Visually Framing Press Freedom and Responsibility of a Massacre: Photographic and Graphic Images in Charlie Hebdo's Newspaper Front Pages Around the World

This research examines 441 front-page images published in 367 newspapers on the day following the shooting in Paris of 12 people at or near the Charlie Hebdo office. The aim of this study is to understand how mainstream media visually framed responsibility for the Charlie Hebdo massacre and how these visual frames coalesced to represent collective narratives about press freedom. Through a collaborative visual analysis, this study attempts to understand how the selected visual frames worked to communicate the causes, effects, and responses to the massacre and also to press freedom—an ideological construct that news media had a vested interest in advancing.     

Latina Magazine and the Invocation of a Panethnic Family: Latino Identity as It Is Informed by Celebrities and Papis Chulos

Latina magazine is a bilingual women’s magazine that was launched in 1996 for a target audience of bicultural college-educated Latinas between the ages of 18 and 45. In an attempt to reach such a wide range of Latinas, the magazine makes an appeal to familial forms of identification, often presenting discourses of familial allegiances alongside calls for panethnic solidarity. This article presents a case study of the construction of Latinidad through a textual analysis of Latina articles on entertainment and romance and through interviews with the magazine’s editorial staff. Latina oscillates between celebrating the inclusion of Latina/os in the U.S. entertainment industry and speaking out against the criminalization of Latino men and the hypersexualization of Latina/os. This study situates the creation of Latino media in relation to theories of panethnic identification and research on the ideological function of popular culture and the marketing of ethnicity.     

Editing Conservatism: How National Review Magazine Framed and Mobilized a Political Movement

This article examines how National Review magazine helped to spark the 1960s American conservative movement through its particular framing of conservatism and how the magazine has worked to sustain that influence even until today. Using research on frame alignment in social movements, the first issue of National Review is analyzed and placed in context with contemporaneous events and publications. The creation and editing of the magazine is found to parallel the creative and deliberate framing of the early conservative movement. The implications of National Review's success for today's political movements and for creators of political media messages are also discussed.     

OUT-ing AIDS

Little is known about the relationship between the Irish gay press and the AIDS crisis during the 1980s. This article aims to fill this gap by presenting the findings of a study dealing with the AIDS epidemic in Ireland and how it was confronted through the alternative media platform of OUT magazine. Using issues of OUT, it argues that alternative media in Ireland were pivotal in generating vital public health information for the gay community, particularly when the mainstream press and Irish government were not providing the necessary resources. This article also highlights the activist potential of alternative media such as OUT, as it engaged with public bodies in an attempt to hold them accountable for their response, or lack thereof, to the epidemic. The Irish gay press is thus an important example of how alternative media are critical when mainstream society ignores a particular group’s public health needs.     

Emotional Labour in Magazine Work

This ethnographic research concerns the management of emotions in the editorial offices of the Finnish fashion-oriented lifestyle magazines, Elle Finland and Trendi. The material was collected through focused interviews and participant observation in editorial shoots. The analysis focuses on the informants’ ways of acting in the editorial shoots and their experiences in their work and the role of emotions in content production and co-operative work practices. The study demonstrates that emotional labour is required in production of content that is aimed to move, please or surprise the model reader and through her, the actual readers of the magazine. The members of the photography team are inclined to suppress feelings of anxiety and at the same time support and encourage other team members and the photographed subject. Emotional labour maintains stability in a tightly scheduled and goal-oriented teamwork, and enables team members to attune to the intimate and convivial atmosphere. The study also gives evidence about cruel optimism as it points out how magazine staff adjust to the uncertainty of the magazine field and the increased personal workload by invoking in themselves feelings of enjoyment and suppressing feelings of strain.     

