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1.
This article describes the outcomes of a research project conducted at the Ministry of Stories (a London‐based writing centre) which sought to develop an online, mentor‐assisted, writing platform. Across a 3‐month period, at four different sites across the UK, more than a hundred Year 7 pupils took part in the project, using the platform to write stories and get feedback from mentors who came from a variety of backgrounds. For reasons of space, pupil/mentor interactions are not discussed extensively in the article; however, these stories were collected and analysed alongside a range of other survey and interview data to establish how creative writing might be developed through online mentoring, the use of an online interface and the intersection of both these tools. The article seeks to answer some questions raised by the data collected in the project, and in turn, uses both the questions and the data to interrogate some of the discourses which surround the teaching of creative writing both in and outside the classroom, and in particular the tensions that occur between the teaching of writing skills, ‘official versions’ of writing in the classroom and children's use of their own cultural resources in creative writing. 相似文献
2.
Narciso de Gabriel 《Paedagogica Historica: International Journal of the History of Education》2014,50(4):514-532
This article analyses the schooling process in rural areas of Galicia (Spain) from the mid-nineteenth to the mid-twentieth century, considering educational initiatives promoted by both the state and the rural population. The former, which were governed by the official school culture, were driven by a moralistic approach; the latter, within the framework of popular school culture, were essentially aimed at literacy. The confrontation that arose between the two initiatives was finally resolved in favour of the official school. Our main goal here is to analyse how popular schools (ferrado schools) were perceived by official culture (school administrators and education experts) as well as by those who were directly involved as protagonists, i.e. the schoolteachers who ran these schools (escolantes) and their pupils. 相似文献
3.
ABSTRACT In response to a perceived reluctance to engage with poetry on the part of teachers and trainee teachers, a questionnaire was administered to a group of 48 trainees in their second year of training, before they undertook the part of their course dealing with the teaching of poetry. Their responses indicated that they had had a positive experience of poetry during their own primary education but had ceased to enjoy or understand poetry at secondary level. In discussing the responses, attention is drawn to the importance of understanding the difference between poetry as a specialist subject and as a vehicle for teaching other things. The difference between ‘enjoyment’ and ‘appreciation’, as outlined by Wittgenstein, is defined and applied to the study of poetry. Ways of extending trainees’ understanding and ability to teach poetry are explored. It is concluded that in order to get ‘on the inside of the subject they should (a) be allowed to respond freely to poetry at their own level and (b) be initiated into the kind of skills and knowledge which will enable them to identify the progressive features of poetry itself as well as the instrumental aspects of poetry teaching in the primary school. 相似文献
4.
梁柏榉 《中国现代教育装备》2011,(11):109-111
影视媒介素养教育是媒介素养教育的重要组成部分,通过影视多媒体实验教学对大学生进行媒介素养教育是一项新的举措。在影视多媒体实验教学中,指导教师把影视原理,影视设备的使用,影视作品的构思、拍摄、制作方法和技巧传授给学生的同时,也把影视媒介素养教育的内容传授给学生。通过这一途径提高了学生对影视作品的选择能力、理解能力、评鉴能力和创造能力。 相似文献
5.
方亚琴 《锦州师范学院学报(哲学社会科学版)》2010,(5):151-155
娱乐性是大众文化的一个突出特点,然而在市场逻辑的支配下,大众文化呈现只注重娱乐效果,而忽视对思想内涵和艺术价值的追求,出现了过度娱乐化倾向。本文以电视节目为例,通过大众文化过度娱乐化的表现,分析这一倾向给社会文化的发展和大众文化生活所带来的负面影响,并反思大众文化过度娱乐化的主要原因。 相似文献
6.
贾明 《上海师范大学学报(哲学社会科学版)》2006,35(1):78-82
哈贝马斯的“公共领域”概念是建立在面对面交流的共同活动中,随着大众传媒的兴起,大众文化成为跨越时间和空间、阶级和阶层、性别和年龄的共享文化。大众媒介和大众文化取消的只是具有有限空间的公共领域,而建立的则是更为广大和开放的公共领域。 相似文献
7.
新时代的批判媒介和文化研究 总被引:2,自引:0,他引:2
本文从历史的角度分析了批评性媒介素养在不同历史阶段的关注重点,并辅以事例着重阐释了如何利用分析方法使批判性素养的理论与实践相结合,从而提高学生的批判性媒介素养,特别是随着多种新媒体的出现,更需要在文化研究的关照下关注新的媒介素养问题。 相似文献
8.
沈萍 《中国教育技术装备》2013,(27):62-63
随着新媒体的出现和网络通讯技术的蓬勃发展,高校电视台受到的冲击也不言而喻。探讨新媒体环境下高校电视台的生存状况以及面对这种新形势,高校电视台所采取的主要措施。关键词新媒体;高校电视台;校园文化建设 相似文献
9.
赵晓娟 《渭南师范学院学报》2010,25(3):67-69
在激烈的媒体竞争中,电视受到来自网络等新兴媒体挑战的同时,各种电视节目之间的明争暗斗也不可忽视。科教电视应以文化为本位,塑造节目的人文内涵与文化气质,全面提升电视文化的软实力,以收视率造成强大的传播效果,这样才能在激烈的市场环境中扩展生存空间。 相似文献
10.
闫艳敏 《商丘职业技术学院学报》2009,8(1):80-82
流行语作为大众文化、大众语言的一种重要代表与典型表现,具有颠覆与建构的双重属性,受其自身的特质以及文化、语言的规律的制约,要求我们客观、科学地应对它所表现的语言规范问题。流行语的产生、嬗变与社会文化背景、历史语境因素有着密切的关联。从心理和文化因素来探讨种种流行语现象何以产生,又如何面对时代条件、历史语境而不断地发生变迁,产生新的面貌,具有一定的意义。 相似文献
11.
