Sports and Naiveté

Abstract

This paper examines varieties of naiveté manifested in the world of sport. In particular, I examine epistemological, ethical, and metaphysical naiveté. My contention is that virtually from cradle to grave forms of naiveté toward sport are present. We are tempted and all too often succumb to the temptation to accept appearances. But the initial appearances of sport often disappoint, and the underlying reality that confronts us is sometimes a hard reality. Faced with disappointment and exposed illusions, one’s next step may be to adopt a hermeneutics of suspicion towards sport. There is no going back to the earlier naive stance. But is this the final word on the matter? Once one has adopted a critical perspective towards sport, is it possible to join the hermeneutics of suspicion to what Wendy Doniger refers to as a “hermeneutics of retrieval”? That is, after the first naiveté toward sport is exposed as inadequate, is it possible to arrive at what the philosopher Paul Ricoeur calls a “second naiveté” that allows one to appreciate, in a renewed and legitimate way, a phenomenon such as sport, subsequent to the loss of layers of innocence? In this paper I examine whether, in the case of sport, this can be done with integrity.     

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Sandwiched Between Sport and Politics: Fédération Internationale de l’Automobile,Formula 1, and Non-Democratic Regimes

As the governing body of world motorsports since 1904, Fédération Internationale de l’Automobile (FIA) has, through the growth of Formula 1, become increasingly embedded in the globalization of commerce and faced with difficult political issues. Specifically, FIA events are used to sanitize the image of undemocratic countries, and FIA is, thus, becoming increasingly entangled in spheres other than sport. This presents a challenge to a sporting body which traditionally follows the principle of not mixing sport and politics. To explore this topic, two Formula 1 races where sport and politics are intertwined are chosen as examples: the 1985 South African Grand Prix and the 2016 Azerbaijan Grand Prix. As the holding of both events evoked controversy, for various reasons, this paper investigates whether something has changed at FIA along the way, and, in that case, what? As findings demonstrate, while the races differ and the context has changed, the FIA has kept its policy despite the fact that it has become increasingly difficult to maintain its neutral stance.     

Pelé, racial discourse and the 1958 World Cup

The aim of this essay is to map out the racial discourses of the 1950s, particularly those pertinent to the 1958 Soccer World Cup, in order to better understand the main ideas about race, which were in vogue at the time when Edson Arantes do Nascimento (Pelé) became (inter)nationally famous as a great sports star. The essay argues that Pelé’s statements regarding race and race relations in Brazil were inherently based on the discourses prevalent among academics and Brazil’s black activists during the 1950s. Pelé’s professional asceticism and his belief in individualism, cultivated during his youth in the city of Bauru, were further reinforced by the racial discourses of the 1950s. These views led him to believe that any discrimination he might encounter due to his colour and class could be overcome with a disciplined and professional attitude. Today, this sort of ascetic view of the world has been accused by certain segments of Brazil’s black movements as being insufficient to overcome the supposedly irresolvable inequalities that exist between Brazil’s black and white populations. Pelé, however, has not changed his position regarding anti-black discrimination, choosing to continue to emphasize professionalism and discipline as the two most formidable tools in the fight against racial discrimination and inequality.     

Breaking bounds: Alice Profé, radical and emancipationist

Alice Prof was the first female sport physician in Germany and she influenced ideas on female bodies and female sports for more than 40 years. Her dream to become a doctor could be realized only in Switzerland because women were not admitted to universities in Prussia before 1908. After her examination and her PhD she established herself as one of the first female doctors in Berlin in 1905 and she worked there until her death in 1946 as general practitioner and medical specialist for pediatrics and sport medicine. As an expert on the female body she was active in many committees and organizations. Alice Prof worked her whole life for the improvement of the situation of girls and women. The focus of her work was physical education and sport and she was always active in different types of sports herself. Her first article on this topic was published in 1906. In the following years over and over again she 'took the floor' criticizing traditional stereotypes of women and the female body, demanding resources for the education of girls and women. Her efforts also helped to reduce anxieties about women in sport and to encourage women to participate in sport. In her articles and in her lectures she encouraged women to decide for themselves about their involvement in sport. She rejected all attempts to patronize female athletes and refused to accept their exclusion from many sports. Prof propagated ideas which were not popular and she never swam with the tide. In one obituary it is stated: 'you never changed your ideas about life for material rewards or professional advancement. You stayed yourself'. Her ideas are relevant even today.     

