The Dangerous Individual('s) Dog: Race,Criminality and the ‘Pit Bull’

Abstract

Though it is generally acknowledged that there is a relationship between racist discourse and the figure of the non-human animal, this relationship is almost always assumed to be analogical: oppressed groups are compared with or treated as non-human animals. But the recent dogfighting case against NFL Quarterback Michael Vick and the attendant suspicion of ‘pit bulls’ suggests that racism today has a more complex relationship with (certain types of) animals than the analogy would capture. An analysis of this discourse both calls for and revises Foucault's notion of ‘the dangerous individual’ as an explanatory concept for contemporary racism. The concomitant revulsion toward both dogfighting and ‘pit bulls’ suggests an expression of fear of a perceived threat to normative whiteness, insofar as these ‘dangerous’ dogs are figured as carriers of the contagion of racial abnormality.     

Attending to the “face of the other” in intercultural communication: Thinking and talking about difference,identity, and ethics

This essay contributes to the discussions in intercultural communication scholarship on key intercultural urgencies, issues, and challenges in today's world through the ethical framework of Emmanuel Levinas and his discussion of “absolute otherness” that informs and expands the dialogue on interculturality, cultural humility, and ethics. Levinas's discussion of “absolute otherness” aims to preserve difference—the otherness of the other—by asserting the ethical relation prior to the ontological relation and carries significant communicative implications in terms of the relation of the self and the other as well as making sense of difference and identity, and offers a new way of talking about these issues in the field of communication studies, specifically in intercultural communication. An illustration of attending to the other beyond reduction to the same is offered through a pedagogical application of the Levinasian framework in the intercultural communication class.     

Assessment of thermo-hygrometric quality in museums: Method and in-field application to the “Duccio di Buoninsegna” exhibition at Santa Maria della Scala (Siena,Italy)

Maintaining the microclimatic parameters at the desired value is essential for artefacts preservation. In order to control the status of the microclimatic parameters, a continuous monitoring of the indoor environmental provides conservators, curators, restorers, and lenders with an exact knowledge of the microclimatic conditions under which the works of art are kept. Moreover, the monitoring results give important information in order to make adequate changes to the control strategy of microclimatic parameters. From this point of view, monitoring is an essential tool to develop an actual preventive control programme aimed at maintaining the optimal microclimatic conditions for preservation. As a consequence, long-term monitoring has to be applied to prevent deterioration of works of art. The widespread opinion that a correct approach to the topic of microclimate control for artefacts preservation is not only and necessarily to provide buildings with sophisticated environmental control systems, but mainly to investigate the actual environmental dynamics and, before any structural intervention, to define the compatibility between the climate control potentials and the preservation requirements, has become more and more firm among the experts. Monitoring also allows to verify the capacity of the “building and Heating, Ventilation and Air Conditioning (HVAC)” system to maintain the desired thermo-hygrometric values within the operating conditions. To this aim, the Italian Standard UNI 10829 (1999) defining monitoring, elaboration and analysis of the microclimatic data as supporting actions for artefacts preservation, led to the need of a long-term monitoring and of a statistical approach to the data management. The approach proposed by the Italian Standard has been recently adopted by a European Standard (EN 15251, 2007). In accordance with the Standards mentioned above, in this paper an operational procedure to assess the thermo-hygrometric quality in museums is firstly synthetically presented and than applied to a case study. In particular, the procedure is developed in order to define the thermo-hygrometric quality level of the exhibition areas in the large museum complex of “Santa Maria della Scala” in Siena (Italy) during the international temporary exhibition “Duccio. La nascita della pittura senese” (“Duccio. The birth of Sienese Painting”).     