邹媛媛 《黔南民族师范学院学报》2012,32(4):5-8
1983年,为适应改革开放的形势和文化领域呈现的活跃氛围以及人们思想解放的心理状态,中央电视台举办了第一届春节联欢晚会,至今已成功举办三十届。应该说,一年一度的"春晚"体现了一个庞大的文化系统,即改革开放以来的社会文化风尚决定着这一时期"春晚"的形式和内容。反过来看,"春晚"的诸多形式和内容也可以反映中国当代的文化现象与文化形式。 相似文献
12.
Susan Gebbels Stewart M. Evans Lynne A. Murphy 《British Journal of Special Education》2010,37(3):139-147
In this article Susan Gebbels and Stewart M. Evans from Newcastle University and Lynne A. Murphy who is a practising school teacher in north‐east England discuss how they worked collaboratively on a programme of science education with a group of 16 Key Stage 3 pupils with moderate learning difficulties. The project lasted for one academic year and was part of Creative Partnerships, the Government's flagship creative learning programme. The authors describe some of the challenges faced by teachers to cater for the needs of all pupils within an inclusive school setting. The programme of science education focused on local marine and coastal environments with a special emphasis on fieldwork, enquiry‐based learning and cross‐curricular approaches to learning. The project was evaluated through the use of questionnaires, pupil interviews and informal discussions with teaching staff. Evaluations of the programme were positive. Pupils were more motivated to learn about science, had a sense of pride in their achievements and claimed that participation in the project helped them in forming friendships. The class published and distributed an information booklet on the coast to other schools and the general public. 相似文献
13.
Over a number of years we have been investigating ways in which e‐communication can contribute to children's writing development and how new technology re‐frames our understandings of writing in the classroom (Merchant, 2003; Burnett et al, 2004; Burnett et al, 2005; Merchant, 2005). Here we analyse the digital writing of pupils from two linked primary school classes (Year 3–5) in the North of England. Part of the project involved the pupils in communicating about themselves and their interests to email partners of the same age. In this article, we track children's identity performance in informal message exchange and show how this contributed to a final knowledge product. We explore how work that had its origins in representing children's lives and identities reflected their position in wider cultural worlds. This perspective causes us to question whether there are there sufficient opportunities for pupils to explore and express ‘who they are’ in the current content‐driven curriculum where public genres are central and personal voice is peripheral. 相似文献
14.
《PRIMUS》2012,22(1):36-43
Abstract Popular culture provides many opportunities to develop quantitative reasoning. This article describes a junior-level, interdisciplinary, quantitative reasoning course that uses examples from movies, cartoons, television, magazine advertisements, and children's literature. Some benefits from and cautions to using popular culture to teach mathematics are suggested. 相似文献
15.
时道波 《中国教育技术装备》2012,(18):103-104
流媒体作为一种新型媒体,采用流式传输技术,解决了网络课程中视频资源的传输问题。在分析流媒体技术优势的基础上,结合本校网站设计与制作网络课程视频资源库,重点探讨流媒体资源库的平台构建、文件管理及其应用。 相似文献
16.
包兆会 《江苏广播电视大学学报》2007,18(6):23-26
流行音乐的媒介可分为旧媒介和新媒介,旧媒介包括收音机、唱片、磁带等。新媒介包括CD、DVD、MTV、卡拉OK等。在新媒介时代,流行音乐出现了视与听结合、制作与欣赏结合、身与心结合的趋势。这说明了作为大众文化一部分的流行音乐生产与作为流行音乐一部分的流行音乐媒介是分不开的,流行音乐媒介的变化必然带来流行音乐生产、表现方式等的变化。 相似文献
17.
全球化经济浪潮中迎来了中国大众文化的崛起,信仰的失落、精神的失范以及审美取向的转变使得大众文化失去了批判的功能而逐渐走向消费和媚俗,而学者和媒介的联袂创造着文化的狂欢和学术的普及,“学术明星”现象凸显着消费时代的大众文化世俗娱乐的特点。 相似文献
18.
董海颖 《南昌教育学院学报》2011,26(3):189+191-189,191
在信息化高度发展的时代中,媒介是这个时代的主题。当前媒介发展呈多元化趋势,媒介凭借社会与大众思想的多元与开放,展开了一场慢慢渗透的影响。电视节目在此也开始百花齐放,花样百出。方言电视作为其中的一种形式受到研究者的关注。本文也就在此基础上,展开对多元化媒介环境中的方言电视的讨论。从其方言电视的传播者,接受者以及对整个媒介生态的影响等方面来进行学理上的探讨。 相似文献
19.
随着国家文化体制改革的逐步深入,在媒介经营越来越市场化的今天,数量众多的地市级广电媒体面临着产业发展上的外忧内困。要解决发展问题,一方面要在内容生产上凸显个性,牢牢吸引目标受众,以此获得更多的广告收益;另一方面,则要想方设法压缩成本,走跨地域合作之路,同时积极应对网络等新媒体的挑战,以求占得先机。 相似文献
20.
AbstractThis paper brings together general principles for teaching inquiry across disciplines with those generally employed in mathematics classrooms. It describes some broad principles of teaching inquiry to first-year writing students and shows how these can be employed in the context of a course on game theory in popular culture. Although undergraduate mathematics may seem miles away from undergraduate writing, especially in first-year courses, we show how common educational practices in inquiry-based mathematics courses are easily adapted to teaching a writing course and how these pedagogical methods can be used to encourage students to develop habits of inquiry. 相似文献