From Détente to Distrust: Soccer's Place in Post-World War I Melbourne

Immediately after WW1, soccer had acquired a small but secure place in Melbourne sports culture. Soccer's commitment to the war effort potentially gave its adherents entry to the foundations of a new national mythology. Increasing migrant numbers in the 1920s grew the number of soccer's participants and supporters. Perhaps counterintuitively, this growth was accompanied by a growing distance between the game and notions of Australianness. This paper traces the cooling of soccer's welcome in Melbourne between 1920 and 1934 to the point where the game was cast to the margins of Australian identity.     

The mattress makers: emotions and value proposal in Atlético de Madrid

Atlético de Madrid (ATM) Football Club has a single-hearted fan base regardless of the sport results, unlike megaclub’s fandoms (like Real Madrid, from the same city) that demand a steady stream of sporting triumphs. Literature is sparse about how second line clubs that must compete with megaclubs from the same city for a fan base develop a sustainable value proposal based on their fans’ emotions. We analyse the content of interviews with followers, TV-ads and financial statements to deal with ATM’s emotional base comprised of eleven emotions. Emotions like pride secure a fandom base loyal to ATM even in the absence of wins. Findings suggest that ATM’s value proposal (based on fandom satisfaction) focuses on a niche of fierce modern-style supporters with emotions attuned to the club’s performance.     

A ménage à trois: the eye, the hand and on-line processing

This review summarizes research conducted in our laboratories over the past 5 years aimed at determining the temporal and spatial relationships between eye and hand movements and the amount of central processing that must occur before performing a manual aiming movement, relative to the amount of processing that is done online. All of our research to date points to a two-component model of speed-accuracy control in manual aiming. Several studies have shown that eye and hand movements in manual aiming are inextricably linked both temporally and spatially. Typically, the eye arrives in the vicinity of the target first; this coincides with peak acceleration of the finger during the initial impulse phase of a movement. There is also significant temporal and spatial coupling of the finger, elbow and shoulder in aiming, and movements appear to evolve in a proximal-to-distal fashion. Movements are endpoint driven and variability is reduced with distal approximation to the target. This movement control strategy means that visual information is not only available for use in modifying responses, but there is sufficient time available for its use. In sequential complex aiming movements, the use of visual feedback and on-line processing become even more important. Practice does not diminish the need for on-line processing; rather, its use appears to ensure greater movement efficiency.     

A ménage À trois: the eye,the hand and on-line processing

This review summarizes research conducted in our laboratories over the past 5 years aimed at determining the temporal and spatial relationships between eye and hand movements and the amount of central processing that must occur before performing a manual aiming movement, relative to the amount of processing that is done online. All of our research to date points to a two-component model of speed-accuracy control in manual aiming. Several studies have shown that eye and hand movements in manual aiming are inextricably linked both temporally and spatially. Typically, the eye arrives in the vicinity of the target first; this coincides with peak acceleration of the finger during the initial impulse phase of a movement. There is also significant temporal and spatial coupling of the finger, elbow and shoulder in aiming, and movements appear to evolve in a proximal-to-distal fashion. Movements are endpoint driven and variability is reduced with distal approximation to the target. This movement control strategy means that visual information is not only available for use in modifying responses, but there is sufficient time available for its use. In sequential complex aiming movements, the use of visual feedback and on-line processing become even more important. Practice does not diminish the need for on-line processing; rather, its use appears to ensure greater movement efficiency.     