Infrared thermography and Georadar techniques applied to the “Sala delle Nicchie” (Niches Hall) of Palazzo Pitti,Florence (Italy)

Two noninvasive geophysical techniques, infrared thermography and georadar, were used in this study to investigate the internal walls of the “Sala delle Nicchie” (Niches Hall) of Pitti Palace, in Florence. The aim of this work was to verify that the original architectonic setting of this Hall was as reported in a planimetry of anonymous author dated late 1700. This document shows that the “Sala delle Nicchie” was characterized at that time by 10 niches instead of the six that are visible today. Both the infrared thermography and georadar surveys confirmed the presence and location of the niches as indicated in the planimetry. This study results prove the importance and benefit of using nondestructive techniques in sites of artistic and historical interest.     

Dynamic identification of historic masonry towers through an expeditious and no-contact approach: Application to the “Torre del Mangia” in Siena (Italy)

The paper presents a synergic and multidisciplinary approach where laser scanner survey, radar interferometric monitoring and finite element (FE) numerical modelling are used for expeditious and no-contact dynamic identification of monumental masonry towers. The methodology is applied to a real case of great historical interest: the “Torre del Mangia” (Mangia's tower) in Siena (Italy). The tower geometry was acquired through Terrestrial Laser Scanning (TLS) techniques. The tower oscillations were detected using an interferometric radar in “Piazza del Campo”, the square facing the Mangia's Tower, along three alignments, and movement of the structure at several heights were recorded. A FE model, built on the basis of the geometry acquired through the TLS, was used to interpret and verify the physical meaning of the experimental results. Through the discussion of the case study, the paper shows that the proposed approach can be considered as an effective and expeditious method for assessing the dynamic behavior of monumental buildings (and to plan interventions) on territorial scale.     

Viscoelastic and mechano-sorptive studies applied to the conservation of historical violins: A case study of the Guarneri “del Gesù” violin (1743) known as the “Cannone”

To assess the possible effects of mechanical loading on the conservation of historical wooden musical instruments, a research project was carried out on the violin Guarneri “del Gesù” (1743), known as the “Cannone”. This paper refers to the results obtained by studying the deformations to which a violin is subjected after being tuned, with special attention to the viscous and mechano-sorptive behaviour (as in a concert environment for example). The amount of viscoelastic creep was quantified under normal tuning conditions, and the mechano-sorptive creep was quantified using a dead mass resulting in 55% of the elastic deformation obtained after tuning. The viscoelastic and mechano-sorptive deformations were clearly observed. These deformations were completely recovered once the violin was unloaded, demonstrating that this violin structure is appropriately dimensioned for the applied stresses.     

A multi analytical approach to discriminate the Italian colored marble “Portasanta” from Portasanta “Marmor Chium” (Greece)

The “marble” Portasanta from Caldana (Grosseto, Italy) takes its name from the strict resemblance to the ancient Marmor Chium (also this called Portasanta) coming from the island of Chios in Greece. In this work, a complete characterization of the Italian Portasanta was made: chemical (X-ray fluorescence and isotopic analyses), mineralogical (X-ray diffraction on the bulk sample and on insoluble residue after acid attack), physical (water accessible porosity and imbibition coefficients), petrographical (optical microscopy) and mechanical (compressive strength test) analyses have been carried out in order to obtain a better distinction between Italian and Greek “marble”, sometimes mistaken. The Portasanta from Caldana (Italy) was quarried surely in the sixteenth century, but a possible use of this material during Roman time is still in doubt. The study of samples from some Tuscan archaeological sites (Torraccia di Chiusi, Siena and Roselle, Grosseto) allows us to confirm the use of Portasanta from Chios for the Torraccia site and that of Caldana for Roselle.     