International Cooperation and Globalization of the Magazine Industry in China

The cooperation of Chinese and foreign magazine publishers started from 1981, featured by Computer World. However, the much more influential copyright cooperation should be the publication in Shanghai of ELLE in 1988 and the cooperation between Trends Publications and Hearst Corporation in 1998. In August 2005, working together with China Pictorial Press, VOGUE published VOGUE China in China and this can be regarded as the most influential fashion magazine. The present situation of Chinese periodical market shows that the main competition is between foreign and native capital. To some extent, the global publishers working with Chinese publishers present several areas of concern, danger and risk. In the context of globalization, what we should do is find the common points and how to integrate external business methods, not only chasing profit in a single way and only pursue immediate capital gains.     

‘FOR FARMERS,BY FARMERS’

This paper explores the benefits of using in-house periodicals for writing the history of interest groups and unions in southern Africa. In particular, it focuses on using The Farmer magazine as a source to write more nuanced social and cultural histories of white farmers in Zimbabwe. The importance of The Farmer to the white farming community is laid out and it is argued that long-term and detailed readings of this magazine offer the opportunity to explore the evolutions in discourse within the farming community, the processes of transition and the ambiguities of independence for a group like the white farmers. The uses described are ones that have rarely been put into practice in southern Africa, but are also ones that can be easily transposed to other settings and context.     

Effects of Celebrity Media Exposure on Box-Office Performance

This article examines the relation between box-office performance and celebrity media exposure, as measured by appearances in the celebrity magazine, People. This study employs variables that capture different time periods to test whether People magazine appearances were merely part of a general promotional effort by a studio or whether appearances reflected the popular appeal of the actor. The results indicate that promotional appearances do not significantly affect box-office revenues. In fact, it is the star's popular appeal reflected in appearances prior to the promotional push that significantly affect box-office success.     

Really Social Disaster: An Examination of Photo Sharing on Twitter During the #SCFlood

In the open marketplace of visuals where the most valued photographs “rise to the top” via tweets, likes, and retweets rather than being dictated by professionals, the study of what makes an image go really social is merited. One occurrence during which professional photojournalism and nonprofessional photography truly coexist, intermingle, and blur is that of a natural disaster. A body of research exists that has examined the visual framing of disasters, but none has addressed how these differently framed photos go social online or by whom. In this study, 1,078 Twitter photos shared by professional media outlets and nonprofessional tweeters were examined to see what portrayals of photos are elevated in the network. Established frames and new frames were examined: depictions of people, emotional hierarchy, novelty, victims, ordinary people, uniforms, emergency professionals, valence, pragmatic, human interest, and political. The results add empirical evidence to the different ways that professional members of media and other visual sharers understand, visually communicate, and react to disaster and add to the visual framing literature an element of really social visual framing.     

Among the eminent,the aspiring,and the young: A short history of new world writing

New World Writing, a magazine founded by New American Library in 1952, quickly became an important vehicle for liberal intellectual and literary thought. In addition to providing an outlet for new writing, the magazine became an important acquisitions tool for NAL. Throughout its lifetime, New World Writing remained a showcase for many of the finest writers of the 1950s, including Christopher Isherwood, Louis Auchincloss, Tennessee Williams, Flannery O’Connor, Jack Kerouac, and Gore Vidal. He is the author of Under Cover: An Illustrated History of American Mass Market Paperbacksand Heavy Traffic and High Culture: The New American Library as Literary Gatekeeper. He is working on a study of American literary agents     

Mobile Journalism as Lifestyle Journalism?

Mobile journalism is one of the fastest areas of growth in the modern journalism industry. Yet mobile journalists find themselves in a place of tension, between print, broadcast, and digital journalism and between traditional journalism and lifestyle journalism. Using the lens of field theory, the present study conducted an online survey of mobile journalists (N?=?39) from six countries representing four continents on how they conceive of their journalistic role, and how their work is perceived within the newsroom. Participants were journalists in television, print, magazine, and digital local and national newsrooms. The present study sought to understand how mobile journalists see mobile production as a part of their journalistic role, and what field theory dimensions influence mobile production in their newsrooms. While prior research has established a growing prevalence of lifestyle journalism, the present study finds that the growth of mobile journalism represents the development of lifestyle journalism norms, such as content driven by the audience, within even traditional journalism.     