Legacy and legitimacy: historical ethnography of a judo dojo in Montréal,Canada

Through fieldwork in a judo dojo (gym) in Montréal, Canada, the author found that assuming the members’ practice as embodiment of identity does not resonate with the actual practice they are producing. Instead of framing the practice as identity politics, this study focuses on the practice itself to highlight agency and practice within the social conditions in transformation. By adapting a historical ethnographic approach, this paper describes how the past is connected to the present as ‘actant’ to produce present practice. The paper discusses that there is little momentum of the people pursuing ‘distinction’, and their emphasis is on the continuity of their practice. Drawing on the pragmatic sociological approach, this study further discusses how legacy and legitimacy are constructed to produce their practice.     

A Female Medallist at the 1928 Olympic Art Competitions: The Sculptress Renée Sintenis

Abstract

Olympic Art Competitions were part of the Olympic programme for 36 years in the first half of the twentieth century. According to sport history research, one of the reasons for their suspension was the participation of unknown artists. A careful analysis of the sources used by sport historians reveals that little is known about the artists. Even less is known about female artists in this context. Investigating the example of the German sculptress Renée Sintenis (1888–1965), medallist of the 1928 Olympic Art Competitions, is an attempt to address this research gap. Biographical research about the sculptress provides art historical evidence for her successful career, her impressive oeuvre and her outstanding societal position as a female artist; and, in doing so, backs up the publications by sport historians. Furthermore, the paper illustrates the circumstances under which female artists participated in the Olympic Art Competitions, evidencing that the artistic competitions had not been a topic on the agenda of the International Olympic Committee. Importantly, it also demonstrates that Pierre de Coubertin’s artistic family environment influenced his thinking about female artists in the Olympic Art Competitions.     

Le Numéro Barbette: Destabilising Gender on the High Wire and the Flying Trapeze

In the autumn of 1923, Barbette (Vander Clyde) took Parisian theatres by storm with a provocative amalgamation of trapeze artistry and female impersonation. His act in interwar France was timely and daring. While the destructive results of the First World War had left the country with deep concerns about the degeneration of the male body and the nation as a whole, Barbette's performance signified a homosexual identity and a questioning of traditional categories of masculinity and femininity. Fostering the interest of controversial poet and film maker, Jean Cocteau and his artistic entourage, Barbette's performance received much praise and was immortalised in Cocteau's 1926 essay Le Numéro Barbette. Drawing on a number of under-examined performance reviews by French critics, as well as Steegmuller's interview with Barbette, I focus on how Barbette's career and performances contributed to debates about the constructedness of gender and how they were indicative of the tensions of a post-war culture that wanted to ‘return to order’. Barbette's blurring of gender categories during his aerial performances embodied these post-war tensions and signified a liminality in which gender could be destabilised and reimagined without severe repercussions.     

‘Vél’ d’Hiv’ six-day race: the spirit of Paris during the twenties

The Vélodrome d’Hiver, known colloquially as ‘Vél’ d’Hiv’, was a major sports venue located in Paris, not far from the Eiffel Tower. Used for ice hockey, boxing, wrestling and other events, it was above all the scene of a famous cycling competition: the Six-Day Race. It enjoyed such success that it became a source of artistic inspiration, both in painting, literature and film. La Ronde infernale (Infernal Circle), a feature film released in French cinemas in 1928, for example, shows how writer and director Henri Decoin and producer Luitz-Morat, captured the venue, race and popular fervour to depict, with precision and empathy, a typical scene of Parisian life in the 1920s. However, far from being a mere portrait of a bygone era, this film, in the same way as all subsequent figurative portrayals, helped to immortalise this site and establish it in the collective memory, to such an extent that it became a ‘living metaphor’ in Paris. In short, by adopting the principles related to the social history of representations, this paper aims to identify the importance of figurative space in general, and cinema in particular, in the historical, memorial and heritage construction of an ancient temple of French sport.     