Structural engineering and geology applied to the static problems of the Etruscan “Tomba dell’Orco” (Tarquinia,Central Italy)

The Etruscan Tomba dell’Orco was discovered in 1868. However, soon after discovery, part of its ceiling collapsed. An investigation was thus conducted with a view to assessing its safety conditions and permitting visitors’ access. Petrographic and physico-mechanical features of the local weak sandstones and mechanically more resistant calcareous sandstones “macco” were determined. Field mapping, drill-holes and geophysical prospecting helped reconstruct the stratigraphy of the volume where the tomb was excavated. The stability of the tomb basement is given by a thick macco layer. A few dm macco layer was identified above the ceiling. A model was then prepared with the Plaxis 2D V8.6 software. The safety coefficients calculated along two cross-sections of the tomb indicated that the margins for the tomb stability are reasonable.     

“Your Guess is as Good as Any”: Indeterminacy,Dialogue, and Dissemination in Interpretations of Native American Rock Art

Abstract

This essay examines the theme of the unknown meanings of Native American rock art in interpretive materials at rock art sites in order to explore the rhetorical constitution of indeterminacy in neocolonial contexts. The implications of indeterminacy are explored through Peters's (1999) discussion of dissemination and dialogue as normative models of communication. This analysis demonstrates that indeterminacy is used to license appropriations and polysemic interpretations of the traces of indigenous cultures, thereby enabling the projection of Western cultural imaginings onto the rock art and discouraging engagement with the interiority of indigenous others.     

Slumdog Millionaire Meets “India Shining”: (Trans)national Narrations of Identity in South Asian Diaspora

Abstract

This study uses the filmic text Slumdog Millionaire to examine how the tension between the nation and the transnational was communicated within South Asian diaspora. Findings from the textual analysis of commentary in the New York Times, The Guardian and the Times of India show that identity is articulated in purist as well as hybrid ways among South Asian diasporans. A lack of comfortable fit between cultural identity and place is evident. The analysis also shows that diasporic identity, hybridity, nation-state, and transnational forces work in particular configurations to raise consciousness about subaltern oppressions and exclusions within multiscalar operations of power and representation in globalizing conditions. Implications for intercultural communication and transitions are discussed.     

The history of the “Virgin with Child” sculpture (Ottaviano,Naples, southern Italy): Hypotheses from archaeometric multi-technique investigations

A life-size whitish marble statue of a “Virgin with Child” has been recently rediscovered in the St. Rosario church located in Ottaviano, a small town near Naples (southern Italy). This artwork shows stylistic features of the Tuscan-Roman school of the 16th century, and is framed in an intriguing historical context. Historical documents testify that the sculpture was a property of the cadet branch of noble Tuscan family of the Medici, the Medici of Ottaviano. A multianalytical approach has been used to try to indicate the supply area of the white marble of the studied sculpture. Considering the whole mineralogical, petrographic and geochemical data, the source rock can be possibly limited to the main classical white marbles of the Mediterranean district, as the classical marble of Aphrodisias. A reuse practice of a former artwork can be also hypothesized.     

Measuring allocative efficiency in Cultural Economics: the case of “Fundación Princesa de Asturias” (The Princess of Asturias Foundation)

The literature on Cultural Economics provides us with some examples for the measurement of technical efficiency. However, there are few case studies dedicated to the analysis of allocative efficiency. The aim of this paper is to fill this gap by incorporating a methodology that analyses both technical and allocative efficiency. We use the Shephard’s distance function, particularly suitable when affronted with non-profit-making firms or institutions that are not interested in cost minimization. As an empirical application, we analyse the efficiency of Fundación Princesa de Asturias (PAF), a Spanish non-governmental organization devoted to promoting the cultural, scientific and humanistic values of universal heritage, the period of study being 1988–2012. Our findings suggest that PAF could have used 7% less inputs to achieve the same level of output. On the other hand, we have found allocative inefficiency. Concretely, the input for other expenditures appears to have been over-utilized in relation to both the inputs for labour and current assets, with labour in turn being over-utilized in relation to current assets. Moreover, our results indicate that both technical and allocative efficiency have clearly improved during the period analysed. In summary, our empirical application shows how distance function methodology can be successfully implemented to measure allocative efficiency in cultural firms and institutions.