Mirroring the Media: The Relationship Between Media Consumption,Media Internalization,and Profile Picture Characteristics on Facebook

Social cognitive theory suggests that stereotypes of attractiveness from mainstream media may function as models for online profile pictures. The present study explores the relationship between media consumption, internalization, and body-ism, clothing, and gaze through a content analysis of the Facebook profile pictures of 288 students, and a survey to assess their media consumption and internalization. The relationship between magazine exposure and pictures was mediated by internalization: magazine readers who internalized media ideals were more likely to select pictures showing their body in revealing clothing. Television viewing had a direct effect on picture selection, but was not mediated by internalization.     

Gender Contract and Localization in Early Women's Magazines in Finland Since 1782

The publishers and editors of the early Finnish women's magazines were familiar with Central European, English and Swedish women's magazines. A women's magazine started the history of Finnish magazine publishing in 1782. However, it survived less than 6 months and the next 2 women's magazines appeared only 70 years later. The article asks how the publishers of the first four magazines chose, adopted and localized this particular international magazine genre. Successful localization needs the approval of the content by the readers. Only the fourth women's magazine Koti ja Yhteiskunta (Home and Society) published in 1889–1911 managed to create a permanent readership. The central theoretical concept used to analyze the localization is the gender contract, which defines the rights and duties of women in society and is renegotiated as women's situation is changing.     

The Characteristic Analysis of the DARE Visual Space

In this paper a distance-angle-based visual retrieval tool DARE is introduced. The distance-based similarity distribution, angle-based similarity distribution, and the differences of their distributions in the visual space are analyzed. The document cluster analysis in the visual space and the document cluster comparison between the document space and the visual space are addressed. A new concept—Distance to Reference Axis—is introduced to better understand the visual space. The impact of other operations in DARE on the document distribution is discussed. Future research directions including significance of the index term distribution in the visual space and a user study are addressed.     

Trade magazine content and am stereo,part II: Am stereo editorials

In the second part of a study of trade magazine editorial content reported by Huff (1993–1994) in the Journal of Radio Studies, the author discovered discrepancies in trade magazine opinions about AM stereo. Editorial positions taken by Broadcasting and Radio World during the 11 years of the controversial AM stereo marketplace (1982–1993) are not necessarily reflective or representative of broadcast industry views. Some agreement of opinion between letter and editorial writers about AM stereo is apparent, but it is obvious that there is also a great deal of disagreement.     

《中国国家地理》杂志的“地理味儿”

我是《中国国家地理》杂志内容总监,迄今已在该杂志做采编工作20年,亲身经历了她从《地理知识》杂志改版更名为《中国国家地理》、发行量从1.5万册/期增长到100万册/期、杂志社从十几个人发展到拥有几百人的传媒集团的全过程。本文通过总结在《中国国家地理》20年的采编实践,探讨了自1999年以来中国科普期刊内容特性的几个发展阶段,探究了该杂志在近20年间是如何将其内容制作的性质从简单科普向科学传播转变的,介绍了其在内容制作方面是怎样完成了对美国的《国家地理》杂志从学习和模仿到质变和超越的实践经验,总结出有中国特色的“地理味儿”是如何制造出来的一些经验。我最想表明的意思是,《中国国家地理》的实践给我们以信心:中国的科普期刊,只要坚持科学传播理念、遵循媒体传播规律,完全可以走出一条有中国特色的科普道路,并成为向全世界展现中国的一张名片。     