Un concept mythologique de la troisième république: le renforcement du capital humain de la France

Abstract

Some ideas, whether right or wrong, seem never to die, whatever might be the general evolution of knowledge, of science, or simply of good common sense. This is exactly the case with physical education or sports. For centuries, and especially since the middle of the nineteenth century, its advocates have fought for recognition of its all‐round virtues, taken as a concept. But to attain a high level of recognition, not only in society but in official government circles, certain conditions were necessary.

Education as a whole, around the middle of the nineteenth century, had to be strict and similar to military drill to be considered efficient, although the French middle classes and bourgeoisie had very little taste for the military. Although they admired physical prowess they had a horror of regimentation. But later on, when the Prussians so easily defeated Austria, feelings of doubt in French superiority began to spread, and a handful of theoreticians of physical exercise tried to show that to combat the so‐called degeneration of the race, it was essential to impose a system of education in which physical exercise, coupled with military drill, still had an important place. As scientific arguments they referred to the theories of evolution and its then accepted principle, according to Lamarck, or the transmission of acquired properties and character. Darwin was still unknown in France at that time.

These zealous advocates succeeded in convincing the Minister of Public Education, Victor Duruy, to include gymnastics in the normal course of studies in all schools, and by 1869 one can say that a craze for all types of physical exercise and sport had spread into many levels of society.

That was the start of a never‐ending movement which has passed through various stages of evolution corresponding to the changes in society itself. It has therefore changed its methods, its ways, its forms, but the overall principle remains the same, in spite of the improved understanding of human physiology for instance. Huge amounts of energy and money were spent on realizing this theory: politicians, educators, the military, religious authorities, men of distinction, all fought for the best possible application of this miraculous principle which was believed to cure all ills in this world.

Was it really worthwhile? Was it possible to expect objectively measurable results on a national scale if the social factors — such as standards of living, hygiene, working hours, urban conditions — were not taken into account? The history of this element requires a deep understanding of the evolution of most of the factors which make up real life in a country such as France, which experienced various stages in a industrial revolution as well as many political changes.

In spite of this evolution, one must acknowledge that false beliefs survived well into the 1940s, and furthermore, physical exercise, whatever its form, still belongs in many ways to hedonism and is therefore difficult to impose as a universal solution to political problems. As a democracy, France could not accept militarization.     

Changes in biomechanics and muscle activation in injured ballet dancers during a jump-land task with turnout (Sissonne Fermée)

Large impact loading with abnormal muscle activity and motion patterns may contribute to lower extremity injuries in ballet dancers. Yet, few studies investigated the influence of injury on the ballet movement. The purpose of this study was to find the neuromuscular and biomechanical characteristics in dancers with and without ankle injury during a jump-landing Sissonne Fermée task. Twenty-two ballet dancers were recruited and divided into the injured group (n = 11) and the uninjured group (n = 11). They performed a ballet movement called "Sissonne Fermée" with reflective markers and electrodes attached to their lower extremities. Ground reaction force, joint kinematics, and muscle activity were measured. The injured dancers had greater peak ankle eversion but smaller hindfoot-to-tibial eversion angles. Also, the injured dancers had greater activity of the hamstring of the dominant leg and tibialis anterior of the non-dominant leg during the pre-landing phase. The injured dancers had greater tibialis anterior activity of the dominant leg but less muscle activity in the medial gastrocnemius of the non-dominant leg during the post-landing phase. The injured dancers had a greater co-contraction index in the non-dominant ankle and a lower loading rate. The higher co-contraction indices showed that the injured dancers required more muscle effort to control ankle stability. Furthermore, the injured dancers used a "load avoidance strategy" to protect themselves from re-injury. Neuromuscular control training of the ankle joint for ballet dancers to prevent injury is necessary.