif. 94704, $2.25)     

Motion Pictures

George Rehrauer, THE MACMILLAN BIBLIOGRAPHY: A CRITICAL GUIDE TO THE LITERATURE OF THE MOTION PICTURE (New York: Macmillan, 1982 2 vol. —the first volume is the bibliography itself, $90.00; the second is the index, $50.00).

Paula Rohrlick, EXPLORING THE ARTS: FILM AND VIDEO PROGRAMS FOR YOUNG VIEWERS (New York: R. R. Bowker, 1982—$24.95, paper, plus shipping and handling).

Jason E. Squire, THE MOVIE BUSINESS BOOK (Englewood Cliffs, N.J.: Prentice-Hall, 1983—$13.95, paper).

Gregory Goodell INDEPENDENT FEATURE FILM PRODUCTION: A COMPLETE GUIDE FROM CONCEPT TO DISTRIBUTION (New York: St. Martins's Press, 1982—$17.95).

James Curtis, JAMES WHALE, (Metuchen, N.J.: The Scarecrow Press—$16.50 and $16.00, respectively).

William Schelly, HARRY LANGDON (Metuchen, N.J.: The Scarecrow Press—$16.50 and $16.00, respectively).

Bruce Cook, BRECHT IN EXILE (New York: Holt, Rinehart & Winston, 1983—$16.50).

Marsha McCreadle, WOMEN ON FILM: THE CRITICAL EYE (New York: Praeger, 1983—$21.95).

William Luhr RAYMOND CHANDLER AND FILM (New York: Frederick Ungar, 1982- $14.95/7.95).

Allen L. Woll, THE HOLLYWOOD MUSICAL GOES TO WAR (Chicago: Nelson-Hall, 1983—no price given).

Norma Kagan, AMERICAN SKEPTIC: ROBERT ALTMAN'S GENRE-COMMENTARY FILMS (Ann Arbor: Pierian Press, 1982—$17.95).

David Wilson, SIGHT AND SOUND: A FIFTIETH ANNIVERSARY SFIECTION (London: Faber and Faber, distributed in the United States by Harper dc Row, 1982—$19.95).

Nicholas Pronay and D. W. Spring, PROPAGANDA, POLITICS AND FILM, 1918-45 (London: The Macmillan Press, 1982—$40.00; order in the United States from Humanities Press, Atlantic Highlands, N.J.).

Ina Bertrand and Diane Collins, GOVERNMENT AND FILM (Sydney: Currency Press, 1982- A$14.95).

John Tulloch, LEGENDS OF THE SCREEN: THE NARRATIVE FILM IN AUSTRALIA, 1919-1929 (Sydney: Currency Press, 1981—A$19.95) (order from The Currency Press, 87 Jersey Road, Woollahra NSW 2025).

Roy Armes, THE FILMS OF ALAIN ROBBE-GRILLET (Amsterdam: John Benjamins B. V., 1981) (order in the United States from John Benjamins North America, Inc., One Buttonwood Square, 202, Philadelphia, Pennsylvania 19130—$25.00).

Bruce F. Kawin, FAULKNER'S MGM SCREENPLAYS (Knoxville: University of Tennessee Press, 1982—$32.50/14.95).

Peter Rollins, HOLLYWOOD AS HISTORIAN: AMERICAN FILM IN A CULTURAL CONTEXT (Lexington: University of Kentucky Press, 1983—no price given, paper).

Susan Myrick WHITE COLUMNS IN HOLLYWOOD: REPORTS FROM THE GWTW SETS (Mercer, Ga.: Mercer University Press, 1982—$14.95).

Frank Beaver of the University of Michigan: ON FILM: A HISTORY OF THE MOTION PICTURE and DICTIONARY OF FILM TERMS (both New York: McGraw-Hill, 1983—no price given).     

General Motion Pictures

Dana H. Hodgdon and Stuart M. Kaminsky BASIC FILMMAKING (New York: Arco Publishing, 1982—$12.95/$7.95)

Stewart Bronfeld WRITING FOR FILM AND TELEVISION (Englewood Cliffs, NJ: Prentice-Hall, 1981—$11.95)

Leonard Maltin TV MOVIES (New York: New American Library, 1982— $4.95)

Alan Frank THE HORROR FILM HANDBOOK (Totowa, NJ: Barnes E. Noble Books, 1982—$24.95)

Richard Dyer MacCann and Jack C. Ellis CINEMA EXAMINED: SELECTIONS FROM CINEMA JOURNAL (New York: E. P. Dutton, 1982—$9.95 paper)     

General Motion Pictures

Anthony Slide A COLLECTOR'S GUIDE TO MOVIE MEMORABILIA—WITH PRICES (Wallace Homestead Book Company, 1912 Grand Avenue, Des Moines, Iowa 50305—$12.95).

Richard L. Stromgren and Martin F. Norden. MOVIES: A LANGUAGE IN LIGHT (Englewood Cliffs, New Jersey: Prentice-Hall, 1984—$15.95).

Jonathan Rosenbaum, FILM: THE FRONT LINE 1983 (Arden Press, 1127 Pennsylvania Street, Denver. Colorado 80203—$10.95).