Do black women still come first? Examining Essence magazine post Time Warner

Essence magazine is the longest operating magazine catering to a predominately African-American women audience in the US. In 2000, media conglomerate Time Warner purchased 49% of Essence parent company Essence Communications Inc. In 2005, Time Warner purchased the remaining 51% of the black-owned company. As a media conglomerate, Time Warner owns major publishing houses, film, and television production companies, including 130 magazines, New Line Cinema, CNN, and HBO. Essence states it is “the voice and soul of Black women” Collins [Collins, P. H. (2000). Black feminist thought: Knowledge, consciousness, and the politics of empowerment. New York, NY: Routledge] argues that black women must speak in their own voices in order to reject prevailing stereotypes operating on the bodies of black women. The mission statement of Essence aligns itself in what Collins calls “safe spaces” for black women to self-define themselves and articulate their lived realties. A critical theoretical framework allows uneven power relations to be examined and offers emancipatory perspectives. The goal of this study is to examine if Time Warner’s purchase of Essence has caused a shift in the voice and content of this magazine.     

Legitimating TV journalism in 60 Minutes : the ramifications of subordinating the visual to the primacy of the word

–The television news magazine genre carries with it an implicit bias that began in an earlier stage of television's dissemination when TV journalism sought to be legitimized by using standards of objectivity handed down from newspapers and magazines. This article contends that this legitimation was attempted by valorizing the rhetorical power of the spoken word and effectively ignoring that visual images carry independent persuasive power–persuasive power, moreover, that often contradicts the verbal and escapes the containment of the objective word. In support of this contention, the essay examines several episodes of 60 Minutes programming. Particular attention is paid to verbal and visual juxtapositions in which the visual imagery and editing choices subvert the stated intentions of the verbal elements. The aim is two-fold: to contribute to critical rhetorical analyses that seek to comprehend the impact of the visual in verbal or print-oriented contexts; and to uncover some of 60 Minutes' ideological underpinnings by casting light on the particular version of reality it constructs, and the beliefs, attitudes, and values it shapes.     

Black Radio Listeners in America’s “Golden Age”

“Black Radio Listeners in America’s “Golden Age’” argues that U.S. black listenership has been all but ignored in radio scholarship regarding the 1930s-1950s, as has the context of America’s racial segregation and radio’s active role in affirming and propagating it. The essay argues for an expanded understanding of archive and archival methodology in order to gain a more complex, accurate, and varied understanding of historical black listenership, and, toward that end, performs culturally contextualized close textual analysis across media: a 1937 Lead Belly song (“Turn Yo’ Radio On”), Joe Bostic’s column for The People’s Voice in the 1940s, Frederic Wakeman’s 1946 novel The Hucksters, a 1949 feature on black listeners in Sponsor magazine, a 1934 Vitaphone Short featuring Cab Calloway, and Ann Petry’s 1946 novel The Street. Through engaging with widely-varied representations of black radio listenership, Stoever argues that black listening practices from this period not only challenge the periodization of this era as the “Golden Age” of American radio, but also upend traditional categories of active, passive, and “resistant” listening that scholars have employed to understand media reception, revealing that active listening can look and sound different for black listeners, particularly in a period when listening “actively” to segregated media in ways prescribed by the dominant culture often proved to be deleterious. The act of “turning one’s radio on” was a complicated act of agency for black listeners, not simply a passive form of ignorance, escape, and/or anesthetization as popularly represented.     

National Narratives: Australia in Asia

Magill magazine was an influential current affairs magazine which was first published in Dublin in October 1977. The magazine was owned by journalist Vincent Browne, who was also its first editor. Having worked in Belfast in the early 1970s Browne saw the conflict in Northern Ireland as one of the main concerns of the news agenda. This article examines Magill's coverage of Northern Ireland which was largely driven by an interest in exploring thinking within the Provisional Irish Republican Army. The magazine's coverage was comprehensive but narrow. Exclusive interviews with republican paramilitaries, who were banned from the broadcast airwaves, were a regular feature as was an interest in hard-line unionist leader, Rev. Ian Paisley. The magazine's journalism in this period has proven to be a valuable historical record of the emergence of the Irish peace process.