James L. Limbacher's SEXUALITY IN WORLD CINEMA (Metuchen. New Jersey: Scarecrow Press, 1983—$72.50 for two volumes).

Al Clark: THE FILM YEARBOOK-1984(New York: Grove Press, 1984—$12.95, paperback).

ANNUAL INDEX TO MOTION PICTURE CREDITS: 1982 (Westport, Connecticut: Greenwood Press, 1983—$150.00).

Nancy Allen and Robert L. Carringer AN ANNOTATED CATALOG OF UNPUBLISHED FILM AND TELEVISION SCRIPTS (Graduate School of Library and Information Science. Publications Office, 249 Armory Building, 505 E. Armbry Street, Champaign, Illinois 61820—$15.00, paper).     

General Motion Pictures

Eileen Sheahan's Moving Pictures: An Annotated Guide to Selected Film Literature With Suggestions for the Study of Film (South Brunswick: A.S. Barnes and Company, 1979 – $9.95 hardcover)

Anthony Slide, Films on Film History (Metuchen, New Jersey: The Scarecrow Press, 1979 – $12.00 hardcover)

Hannah Elsas Miller, Films in the Classroom: A Practical Guide (Metuchen, New Jersey: The Scarecrow Press, 1979 – $12.50)

Roy Pickard, Hollywood Gold: The Award Winning Movies (New York: Taplinger, 1979 – $1 4 .95/$9.95)

Legal and Business Problems of Financing Motion Pictures 1979 (Practising Law Institute, 810 Seventh Ave., New York, N.Y. 10019—$20, paper)

Nancy Allen's Film Study Collections: A Guide to Their Development and Use (New York: Frederik Ungar, 1979—$14.00)

David McNicoll, eds. A Guide to Film and Television Courses in Canada (Canadian Film Institute, 75 Albert Street, Suite 1105, Ottawa, Ontario K1P 5E7 – $6.95)

Film Periodicals: A new journal, Discourse: Berkeley Journal for Theoretical Studies in Media and Culture (P.O. Box 4667, Berkeley, California 94704 – $9.00 for three issues for individuals, $12.00 for institutions, and $18.00 foreign)

Don Allen, ed. The World of Film and Filmmakers: A Visual History (New York: Crown, 1979—$19.95)

Raymond Fielding, comp. A Bibliography of Theses and Dissertations on the Subject of Film: 1916-1979 (Houston, Tx.: University Film Association Monograph No. 3, 1979—$6.50, paper)     

Motion Pictures and Photograph

Reese V. Jenkins' Images & Enterprise: Technology and the American Photographic Industry, 1839 to 1925 (Baltimore: Johns Hopkins University Press, 1975—$20.00)

R. C. Smith's Antique Cameras (North Pomfret, Vt.: David & Charles, 1976—$12.95)

Gerald Mast's A Short History Movies (Indianapolis: Bobbs- Merrill, 1976—$7.50, paper)

Lix-Anne Bawden's The Oxford Companion to Film (New York: Oxford University Press, 1976—$24.95)

John Brosnan's Marie Manic: The Story of Special Effects in the Cinema (New York: New American Library Plume Books, 1976—$3.95, paper)

Ronald Gottesman and Harry Geduld (eds.) The Girl in the Hairi Paw:King Kong as Mtyh, Magic, and Monster (New York: Avon Books, 1976—$5.95)

Guy Phelps' Film Censorship (London: Victor Gollancz, 1975—about $10.00)

James Robert Parish, et al. Film Directors Guide: Western Europe (Metuchen, N.J.: Scarecrow Press, 1976—$11.00)

James Robert Parish and Don E. Stanke's The Swashbucklers (New Rochelle, N.Y.: Arlington House, 1976—$19.95)

Andrew Sarris' The John Ford Movie Mystery (Bloomington: Indiana University Press, 1976—$8.95)

Laurence Goldstein and Jay Kaufman's Into Film (New York: Dutton, 1976—$19.95/12.95)

Daniel Arijon's Grammar of the Film Language (New York: Hastings House, 1976—$27.50)     

Motion Pictures and Photography

William Kuhns' Movies in America (Dayton, Ohio: Pflaum/Standard, 1973 - $6.50, paper)

William Kuhns and John Carr Teaching in the Dark (same publisher, $4.50, paper)

Peter Wollen's Signs and Meaning in the Cinema (Bloomington: Indiana University Press, 1972 - $5.95 2.95)

David Shipman's The Great Movie Stars: The International Years (New York: St. Martin's Press, 1972 - $15.00)

The Silent Picture (quarterly, $4.00 per year)

Films Illustrated (monthly, $10.00 per year)

Slide Albums ($35.00 each)

Herbert Volkmann's Film Preservation (1965, 60 pp., $1.50)

Theodore Huff's The Early Work of Charles Chaplin (1961, 24 pp., 500)

Fifty Years of Soviet Cinema: 1917-1967 (1967, 30 pp., 950)

Rules for Use in the Cataloguing Department of the National Film Archive (1960, $1.20)

Literature/Film Quarterly (Salisbury State College, Salisbury, Md. 21801 - $5.00 per year/four issues, or $2.00 each)